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  • Shanelle Franklin

    Shanelle Franklin Australian MC, podcaster and producer S1 Ep23 Listen and Subscribe on itunes , spotify and google podcasts Shanelle Franklin is a presenter, producer, podcaster, voice over artist, MC and writer who is based in Adelaide, South Australia, and a mum of 2. ​ Shanelle has worked in radio, television and the music industry for over a decade with brands such as Channel 9, SAFM, Fresh 927, Foxtel, Music SA and the BBC. She began her career in community radio on Fresh 927 where she presented in the drive and breakfast time slots. It was here that she was able to develop her craft within the media industry. She has worked in television, presenting a national music TV show on Foxtel called Music Room, and she produced, directed and presented her own tv show Jam LIVE which aired on Chanel 9 Adelaide and 9NOW. She has conducted the Red Carpet Interviews and Emceed the South Australian Music Awards, along with many other MC gigs. ​ Currently Shanelle writes and presents a podcast called Motherhood: A Beautiful Nightmare with Tamara Linke, the podcast for the mother who is flying by the seat of her pants. As they discuss topics like incontinence, mumneisia and toddler tantrums, all in a fun and judgment free environment. ​ Connect with Shanelle on her instagram - https://www.instagram.com/shanellefranklin_/?hl=en ​ Listen to Motherhood: A Beautiful Nightmare ​ Find out more about Catherine House Adelaide Connect with the podcast here - https://www.instagram.com/art of being a mum_podcast/ Music in this episode is used with permission from Alemjo - https://open.spotify.com/artist/4dZXIybyIhDog7c6Oahoc3?si=aEJ8a3qJREifAqhYyeRoow When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum, the podcast where we hear from mothers who are artists and creators sharing their joys and issues around trying to be a mother and continue to make art. Regular topics include mum guilt, identity, the day to day juggle mental health, and how children manifest in their art. My name is Alison Newman. I'm a singer songwriter, and a mum of two boys from regional South Australia. I have a passion for mental wellness, and a background in early childhood education. You can find links to my guests and topics they discuss in the show notes, along with music played a link to follow the podcast on Instagram, and how to get in touch. All music used on the podcast is done so with permission. The art of being a mom acknowledges the bone tech people as the traditional custodians of the land and water which this podcast is recorded on and pays respects to the relationship the traditional owners have with the land and water as well as acknowledging past present and emerging elders. Thank you for joining me. My guest today is Chanel Franklin. Chanel is a presenter, producer podcaster voice over artist MC and writer who is based in Adelaide, South Australia, and is a mum of two Chanel has worked in radio, television and the music industry for over a decade, with brands such as Channel Nine SCFM, fresh 97 foxtail, music SA and the BBC. She began her career in community radio on fresh nine to seven where she presented in the drive and breakfast time slots. It was here that she was able to develop her craft within the media industry. Chanel has worked in television, presenting a national music TV show on Foxtel called Music Room. And she produced directed and presented her own TV show jam Live, which aired on Channel Nine, Adelaide, and nine now. She now has conducted the red carpet interviews and emceed for the South Australian music awards, along with many other emcee gigs. Currently Chanel writes and presents a podcast called motherhood a beautiful nightmare, with Tamara link, the podcast for the mother who is flying by the seat of her pants as they discuss topics like incontinence, Mum, nasia, and toddler tantrums all in a fun and judgment free environment. So I came first came across you through the South Australian music awards, doing your hosting and the red carpet interviews and interviews with the winners. So you've done presenting producing voiceover work emceeing podcasting that you first got your start in community radio, which I thought was really cool, because community radio, I don't think gets enough credit. No, it doesn't. Yeah, so tell me how that sort of started and, and what made you It's again, one of those things really were community radio and the same with 3d. It gives you this my my start was fresh 97. But 3d is exactly the same radio Adelaide as well. Where you have the opportunity to learn on the job, you make mistakes, you learn from them, that's, that's the key thing. So I used to be an event coordinator before that, and events are great, but they just they they age you before your time, you have the unbelief. You look like you've been dragged through a bush backwards when you finish one of them. As much as I love it, I'm not it's not it's not in, it's not in my soul. And I think until you acknowledge something that's in your soul, and truly what your inner being is telling you that this is your purpose, you'll be met with constant things of trying to guide you in that direction. So the event coordinating was definitely not for me, but it certainly is for so many people that are excellent at it. So I remember having this moment and saying to my husband, I'm miserable. And he said quit. We will just live simply. And we did and I think sometimes the more money you've got the the more you spend I know it's very difficult to just quit your job and whatever. But we ended up living quite simply. And not lavish too in order to still keep our heads above water. We weren't going to get ahead because we were spending some of our savings but savings at what cost you know you need to be happy. Yeah, absolutely threw myself into fresh I gave it my my all and I then decided, Well if no one's going to do it for me. I've got to do it myself. So I ended up grabbing the audio breaks off of the off of the track system that got there and put a reel together and sent it to the highest person in radio Eric who happened to live in Adelaide at the time. His name's Craig Bruce. But he was like the boss of Kyle and Jackie O at the time when they're on today FM. But he loves Adelaide, and this is his home. So I thought, What's What am I going to lose? He's not going to reply. I'll give it a go. And email you can kind of hide behind you a week. Yeah, absolutely. So it was easy to kind of do it that way rather than face to face. And he wrote back and said, you sound great. Come in for a chat. So I did that. And I got on air two weeks later. And now I get up plenty of times. I remember the studio door flying over from one of the content assistants saying what was that air brake and I'm like, I was trying to put a call to air and I press the wrong button and I fired that sweeper off and I didn't really oh my god, like it was just it was stressful. And I was like, Okay, I've just got to give this a go. And then I had an opportunity to move to Hobart to be their afternoons announcer. And I was I really love Adelaide. I don't want to move at this point where I'm thinking about having children soon. Maybe I am not going to do it. So I said to them, I won't go and that was like well if you don't take this opportunity, someone else is going to take it up. So they literally said we've got no more work here in Adelaide. And there was some on my bum is what I felt like and it was a low points I thought I've worked so hard to get here and now it just stopped maybe I should have taken it but I had to consider dance job as well. So it was a tricky time. And then I got picked up by a woman that was producing a music TV show called Music Room. It was airing on Foxtel all around the country. It was low budget, but again a great experience. And she said I'm looking for a female presenter. I thought Great. Okay, audition for that got it with another guy. He was the CO presenter and we did three seasons learn an incredible amount. We filmed it here in Adelaide. And it was a music show that was just for rock and heavy artists. And I know where she was coming from she was trying to create a show because the rock and heavy artist didn't weren't getting enough air time maybe on Triple J or things like that. But then I'm thinking we'll need this the folk Carter's and neither is this and neither is that yeah, there's a lot of genres that miss out so that that for me, I was like something's missing here. So after that, I got a job opportunity to run rip it up magazine. But it was at the time where they just folded the magazine and made it online. So upset a lot of people so I'm like great I'm going to be the scapegoat for everyone being devastated when I wanted the print to stay as well but it was a question of money and who was funding it really. So they so they did that and I thought as much as I love music it's that's not what I want to do. That's not my passion or really want to do the presenting side of it. So I thought okay stuff so I'm going to have a baby this is my quick way out of out of river. And that was that was in my mind. So I was lucky enough to get pregnant quickly with summer I had summer. And then I thought what do I really want to do? Because they just made me redundant when I literally was like I have to go back there. I want to go back so I love music but it's not really what I'm passionate it was that inner being going it's not for you. It's not for you, but I'm kind of ignoring it because it was a safe job and money. I remember sitting on the couch breastfeeding and I got the phone call and they said we're making you redundant we're shutting the whole thing down. And I went right okay, that's a good thing. Maybe it is alright Clean Slate What do I want to do? Maybe I can write a TV show who who bloody nose I literally just decided that I was going to back myself which is hard to do. Because the little person on your shoulder one side Jiminy Cricket as a supporter and then this person here is a pain in the ass who says well you're not a producer you can't do this you didn't you haven't gone to film school you you know, all this self doubt. Yeah. Which can be incredibly damaging anyway because often we listen to the negative stuff more And we talk to ourselves I believe far more than what we actually speak out, huh? Yeah. You know, and and I thought, I'm just gonna do it. Okay. So I wrote wrote a show up. And it was going to be a music TV show that was inclusive of all artists. It was celebrating artists that were traveling through South Australia and playing live music venues. So it's hearing them, but also hearing a local artist every single week. From a variety of different genres. I made sure there was heavy in there, there was folk there was pot, there was soul, punk, electro electronics, I wanted to cover as much as I could. So I presented it to the to Channel Nine Adelaide, and they picked it up, but to say they picked it up, that was a year of back and forth and back and forth. And I literally I felt like I was almost due for a nervous breakdown because I signed up these sponsors to invest in this show. And because you need to pay creatives to work on it, I was 100% going to be that person that was paying people for their work, the film guy, the editor, graphic design, work, all that sort of stuff. And then from there, it literally I had sponsors it invested I had a letter from nine saying we're going to air it but they also could have gone the minute they seen it. Now we're not liable for anything. They said he puts up to our standard we'll air it. So people invested in the show. I spent that money and paid the creatives then sat in the wings and went please add this because if you just put this in the bin, I'm up ship creek without a paddle, but it was just the most terrifyingly living on the edge but so much so that of course so much anxiety. During this old time, I decided it was a wonderful idea to get pregnant with my son what plan Oh, I've got no idea. Shit. Wow. So you've got the you got the 18 month old some are running around little girl, SAS pot, and then so much morning sickness and literally crawling around on the floor trying to appease this programmer at Channel Nine and pretend everything's rosy and you know what? Pregnancy I can do this I like the phone I'm like, oh, like really good. Oh, it was this facade and that I was putting the mask on the whole time. And Lisa Bishop from the external manager from music essays said to me because they jumped on board and they were supportive and she said it's alright you know I've got kids too it's it's hard loving and unloved is really hard like Why have I done a TV show when I'm pregnant and got a baby and I just Oh my god and she wasn't a child carry that so you know you you go to the point where I remember I was on the phone to a Sony record label getting approval to have an artist on and I'd left it for a second because she was carrying on so I thought I'll just go down the hallway to have this cool conversation on the phone with the Sony rep. Having a great time I've walked past she got into the friggin manuka honey. And I took one look and I went I can't do anything about that because I've got this into something cool last yes given her yay. Three jobs she's ever no not my kids got the honey all over the floorboards and they're all floorboards so there's cracks in them on like that's going to be ants for about 100 years Yeah. Oh my gosh. These moments where I've gone oh my gosh, just that's too much. And so we finally we finally got it on so that was that was great. Yeah. And I literally when it was on TV I was hanging my head because our in some of the TV Go Mommy There you are. Like, yeah, let me but I'm hanging on a thread because I was 37 weeks pregnant. And it got on and it was received really well. And it was it was great. And I then was it was due to watch the last episode air on TV and I went into labor Oh well he was only was 37 minute labor so that was trying to get out of me no time for anything except survival is what I was feeling at the time. Yeah, it was just so anyway had him he came out not breathing. So then there's that moment of when we're nothing else matters but but life because it was just a bit quick for him. And then suddenly I had this moment and every TV went down in the hospital. And I thought, well, that's a bit ironic because I think the universe is telling me to just stop and be in this moment with my child. And don't worry about the TV because it was going to end no matter what don't do an Instagram post don't do a Facebook post, just leave it and be with your child who who that was that moment I would never forget because he finally started breathing. You know, so thankful and and then that moment of realization and my husband took a photo of me and it's the most raw photo I've got, I've got no makeup. I'm not an absolute mess. And he's just putting put on my chest and got feta cheese all over his face. And I just held him in like cried and I was like, Oh my gosh, that was just all the tears of everything. Yeah, that I was trying to be the best version of myself and honor my career so to speak and be your mum to summer and be a new mum to Ali and live in this moment and then, a week after the show, after after, I'd had Ali boobs out of control milk everywhere, not sleeping. Great. You know, as women do your bleeding a lot after you've had a baby. And the Channel Nine people say all the one guy said can you have a meeting? I mean, like Sure, sure. Sure. Well, I'll just make it happen. So suck got set summer up with a endless snacks in the back car seat. Dan was still off from work. He pulled into a loading zone, Ollie feed him one one boob was bigger than the other committed to one move. You and he was reflexes so constantly through that threw up so put him in the in the car seat. Dan was idling in the car because you know, they're like the hum of the car. Just you know, release all those emissions anyway, thanks. And then I walked in, and I sat there and had this meeting with this big rig at Channel Nine. And they said we're not going to renew it for a second season. You did great. We did awesome. But music TV is just not where we're going. People were viewing music TV very differently. It's all very online. They don't sit and watch TV like they did count. And this was a very different show to count down. It wasn't on a set it was we were in the venue's filming. And it was it was great. But he was like people aren't watching live TV like that anymore. And I actually in the one season got the same amount of viewers that the loop got on channel 10. So which had a crapload more money behind it. So I was really stoked with that. And one and the second to last week, we actually I beat the football ratings. Oh, we can't get that Kenya. I was sorry. I was like, right. So they put me on at 430 on a Saturday afternoon, which is a tricky time. And you only get the ratings of people that are physically sat there at that point. You don't get the people that catch up. And let's be honest, most of us catch up on TV. Most of us don't just sit where the TV tells us that something's on we work around what we're doing. So that was a kind of a moment. I remember walking out one big big and the other side was lopsided. And thinking to myself, Okay, this is just the different I don't know what's happening and I remember feeling excited for the future. But then two weeks later felt really low. You know, where the where you've had no sleep, and you just exhausted and I thought and now I appreciate the time I had to just be still but as a creative. It's a really restless feeling. We don't I don't think we do very well when we're told to stop. If we stop ourselves, it's fine. But if we're told to stop, and we're halted and press pause, and we can't do our art form, it feels really Yeah, it's not it's not nice feelings. It's you get filled with anxieties, frustration, quit your question, everything question everything is what have I done enough that should have taken that phone call or should have done this should have done that to push yourself more. So I did a stood still for a while. And I then a year later wrote a podcast, because podcasts. In America 80% of people listen to podcasts. But in Australia, it's about 35 to 40%. But the rate here is growing faster than it did in America. So Aussies are really getting this trajectory, because I think podcasts are the medium where it gives the listener respect, because they've actually chosen to tune into unlike radio, again, like commercial TV where it just feeds out you when you've got the car on or you're told to listen to a song or you're told, here's an ad break, or the weather break, the podcast is completely the business choice, whatever they decide to listen to, whether it's crime, whether it's your podcast, whether it's something to make them laugh, it's an active thing. And it is almost a bit of therapy, because they're escaping whatever, they're escaping for a bit and having some downtime, whatever it is, so it is so they're really powerful. When you get into them, and they can be addictive, because you go What else can I listen to and learn? It's great. Yeah. So So yeah, so that was I wrote a podcast idea. And I wrote it with a friend of mine, who is a football star. And she got picked up to do the mix Breakfast Show, and could no longer do the podcast with me. So I wrote this idea. And then it went down the Pope. I remember having a chat with her. And she's like, I'm so sorry. And when it's your friend you like don't make you you chase what's happening for you, you go like back to 100%. And I truly still mean that to this day, I was just sad for myself, that I fell on my bum again. And I remember handing the children a packet of tiny TEDx whether it was the dinner time or not, I didn't care I handed the major packet of tiny Teddy's and just said just watch the Sun TV for a minute. And I went in the pantry and had the ugliest cry. Loud real, like God again. And the end, my face was all fat and bloody puffed. And it was just I it was the release that again, I needed. But I then had this moment where I just needed to fall apart, not in front of them because they'll come over and go What's wrong mommy and white, you're iron and you crying more? starve yourself. And then you look at them. And they're so cute sat there in their Teddy's watching boy, then you cry again. Yes, you have another second wave coming. So you're in the shower, and you do that again, whatever. And then you finally get this thing where you've completely dehydrated. And you pick yourself up. And I literally was in the shower. I love a good thinking session in the shower. And I thought what podcasts do I really want to write, I want to write something that is and I always thought I would never do a career to do with my kids or motherhood. Always thought I'd be different to that. And somehow it's led me to that. So I wrote this podcast that I wanted to share a bit for the mother who's or the dad but mostly the mums flying by the seat of their pants. And for someone that just needs to listen to it and go you know what? I'm going through the same stuff. And it's hard but together we're stronger because that village doesn't exist anymore. Yeah, that's so true. Yeah, it really doesn't and so many feel so isolated and almost don't realize how isolated we are. Until we hear something that someone else does that's the same and we go yes my kid does that to drives me crazy or or the incessant shouting in them with a drill sergeant in the morning to get ready for school we you know, we all kind of do it or issues with the pelvic floor where we worry about doing lloween and knickers or something. All these? Yeah, yeah. So we are actually more alike than we think we are. So I wrote this podcast and I pitched it to a girl that I started off working at fresh with she was volunteering to but when she got picked up by Nova that was when I got picked up by sa femme and then we both didn't work for them anymore. I'm and I said to her, Do you want to start for coffee? And it's one of these things that I am so glad I did we sometimes second guests should I should or not? Should I ask that person for coffee? Should I make that call? Should I send that text or email? Yes. For again? Yes. Because what have you got to lose? Yeah, absolutely say no. Well, okay, it seems a bit but you the worst is the regret or not knowing that's when you feel your crappiest. And it might not be now it's often later that it rears its ugly head. So I just sent her a text and said, Do you want to go for a coffee? And she went, Hey, lady haven't seen you know, just as short. I sent my shout let me you know, halfway. So we did that. And we I pitched it to her. And she went, Ah, yeah, sounds good. I've actually got my studio. She's a voiceover artist. So she's got a little studio that she's, she's made about her husband's warehouse. And it was perfect, because you don't need to pay for studio space. So we threw ourselves into that. And then it all kind of started falling together. Apple did a feature on us early on. And then we teamed up with Katherine house and raised just over $5,000 for their helping a system, we created this chemical to help a sister out. Because again, we wanted to be this kind of help. When you went out one of our fellow sisters needs us we stand up whether whether we're a mother or not, you know, it might be if you're in a position of power to help in a position of power means do have a house and a job, or you know, something like that. So we're all most of us and the majority of us are in that position of power, who might not have a lot we might have been loaded, but we can spare 10 bucks. So we can give up one coffee. Yeah, to donate. So that was the behind that. So we did well there and then it started to creep creep up a bit. And then Apple did a big feature on us only last week. So I remember checking the dashboard of our listeners and it shot up and I went a week prior they needed so they sent us an email, sent us an email and said, Can you submit your artwork a different way? And I've just done it in Canva because it was an easy option. And they said oh, we need it in Photoshop. Fine. I'm gone. Again. I'm not a graphic designer. So I run an old friend and said, I need your help. Please. Can you help me if I send you the elements? Can you just put it in? He said sure. That's fine. He's a muse. Oh, yeah. And he's a bit he's a brilliant graphic designer. He said, Sure, send it over, it's fine. So they sent it back and then they featured us and then since then, we've started to do well with it. But the idea is just to give mums that point to have a laugh and a break and see that their journey is much the same as the rest of us. Yeah, it's almost like it's like a validation that you're not alone. You're like I mean some of these there's the episode titles I've just got to read them out because they're so good. It's a bunch of don't wait your pants which is hair I can relate to that one my you know my amnesia when you're the baby sucks your brain out and you can't think of anything ever yeah x let's talk let's talk six which is good and chic man which I really like this shit well yeah, it's like it is where you're honest it's yeah, it's it's we do get that title of being you know I remember being so caught up with it a few things and work related or pressures you put on yourself that's probably more what it is. And then someone was just not listening. Far out kids like listen, listen to us. Not listening. Actively not listening. I've had their hearing has both been checked. They exceptional here is hearing me banging on about nothing. And I lost my lost my shit. And then you feel so I was like, wow, and then ship on ship on ship on ship. And that's what you do because you go I didn't mean to but actually was your fault that I know, you don't tell them that you just You're so wound up sometimes it is like a rubber band that just goes snap when you're in that moment. Since doing the TV show music, they got me on board to do their red carpet and backstage interviews, which I loved because it was chatting to all the artists and the winners and people coming in. And that was all good fun. But since doing that one of the people that one is nameless for Hansa, and he won the Best International collaboration award last year. And someone asked him, Do you know anyone that can see? And this was at just the last few seminars and he said, Oh, yeah, Chanel, Chanel can MC had an MC the thing in my life, but and I again, there's that short shot of doing that. Figure it out later. Then I had this meeting. And it was to be the it was at the convention center to be an MC for it was the Iftar dinner, which is a Muslim Ramadan thing. So how am I going to say these words, but anyway, I practice, practice, practice, did the MC gig and I felt that I came alive in myself. I was like, I love doing this. This is great. Like I really I just I felt validated, I felt like because always, I loved music so much, but I couldn't seem couldn't play an instrument. And I always thought the presenting side was my connection to it. But now the emcee work to I felt that that was where I could bring something that is inside me rather than something that isn't like playing an instrument or whatever I will sit there and have a vino and just play all the different tunes and just love it so I'll do it on my own don't even need anyone there. So I've got such a passion for it, but I can't bring a skill set to it. Apart from the the art of the communicating and the chatting. Yeah, so once that finished I then got brought on by Flinders uni to do their bands, the MC and book their artists COVID came with everything. Thank you COVID And I was I was cursing COVID for them because it was it was squashing me I was like I've just got this opportunity. And now it's going down the beam going in the bin. And then from there a few other big events like there was a big cheer competition and a few other big things that were coming out of the entertainment center. They needed an MC a school mom put me forward she goes I think Chanel does stuff like that done at once. But who worked it out later. Yeah, I put myself forward for that. It went really well. And then I started then Live Nation contacted music essay and said we need someone to do our ones to watch launch. Who can you recommend? They put me forward. And then suddenly, it all started just the universe seem to be working in my favor for what it seemed like for once. And I said to a girlfriend of mine who did a Reiki session on me because Reiki is fantastic. And she said, Have you ever I said I'm just sick of my career being stopped start stop, start, stop start. And she said think of it as stepping stones. Not stop start one lily pad to the next rather than hold stop progression. And I think when I started thinking of it like that, I actually changed my mindset and felt a million times better. And then music essay said we can't fly over the Triple J presented Can you do it? Sure. Yeah. And then that was that and then I had I just I felt like I was living my true self being out there and I truly loved being a part of the being next to the artists that were winning being amongst the finalists, hearing the cheese being amongst the performers, the Aboriginal opening ceremony like the smoking ceremony. Yeah, that just makes you come alive. I felt really connected to it and truly grateful. So that's that's been me. That's been my my journey of motherhood career a juggle. Yeah, and I've learned as I've failed, pretty much that's been the sense of it. Day Yeah, yeah, there is hearing hearing you express all of that. There's so many common themes about, you know, you can, you can feel that little bit of the self doubt. But you've got to do it anyway. Because you're so you're very open. Like you say to the universe, which is awesome, because I'm the same and a lot of our listeners are so that is so cool. Then you mentioned the Reiki, it's like, you're willing to let go of it and say, right, Oh, am I meant to be doing this? What am I meant to be doing and allow yourself to be guided in that way? There's absolutely no hesitation in that. And that's when you know, I think when you're living the true version of yourself, when your inner being and your physical self match up, it is pure harmony. And it is it is felt you really do feel it. I read a quote in a book once that said, I lied to myself, but my heart never believes me. Yeah, so hard for me. It's basically you can tell yourself, I need to be in this lawyer job, or I need to be working for a good ship boss, but he does pay me well, or whatever, you know, to do all this sort of stuff. But really, you know, you actually know and whether or not you're going, you know, but what I really want to do doesn't bring a lot of money. Find a way to turn that into a business because my husband what he does for work, he loves his golf is obsessed with his golf, and he's obsessed with Liverpool Football Club and Port Adelaide and all that sort of stuff. That's his thing. That's his passion. Some people have a passion and have a job. And they're happy to swap the hats when needed to be and then he's got his dad hat, husband hat friend hat. That makes him happy. Because his dream was to be a professional soccer player. He's 41. So he's an bus with a busted knee. So he's like, Okay, well, I can still do the other things and live and enjoy that. When I've got my job. Me I need to my job needs to fill my soul. I'm a Pisces, I feel things real deep. And I need it to, to I can't just I don't want to switch those hats. I want them to to be in as one. But one thing I did find really important was that I had an outlet away from my kids away from my husband away from my work. Yep. Which is my presenting MC work. I needed something completely different. And I found kickboxing. So it's bloody great. Anyway. Great time. So I go there twice a week. And this is a pressure report. And so so the kids come home from school. Yep, I'm like, right, throw him in a shower, and or a bath, use your shower, because a bath means that the it's reminiscent of a raining rainforest in there after they've left. It's like a slip and slide for me. I got to tell them often I slip. Oh, good driving up. So I put them in a shower quickly. Because the those nights I need them to be doing what they're told. And then I get them dinner. And then when dad comes home, all he has to do is do readers with summer read only a book and put them to bed and have a little play. So then I'm not at the minute he's coming home shoving it all on him. And then it's he's like, I'm struggling with this. So I feel like I've ticked those boxes. Now I can do it. This is what we do. We try and get it all organized. And then I'd go there for one hour, no phone. No, I'm uncontactable for one hour of that day, and I just do my thing. And it feels good to just give it a feel that I come home and I'm in that even though they're in bed some of some time still shouting, using every excuse under the sun is why she doesn't need to go to school tomorrow. Half anyway. Oh my god. She's a teacher. And then there's money. I I love you. I love you too. Please go to sleep. So I've come in, but I'm in the best mood because I've had that release. Yeah, that's somebody who's been really powerful because if works been frustrating or tricky, and the kids you know, be it's been, it's been a day, let's just say that's my way of just forgetting about everything and having a reset whether someone chooses to meditate. Another I read in a book recently about meditating and you can literally set your phone for 10 minutes, set the alarm for 10 minutes, put it on flight mode, and just be at peace and know that you're not going to over you're not going to go into this deep state where you are going to not forget to pick up your kids from school or sorry gonna forget to pick them up. You can just have 10 minutes to yourself and that's powerful too. We need that reset away from the whole thing. Oh yeah. That Is this something that every mother that I speak to on this is exactly the same thing. And that's thing, it doesn't have to be some great big thing. It doesn't have to be that you go out, you know, for hours and do some crappy thing. It's the hour at the kickboxing or the 10 Minute Meditation, as long as it's something I think is consistent. And that you can say, Yes, I'm going to do this, it's important enough to you. And yeah, like, make, make it so it's easy for the people that you're leaving at home, you know, like what you've done, you've you've got it all prepared. And then you're like, right, I don't have to worry about anything, because I know that everything's sorted. So it's Yeah, I think it's just so important is just that the most important thing really, is because I'm a better mother and a better wife. And then absolutely say, and I think when you live with a creative when you're not, I mean, everyone's creative in their own way. But when they don't do it for a living, when they've got more of a job, that kind of makes sense, or maybe a little bit more serious in like, let's say a banking field or a law field, as opposed to being a musician or another type of creative credits can be up and down a lot. And it doesn't mean that they're manic depressant or anything like that. And some of them are, and that's absolutely fine. But that doesn't mean you need to label them. It's just it's just, they're in their head a lot. And they have moments of feeling wonderful about things. And then sometimes they're just feeling like they're plateauing a bit. And I think that that can be tricky, too. So doing that kickboxing for me, is the best way that I go and reset, you know, you could be getting, you could have got an email that just wasn't wasn't the email you're hoping to get. And then you wear that on your shoulders all day real heavy. And then the kids are at you, for whatever reason the dog has put on the lawn and you've stepped in it all the just it does. It's got it's one of these things, it's never usually one thing, usually piles of things that we don't realize are accumulating until someone puts that last little bit and then it all goes bowl. And then we wonder why we're feeling so exhausted, tired, overwhelmed. It's the stuff we didn't realize was piling up before. Yeah. Yeah, then if you can, if you can knock down that pile, just like you know, by doing these things for yourself, just not allowing it to just keep keep going and going going. Exactly. That's really good advice, yeah Absolutely. Because mental health is something that I mean, I've got my own background with mental health and a lot of people I speak to have, but I feel like it's still not something that we're really great. I mean, we're good at talking about it. But the people listening to us perhaps aren't that great at listening and accepting and going oh, yeah, that's actually normal. Yeah, it's I'm finding in this in this podcast that people are being so honest, it's actually that same thing of like, people realizing with with your podcasts with the mums, we all have these things that go crazy. And we all have the same experiences and we've mental health to it's like it's actually normal. It's actually part of life. Yeah, you know, and we throw kids in the mix too. There's a whole lot of different levels of hormones and things going on that again, it's that hat moment where you're like I don't have a minute to cry and then a banks up for the next time. So you're wondering why you crying harder the second time because it wasn't the right moment for the kids needed. You're at that point. So you kind of just pushed it to the back of your mind, but I think mental health Is, is such an umbrella term. And I think every mother at some point, several times will go through their spurts of it, whether it be good, especially because you're still trying to live that version of yourself, be there for everybody else, it is really tricky. And a lot of mine was down to my work being frustrated me and just giving me what I what I did see was roadblocks. But now I kind of look at it as a stepping stones while I was trying to be a mother. So I'm having these moments of self doubt constantly, until I finally started to put the pieces of the puzzle still coming together. And when I had that Reiki session, my friend pulled a card for me and said, keep the faith. And literally weeks later was when that second MC gig came. Yeah. And then I started getting all started getting really great feedback, which was incredibly humbling, but also nice for me to feel that what path I thought I was on is right. And I am I in a different spot to what I was, when I did the TV show, yes, but so much happier, like doing the podcasts. And during my MC work. I am so much happier than what I was on on SFM. And during the TV show. Something still wasn't right. But I felt I needed to learn. I learned so much. And I'm so grateful for those experiences. But I feel like my career's evolved, and I'm happier for it. Because where it looks now is not where I thought it would look back then. But I'm ungrateful because it was obviously the universe's plan to say, we needed to stop that season of jam live, but only one to give you one for the experience. And then you're moving on to the next journey of what that's going to be. Yeah, at that moment in time. I felt really low and really bloody sad. And I'm like, is it the breastfeeding? Is it the fact that my son has reflux? And I can't put him down? Is it the fact I've got an 18 month old who's very attached to me, mommy, mommy, mommy, or what? I didn't know why I was crying, I was just crying. But then you get to the point where you know, you give yourself more credit than probably what we've been given in the past or that we give ourselves. You take a look into the things that you have done. And you give yourself that validation that you deserve. Because there's no better thing to do than to back yourself. That's the thing everyone else validating. Yes, yes. You've got to back first. Yeah. And that's the thing to you. It's sort of reminding me of when you said right at the beginning, how you, you were doing your announcing on the radio, and you thought I'm gonna make up this little show reel of all my little grabs of stuff and just go for it, you know, like, no one's gonna mean, it will I say no one, but some people this happens, but no one's literally going to tap you on the shoulder and say, hey, I want you to come and do this. Like, you actually have to be our way to go. Yeah, I was waiting for it that whole time for someone to tap me on the shoulder and say, Chanel, we're gonna plunk you here, or do this, and it didn't happen. And I that's when I was like, well, the again the age old saying that if you want something done, do it yourself. And that if you have an opportunity, you need to you need to just you need to do it if it's innate in you and your inner being is telling you this is what your purpose is. Get up, send that email, do that thing that you need to do to start that progression and Rome was not built in a day. So it won't happen overnight. You will get roadblocks but if it was easy, everyone would do it. One more saying which is my absolute favorite Oprah when you know when when you know better you do better. That's that sense of me now being so much more proud of what I've achieved as a sense of where I was on the radio and on telly going. I still didn't feel as grand as I thought it would feel I'm here now I'm doing it. I'm on SFM I'm on channel nine. This is great. And I'm like I'm still I didn't know whether I didn't have a chance to enjoy it because I was pregnant. Or I don't know or I was trying On a high debt with baggy tops who does that? Just wear your belly wet be proud of that. But I felt shamed a bit because I thought I'm not cool being pregnant on telly at a music festival. I should be home singing Kumbaya with nice tunes that were you know what I mean? Yeah, yeah, place I felt really out of place until someone like Lisa Bishop who's a mum herself from from music essay said it's okay. Chanel, you can celebrate what you're doing. Show show your bumper off. And I reckon I hid my pregnancy for a good six months. And I shouldn't have Yeah, you can play play doh. Yeah. Yeah, so I shouldn't have, I really should have allowed myself to celebrate that. Yeah, again, the girls that were on TV for music were not pregnant. And they were just a bit younger than me as well. They seemed cooler. So that was what I was trying to emulate when really I wasn't being true to myself. And the better way was to just be me. Knowing this now. So when you know better you do? How's that played? Out? Right now? Oh, that's not the bag and go happy? Want to ask you. This sort of ties into was saying earlier about what we learned from our mothers and they learned from their mothers? Is it important for you, for your children to see you in your own identity as Chanel? Yeah. 100%. And you know what, I had this conversation with Dan, the husband. And he said to me, Chanel. Some people just don't get to he's he's seen the rise and fall. He's seen me get these opportunities, and then me crying a heat when they have just not gone the way I thought they should have at the time. And he said, some people just don't get to do their dream lobby like and I and I, for me that didn't sit well. Because I was like, No, I'm going to because I need to do it for myself. What am I going to ask that? Because I can see I'm having this premonition of me being 50 or 60 years of age and kicking myself for not trying at least so and he said, the kids, you're an amazing man, the kids love you so much. And they will be proud of you if you just worked in a cafe or whatever. And I said, but I'm not proud of me. Yeah. Because you can work in a cafe. Absolutely. If that's what you want to do. But it wasn't what was in my soul to do. And I said, they need to see their mom chasing the path that is right for her, and then encouraging them to do the same thing because they're learning from me. Don't just stand still because it's easy to do. So. Yeah, that's what I mean. Like, if it was easy, everyone would do it. So I said to him, I need them to be proud of, of what I've achieved that I was true to myself. And as I'm getting getting older and talking to different people, people's truths are different. So someone might want to be a doctor, someone might want to own their own cafe or health food store, work in childcare work in the music industry. It's also different to what makes you marched and beat of your own drum. Yeah, but is that was one of my main drivers was that my children were able to be not proud of me, but just see, because I think that when you do what's innate in you, there's a glow about you. Yeah. And I can feel that energy in that sense. And I want them to do the exact same thing with you. If my son's obsessed with Ben trucks, stinky Finn trucks. Drive a big truck for the rest of your life, mate. You ready? Go for it? Yeah. Yeah, that's it. Happy. That's what that's the thing you know, like I can imagine both of them running away from the microphone. They're just not like me in that sense. Yeah. But whatever it is, it's in your soul you do it and and back yourself first and then others will back you two pages How do you feel about followers of your social media or colleagues, knowing that you do have children, you sort of happy for them to be aware of that. I often feel that it's gives a sense of who you are really, as a person when you because we, yeah, I spent time hiding them away. And not from the media spotlight, but from the fact that I was trying to have it all together and my kids, you know, you need to just thought now I just need to bring them along with the journey. And I've brought all the team meetings before and he's watched trucks and on my phone who not great, but it needed to happen. Yeah. And then you move something spilled his snacks all over the floor. And it's really embarrassing. And I was trying to scrape by he cuz yeah, that's the thing. We just need to don't worry about it, bring them with us get stuff done, because what we're doing multitasking is brilliant. And it has not been done before. Yeah, absolutely. It's like we're paving the way for the future, paving the way for fellow sisters that will come come up the ranks and need us to set the platform. Because half the time we haven't had the chance to learn off of a lot of people. Oh, yeah, it's literally like flying by the seat of your pants is a great explanation for it. Because you're you're like, is this gonna work done? I haven't done this before. Gonna give it a try. What's gonna happen? You know, you're just feeling your way as you go. Yeah, I think it's contagious because other women then in a similar position might go you know what, I'm gonna do that, because I needed that reassuring kick up the bum to do what's right for me, you know? Talking about mom guilt, oh, I had this moment recently where I was, uh, my little one kept asking me to record him doing some tricks on the trampoline. And I went out there and I was so ready to record him. And he's doing his tricks. And I realized I hadn't hit record. Because I ma are in storage is full. And you've taken too many pictures of the kids. And there's deleting them. Oh, yeah. Yeah, that's a great topic. That one, isn't it? Isn't it? Oh, and you go through and you're like, actually take none of myself. And not that we could walk around taking selfies, but would be nice to have some, you know, inclusion on your phone. Because they're all of the kids doing their little moments of grandeur, aren't they? Oh, yeah. We're always behind the camera. We're never in front of it. Yeah, exactly. Exactly. So that's like a whole topic. That one is pretty well. I think this is innate in us, even though and this is probably applicable to a lot of women that you deal with being mothers in the arts industry. In the media industry. We're used to being on the front of things because of our art form, whether it is emceeing speaking, presenting, playing an instrument singing anything like that mentoring, when you get your children you're on the back because you push them forward to shine in whatever they're doing whether it's so summer's teacher, my five year old she's asked her to read a little sentence at the liturgy on Friday so I've literally move mountains to go and see this one sentence. I'm making a practice practice Indian getting right what one thought he said to carrying on and anyway I was because of COVID you can have that many people there. So it's just you know, a small amount so I was literally moving heaven and earth to make sure I got a spot at this liturgy so I can wave and record the whole thing on my phone. Yeah, and maybe watch it back after I've had a few videos. isn't having to. Yeah. And then so that's the thing we push them to the front of they're the kind of shines in our life. But when you put your work hat on, you are the opposite of that you're the woman that's either you know, you're playing your instrument, or you're talking on the microphone, or whatever it is. Yeah. So it's funny how we kind of wear many hats. Absolutely, and are able to just like, swap them in, in a millisecond, like it's even milli second, there's no hat stand is no time for the hat stand. Instantly, and then your friend needs your help. So you're instantly there for her or him, whatever, whatever. Whoever is needing you at that point. And then you're back on the Mon bandwagon because you've realized it's 530. And you've not sorted dinner. So then, you know, all the time. Yeah, it's so true. It's incredible. I saw a image main things on Instagram yesterday, and it was of a mom, that was, you know, how you have those plates, spinners, and you've got to keep the plates going. And it was like all the different elements of what moms and I noticed that whoever wrote it hadn't put your own. When I looked at, I think, when you're supposed to do your own thing, like your music or your you know, it was like that wasn't even on there. It was like, Oh, my God, like add that in as well. And it was just well, and that's where I think if you don't add that in, you run into trouble later on. It's a difficult task to put it in. It's, it's something we've got to be really conscious of, and really mindful of, but I think if we don't have that element of putting ourselves not before our kids, but making ourselves a priority to Yeah, or something else. You know, it's, it's really, it's, yeah, it's so important. Because then you go through something where you later on your kids don't need you as much anymore. You always need your money, but as much and then you're trying to fill that void with other things where you and then there's that regret where you missed out on doing that for yourself. And I think we're better at doing that now. I think our mom's generation, our grandmothers, I think learned the hard way. Yeah. And then some of them now at age 50, and 60 are living their best version of themselves, because they've realized they've got that freedom. Where is that? When given that, that grace or that exception? Years years ago? Because you were told to just follow what your mom did? You did what her mom? Do they do what her mom did? Yeah, you know, so now we're kind of having this awakening where we're celebrated for having children and doing this as well, because it's not just that we're able to multitask, but we're able to show that the talents that we do have in a certain area. Yeah. And it's like, I've always struggled with this, this identity thing that deep down, like, you're still the same person that you were, act, like you just happen to have a child. It's like, why should all that, you know, goodness and potential and you know, the stuff you give to the world? Why should that just go? Not finished, your mum now, doesn't matter. Yeah. And the thing is, we work so hard in our careers in our early years, you know, especially in the arts, a lot of that is volunteer work based to get base there to get your skill set up to get your name out there to get runs on the board as far as experience, because nine times out of 10 There's no better way of learning something than just doing it. You know, you study at university, and that's all great, but having actual tangible experience doing something, or you know, playing an instrument, the best way to play an instrument is to do it. Public speaking, emcee work, it's all of that. So it's, it's really, it was really something that I think once you start to get that in in a row, and really start to get some runs on the board for yourself, then you get to the point where you're clock's ticking. And you feel like you're literally two versions of yourself because you're like, I want to have children. I've got that yearning, but I'm just starting to get somewhere. And it's like, and then you finished your apple. Oh can I have the chocolate chip biscuit? I promised him a chocolate chip biscuit if he sat quietly. Oh my gosh, that was the best timing. That was amazing. 73 So sorry, no, no, no, you're fine. Honestly, it's this is being a man. Exactly. Yeah, just just say you get that moment of where you start getting some traction in your career, and then something else innate in you comes a knockin, and then that knot gets louder and louder and louder and you can't ignore it but you're torn between doing what you want. to do and what what is what your body wants you to do. And there's no shame in whether you have children or not. But if there's a desire in you, it's very, very difficult to turn that switch off possible. So when you said before, like you just said, you're choosing between what you want to do, it's literally and what you want to do, like you want to do both things. But how you actually do both things. Like it's just this constant, like the juggling out, it's just yeah. And it was interesting. You said earlier, you're doing you do what you want to do. It's not at the expense of your children. You're not saying you're not putting yourself first that's what it was. It's not like you're choosing put yourself first, but you're choosing to acknowledge that part of your life has been worth and it's important that you are going to choose to do that. Yeah, it's not at the expense of everyone, anyone else. You know what I mean? You know, I think a lot of that stigma years ago, where they would have assumed that you are just selfish, and putting yourself first couldn't be any more further from that. Because the love that a mother has for her child is something that science can't explain, the best poet can explain in words, it's felt so deeply, rather than and it can be described as best possible but it's it's so deeply felt that's where so many mothers have turned around to each other and go now, you know, that feeling? And they agree, yes, they get it. So it's not possible to for a mother that wants to be there for her children to just go, oh, well, I'm putting myself first it's not that it's acknowledging that you are a priority to and that you deserve to still be who you are. Because often we're having children at an age where we have still sick, we're not having them at 50 years of age 60 Some, some women are but very unlikely. We're mainly doing it between the ages of 25 and 45. Yeah, it's like we're still young to do what we want to do in our careers. change careers. 5060 Yeah. Yeah, whatever it is, where they go, You know what, I never did this. And I'm kicking myself, but I'm doing it now. Great. Yeah, absolutely. Motherhood and work is no mean feat. And it is incredibly challenging. But I think what's more challenging is the not doing and then not owning who you are, and then not giving yourself an opportunity to shine. Like you being a singer, an incredible singer, I might add you you get this opportunity where if you weren't using your voice and writing music, theory has the opportunity to hear you music and in itself has the opportunity is this art form really that that allows people to feel something when they hear you. And most artists are truly themselves when they are either playing that instrument or sing that song. Most often that they're most often that songs. So what if you're not using your talents that have been the universe has given to you? What a waste? You? Yeah, absolutely. Give yourself back yourself. Know that? Yes, it's it's certainly not easy, not easy at all, by any stretch of the imagination. But what I feel is worse is the lighter the not doing the regret because then you can't change it. That's it, isn't it? It's buy time back. So if there's any any kind of kick up the bum, if anyone needs anything is that moment where you said you were at your your old workplace. And you said I just had this moment of realizing that I needed to follow my passion. And the passion just came things just have a funny way of linking up. Oh, yeah, that's it. Yeah, you just gotta you've got to be, you've got to be open to it. You've got to be like, right, I'm willing to not be in control of this, you know, that little bit of surrender to say, right. Do with me what you will, I guess? And, you know, lately leave me where, where? Where might you know that I'm going to be happy, you know, I'm going to be fulfilled. And yeah, you know what, I also had a conversation with one of my best girlfriends the other day and she said, I'm just feeling lost. I don't want to go back to my old job. But I don't know what I want to do. And I said, the fact that you say that now and she said I'm frustrated because I need to know, I'm getting impatient. I want to know what I want to do. And I said, You got to take your foot off. For starters, take the pressure off yourself and know that if you don't want to go back to your old job, fine, that's something you definitely do know that that's not right. So sit with it for a bit, had these moments of either like meditation or just calmly thinking, I want to I am open to receiving whatever it is that's out there for me. So do some soul searching, don't get frustrated with yourself that you don't know. Just start that those moments of trying to figure it out slowly step by step, because once you've gone one step, two step three step and you've linked up those little lily pads. That's quite a journey. Hmm. And you will get Yep. But there's there needs to be that moment in time where you take the pressure off yourself and not knowing to, which is ahead. So you're so vulnerable, and you're at the whim of whatever. And if you're used to being in control, it's very confronting thing to do. Yeah, especially. And often sometimes we feel that we if things aren't going right in the workspace that we not hide behind our kids, but just throw ourselves into that role more, because we're not ready to make the decision to do a leap in our careers yet. Yeah, because what I would say to that is, that's, that's fine. If you want, if you if you all you want to do is spend all your time with your kids, that's if that's in your soul, and you go for it. But if you're using it as like a bit of a not a hide behind, but a moment to not spend time thinking about what's truly deserving of you, it's only going to fester and get more frustrating and more, you know, pent up. So that's where you go, Okay, well, I am going to spend time with my kids, I'm going to just enjoy them for a minute. But I am also going to take that time to slowly map out my next chapter. Because they will go off to school. And they will, you know, start to be a little bit more independent. When then when you have that time, then that's when maybe you can send other big seeds to things, send those emails or look to do courses, the amount of people that have gone back to do courses, you being one of the mature mature age. The amount of people that have gone back to to study later on because because what they wanted to do has made sense later, it didn't make sense to you to work in childcare. When you were 20 years old, it never entered my mind ever been to the right time. So it was that's where they said you needed to do some other things first, and you were at that prime moment where you could give your maturity you could give your your knowledge. And you could give yourself that that real sense of okay, I'm at a point now where I'm ready to learn because not a lot of us know what we want to do. The minute we finish year 12. Honestly, this is thing I'm not looking forward to my son, my oldest son's in high school is his first year. My youngest son's just 10 seats. So we're highly different ends of things with schooling. But yeah, this thing with Alex, they're saying to him, or what do you want to do start thinking about subjects and it's like, no, stop this. And I keep reminding him, I say to him, remember, I've only been doing this job for nearly nine years, you know, you don't have to decide now, like take that pressure off yourself. Like often it's there's not a lot of, of us that it makes sense. The minute we leave school, and that frustrates us because we go we need to get you know, especially as mothers, we need to get this time in before we have a baby. We need to you know this rush, rush, rush, rush, rush. And that's where I'd kind of come in and remind and say, well, there is time before, during and after. Because people can't get away this day and age just being discriminatory towards mothers and women and pregnant women. It's not allowed. It's a big fat no. And we're deserving of that, that that grace to be given to us. And that that moment of reassurance where we go, You know what, you can do this, because you are more than just who you are to your children, you are still yourself too. And if you combine those two wonderful elements, you live your best version of yourself. Like that was the second best quote. That was brilliant. On that one that is gold. That is on. Oh, please. Thank you. Shinya. That's a beautiful note to end on. Actually. Thank you. That's Oh, my pleasure. To be involved. I was as I said, I was peeling off my fake eyelashes. When your email came through, and I was thrilled to be it so I thought, what better way to start your morning then chat With a like minded sister and have a coffee. No thank you. distraction device that my son moved to biscuits. Oh, I love that. Oh, you had any of your kids come in whilst you've been doing the nasty No, I haven't got to go there even Dan will give me a hug in the kitchen. Yeah, some will be like Stop. Don't Don't don't like it. Yeah. Get your hands off mom. Y'all wanna talk? Wait, okay now from the beginning, motherhood beautiful nightmare. When your child eats something healthy that you make, and they will sit down, and you are literally strutting in the kitchen as if you are Beyonce. You are like Jamie Oliver, you've just served the queen. You know, a palm reader did tell me it looks like you've been treading water your whole life until you're 50. As in the thing you meant to do is not going to happen to you. 50 on my for another lesson that's treading water. I'm like, that's a long time to wait, lady. Yeah, some good legs. I'm gonna we're gonna do in that time. Read a book. First thing I was thinking with my vagina. Like, yeah, isn't it what you know, asking the obstetrician that couple a couple of small sutures, but we're okay. bodies just come away from the top. But it's fine. Have you ever had a push present? I got my son's weird my third ring. My vital Is it better? Yes. Tell us more about your bottle of the eternity ring. As you said Hang on. Do you say eat turd? If you or someone you know would like to be a guest on the podcast. Please get in touch with us via the link in the show notes. Thanks for tuning in. I'll catch you again next week for another chat with an artistic mom

  • Bianca Morra

    Bianca Morra US photographer + podcaster S2 Ep58 Listen and subscribe on Spotify , Apple podcasts (itunes) and Google Podcasts My guest today is Bianca Morra, a photographer and podcaster from Cleveland Ohio and a mother of 2. Throughout her schooling Bianca was drawn to photography at different times, but pushed it aside to study mainstream subjects. She didn't seriously consider that photography could be a career path. Bianca stumbled on the work of American documentary photographer Jim Goldberg and his series Rich and Poor, and it was through this that she discovered that photography could be more than a pretty picture, it could be used to convey and tell stories. Feeling inspired, she went to Ringling College of Art and Design in Florida where she did a Bachelor of Fine Arts in Photography and Digital Imaging with a minor in Business Art and Design. After Bianca's employment abruptly ended, she took that as an opportunity to start her own business, She works as a professional photographer capturing memories for families, and as a course facilitator encouraging people to understand themselves more, through the understanding of why they take the photos that they do. Bianca believes in not being afraid to take your phone out and take photo, at any time, and for mums to get in the photos too. Bianca has created the Help Me See podcast - where she holds vulnerable, real conversations challenging the cultural norm & empowering listeners to harness their intentional vision for a purposeful life. Her photography style can be described as an intimate, she has a love for texture and imperfections in her photo editing that favours helping clients feel themselves back to the moment rather than just seeing it. Above all else she believes that photographing your life is a not a luxury, it is unequivocally essential. We are creating our nostalgia now, as we take each photo. **This episode contains discussion around mental health, post natal/partum depression ** I like your work podcast / Monika Crowley's work / Grace Tame Bianca Instagram / website Podcast - instagram / website If today’s episode is triggering for you I encourage you to seek help from those around you, or from resources on line. I have compiled a list of international resources here . Music used with permission from Alemjo my new age and ambient music trio. When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum, the podcast that's a platform for mothers who are artists and creatives to share the joys and issues they've encountered, while continuing to make art. Regular themes we explore include the day to day juggle, how mothers work is influenced by their children, mum guilt, how mums give themselves time to create within the role of mothering, and the value that mothers and others place on their artistic selves. My name's Alison Newman. I'm a singer, songwriter, and a mum of two boys from regional South Australia. You can find links to my guests and topics we discuss in the show notes. Together with music played, how to get in touch, and a link to join our lively and supportive community on Instagram. The art of being a mum acknowledges the Bondic people as the traditional owners of the land, which his podcast is recorded on. My guest this week is Bianca Mora, a photographer and podcaster from Cleveland, Ohio, and Bianca is a mom of two boys. throughout school, Bianca was drawn to photography at different times, but pushed it aside to study mainstream subjects. She didn't seriously consider that photography could be a career path, Bianca stumbled on the work of American documentary photographer Jim Goldberg, and particularly his series rich and poor. And it was through this that she discovered that photography could be more than just a pretty picture. It could be used to convey and tell stories. She went to Ringling College of Art and Design in Florida, where she did a Bachelor of Fine Arts in photography and digital imaging with a minor in business, art and design. After Bianca is employment abruptly ended, she took that as an opportunity to start her own business. She works as a professional photographer, capturing memories for families, and as a course facilitator encouraging people to understand themselves more through the understanding of why they take the photos that they do. Bianca believes in not being afraid to take your phone out and take that photo at any time. And for mums to get in the photos to. Bianca has created the podcast called helped me see where she hosts vulnerable, real conversations, challenging the norms and empowering listeners to harness their intentional vision for a purposeful life. Her photography style can be described as intimate, she has a love for texture and imperfections in her photo editing that favors helping clients feel themselves back to the moment rather than just saying it. Above all else. She believes that photographing your life is not a luxury, it is unequivocally essential. We are creating our nostalgia now as we take each photo. Please be aware this episode contains discussion around mental health, postnatal depression, and anxiety. Today's episode you'll hear music from my trio called LM Joe. We create ambient and new age music, myself, my sister Emma Anderson and her husband, John, and you can find the links to listen to more in the show notes. If today's episode is triggering for you in any way, I encourage you to seek help from those around you. Or from the resources online. I've compiled a list of great international resources, which can be accessed by the podcast landing page, Alison newman.net/podcast. I hope you enjoy today's episode. Thank you for coming on, Bianca. It's really a pleasure to have you on the podcast today. Oh, thank you so much, Alex. I'm so excited to be here. I mean, from the second I just read the title of the podcast when I first became aware of it. I was like, Well, I mean, the most perfect thing ever right up my alley. Oh, that's brilliant. So we're about to you in America. I am about 20 minutes outside of Cleveland, Ohio. Right. So where's that in relation to? I don't know. What's a big city that I know New York. Where is it new in realize now it's seven hour drive from New York? Ah, okay. So it's sort of sort of in the ballpark. there somewhere. Yeah, yeah. Cool. So what's it like over there at the minute is you're coming in to use spring it was summer, spring now. It's definitely getting warm that I feel like we skipped spring and headed straight to summer for some reason. It was like blistering cold and now all of a sudden, it's like super humid. Right. So what sort of degrees like daily temps to get there? We've been around from 70s to 80s in the last few days, but I don't know it's pretty turbulent. It really wavers. Yeah, right. I'm just gonna look at what that is. is in Celsius. So fair. I have this thing where I like I have a I've always been like, are 20? About 21? Yeah, that's nice. I like to know about people's weather. I don't know, it just helps me put things in context, if I can visualize and feel myself in, is I understand what your place is like. Oh, totally sure thing I've always done. And it's, it's weird, but I don't know, it's just one of those things. Like, I just want to know, when you wake up, do you put on a sweater or shorts? Let's see these in that. Yeah, you can feel like I can. Yeah, I want to say I can make a judgment about a face because that's not really true. It's very superficial. But you know, you can get a feel for a place if you sort of get the vibes. What's happening? Yes. You're a photographer and a podcaster, can you share with us what you do how you got into it, I never in a million years planned on creating a podcast at all. It wasn't something that I had planned to do. Basically, last year, about two weeks into my maternity leave, I got laid off from my full time job. And I really didn't see coming like, at all you'd like to think that. And I was there for about six years. And you'd like to think that you would kind of get a sense for it. And when I didn't, I felt very whiplashed I felt so something changed. And I knew that for the tail end of my employment there, it had turned into something that I didn't love. And I knew I wanted to make the switch, eventually to be full time on my own. But I didn't expect the rug to be pulled out from under me. So it was like a little bit of a humbling experience, but also an experience of if I could work that hard and be that loyal, and you know, kind of put that much energy in this one life that I have into someone else's venture, then I certainly can do that for myself. So you know, by the end of it, it was like, Oh, do you would you like to reapply blah, blah, blah. And I was like, You know what? No, I'm gonna double down on myself. At the worst possible time, we had just moved into my new house, our first house ever second baby, you know, it was just of all the times to take the plunge. But you know, in some ways, I feel like it was the best possible time to take the plunge. Because if I wasn't going to do it at the most uncomfortable than what was going to make me do it, you know, otherwise. So? Yeah, that's it. Because when things are really good, you're not your brains not going there is it's Yeah, yeah. Happy. And yeah. Have you had experience in, like photography and that sort of stuff? Like growing up? Or how did you get into that? Yeah. So I was, I really got into it in high school, I was taking all of like, the advanced placement classes, and like the calculus and the English, and it was just what I was doing, but I knew that the only class that I really loved was my photography class. But for some reason, there wasn't. It just didn't occur to me, it didn't dawn on me that I could pursue that it was just like, oh, but that is just too good. This too fun. And I didn't really take it like seriously as a career path. And then I had happened upon Do you know who Jim Goldberg is? He's a documentary photographer, and I happened upon his work. And I remembered specifically because it definitely was a moment where I felt like my brain changed. Like, it was like a, you know, one of those electric moments, where and it was particularly the series he did on the rich and poor, and it were these black and white photographs. They were just very honest, looking at the camera, and then he would hand it to them and have them just write something about what they thought about the photo. So it was just this moment where I was like, oh, like photography can be more than a pretty picture. Like it was just it seems very trivial, but it was a huge moment for me and my brain. And so after that I decided to go pursue it in college. So I went to a private art school, a Ringling College of Art and Design in Sarasota, Florida, and I graduated with a BFA in photography in digital imaging with a minor in Business art and design there and so yeah, that's that's my background and I had I mean, I had been photographing since you know, I could get those digital or those disposable cameras in a very composed The way I, I say that when I was in middle school, there was this moment of me laying in my bed, looking at the ceiling about to fall asleep, where I think the concept of death just dawned on me as well. Things kind of dawn on me like a two boys. I remember thinking about, you know, just like nothing mattering. And I don't know, something just panicked in me. And I felt like, oh, I need to make things to let people understand how I feel about them, I need to make things because eventually, what I think and feel might not matter, like my favorite color, and my favorite band, like might not matter. But whatever I make, can be left behind. So I very much became a maker from that point. Do you find when you watch movies, that you can't just watch it, you have to like find the deeper meaning in everything. Like, it's just I have to I honestly, I have like two modes. I either I have to watch the very, very, like easy to watch like Seinfeld, Curb Your Enthusiasm, the you know, deep emotion, or I'm in the depths of No, I don't know, I I I think I'm I just this past year became familiar with the term HSP highly sensitive person, I really think that I'm like, like, medically that I can't even if I know it's not real, and it didn't happen. I carry it like an anchor on my chest for like weeks. So I have to pick and choose my intake. Yep, no, I can relate to that. It's like that empaths sort of energy where you take it in. And it's like you're experiencing spirit experiencing yourself. Like, I can't listen to like true crime or anything like that. Because I can visualize myself and feel myself in the position of that person. Both people like the victim and the perpetrator. Like, I just can't do it. It's too much. Yes, yeah. And I dropped my sister mad when we watch movies, because there's darkness and she's up there like the I don't know, I can. Yeah. Settlers my, my partner, he is a computer animator. So if we're ever like watching a Pixar movie, or something we'll be watching and be like, Do you know how hard it is for them to do those bubbles. And like a few of us it's really, it's really should be hilarious. And it's like, you're gonna give it to us about your bubbles. Like, oh, my gosh. So I heard about this exercise to like write a letter to someone that inspires you deeply. And then to someone that drives you nuts and to after you're done writing it, change the name to your own name, and then read it again. And, gosh, I want to give credit where it's due, I believe it was on a podcast called I like your work. Yeah, I believe that's what it was. And I was like, that sounds so interesting. So I was in my studio. And I just started writing a letter to this photographer that I loved so much. And I was like bawling, like by myself up and he's like, passed like he passed young. I never met him no exposure to him. But for some reason I feel this like, deep soul connection to him. Anyway, but it made me want to get a tattoo for him because I a few years ago, I purchased a book of his on eBay. And I could have gotten it brand new. But I chose to buy the one that he signed, but he labeled it to bill. And I was like how could bill sell this? He touched it. He taught like I was like, No, I want it. I don't care if it's effed up like I want to have the book that he touched in some way like that. I don't know I carry something for me. So it was like if I get like a a tattoo that said Dear Larry love Bill Oh my gosh. Oh, fat. It reminds me I had a conversation the other week with a lady who's a potter functional product, but she also does some ceramic stuff. And we're talking about how, when you pick up a piece of pie, I've got a not a sugar bowl, what's it called a fruit bowl. And when I pick it up, sometimes I put my thumb in the same spot where there's an indent of the thumb of the person who made it. And it's just that incredible connection. Like, oh, I just spins you out. Like, I just love that, that. Yeah. That just gave me goosebumps. Ah, yeah. Tell us more about your podcast, what it's called, and what you do, and all that sort of stuff. So the podcast is called helped me see. And it it's funny, because it's probably the least planned thing I've ever done in my life. And it continues to be that. And I know that it has to be that for me to continue doing it. So helped me see is all around just having very real and honest and vulnerable conversations, you know, much like you do here, you know, challenging norms. And also just trying to make sense and meaning out of these, like, these feelings that we have that we swear we know better, but we can't help but have and like the wavering of it, and the waffling of it. And so I do have guests on the show. But I also do a lot of solo episodes that are just basically like my audio diary recordings of me just talking about the things that really rev me up. And I would say that one of the, although my focus is in Photographic Arts, and I really have a strong passion point for kind of reimagining the way that we think about our photographs and the way we photographs or our lives. I would say one of the main driving forces of me, being so radically transparent with my own feelings is when I had a bout with postpartum depression. And after my first child, and I was just so taken aback and kind of mad at no one and everyone, I felt like so shocked that I could feel this bad and not have had any sort of exposure to it. Like I and I feel like it is getting better. I do feel like I maybe it's the algorithm, I don't know. But I feel like I'm seeing so much more just like honest sharing. But I think that I just felt so shocked that I was so shocked by how I felt and didn't see it coming at all that I was like, I will never, I will never hide my truth, even if it helps one person. Like I remember coming back from maternity leave. And you know, people were so innocent and welling, well intentioned, but would be like, Oh, that must have been so lovely. And I was like, No, it was really terrible. It was really terrible. And I could see them be uncomfortable. But I had to I had to just be honest, because, you know, that's how I know. That's how I got there. So you know, that person innocently having that exchange with me? If I were to have, you know, glazed by it, perhaps they might be more apt to experience that. So, you know, I love that. Yeah, because I think I have had my own experience with postnatal depression as well. And it's really important, I believe, for what you're doing and what I attempt to do as well to normalize these emotions, that it's not bad, you're not a bad mother for feeling this way. It's a society has got this, this set of expectations of how you're supposed to feel. And I just want to smash them up and say that we can feel however, we want to feel how we need to feel and the more we talk about it, the better that we're all going to be because I think that's the thing the woman that said that to you might not have been a woman sorry. That's how she's been exposed to it. And probably the same thing has had people who maybe didn't have the courage that you did to say actually, no, that's this is not how it is, this is how it is, you know, this is reality. You know, if everybody goes around pretending that it's fine, then you know, it'll continue to be the way it is. Or has been. So yeah, good on you. I mean, in that it, it those are the more acute like I'd say heightened important areas but it, it is rampant. It's like when someone just says, Well, how are you? If you ever say anything other than fine or oh, great, then it's like, okay, that's too much. I just asked because it's a social norm, you're supposed to say, you the script, the script, you know, don't deviate from the script. Yeah, that's it, isn't it like the are there's a delay, I've just started following on Instagram. Who, I mean, there's a lot of women that are doing it now, which is great, you're basically telling it like it is, you know, I'm not a bad mother, because I, I got frustrated with my children today, because they wouldn't listen to me, you know, just just calling it out and saying, This is fine. This is life, and we're allowed to feel crap. You know, the thing that I found really challenging, when I was starting to tell people about my personnel depression is that I, no one said it to me, but I had this idea in my head that I should feel grateful that I was able to have children. So I shouldn't feel this way, you know. And, honestly, it's like, you cannot control the chemicals in your brain, you cannot control that, you know, I've had actually had someone tell me once that depression wasn't real, and I thought, you've never experienced it, you've got no idea, this woman that I met, that, that was reckoned through daily affirmations, you could keep yourself well. And I said to her short, that might be able to help with a low mood, you know, a bit of exercise never hurt anyone, you know, getting outside and talking yourself up a bit. That's great for low mood, but if you use you actually, physically in your brain, the chemicals are not doing what they're supposed to do, then you're going to experience an altered sense of reality. And that's the truth of it. You know, I feel like slapping this woman when she told me that I won't speak to her anymore, because it's like, how do you know, it's scary, it's scary that those those sentences can come out of, you know, because, you know, thank goodness that you have the understanding that you do, because I mean, the last thing someone needs is to feel even more isolated. And yeah, I definitely relate to what you were saying about oh, I should, all the things you should feel it's the least amount of helpful when I was going through it. I'm like, Oh, I'm not in the NICU. I was going through all the reasons why it didn't make sense. And I, you know, should be grateful that something that I was talking about recently is, you know, this, this not only toxic positivity, because I feel like that's was a huge thing for me. But also, I feel like the more nuanced version is weaponizing gratitude with yourself. Oh, I should be grateful. I'm grateful. Why am I feeling if I was more grateful, I wouldn't feel like this. And it's just the least amount of helpful thing ever. Oh, yeah. I want to mention a quote that I found through your Instagram, which was amazing, and I want to hear more about it. So you said the photograph is not just a souvenir to help you remember? Can you share more about that? And the sort of the deeper meaning behind that? Yes, it's strange to hear me quoted. I was like, what what did I say? Say your face you like? Yeah, the photograph is not a souvenir just to help you remember, I, I truly feel that. Photographs, although that is a huge benefit of them. It's not just something to help you remember, I think that it's something that can be used to help you engage more in your life. It's an active viewing and experiencing of your life. And I also there's no notion of, you know, a moment frozen in time, although it is very much an image that stays the same. The meaning transforms and transcends like, time and space. And you know, that staying the same, but we're continuing to grow our lives are changing circumstance, everything. So you can take a photo of something and feel a certain way about it. And two weeks later, a month later, 10 years later, feel completely different about it. First photograph is semi meaningless, and then all of a sudden, it becomes the most important thing because it's the last of whatever, you know, it's just this these magical little blips, I call them breadcrumbs for your life. because not only is it something that I believe to be like a form of acknowledging and, you know, being more present in the moment. But it's also this gift that you give yourself later in life to seek comfort, understanding, healing. I mean, just so much. There's just, it's just the whole world. I mean, that can dive into every nook and cranny. And it's incredible to me, because it's, you know, and I think that it's in today's day and age, it's almost being looked at as something that's like a gluttonous act. Right? Like, whenever you feel like the impulse to take a photo, it's almost like a shameful thing. Like, why can't I just be present? And that is like, yeah, yeah, that's my soapbox. Yeah. And this this thing that oh, you've always got your phone in the in your hand, because you're always thinking about a photo. Yeah. Yeah, I can relate to Yeah, hearing that. Feeling. Yeah. But I mean, you are your own internal compass. And I think that we are super sophisticated. And we know if it's coming to enough to distinguish where that's coming from, you know, if you are feeling the pressure to take a photo because of an expectation, or because you want to post it or, and you also know if it's a very organic spark that you just, it comes out of you. And it's before you even realize that your phone is out. And it's because you have this deep inner knowing that this is a moment for you. Like we see a bajillion things a day, like 360 degrees, like, if we're blessed with eyesight we see so much in a day. And when you have that spark of like, I want a photo of this. It is like a recognizing so many more levels into a moment than we I think we're aware of in that moment. It's like we're wise beyond her years. And, you know, if we just take the photo, even if it's a super snapshot, casual, not cute, whatever, I believe that those are breadcrumbs for leave or later for reason. I was thinking about this, leading up to talking to you I have I have a thing where I have to take photos of flowers, or what I see is intensely beautiful things. And I was thinking about it as you know, as I would because I think everything is that just because I like beautiful things? Or is it is there's something deeper in there. Like that they make me feel good. Or you know what I mean? Like it's not a frivolous thing. Like I was talking to one of the ladies on the mother world episode, Tasha was saying, like I have I collected a lot of artwork of, I'm not going to show you because it's an absolute mess. But I have a corner in my room where I put the proper artwork that real artists did that I put in frames, and I just I love having them. They're just so beautiful, and I love them. And she was saying how society can view beauty as a frivolous thing. You know, what's your take on that? I believe that. And also, Tasha is like a genius. I wish. I was like, I don't even understand the magic coming out of your mouth right now. I believe that we respond to things that we don't know until we know, I think that it's with the flowers, perhaps one day, okay, like, ah, that's why I get that a lot. I get that a lot. Like, I have these moments where I feel like I've had this incredible breakthrough. And then all of a sudden, I look back and I'm like, I've been doing the same shit for 20 years. It's just a different way. So far as to like, I think that what we're recognizing, and that the same way I feel about taking pictures like of your daily life, like whether it be a flower or whether it be a moment of your kids or whatever, not knowing what exactly you're responding to, until you look back at it from your bird's eye view and find that common thread and understand what it is you're responding to. You know, I just I don't know why this is making me think it's kind of it's similar but not exactly the same. I think about that photographer. I was telling you about my favorite photographer. Ever. I had this moment of like there's this other photographer that I usually am not like the biggest fan of his work. It's beautiful, but I found this one book of his and I was like oh my goodness like I'm I just have this and I didn't understand why. Because I'm like, he's not usually my fit might you know exactly for me, but this feels like, oh, and I open it. I could cry just talking about it. It freaked me out so much. I had no idea. Apparently, my that photographer that's my favorite Larry, she mentored him. And he specifically was the thank you for that book. I was sobbing, I was like, Are you kidding? Like, you can't make that up. And it's just what is for us is for us as for us, and the more we're able to like recognize it. I feel like the more we pull it in, which is why one of in my deep dive, of course, I made I late and it's all about this and our photographic tendencies, but it's called and some people, I don't know if I should change the title, because I feel like some people get confused by it. But it feels so true to what it does. I called it manifest your memories. Because I, I desire to help you just feel more confident in your ability to recognize your right moments, not better photos, not whatever. But the photos that are meant for you. Because once you know what your right moments are, you see more of them, and you create more of them. Yeah, yep. Yeah. When you're aware. And you you've got that in your mind. You're very conscious of it. And yeah, yeah. So you mentioned your course there. Can you share more about what you do in your career? You post creation in your education? For people? Yeah, yeah, it's, I mean, it's all about in uncovering of you. It really is. I know, it's, sometimes it takes me a bit to explain, because I think that because I'm a photographer, I think it's more expected that I'm helping you take better pictures, but really, it's helping you kind of understand what you're responding to, and what that process can give to you. Because it really can be depending on, you know, the emotional state you're in, you can take a snapshot, because you just want to quickly get it and just be in the moment or it could really be like inexperience, I think that we underestimate the amount of decisions we make, especially people that don't quote unquote, identify as creative, which is come on, I got a bone to pick with that everyone's creative. Yeah, absolutely agree with that. Yes. It's like all from the framing to the, you know, what, how far you're in or out, even if it's like an amateur, whatever. It's all very important, and just kind of helping us reimagine, and like gain a new respect and understanding for your unique vision of your life. Yeah, that's the thing I think you don't want to diminish, just because the photo might not be aesthetically perfect or pleasing or whatever, that does not diminish the fact that whoever took that photo was taking it for a reason that's relevant to them. Which, yeah, and I guess that's art, too. It's like, everything's subjective. You know, the person that painted something, was doing it for their benefit. They weren't doing it, to make it beautiful for you to put on your wall. Like, you know, everyone's got that meaning inside of them that comes out in their creativity. Yeah. Oh, I mean, I was just talking to someone who like, just burst out crying because she was flipping through her phone and she had been somewhere and she just saw, I could cry, she saw a picture that her son had took of her that she didn't know he took, and it's just the thought of, it's enough to bring me to tears, you know, like it just everything has like boundless opportunities for like meaning and to touch you and you know, when I think about our, you know, the quality of like, professional photos or whatever I think about just the complete catalyst for my whole business, which was like the passing of my beloved dog. I say that his passing was like this completely unplanned, unintentional, like, confirmation of my whole concept of like, the work that I'm doing and everything that has come since then, because it was my first real death. It like close to me lucky enough. It was my end. It just happened last year. And it was when I went back to look through the archives of my photos of him. They it was the weirdest thing because if they function the way I thought they would, it was like Yes, this is what I encountered like this fear I carried with me for so long of losing anyone and him. I was interacting with it the way I wanted to, but something that I wasn't shocked by but I was, I was impressed by how intense this was, was my comfort and desperateness for the photos that were the worst quote, unquote, like, the blurry cellphone photos, right just happened to Cat catch, like a really funny look on his face with the jowls or like, you know, us laying in bed, it was so dark, you can barely see. But I remember I just really wanted to capture, like how he was like, nestled in me. And it wasn't the gorgeous, Regal ones, like, I'm so happy to have them. I love them. But the ones that I was yearning for, were not the most beautiful ones. You know, that's, I'm so passionate and sharing that because I would never want someone to not take the beautiful responsibility of taking the most important pictures of their lives, because they're too busy, you know, waiting for a professional to do it for them. Because that professional could never take the most important pictures of your life. It's only you. Yeah, and that's the thing, like, and I have had professional photographers on the show before. So I'm not saying this to diminish their worth, by any means. But I feel like it's something that people they put off until the time's right? Like, I will wait to get the professional shots to finish having our family or I want to lose a bit of weight first before I do it. So you're putting off capturing the moments that are happening, actually your life is happening. Until you get to a point where you feel like things are, I'm putting that in inverted quotes, air quotes, again, a right or perfect, which is the horrible word. You know, so it's like, taking the photos every single day or you know, every time the moment calls to you wildlife is happening. And you can then you can get your photos that you want to have the beautiful photos on the wall, which look amazing. You walk into people's houses. I don't have them because I don't know, I just don't like seeing my big head everywhere. But you know, and what's important to to other people, you know, we're all different, and of what you know, we want. But yeah, like not letting life slip by and not letting life happen to you. But you're actually experiencing your life as it's happening to you. Yes. And I mean, I know that what you're saying makes me think about how, I mean, it's no secret that the most important moments of our lives are the tiniest, like it's the mundane, quiet ones. And, you know, the, the times that we usually think about hiring and investing in you know, photography tends to be the events and, and, you know, for for good reason, too. It's an investment and it's a production, it is a thing, but I mean, I, I think about how funny it is that I'm the photographer of the family. And oftentimes on the holidays, it's the last time I'm pulling out my camera, like unless it's like a camcorder or something because I just, I don't there's already enough going on that day. I don't, I don't need more on the plate like I don't I know for me, those are not the moments that are the most important moments. So unless something trips up inside of me and I do take the photo, but it's kind of like inverted, like those, like those milestone moments are, are very sweet. And they're important not to diminish them. Like the celebration is always important. But I mean, not to be cliche, but it is it's like your life is like everything. And then the graduation. A wedding. It's like, those are not a moment that are like the meat of your life. Yeah, I just as we're talking about that reminds me of I had a guest on the podcast, Monica Crowley. I had her on the podcast. She's an Irish visual artist, and she's really, really passionate about recording. The moment she's a predominant oil. Artists works with oils, and one of her works is of the items in the sink. So she did this series of things that were in a sink because she was spending a lot of time at the sink. So it was like recording just these mundane, everyday ordinary moments. Yeah, because as moms, we we do a lot of repetitive tasks. There's a lot of things we do a lot every day. Yeah. And what how what do you feel about this? Moms making sure they're in photos? Is that something that you're keen about as well? Yes. I actually have a I have a I have to send you the link. It's just a free challenge. I'm so passionate about it. I made this like inbox challenge. It's brilliant. You sign up and you can just get through it's over three days three prompts. I'm not reinventing the wheel, I'm saying very simple things. But the point is, my biggest point is in this topic is to not make permanent decisions off of temporary feelings. Because, listen, I'm not immune to this, like, we all know, when we feel like we're having a good day or not having a good day, or we're this or that. But not taking that moment to get in the photo regularly, is making a very strong decision for yourself leader, and not only yourself, but your kids to not, you know, not being in that frame. And also, I mean, I think about my whole life up until, like, last year, I hated my profile, I just hated the bump on my nose hated it. And then all of a sudden, I looked at this photo last year with me and my two boys, and I, it was a straight profile picture. And I was like, I don't care anymore. I was shocked. I was like, not only do I not care, but I actually quite liked that picture. And it's like, imagine if I would have been ducking from the camera, you know, we're very conscious of it. You know, I think that sometimes we can get caught up in like all of the posting in the social media, but we have to remember that, you know, not saying that, to make yourself uncomfortable, when it's not something that feels good to you. But at the same time, take comfort in not all of these photos are for anyone else to see, like your photographs, or you know, it's like your visual diary of your life, you know, so. And I think that we can underestimate our, the healing we get from that as well. I think about what my photos of me from postpartum Of course, I took the pictures of you know, I've made myself up and blah, blah, blah with the babies. But those pictures make me feel uncomfortable to look at because I see myself smiling. And I know, like, I know what it felt like. And it makes me uncomfortable to see those. And then I see the pictures that I took in my lowest hours. Because I do you have that weird thing where I'll take a selfie when I'm not well, and I find such compassion for myself that I don't know that I would have thought to even have for myself had I not seen the pain of like a previous version of myself, it's kind of like, you're looking at a picture of yourself as a little girl. Like you just have this compassion that you don't have for yourself as as naturally now, which is something that you know, I feel like also needs to be worked through and I'm working through but these photographs are openings for us, huh? Yeah, I love that. So one of your I don't know whether just call it a program or a course. Sorry, is called nostalgia now 10 member membership, can you share sharing with us what that is about? That is my newest creation. And I say that I knew that I was onto something when I had when it came to me. And I did a like a mock run of it by myself. And I was so excited that I was like panic, because if I haven't I've been doing this for myself in my life for longer. So in full transparency as as usual with me. So my course I was finding I'm like this is it's just hard to explain succinctly. Right? Like, I don't think that it's people understand it as quickly. And I think that it's it can be confusing if you're not already like a part of this world. And I was like what is a way to like, implement the theory and the function of like what I'm getting at here that in a way that's like doable, simple, sustainable, and like realistic for like busy overwhelmed moms. And this is what I thought of i It's a once a month meeting. And I also have like a portal of like different resources because we have an intention for each month. And I'll add like curated meditations in it and I'll upload the video versions of my podcast as a way to like keep momentum through the month. But at the in this meeting, it's two hours in the first hour is like coworking, so I send out these templates that are just artfully done and there's like only space for three or four photos. And I put like a vague prompts in it like something that made you feel expansive or something that you want to take with you for the rest of your life or something, whatever. And you're only allowed to look at all of the photos up on your scroll from the last month. And so you've been on your music, we are an hour your were muted on Zoom, and you're just looking at the photos that took place. Over the last month of your life, and you can only pick four, which is a weird, hard, but also fascinating thing, it's just this crazy way to get intentional. And also see the scope of what happens in a whole month, I'm shocked at what happens in a whole month. And to kind of like witness yourself from like a bird's eye view, because you know that you're the taker of these photos, and to like, look back and see, notice what you noticed, and then create this thing. So you have like this visual of the that month of your life. And then we go around, and it's like adult show and tell. And we just talk about why we chose each photo. And you know, like, what that month and that intention felt like for us. And I really feel like it's such a beautiful way to check in with yourself and make space for yourself in a in a cadence that is realistic, but also so helpful. Because how often do we look back? And we're like, it's been six months into the new year, what the fuck am I doing, like I said, I'm gonna do this, and I haven't and whatever. So it's a way to like, keep you account a gentle way to like, keep you accountable, and like connected to yourself and to your, you know, wrapping up a month and saying, Okay, this is the way this month played out. And like, this is what I'm hoping for this month, you know, and to keep you sort of anchored to the moment. So like, I know, I'm the same, like, it's June, this is insane. Like, what has happened. But yeah, and to actually take stock each month and remembering that Ah, that's right. And, and I think that's important that that why we took that photo and why we chose to include, you know, included in the prompts. In those four photos, like it gives you that time to reflect on yourself, and maybe how you feeling or things that you might like you said, things you want to do that you're putting off or, you know, it's like, I don't want this to sound rude at all. But it sounds so simple, but it's so big and meaningful. You know, like, it's just, I don't know, it's really powerful, isn't it? And as moms like we're so we are so busy, and we're always doing things for other people. And to be able to carve out time for ourselves can often feel like, you know, a luxury or guilt thing, you know, but to actually stop and take stock of ourselves, you know, instead of always saying to other people, how are you? How can I help you, you know, what does this person need? What are my children need, you know, looking at ourselves. And that can be challenging, I think for for many people would be hard to say Well hang on a minute, I'm the least person that matters here. You know that we're putting everybody else first all the time. So it would open up so many things for for everybody. Oh, it's incredible. And it's you know, right now it's a very intimate group. And I will I first to admit, I am a self proclaimed hermit introvert, like the community part of any up until a year ago, the community part of anything I was like, Okay, I mean, I'm a lone wolf. I'm the person that if I was in a group in high school working on a project, I'm like, I'll see you later I'll put your name on it fine. Like not at all, but the value of connecting with like, like feeling souls, not even like minded or like, it's just people that you just see each other. I mean, every time we like, there's almost tears, you know, and it's just so to be witnessed, to be able to like speak your truth and also be witnessed by people that you just know, get it. It's, I don't know that there are words for it really, like I feel like often people can kind of shrug it off and I know that I was one of those people before experiencing it for myself. But you know, I think that that element of it not only does it keep us accountable to actually do it, but it makes it so much more fruitful and if it gives it so much more space. Hmm. Yeah. Now I love it good on you. I think that's a wonderful thing. And I'll put all the links if anyone's interested in checking this out. I'll put all the links in the show notes and that is awesome. You're listening to the art of being a mom with my mom, Alison Newman. Now, let's talk about your children. Oh yeah. The D so you've got two children, boys, two boys. Oh boy. I'm hearing you in almost four year old caches, and then Silas is like 16 months. Oh, nice little boys. Yeah. And they are so different. So different. My first one. It's funny I, I have like, I really do wonder if like their births had something to do with how they are now because my first one was is a very sensitive, deep feeling intense, little boy. And like my labor was really hard. It was like a very, I got postpartum, the whole thing. And then my second son, I was like bopping on a ball Post Malone. And he is just a savage. She is like, nothing upsets them. Everything's a joke to him, like, different. You know what, there might be something in that because my first labor was very, very quick and intense and incredibly, horribly insane. And my sense, the same is a real is real impact. Everything's really deep. And he takes things in so sensitive. And the other one ah, water off a duck's back, you know, completely different. How old? So the older one, he's 14, and my little one is about to turn seven. So, so it stayed true. It stayed true to them as they grew. Oh, hey, personality? Absolutely. They're just like chalk and cheese. Unbelievable kids. Larry sees often wonder how that happens when you've got the you know, in our case, you know, the same the same parents? How are they? Ah, it's insane. How do you find then they're coming into your world, you becoming a mom, how has that affected the way you see things in your photography? I feel that they've definitely, it's like a, I don't know, it's making me think about like a magnifying glass like, wood on concrete. With the sudden I get it feels like a very acute, like heightened everything. But I definitely really didn't know I didn't understand what my transformation would be like in becoming a mother. I think I had this underlying belief that once I had children, my cup runneth over from them. And I would the emphasis like, because, you know, I'm a naturally anxious person, I get very overwhelmed, but I felt like once I have kids, like that will be my world. I will focus on that. And that will be so fulfilling and XYZ and this is how I'm going to be. That's not at all how I was like, it's just crazy to me. And it you know, it sounds so naive. But I really did think that like I had a friend who had a baby who, you know, she was very much on the fence and didn't know if she ever wanted one. And then when she did she was just on genuinely on cloud nine blissed out. And I was like, Oh my gosh, if she was blissed out, I'm gonna be like, correct because I have been wanting a baby for so long. Just not at all, how, how I felt and how I've kind of processed the change, but, you know, they are still like a boot camp for me. I mean, I am like, a they're a mirror for me in that. They intensify all of the best and worst in me. And I am so aware of when I'm at my worst in terms of what I'm feeling and what I don't want to project because I don't want to pass on the traits that I've inherited to my children. So there, they keep me honest, in not that I'm always you know, I always pass the test in, you know, not doing my natural reactions. I I have like a very overly protective worrywart, Italian New York father. And I just grew up with like, the most worry, fear consumed everything. And I'm very much trying not to pass that on. And I know that they can sense even when I'm not saying it, I know that they can sense that energy from me. So they're really helping me to become more aware and work through that. Hmm. Yeah, I can relate to that. That's yeah. I love that. It's interesting. I actually saw this quote, this just this morning when I was scrolling. I really want to find it now. But I don't know if I'm gonna be able to it was about the gist of it was how basically the gist of it was We're very different parents and our parents were deliberately we're trying to do things differently. We're trying to, and I'm not saying our parents did a bad job, that was the world that they lived in is a different world that we're parenting in. Yeah. What was, you know, acceptable, the norms of what you did and how you interacted with your children. So we're conscious of that. And we want to, I mean, I guess we don't, we don't want to put our kids through things that we went through, you know, being kind to our parents that are listening. And they probably say the same thing about their parents, you know, each generation learns as we go. So, it's, it's overwhelming, because it's like, it's everywhere. Like, it's in the most innocent of places, and the most normal of tongues, like, I think about something that'll fly out of my mouth. And, or I'll hear someone else say, and I'm, like, hold the phone. That is so effed up, like, so. It was, you know, if my kids no tears, be a big boy, no tears, I'm like, Just fucking terrible. But it's like, so it's so quote, unquote, innocent. But it is until it's not like, it's like, thank goodness, we're having these like, awakenings to it, but it's like, kind of, you know, if you sleepwalk through it, and if you just let it happen, because that's what has been done before. We all know how that goes, you know. So it, you know, all we can do is the best we can do, but it could drive you crazy. So I think that giving grace and being grateful for the awareness, because that is the most beautiful thing. And that, you know, I mean, it just does tie back to the way I think about photography. I the awareness and the impulse and the thought to take a photo, just the recognition of like, hey, that doesn't feel right saying that to my kid, or that is so much more powerful than any action you take. In that moment. Like, you could fuck it up. You could say you could have said that and like, then they went to school and you didn't have a moment to make it right in that moment. Or, you know, you know, you thought to take the photo, and then you did but it didn't feel right, you wish you didn't, whatever. It's, it's the awareness. It's the seeing it, that is the biggest breakthrough of all that unlocks everything that comes after and it builds from there. So I think releasing ourselves of like, doing it wrong, or like should have what occurs or regrets and just feeling gratitude for like, Hey, I saw that, like, I'm aware of that. Yeah, that was a big, that's a really good point, isn't it? It's, it's really relating to like this conversation that I'm having right now, presently, actually, ironically, about how, like presence and how this term feels like this elusive like, Yeah, can't ever grasp it. Like I, I always am hearing often that like, a lot of people, I feel this I've set it to, it's hard to be present in my life. And what really got me thinking about this in a more, like, problem solving type of way is that when I would tell people that I truly believe that you don't have to choose between being present and taking the photo, I would see their shoulders drop, like, as I was anyone to tell them give them permission how to be in their life the way they want to be. And it just made me think about how we are putting presence on this pedestal and like thinking that like, it has to be this, you know, this like come to whatever moment when really, we need to just recognize our own unique ways of being present. Because it's not just one way it's not just you know, we are when we are we are and it looks in different ways. Like sometimes I think about presence. He even when you look it up the definition is like to not have your mind stray from the current situation. And when I don't I don't even agree with that. It's like sometimes presence is like, okay, like, I'm looking at the pores on my kid's face and like, really like studying him. And I'm present and sometimes I'm present and I feel like I can see through like different lifetimes. I'm like looking at a moment. And I like zoom up and I can see like so much more and of course my brain is Going somewhere else, but like, I really feel like both versions of presence in my life like I don't Yeah, that see, I can agree with that too. Yeah. Because it's like, yeah, I can't even explain it but I know what you mean Yeah. Now I'll go to a subject that I really I love talking about. And I always say it sounds terrible when I say I love talking about guilt. But I just find it so fascinating. And I think that idea when you mentioned about this presents being this attainable thing, everyone's got to be present, because everyone's telling us we've got to be present. And if we're not present, we'll feel bad about it. This whole guilt laden thing, talk to me about your, your thoughts about guilt and like mum guilt, I put that in air quotes as well. It's like, it's like a magician that like keeps pulling like the flags out of his Our scars out of his bag, it just you keep peeling off the layers when you think you're clear of it. I think that guilt, mom guilt is a very specific type of guilt. And I also feel that artist, Mom yield is an even more cute version of it. Because being that intensely aware of the impermanence of something and being able to see the depths of the beauty, and so many moments of your life, can make you feel so beholden to meet that moment there. And sometimes you're just not there. Sometimes you do. The other night, my two little boys are in the tub together the most adorable thing you've ever seen. I just wanted to go on the bed and be scrolling my phone. I just wasn't i How many times are they going to be in the battle? It's like you go through the Rolodex like I know, I know, a B, C, D E, I know why I should be there. But I'm not right now being present for me and to my needs, is to go lay down on the bed and not handcuffed myself to this moment to like, keep my energy where I want it to be to feel like I can actually appreciate them when I'm in that space that I want. And I think about when I first drove the coast to California, for the first time ever, I'd never been to the West Coast. I drove from LA to San Francisco. At first I was like, Hi. I was not literally but like I just felt I was like, Oh, I never seen such beauty in my life. I was like vibrating. By halfway up. I was like, literally nauseous and I don't think it was carsick. I was like, I can't it's too much. Like I feel like I need to and I closed my eyes. I was like, I can't see any more. I can't I can't take in any more. Like, I'm you know, and that's kind of what I feel like about about guilt and about it's this it's the knowing it's that wise like I get it I know all of the reasons why I this is amazing, but I'm just not I'm not there and I think the more that you can feel confident about choosing yourself in those moments makes you even more richly there for the times where you choose that moment you know, that is brilliantly put honestly, I need to put a put a hand clap that was amazing. You have literally summed up how I feel about mom guilt. Don't make me cry. Like honestly. I'm going to take this moment and frame it like that is just so good. You will hear this quote again. Love it. Yes, it is so hard to like to know it's like you know, cuz you sit there and you can be so hard on yourself and you're like I know better. I see this is incredibly How could I not want to be there but you Just there's, there's only so much going on. And that's it, isn't it? And that whole thing of that if we can't, you know, we have, we can't be this martyr, we can't be this completely selfless person that puts our needs above everybody else's. Because we won't survive. And it's not sustainable. And it's not. I don't think it's a good thing to be showing our children either that, you know, the mother is the sacrificial lamb and yes. Yeah, how would you want your child to put themselves like to prioritize themselves and in their life? You know, it's funny, I this quote, I went to an artist talk in when I was living in San Francisco, and it was it stuck with me. It's one of those things that stuck with me, there's a couple of those. And you know, sometimes something sticks with you. And you're like, I don't know that this is going to be good to be sitting in me. But I've had a couple of those moments. But this one that in particular, I'm thinking of I'm thinking of it's Francis Ford Coppola. And it was a q&a part of the lecture. And someone raised their hand and said, Well, what advice would you give a young artists director in their career? And he sat there for a moment, and he said, It was the most honest thing you could have said, you can't even get mad at him. He was like, I'd say, if you're a male, the starting your career, get married, have children. If you're a woman, don't get married, don't have children. Like that was his career advice. He's right. He was right for what he was saying, for that time. I get it. Because I feel that I'm in a very balanced relationship. And it's still not balanced. It's still there is not apples to apples. If we had the same night planned, and he was out, my my partner was out. And then I was out, we took turns. I'm not exaggerating, the night would be three times harder. For me. They're different children with me, they feel there's so much more turbulent, absolutely. It's just the way it is. And unlike the natural, and he and my partner, he is so accommodating and helpful when I need it. But this the setpoint the state that is the weight sways this way. And, you know, there has to be work done to help balance that and we have to be extra vocal, in my experience, I have to be extra vocal to speak for my needs. And that requires excavating and that requires, you know, realizing inequities where we don't even realize it's happening, but it is so deeply ingrained. We don't even identify them. Yeah, yes, yes. Yeah, it's funny that I feel like my children like I had a perfect example last night where my little fella was some my husband and put him to bed. And he was out. Two minutes later, he came down to me and wanted to chat and I. And I said, I said, Hang on a sec, aren't you supposed to be in bed? And he goes, Yeah. And I said, I said, I, I did hate using these words, but I do. I said, I'll tell dad. And he goes, and he races back to bed. And my, my eldest son was there. And I said, Hi, why does that happen? And he goes, he goes, Yeah, I remember when when I was little, that wasn't even home. But you pretended he was home and called out to him. And that made me get back in my bed. You know, but like, my husband is not, you know, a big domineering men. He's not like physically like, he, you know, he doesn't there's no reason for my children to fear him. It's just this whole thing or wait till your dad gets home you know, like this. This culture is you know, dead serious. Our mom you know, she might let me stay up a bit longer because she's a softy. You know, it's just this it takes me an hour to get my son in bed if I he like puts a I say it's like his physical alarm system on me. He'll swing his leg over mine. So I tried to like double Oh, seven get out of the bed and I can so I'm like, half the time I fall asleep putting him to bed because he prisoner. And, uh, he, my partner will put them take him up. He sings to lullabies to him, and he's out and that's it. I'm like, Ah. And it's like, it's beautiful. And but that's the thing too. Like, what the girl it's like, sometimes I love it. I always used to think before I had kids. I'm like, How precious is it that they only want mommy? Now I'm like, wow. Oh, no. And sometimes I love it. And sometimes I hate it and that's fine. That was like when, when the boys were little they they often they say dad dad first, like, that's easier for a child to pronounce. Oh, when's he gonna say mom? When's he gonna? Like he says, Mom, and then he never stopped saying that kid is saying, Well, that's what we feel about my, my youngest walking, everyone's like, is he walking yet and we're like, we don't want him. Like, he'll be walking the rest of his life. It's a new world for us, like we joke about like kicking his knees out from under a cake curl and maybe ctrl T. Yeah, look, I love the way that this conversation has become, I know we're being quite light hearted. But it's, it's true. Like, there is nothing wrong with saying, I need a break in this situation, whatever the situation is, and not feeling guilty about I should be doing this, I should be there, you know, this should that, you know, we put on ourselves because of the external use sort of pressures that we feel. I don't know, I keep I have this thing with social media. You know, it's great. And I utilize it a lot for, you know, my needs for my, for my podcasts and my singing and stuff. But I think it's got the way that people use it. It's got quite bad at making us feel like crap. It's got quite good at making us feel like crap questions. Yeah. You know, all these things are getting better. And like I said before, it might be the algorithms, I'm seeing a lot of good things. But I still feel like there's this, we're just, we don't want to tell it like it is. We want to keep this facade up that everything's fine and everything's good. And this may be a parent's wave, like, you don't speak about who you voted for. And you don't talk about religion, you know, that sort of that way of doing things. You know what I mean? Yeah, and I think something that I heard recently brought up and like, oh, boy, yeah, it's true is it's like a a wave of curated authenticity, like, quote, unquote, real like, oh, yeah, this is this is Instagram real Instagram real. And then you don't get to see the real root. Like taking it like one step down from the manicured Yeah, I mean, and, you know, I get I get torn with thinking about it and talking about it. Because like, I I feel that just because I decide that I want to be a stand and a, like, take a stand with transparency, and realness doesn't mean that someone else should have to do that. So I, you know, people have very different levels of like, comfortability and privacy. And I totally respect that. And, you know, to be honest, I don't, I don't even quite I don't even quite know, like, what, what I want from it, because when I think about how it harmed me with the postpartum you know, anyone that I could get frustrated with, like, I would know that they also struggled, but they struggled internally, which is makes me sad, too. You know, it's not even that like, oh, you only post the highlight reel, and I know you struggle. It's like, what can we do to like, just bring these conversations up, like what you said about how we don't talk about that? Because it's like, oh, it's tacky or it's this or it's that it's like what you know, what, what is the hiding? Like, what is who by whose standards like I think it's so funny whenever my friends like planning something and she's like, well, what's the etiquette? Like, whatever the fuck you think is right like it what's the etiquette? Like, no, I don't, but we're gonna go look up whatever some woman said 200 years ago. even like the right way to be a lady, you know, just like so funny that these things, I think it's just, if nothing else, this constant questioning, it's like, let's keep asking questions like, why are we doing the things that we're doing? Why are we, you know, wanting to, you know, match our coordinator clothes for this the photos like, is it a passion point that you love? Great? Is it something that you feel beholden to? And everyone else is doing it that way? Probably not the best reason to do it, you know, it's like, it's something that's right for you are right for someone else's wrong. And I think as long as we just keep asking questions and keep having conversations like this, and you know, these platforms that we're used to just say, hey, it's been like this for this amount of time. But why, like, why, why are we doing it this way? I think that that is the most helpful thing that we can do. Oh, yeah. I completely agree with that. It's just, yeah, we had I'm not sure if it made it to the to your media over there. But we, we had a prime minister, we've changed prime ministers, thank goodness. His name was Scott Morrison and he he is a dickhead, sorry, sorry, sorry, liberal people. We have a is a young lady over here called Grace time. And she was she's an activist in the space of survivors of sexual assault. And she was named the Australian of the Year in 2021. And she's amazing. She's, she tells it like it is she gets up there. And she doesn't care who she's talking to. She's gonna tell she's gonna talk as she wants to talk. And she did amazing things. And she's do it. And at the end of her 12 months of being Australian of the Year, they have a function it was Parliament House where it was at the house of the Prime Minister. That's irrelevant, sorry. But anyway, he, they all go there, the Young Australian of the Year old Australian here, whatever. And she, we have in the Liberal government in the last three years, there's been this incredible, probably longer than three years, sorry, this incredible tone of misogyny. And there's all this stuff been coming out about sexual assaults happening in the workplace in at the Capitol. And, wow, the Liberal government sort of, I don't know, sort of tried to brush it off and hide it and support it continued to, to employ Members of Parliament while they're under investigation for for alleged sexual assault. And anyway, so she wasn't happy about that, as a lot of us weren't, and she called them out on it. So when she went to this long story short, she went to this end of the year event, and she refused to shake his hand, and she didn't look him in the eye. And all the men of Australia just went, how dare she, she shouldn't have been there if she wasn't going to smile. You know, it was just this huge moment of division, where so many women just went well, good on her, like, what is he done? He's he's trying to hide this stuff. He hasn't put things in place to sort it out, whatever. That it was this moment. And even my husband was like, Oh, she's not going to smile. She shouldn't have gone. It's like, men standards about how women have to behave in society. Like you're just saying that, you know, this etiquette. 200 years ago, this woman says you have to put your fork on you on the right, and the spine goes there. And then you have these cups for dessert, like, oh, just makes my blood boil. Yeah, like, yeah, and her and by her behaving in that way, it's caused this huge arrow, and it's done exactly what the women needed and wanted and it's brought it into the forefront. You know, she was so brave to do that, you know, just don't play Happy Families and don't think that everything's fine. And just smile and get on with life, like women have had to do for hundreds and hundreds of years. And, you know, oh, sorry. No, I think incredible to me, even if, even if he didn't have this huge scandal out and all of these very valid reasons. Even if it was something private that happened that no one else knew about. You don't want to shake someone's hand. You know what the funniest thing was? Probably 12 months before that. We had, we had a lot of big fires over here. We had a really bad fire season. And the prime minister went to okay, this how much of a decrease bloke was while the big fires were happening? He went on a holiday to Hawaii with his family. So everyone was like, He's not present. He's not here and his comment his comeback when he was questioned about he said, I don't hold the hose. Right. That was his comment. He doesn't need to be in Australia while this is happening because he's physically not there putting out the fire and everyone was like, you idiot. So he went in visited the fire grounds and went and visited the where it was all happening and he went up to this fire man put his hand out to shake his hand. And this man said, I don't want to shake your hand right? Everyone in Australia we could on your mate Good on you for not shaking his hand. Right but when when a woman does it for different reasons, but it's still women doing the men went apeshit and all we were Yes. Grown Your Grace. Just it's just incredible. I can't it's like you can't make this stuff up. You can't? Oh, yeah. Want to believe that? It's still like, I know sometimes you feel like you're like am I 100 years ago? Like what is that? What it but it is? It is? Yeah, sometimes you think the only things missing is our corsets in the big skirts, like we're still living in that world. Now I want to ask you about your it to do with that concept of identity about being a mother and, and your children? Do you feel like it's important for your children to know what you're doing and as they grow up to see that their mum is contributing to the world in other ways other than meeting their own needs. I think when I think about what I want my children to know, about me. I think first and foremost, I think about wanting them to feel fully seen. And although I mean, there is a child and you know parent relationship. i i I want them to feel like they I want to prioritize them knowing me like I don't want to have a shield them from the real me in many senses. Like something I heard one said that I thought was beautiful. And it's very simple. It it was actually do you know Dax Shepard is he's an actor. Yes. And Kristen. I forget. Anyway, Kristen Bell, and Dax Shepard. podcast as well. I was on one of his podcast episodes that they were talking about how if they have a fight, and if it's not like they go out of their way to fight in front of their kids, but like, if they have a fight, and they witness in any way or arguing or whatever, they make sure that they also witnessed the resolution and the working through it. It's just like this level of transparency of like, and just knowing like, knowing having my kids know who I really am is important to me, way more than them feeling like that their mom contributed, like whatever I end up doing. That is not as important to me as like, feeling them feeling like they knew who I was, and not having them like discover things about me that you know, and, and that's always kind of been even outside of like being a mother. I've always felt like that, like, one time was a maybe a spicy but whatever. I really like, you know, someone asked me once, how do you feel about being a woman? In a, in a industry where, you know, historically ABCD and bubbeleh have? How is it? How do you feel about your feminine perspective? And I was like, I don't want to sound ignorant and I so I'm grateful to the trailblazers and I you know, there's a wealth of history and there's so much to be said but also, I am not. That is not the lens that I choose to hold with me and frame. What I do and My life and what I put in the world. And I'm grateful that like, I don't have to feel like I'm like, That is a torch that I'm carrying now. And I understand, like, what came before me to enable that. But I'm here and I'm now and that is not something that I'm prioritizing. I'm not thinking about that in that way. So I don't, you know, I don't feel that, you know, being can, beholding myself to contributing in any sort of specific way is something that resonates with me, it's more this like, need of feeling truly seen and being able to say the things that I struggle to say, but I find the words for like, the other day, I was thinking about how, after one of my podcast episodes, I felt like a vulnerability hangover. And it was weird, because I'm always like, I always nothing different about that episode than all the others. But for some reason, I feel like maybe I said something for myself, like more strongly than I usually did. And I was like, you know, why? Why do I feel like that? And it's this idea that I'm growing so much, and, you know, sometimes our perspectives change, but like, if we're too afraid to say something, because we might change our mind will see nothing ever, you know, so yeah. And to be able to say, I actually actually have changed my mind about this, you know, yeah, to not feel afraid. Oh, well, there you go. Haha. You know, people Yeah, and it's like, actually, I've done the work, and I've gone through things, and I've experienced life. And now actually, I feel like this, there's, again, no shame in saying stuff like that. Exactly. And having your children bear witness to that, like, could enable them to, you know, maybe not have such a go with their, with their pride and being able to do the same. So, yeah, so that is like, my number one priority for for whatever my kids can see or think of me is just to see the wholeness of, of what I am. Yeah, I really love that. Baby's really, really lovely. I really love that. So that's the thing, like, I feel like, it's sort of related to times when you'd go to funerals for older relatives, and you discover that they did this, that and the other and, like, Ah, I wish I'd have known that. So I could have asked them about it, you know, saying like, I don't know, I, in my eye, again, challenging the cultural norms, this is what it was at the time, you know, my parents, they would hide, you know, certain conversations from us, and probably for good reason, you know, your child, you don't need to know things, but then that still happens a lot in my life now. And I think that's because of the way my parents were raised, to keep things hidden, you know, children are seen and not heard all this sort of, like I said before, about, you know, you don't talk about your political choices. I could not like my dad and I have the best talk about politics. You know, I could not imagine going through my life not having a sounding board for talking about politics, you know, and for my children to, you know, to grow up understanding about the world, you know, there's things that you do want to talk to them about, you know, and not just hideaway or don't talk about that, you know, again, I respect you know, people were living in different times you know, I'm not I'm not bragging that that was the way it was then. But yeah, and I think that's a really powerful thing to say that you want your children to to really see you and to know you as a person and I think that's that's awesome. Yeah. Thank you Do you have anything else that you want to share that maybe you haven't brought up or anything else that's on your mind? You want to know it's just this has been a very juicy conversation. It's been great. It's just so it's so incredible to me. I mean, that I'm able to connect with you on the other side of the world you know, and like we have, we have a lot in common tell you when in a short time, like I feel like we have more in common than we've even uncovered. Just how important this all is. And I think that, you know, something that I saw today, and it makes me think about, right, I'm just thinking about it now. And I'll just say it, I'm, I, I'm in a mastermind with Amber Lee strim. She's a, she's a business coach. And she's really incredible. And she, she said something, she posted something in one of the captions, and it was like, talking about how she put on this, this in person events, when she was going through a time in her business, and, you know, and she was brave enough to do it. And then she did it year after year, and it grew and grew. But at the end, she was saying that, like, even if you're not in the place to, you know, put on inventory, you don't have the resources to XYZ, like, we have such a powerful stage, like every post, every podcast episode, every thing you create has such a world of opportunity attached to it and like could really be the thing that like, helps, and changes and does whatever we just did, and like. And even if it's a needle at a time, it's like the compounding effects of this work is incredible. I mean, it's just like, I've been at this for a year. And you know, I can say that it's been a very slow burn, but at the same time, like the, the consistency and being like this tapped into myself, and the work I'm putting out and being able to make these connections has, you know, I can feel like, oh, you know, look at the numbers and think one thing, but then if I really pull myself up and look back and understand like the body of work, and the connections and the discoveries and the transformations I've gone through, it's it's really incredible. So I just want to thank you for being being a stand for this as well. And like creating the work that you do and connecting with all the incredible artists, I'm honored to be a part of your show. Oh, thank you. That's so kind of you to say and yeah, likewise, yeah. I don't know, I just, I feel like I feel the same way. We're all collectively contributing, contributing to a movement, I feel like things are really happening. And this is the time we'll look back on this time and go, you know, this was a significant period of our lives and, you know, society, Western society, in generals life, and we're a part of it, I feel like, you know, and I think that's the thing, because, perhaps previously, because of the work, the way the world was set up, there wasn't the internet or whatever, when someone did something, it was a big deal. Now, because we've all collectively got this access to, you know, the internet, we can do podcasts, we can do blogs, all this stuff, because there are so many people doing it. The reach might not be as broad. But that's the difference. There are so many people doing it now. You know, I feel like, you know, there's momentum in this and I just got goose bumps. If I get like, we are a ship, we are the ship, like you know, a thing isn't a thing until it's a thing. And then enough people I was just listening to. I think he's so cool. His name is Jeff Goins. He's a writer, and he has a podcast called he creator. And he was just talking about how you know, a thing isn't even a thing until someone comes up with it. And it's really weird at first because it's not an a thing. And then enough people believe it, and all of a sudden, that's the norm. And then, you know, and it's like, it's so true. And that's what, you know, all of these norms that we're combating through, like pulling the veil off, you know, that we are not separate from that we are we are doing the work on the ground floor of that. And I think it's so important. It's so incredible. And also, you know, even though it definitely is a, you know, the big pond a bunch, a little fish type of thing in some way, you know, leaning into who we truly are and like own the more we own ourselves, the more powerful we can be for whoever does find us and all of a sudden binge, like, oh my gosh, you were the vehicle that I needed this to come through, like kids. We've all been there where we hear something, and we know that we've heard that same sentiment a bajillion times before but there was something about the way this person said it in this moment that just was the thing you needed and unlocked you and you can never tell we know when that's going to happen but also there probably are no accidents right so yeah. I think you know, this divine timing like when you're ready for this message like yeah, I could tell you a million examples of Napoleon but you know, so many examples of you know, you're saying So you hear this and then one time you hear it, it's might not be delivered any differently, but it sticks in your right eye for you. Exactly. It's hilarious isn't it thank you so much for coming on Bianca. It just has been a really lovely conversation. I've just loved it so much. Thank you. And good luck with the rest of your endeavors doing your podcast and and yeah, just keep doing it. Because it's so good. So thank you so much, and I would be so honored and cannot wait to have you have you as a guest on my show as well. Absolutely. Thank you. Thanks for your company today. If you've enjoyed this episode, I'd love you to consider leaving us a review following or subscribing to the podcast or even sharing it with a friend who you think might be interested. If you or someone you know would like to be a guest on the podcast, please get in touch with us by the link in the show notes. I'll catch you again next week for another chat with an artistic mom.

  • Madison Foley

    Madison Foley Australian trumpet player S1 Ep12 Listen and Subscribe on itunes , spotify and google podcasts Madison Foley is one of Melbourne’s most sought-after trumpet players. Madison began performing professionally from the age of 16 and Madison was a long-time touring member of alt-pop outfit Architecture in Helsinki and has worked with many of Australia’s greats such as Ash Grunwald, Jazzlab Orchestra and Big Scary . Upon returning to gig life after the birth of her son, Madison faced the pressures of not only performing as a new mum but the pressures of pumping breast milk during gigs. The immense challenges she faced were evident with Madison pumping in some thoroughly unsuitable locations and experiencing a lack of support from venues and organisers. She realised the best way to engage venues and fellow musicians was to create an infographic that highlighted the challenges. We also discuss the challenges of being pregnant and having a baby in the midst of the covid-19 pandemic, and the judgement faced by gigging mums - that dads don't have to contend with, and why she doesn't get caught up in "mum guilt" Connect with Madison on facebook and instagram Read Madison's The Mother Lode article and infographic here Find out more about Madison's bands Fools and JazzLab Orchestra Connect with the podcast here - https://www.instagram.com/art of being a mum_podcast/ Music in this episode used with permission When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for my guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the art of being among the podcast where we hear from mothers who are creators and artists sharing their joys and issues around trying to be a mother and continue to make art. My name's Alison Newman. I'm a singer, songwriter, and mother of two boys from regional South Australia. I have a passion for mental wellness and a background in early childhood education. Thank you for joining me. My guest today is Madison Foley. Madison is one of Melbourne's most sought after trumpet players. She started performing professionally at the age of 16 and has been a longtime touring member of alt pop outfit architecture in Helsinki. She's worked with many of Australia's greats such as Ashkelon world, jazz lab orchestra, and big scary. After returning to gig life after the birth of her son, Madison faced the pressures of not only performing as a new mum, but the pressure of pumping breast milk during gigs. The immense challenges she faced were evident with Madison pumping in some thoroughly unsuitable locations, and experiencing a lack of support from venues and organizers. She realized the best way to engage venues and fellow musicians was to create an infographic that highlighted the challenges. We chat not only about this infographic, but we also discussed the challenges of being pregnant and having a baby in the midst of the COVID 19 epidemic. The judgment faced by gigging mums that dads just don't have to contend with and why she doesn't get caught up in mum guilt. Welcome to the podcast Madison, it's lovely to have you today. Thanks for coming on. Thank you so much. I'm very happy to be very excited. So you played the trumpet. Tell us how you got into playing the trumpet. So my, my dad was a brass band still is a brass band leader in the community and Tom music at school. And so he came around to our primary school actually. And they had all the instruments out so they were starting a primary school band program. I was all of five years old at the time, I think maybe six. And I walk up to the guy, I'm precocious little six year old and I go hi, I want to know, which is the loudest instrument I want to play that one and so they had me a corner the rest is history. You know so going up through you know, started in primary school went through the local community bands and into high school played the whole way through. You know, I ended up doing it at university and you know, just never put it down again since I was five years old, basically from a couple of small breaks but yeah, that's pretty confident in my life. So what how many instruments do you play? Well look, well I played the trumpet Well, poorly a lot of them I can play very bad keyboard and very very bad bass. Nearly no mostly bad drums can play a little bit of trouble I can play most of the brass instruments I can play a bit of trombone a bit tube or a bit of French on although my trombone playing sisters would probably beg to differ. But you know, they've not none of them really get a lot of love. Now it's mostly just the trumpet. Because at some stage in your life, you kind of have to focus in on one thing which has never been my strong point. I've always been someone who does everything so well I can play the trumpet so I read that you started playing professionally when you were 16 So what sort of gigs we did you start off with what was sort of the stuff you were doing at that age. Um, so at 16 I was my mom would take me down to the pub to go and watch Friends of mine Johnny wonder Pat, who I still play with now all of what that 16 years later so that was they were some of my first gigs I go down to the pub and just sit in with them. I learned a few horn lines to some tunes. They just played covers on a Sunday afternoon and they you know, they thought it was great there was this you know little 16 year old super key and little Maddie going Hi, will you let me play with you. And then I also at school we formed a little jazz group and did you know gigs for like 50 bucks each or whatever, just whoever would hire us just playing some jazz standard. So which that group actually have gone on to all be quite prolific muses themselves. There's Cleo Rana, who now plays rock winds and tours around the world with Angus and Julia Stone as Nick Abbey who's over in mapa. Now and I think he teaches there and will Morrissey, who played He's with Vance Joy, and it's all just, you know, everyone from that little group just ended up going on to do amazing things. It's pretty cool to look back on that now. But you know, there those were mostly my 16 year old gigs either at the pub or at random corporate events that wanted to hire some kids really cheap, basically. Do you so what did that sort of been leading to? You mentioned other people that you've you were with did certain things What have you done then since since those 16 year old days. So since then, I, I studied at the VCA. So I did the improvisation course there, which is jazz. And, look, I'm basically, I'm a freelance music. So I will do literally anything that anyone calls me up to do so long as it sounds like a bit of fun, but there's a bit of money in it. So I've, you know, I've done small, small group jazz, I've done plenty of big bands. So currently play with the jazz live orchestra, and helped organize that one as well. Both Dan McKenzie big band, and a few others around the place. I was in the touring band for architecture in Helsinki for years and years, which was really, really fun, we got to play some amazing concerts to 1000s of people. And, you know, I've done plenty of corporate gigs, or a lot of corporate gigs. Plenty of them going around. My current my current project, which is probably the thing I'm most excited about, in all of my music career so far is a band called falls. And it's a 13 piece, Americana, pop, rock, everything. So extravaganza, it's just the most joyful band I've ever played in without any offense to any of the other major bands are playing. It's just, it's a, we call it the love cult, because everyone just loves each other and loves making music together. So that's been that's been getting really big and going really well. But of course, with COVID, a lot of our grand plans of keep falling away, we're supposed to be touring in about six weeks time, up to New South Wales and Queensland, to do Caloundra and, and a blues fest, and Nashville, but all of those things are not looking super likely. But hopefully, hopefully fools keeps getting out there and keeps getting some of those very cool gigs and planning tours overseas and everything. So it's exciting times for that. And that's nice, because that's something I get to be really creative with as well, all the other, you know, pop groups I've been in have been more, you know, this is the song, this is your home lines, play them now kind of thing. Whereas this one, I'm helping to write all the phone lines, we're writing songs off together. So it's a real kind of combined effort with 13 people, it's very, that'd be like controlled chaos, almost 13 People input. absolute chaos. It's hilarious, but it's just the most fun I have doing anything musically. It's so great. Oh, that's awesome. Because I guess you're doing a lot of corporate gigs, you'd sort of be doing the songs that people know you'd stick to your standards. And, you know, you'd be limited, I guess to what you could do. So this would just be like, you know, open the floodgates off you go have fun with that. Yeah, absolutely. I mean, you know, the jazz stuff is really creative as well. And, you know, if, if I was so inclined, you know, there's, there's plenty of creativity, I could follow in there, but I just don't have I don't have the focus to kind of sit down and write a whole set of tunes myself and you know, kind of get that all together. It just takes so much work. So it's something that I have done in the past, something I maybe would do in the future. But for now I'm kind of letting that one, you know, the the jazz side of things. I'm just doing the big bands and then letting the creativity come out in falls. Wow, that sounds awesome. So I've got to ask you, did you ever come to Mount Gambia for generations in jazz? Yes. As Gambia tragic I still am I've you know, I forced my school to let me take my big band there. That was like, now Gambia was a life that was I lived for me, you know, that early weekend, in May, every year, I went to Wellesley College, which was you know, a big kind of big band school, my dad actually took the band there. So it was all we ever talked about from like, you know, about October through to May everything was about generations in jazz and you know, going into there and getting like just getting exposed to all those amazing music shows on the stage was amazing. And then going back as an as an adult and as a teacher has been really lovely as well and kind of seeing it change and into something completely different now. It's been really nice to be part of that and share that with my students now and see them experience that joy. Pretty cool. It's growing so much. I remember mom taking me when we were kids, when they used to be Girl, I think her name was Kelly. And she played saxophone on on her head Sunday. And I remember seeing her play. We're only at this Robert Hillman Theatre, which I'm not sure if you're familiar with, but it's basically your normal size data. Yeah. And now it's grown to I don't know how many 1000s people, it's the biggest tent in the southern hemisphere. Like all this, it's gone bonkers. And it's so wonderful. We've missed a couple of years. I remember seeing Kelly early as well, I've played in a lot of women's section with her since she's one of the ways to play with the mice. So if you ever see her, tell her I remember seeing it when I was a little girl, I would have only been probably, I don't know, to 1213, maybe maybe a bit older. But yeah. It's such a generational thing. And my whole family are involved, you know, because my dad took the Wesley guy and now takes the St. Leonard's band, my sister was taking the law, the whole band, to just schools in Melbourne, my younger sister was taking the band from Caulfield, like it was you know, we had all of us there, my uncle was volunteering there. So when you you know, every year we get a family photo at generations in jazz, and just all have a laugh about the fact that the whole family is still there, we just can't get away from it. Just let me speak for union come together in my life, it's a real shame that hasn't been able to happen the past couple of years you been able to do any teaching during COVID, like you're you locked down in, in Melbourne, it's great. Because I've been basically I've been filling in for the girl that was filling in for me at the school, so I I've been able to, you know, do my teaching, go back look, after Sam come back, you know, do another class go back and kind of share those duties, which has been really nice. It's actually been quite handy for me in terms of the thing locked in. And, you know, I've got all my resources from last year. And I'm probably one of the few teachers who actually quite enjoys online teaching, I love the challenge of it, you know, having to find different ways to present it and different ways to engage students using the technology. And it's just incredible how much we can do from home, you know? Yeah, I've been doing a fair bit of teaching from there. And then all these other little bits and pieces of you know, everyone's getting into the lockdown recordings again. So I did one last week, I think, for all day for it, which is like a kid's band slash jazz band, which is pretty fun. Falls, we're doing another one this week. We were doing one every couple of weeks back last year, which was very fun. So you know, it's, it's kind of, it's nice to do things in a different way and just change it up a bit. So I like looking at the positives here. And you know, just different sets a different way of living, but I kind of like it. My partner and I were supposed to get married last year, and then we're going we're gonna go on a great European adventure. We put all this cash aside, we've been saving our butts off to, to do all of that. And none of it happened. So and then I was getting maternity leave. And he's, he's kind of back at work now. So we've been lucky throughout all of it that we haven't had to struggle with gigs being canceled and stuff. I mean, we've lost plenty of money. But yeah, it's we've been thought more fortunate than others. So you mentioned Sam then so tell me about your little person. Sorry, my little person he's about is just about 10 months old. He is the absolute life of my life is the best thing that's ever happened. You know, I was very happy and very fulfilled person before having a kid. But I always knew I wanted a baby. I always not always know so I was terrified of children until I was about 23. And then I actually looked after one of my trumpet idols Ingrid Jensen in New York. I actually helped babysit her baby a few times just through you know, mutual friends and I was there and I didn't have a job and ended up kind of nannying for a couple of weeks. And I was like, actually, I love children. This is amazing. And from then on, it was like, Alright, this is something I want to do in life. So then, yeah, being with my wonderful partner, Carlo. I mean, we knew each other back when I was probably 1718 Just hanging out in the music crowds because he's a saxophone and woodwind player. He does all the jazz gigs and stuff but more so now he does in musical theater. So he plays for all Big shows. So we just knew each other through mutual friends for years and years, and then actually, jokingly got engaged about 10 years ago, I called the bouquet and I said, I'll call I don't have anyone to marry. And he said, Don't worry about it, I'll marry you. And I know, okay, and then, you know, like another, like, five or so years down the track. We ended up, you know, finding each other and going, Oh, this is a pretty cool little thing. And, you know, as things went along, and you know, from the start, I was like, I want to have kids just so, you know, this is a thing, and we were both very, you know, by very happy with that path. And then yeah, we kind of decided to, you know, not stop trying, but you know, not prevent anything and just see what happens, just throw caution to the wind. And, you know, lo and behold it a year and a half later, little Sam came into the world. So we found out we were pregnant, just at the very start of COVID. So it was kind of pretty scary times. And, you know, it was a bit of a surprise, because like, yeah, we've been going along for however long and going okay, like, you know, it's not gonna happen yet. That's all right. And we've been planning our wedding. So at the start of last year, we actually went, you know, what, maybe this year isn't a good time, maybe we should like, wait a little bit longer. And you know, until the timings a bit better. And as soon as we said that, of course. They got me pregnant. And yeah, then had, you know, nine months later, we had little Sam and so he's, you know, he's crawling now he's walking. Now he talks a lot like his mum. And like his dad, really. But he looks like me. So he's, he's good. Because of the pregnancy found out on the first of March, which, you know, thinking back to the timeline, that was kind of when things were starting to creep out of China and into other countries. It hadn't quite come to Australia yet. There was only maybe a couple weeks shy of that. But it was on its way. I remember coming out of staff briefing in the morning. So I was working. At the time, I was working full time as a head of Performing Arts. And I was also studying part time, 20 hours a week and doing gigs as well. So I was pretty busy. And I just I just handed in an assignment on the day, we found out I'd handed in my second last assignment, so I was exhausted. And we came out of a briefing like the next day and, you know, our, our principal and said to us, Look, we have to start being really careful, this thing is going to come to us, it's going to get very serious. And I was walking with a colleague and she said, Oh man, my my sister in law's pregnant, how much would it suck to be pregnant right now, and I just started bawling my eyes out on my way to my house drove off is just cry. Because I just thought, this is such an unknown. We don't know what this thing is. We don't know what it means for pregnancy for you know, an unborn baby, for a young baby, we just don't know. And so it was a pretty challenging time, mentally and emotionally. You know, and then in the weeks to come, you know, I had a lot of gigs that I just, I was so scared of what would happen if I got COVID. And it turned into almost like an anxiety about you know, if I get COVID The baby's not going to be okay. So I had to cancel geeks, but I couldn't tell anyone I had to I was working from home for school well before anybody else was, but I couldn't tell anyone why I couldn't come in from meetings. I couldn't come in, you know, it was all very, like, keep me away from everyone. And my principal was really supportive of that. But I think my pregnancy was probably the worst kept secret in Melbourne. Everyone just just looked at me when I okay. Yeah, we figure why you can't come in, but nobody can say anything. Yeah, so it was tricky, because we had to like, you know, keep up pretenses of I've just got a pre existing condition, but everyone knew exactly what was going on. So yeah, you know, then moving along, it was it was tricky, kind of going through and not being able to have family around during the lock downs. I mean, my My poor mom, you know, didn't really get to see me pregnant very much. I just send her photos all the time. And that was that was really tough for her as well to because she lives all the way over the other side of town. There was no way we could even catch up for walks or anything like my sisters live close, Carlos family live close, but my parents live quite far away. And so just not getting to see them. I think I didn't see my dad through the whole or maybe once through the whole pregnancy. It was really tough and definitely took it out. I'll emotionally and in, played on those anxieties a lot. And then I've got a bit sick later on in the pregnancy I got had gestational diabetes, which was an it was a late diagnosis, and I had to be admitted to hospital. And it was all of these things, and it kind of all just snowballed. And, you know, it was, yeah, by the time he came, I was ready to not be pregnant anymore. But then at the same time, you kind of look back and you go, you get to those last few days, and you go, Oh, I kind of like him being in there. And like feeling the cakes, and I like, you know, not having a baby to look after 24 hours a day just yet, you know. But yeah, we ended up ended up getting induced because of the gestational diabetes. And they thought that he was already four kilos at 36 weeks old, or 36 weeks gestation. So they were like, We need to get this child out. Otherwise, he's going to destroy, he did anything. He destroyed me coming out, they had to use the forceps. And, you know, he was he was in all kinds of all kinds of stress and whatnot, but still managed to have a vaginal delivery, which was wonderful. And had the epidural already. So I was having an absolute ball in that room. I just like, I got in there. And I was like, put this thing in my back auto kit as early as possible. I just don't want to feel a thing. And I'll tell you what, we were sitting there. We had disco lights going. We had like people on FaceTime. We were playing games, we're watching TV, we're hanging out chatting a few naps, by the time you just like, ah, be cool, that's fine. It's great, I would highly recommend doing it. I want to ask you, I have never played a winning strip. I'm a singer. So I struggled a lot when I was pregnant, breathing and getting the air in the diaphragm. Really? Was that an issue for you like physically being able to play? Absolutely. I mean, I think in some ways, I'm kind of grateful for having been in lockdown for a lot of the pregnancy, especially the lighter part for that reason, because I didn't ever have to push myself to a point where I went, No, I can't do this anymore. Because all I was doing was, like I said, like ISO recording, it's kind of thing. And so I could do as many tapes of them as I needed, I could do them in a few shots. And I was like if you say that the law schools recording, I had call it pregnant Tammy and continue to be like I mean, it was hard enough, just going for a walk around the block, let alone getting enough air to play the trumpet. So I think if if I hadn't been in normal life trying to do that, I think there probably would have come a point where I just would have had to go no more. So it's kind of nice that I never had to make that decision and and push it to that point. I just got to maybe 30 about 34 weeks and I just mind you this column I can't do anymore. That's fine. I've gotten up I don't need to I was still playing for work up until that stage just playing along with my students and whatnot. But yeah, definitely the breathing thing is hard. Luckily, you know, as soon as the baby's gone, like that all goes you know, your organs move back into place, and it's like they're so similar singing and brass playing. It's all about the diaphragm and all about the, you know, the way that you use it air and the speed of the air and everything just would be really hard. But I've read about people playing trumpet up until 3839 weeks, you know, I think it can happen, but I think those people are very special. I first came across you on the motherlode website. And you've done this amazing article and infographic about the challenges of pumping while you're digging, and I just related to that instantly, and I was like, oh my god, I get this totally I understand. I've pumped in some wacky places and some weed times and I thought, This is wonderful. Someone's actually done something about it. So tell us how that came about. Well, I'm trying to do something about it. You know, it's it's such it's probably the biggest challenge I've faced as a parent. Which sounds like it sounds so trivial, but people don't understand how hard it is and how demoralizing it is to spend all of your break sitting in dingy toilet stall, trying to keep all your beautifully sterilized equipment still sterile when you know the pits all over the floor. And it's like, it's really tough. It kind of came about I have when so when I was pregnant through lockdown, I had to really seek out some opportunities to talk to people who are also pregnant. And it just so happened that there were seven other female users in Melbourne, who I knew who were also pregnant. And like so one kind of emailed me and then said, Hey, Maddie, I saw you're expecting a baby. So a week. And then another one that hey, Maddie, yeah, we're also pregnant. All right, like, and so it just kind of, they all started writing to me, and I went, Wait a second, maybe we could turn this into a group. So we started our, our, what do we call it music moms group. And it was a, like a Facebook Messenger group, pregnancy support group, we do zooms kind of every week or two, and just talk about what was going on how we were feeling shared, you know, experiences of pregnancy, all of our fears about, you know, post, you know, giving birth and what that would look like, how we were going, you know, everything and it was just the most beautiful group, and they still are the most beautiful group of humans who just kind of pump each other up and keep each other going. And so now it's turned into from a pregnancy group, everyone's now had their babies, and it's a, it's a, you know, parents group, and we catch up, you know, pretty locked down, we we catch up every so often we get our Barb's together, they have a play, we have a talk or a drink, or beer or whatever we can do. All the guys come along, as well. They're mostly musicians, as well. And so it's turned into this amazing kind of support group. So when I was, you know, early on, when doing lots of gigs, through that kind of, you know, summer, you know, February, March, April, May season when things were really busy. And I was going out, you know, two, maybe three nights a week, and, you know, pumping in all kinds of places. And it was just feeling so hard. I mean, I got to the point of wanting to either give up and just, you know, go with formula, or, you know, if I'm doing it felt overwhelming, you know, having to take all of the equipment, you know, you're in these, you know, you're in a nice dress for the gig and you have to get the whole dress off, you have to put everything on you have to strap the things in, you have to plug them in, you have to turn the thing on, then you have to sit there for 15 minutes, then you have to wash everything. And then you have to get all back into your little box and into the bag. And the whole process takes the entire break if not longer. And I just so I'd be writing to my news. Oman's groups just being like, guys, is anyone else finding this really hard? And it was it was a shared experience that we were all going? How, like, how can we make this any better? How can we then it's so hard to, you know, keep pumping and keep doing this in the way that we're doing it. Some of the mums are amazing. And they will just like pull out all their gear and pump in front of anyone and sit there in the front row during the set break or whatever, and do it for me. I couldn't I couldn't get across. I ran having like literally having my nipples out in front of people. I'm very happy breastfeeding in front of people because there's a baby's head there, you know, but pumping feels a lot more exposed. And so I tried to think about how we could possibly just inform people of what you know what, what it is why it's important how they can make it easier. I was inspired by a Linda chintzy, who's in our museum moms group. She's going back. She's the leading Moulin Rouge. And she was saying you know that the the company have made all these amazing accommodations. She's got a five month old, I think I'm really sorry, forgot that wrong. But she's got a little Holly rose. And they've made all of these accommodations to make sure that she can keep pumping and have Holly there to feed and have her partner there to bring her in and all of that. And I thought, you know if they can make those accommodations, maybe other people can do. So I was doing I did three gigs for four gigs for the mid summer festival in Melbourne. And I just put it out there and I just wrote to the people who are organizing the gig and said, Hey, I'm a breastfeeding mom. Here's some things that would be really good if I could have my own room to pump in or just a private room with a door that I could just say to people hey, I'm going into pump right now. You know if I could have a fridge to store the milk in if I could have access to a sink so these are just all the things that the the IDA or the you know, Fair Work actually say that you need to have in your workplace, but obviously it's harder when your work pace changes every week. And you know what? They came back and they said yes, and they they gave me those things and I went ah But this is possible. It's not always possible. But it is possible a lot of the time for people to actually organize these things. And they were beautiful about it. They had my name on the door and they have my partner's name. They'd put everything in there that I could possibly need. And I just, I thought, let's try and make this people know that they can ask for these things. And so I started to become more vocal about it. And then, using those new moms groups, I actually workshopped and found out what they were finding hard, what their suggestions are that we could put into it and came up with this infographic that basically just says, Here, here's a bunch of things you can do. Firstly, here's why it's important, we need to keep our milk supply up. And to do that, you have to pump every three to four hours, we need to be able to have a space to do it, it takes 25 minutes, at least, you know. And so here's a list of things that you can do as a bandleader, as a venue manager, to make sure that people who are pumping or breastfeeding can feel comfortable to do it at your venue or at your gig. And the the response when I put it out to Facebook was just amazing. Like I was overwhelmed, I thought a few people would sit and be like, oh, cool, that's great. I might borrow that and show it to some people like it got shared over to New Zealand, it got shared all around Melbourne and, and a bunch of different places. And I think people have really taken it on board. I know a lot of people that I work with have been like, you know, we're going into a set and the set time has been changed. They've been like, hey, Maddie, if you need to leave early to go and pump, you know, that's fine, but set time has changed. Just leave whenever you have to. So they're making those accommodations. I mean, I really do, but it's nice to just be considered in that way and know that we have the option to like, hey, if I really need to park right now I can just walk off and go kind of thing. So it's it's been quite a journey and then during the motherlode motherlode interview was amazing as well, Georgia fields is incredible. And you know, made it all sounds so lovely and succinct or my you know, ramblings but it's, it's been a real journey. And I kind of coming over the other side of it now, you know, being 10 months old. You know, he's he's getting to the stage where he only has like, a few feeds a day. And it's like, wow, I survived that I survived that having to pump and having to feed every three hours, when those days where I was out at a gig out of town, and I was, you know, out of the house for 12 hours. It's like, it's a lot. And I feel quite, I feel quite proud of myself and all the other moms that have done that and been through it and made it you know, made it work. Yeah, absolutely. No good on you. I was so impressed when I saw it. And it probably I can think of times when it would have come in really handy because I, I guess I never thought to ask it was never it never occurred to me that that I could ask it was just like, well, this is your thing. So you need to sort it out. I never sort of thought I never Yeah, it just never occurred to me. So well done you round of applause. On the interview with the motherlode, you said something like times when you've been pumping in a really yucky toilet stall and, you know, close to tears, and you wondered, was it worth it? Probably not at that moment, but later did you sort of you obviously thought that it was because you kept going it was really important to you to be able to maintain that milk supply for your baby. But also, you know, it was important for you to keep playing and to to keep that part of your life really active as well. Absolutely. I, I, I know that I'm a better mom, because I have my music as well. I really feel that deep down in my soul that they're having the music especially, you know, and like doing the corporate gigs and everything, it's a bit of fun, you get a bit of money, it's pretty good. But they're things like falls and those jazz gigs that really feed my soul. I come back home and I'm completely revitalized as a parent, you know, getting that time away from Sam, who is the most important and the most beautiful thing in my whole entire world. But getting the time away from him, actually makes me appreciate him so much more. I mean, I was he was six weeks old when I did my first recording session back. And they were I was out of the house for maybe eight hours. I mean, I hadn't been away from him for that long, obviously. And it was you know, I thought I would really struggle. But it was it was an amazing recording session, syncing south with falls and I came home and I just felt I felt like myself again. After six weeks of being completely attached to this small human and just being at his whim, whatever he needed. He needed. Get on that moment. And, you know, I got to go away, step away from it and come back. And I was so grateful for that time. And I'm also so grateful that my amazing partner Carlo, you know, does everything he's, he's not scared and looking after the baby out or you know, and he's been hands on from the very start. I mean, because there was no theater, you know, for the first eight months of Sam's life Carlo has been with us, aside from his teaching pretty much full time. So we've been able to really manage that between the two of us. But yeah, they're having the gigs to go to, I think keeps me sane. You know, before I went back to teaching, it was the thing that kind of made me feel like me again. And I think that's so important for, for creative parents to still have those things I, I was never going to put down my trumpet and not play as a parent. And also, I'm a really stubborn human being. And if someone tells me like, Oh, you're not going to want to play much once here, once you have your baby, you're going to want to just stay home. I was like, I heard shorts your show. Cool. Cool. Cool. All right, watch me go. And so now I'm gonna be a bit more determined than before, I think I've been practicing even more than I was, before I had a baby, because I'm just like, You know what, I want to go out there and show people that being a mum. I mean, being a parent in general, but especially being a mum does not stop you from being an amazing musician, and amazing artists and amazing teacher, whatever it is that you do. It's another thing in your life that is very, very important. And yes, your priorities change. But it doesn't stop you being amazing at what you do in that moment. And I've had people kind of, you know, second guests that I've had people be like, oh, so all your backup gigs. Oh, really? That's, that's soon? Oh, that's interesting. And you know what I just say to them, I'm like, why wouldn't I be? Actually, I think you'll find I'm paying better than I was beforehand, so that you've put so much effort into, like all the background, they just see you at the gig, they haven't seen you prepare everything at home, have the milk ready, you know, do everything you need to do to make sure you can do this gig, because the similar thing happened to me. I did my first gig that we did the when he was seven weeks old. And same thing someone said to me, oh, where's your baby? And I was just like, if you knew what I have, I've moved heaven and earth to make this day possible. So I was playing up at Coonawarra, which is about an hour away. And I was there for about five hours. So I was away from him for a while. thought you've got no idea. I That's my that is my pet peeve. And people ask it in a nice way. And they ask it with the most like sincerity and they go, oh, where's the baby? And that's one question that I just can't stand because it just kind of grates on me because it makes you feel like, oh, I should be looking after, should I be looking after the baby, we're like, you know, it's like the babies with his dad, he's fine. You've done so much to be able to, you know, go into a gig now isn't just like you know, or you've done your practice on the days before you just you know, get your tribe and walk out the door. Going to a gig now means scheduling time in for practice every day leading up to it to make sure that you're on top of it, which I reckon I'm more on top of my gigs now because I have to schedule things I have to make that time doing all the pumping, getting the bottles ready, getting the food ready, making sure the babysitters sorted, making sure everyone knows where everything is, you know, what's the bedtime routine? You know, have I fed the kid now? Should I feed him right before I go? It's such a different thing now. And, and for people to be questioning that and be like, oh, where's the baby? It's something that really great for me. Maybe I should make another infographic about not asking that question. I think I just I'm very passionate about you know, I am you know, Loki quite a feminist. And one of the things that really bugs me is, you know, when I think about would people ask a dad about that? Would they say do you know, is their dad guilt? Or, you know, Dad comes into a gig gig or goes to work and someone says, oh, where's your baby? That doesn't happen, you know? Or someone says, Oh, you're back getting already Wow, that's amazing, like, hold on you. That just doesn't happen. And so you know, the mom guilt thing. I think dad should be feeling it just as much and I'm lucky enough that my partner feels a lot of dad guilt. He comes home, you know, when he goes out to work and he calls me and he says, Can you send me a photo? I miss him? You know? And I think that the the feeling that it should be all on mums to be there and to be looking after everything. It's not fair. It's not equitable. Having said that, you know, we do of course, we miss our kids. Like, I miss Sam so much when I go out to a gig, I do miss him and I look at photos and I show everyone photos. You know, I miss him and I go, Oh, but no part of me ever feels like oh, I should be at home. It's not fair to him, because it wouldn't be fair to him if I was at home all the time, and I was a sad person because of it. And so that's why I just think you've got to look at the balance of things. Yeah, he's gonna miss me for a few hours, but I'm going to be a better mom because of it. And I really, truly believe that making, like doing the work that we do anything that makes you feel happy and passionate, you know, that makes you a better person and a better parent. And so you can't feel guilty for taking that time. And I really do I look at music completely differently. Now, you know, when I go out to do my gigs, it's not like, we're gonna go do a gig. Now it's like, this is my time, this is my time to do something that makes me feel really good, and nourishes my soul. And that's going to make me feel better about being at home. So, I don't know, if I answered the question at all, but my take on mom guilt, you know, don't feel it just don't cuz we're allowed to go out and do these things to our souls to, it's so important. I think moms often get put in until a man box. And people go, you should be looking after your kid, you know, you shouldn't be doing things for yourself. And that's that, that kind of thrown on my heart, like, you know, we completely surrender were expected to completely surrender everything about ourselves to be apparent. But it's just not feasible in the long run, if you want to be a happy and whole person. I am a trumpet player. And I'm passionate about that. I'm a music teacher. And I'm very passionate about that, too. And I'm a mom, and I'm very passionate about that. And I can still be all of those three things. And they don't have to, I mean, they're going to impact each other. Of course they are, but they don't have to cancel each other out. You can't only be one of those. I mean, you don't have to just be one of those things. And, you know, I think keeping my identity has, like I said earlier, it's kept me sane, it's it kept me feeling like parenting is the most amazing thing on earth. And it truly is. Because I've been able to keep that part of myself and share with Sam to like, he's coming out to a bunch of gigs. He's got his little headphones on. I think the first thing the first gig he came out to potentially was New Year's Eve, and myself and Carlo were playing together. So my mom and my stepdad came along and held sat there, and he watched us play. And he of course, would have had no idea was going on because he was only like eight weeks old. But playing for Sam felt amazing. It just felt like a completely different experience to be able to share my craft with him, you know. And so I want that I want him to grow up knowing that that's a part of me, and also having that be a part of him and want him to be proud of me to I want him to see me on stage and see his dad on stage and go, Hey, that's, that's my mom. That's my dad, how cool is that? I just really want him to think I'm cool. That's what? Well, my musicians as well. So you know, I always saw them on stage. And it was just, I was so proud. I thought they were the coolest people ever. I was like, Oh my gosh, look at that singing and dancing around. It's so cool. And, you know, I just think it's such an amazing thing for kids to grow up seeing their parents, you know, pursuing their like, the things that make them happy and doing it publicly as well as even better. Did it surprise you? You know, there's been so much change in terms of how breastfeeding has been accepted over the years. It's taken, you know, it's taken a while. But breastfeeding is commonly accepted pretty much everywhere now. Even if it might annoy someone. But Did it surprise you then that the pumping of the breast milk was just no one had any idea about it? It? It surprised me because I didn't know anything about it. Yeah. So I had Sam and I like I knew about breast pumps. And I knew that you you could pump milk so that you can feed them from a bottle. That's all I knew. I didn't know about maintaining supply I didn't know about you know the supply and demand part of breastfeeding. I just thought the milk was always there and you just get it out when you want it kind of thing. And so finding out that this would be part of you know, leaving the house and leaving Sam alone was that I'd have to be doing this pumping. It was actually quite upsetting. Because you know, when I started the pump, I was like wow, this is pretty intense. It takes a lot of effort to Get everything on. And then you know, when I first started pumping, nothing was coming out. And so I really had to work on relaxing and you know, looking at pictures of Sam to try and you know, get the letdown happening. And then getting out and talking to people and finding out then that they knew nothing about it too, I actually wasn't surprised that they knew nothing, because I knew nothing about it. I'd never seen somebody pump before. I'd never talked to people about pumping before. So me being the loudmouth. I am, I went out and started telling everyone all about it, I get to a gig and be like, right, guys, I need to pump it this time. I need to pump it this time. Here's why I need to do it. You want to see the equipment? Look, here's some of my milk. Isn't this amazing? Like, how cool was the human body? And you know, a lot of people just said, Wow, I had no idea. But it didn't surprise me because neither did I. It's not really talked about everyone knows about breastfeeding. But not everyone knows about the pumping side of it. You know, or Yeah, it's, it's kind of it almost feels like it's a bit taboo. It's in the background, it's things that people don't see. And, you know, I've got a great friend of mine who had to exclusively pump for six months. And she said, by the end, she'd just walk around wearing a pumpkin no matter who was around because you just have to when you when you're exclusively pumping every three hours, it just takes up so much of your time and so much of your life. So it'd be great for that to become a little bit more visible. And that was part of you know, me getting this out there was trying to help people make it feel more normal. Hmm. Yeah, that's great. When you did find out about the effort that was involved, did you ever have a moment where you just thought, Oh, it's just it's too much. I just did you ever have that moment where you thought now I can't do it. Like, it would have only been fleeting moments, I think, once I was pumping at and no human being to this venue in Melbourne, the night cat, it's known as one of like, the dingy highest venues, but also super fun. But you know, those are the nightcap toilets. So the way I used to go as a 17 year old when I was too drunk to like, you know, open a door and be like, you know, and I was pumping in there and sitting on the thing and just going, Oh, I can't touch anything. And I was like, this sucks. This sucks. Like, should I just do formula, but I really, I really just wanted to, and it was almost like a challenge within myself. I just wanted to see how long I could exclusively feed for and, you know, I just felt I feel so privileged that I was able to breastfeed, and not everyone can, you know, for medical reasons for you know, mental reasons, mental health reasons, there are so many people that just can't do it. And I you know, it came so easy to me, I was like, I'm not, I'm not going to take this for granted. It's amazing that I can give my kid the very best nutrition in the whole world. For him. There's nothing better than breast milk. I'm gonna make the most of this. And so I you know, I had my moments of wanting to give up, but they were fleeting. And you know, I kept going with it. And I'm still going with it now I still periods about, Gosh, about six times a day at 10 months old, which is a lot. But you know, we just do it. And it's, I've not ever been, you know, some people. You know, they say I love breastfeeding so much like it's a really beautiful bond between me and my baby. I'm not one of those people. I don't know why I didn't get that gene that was like, Oh, this is so beautiful and loving. I do it because it's easy and because it nourishes him and you know there are bits of it that I like it's just a lot easier mostly. You know, but we've we've kept going and I'm really glad that I did. Like you don't yeah. There's a Fire Island article on the motherlode of he's sitting on your lap, got the trumpet and it's absolutely beautiful. Well, my partner's in that photo as well. He was he was filling in with full so the two of us were at rehearsal. We were like What are we going to do we take the kid with us we put on his little headphones and he came into rehearsal. It was actually it was a pretty special moment for him to be you know, for my my whole family to be there with my full family. It was it was really lovely. And that's that photo is actually you know, the first one on social media of him is we haven't put any photos on but that just felt so special. We need it to share it. It is lovely to be able to continue that family tradition like your parents involved in their you and involving your son I think that's just beautiful, musics awesome. Always been such a such a positive thing in my world in every way possible that it just it feels like something that I want him to experience as well not necessarily to become a, you know, not to become a professional musician, but just to be able to have all of those amazing social skills that come from working in a team, you know, the the cognitive skills that come from learning music, and just the joy that comes from making music. I mean, if if you can, if you can do it, why wouldn't you? Why would you share that with your family around the piano when we were kids and dad would be playing, playing songs to us. And we just thought it was the most amazing thing ever. And I looked back at that, and I go, I'm so glad that we were introduced to music at such a young age and given the option and it was always an option, but we were given the option to pursue it in whatever way we wanted to. And we all ended up as brass players doing music degrees. Sorry, dad, he wanted doctors and lawyers. So he started the the trend of the brass in your family. Then my oldest sister started on the trombone. And then I did the trumpet. I'm the middle one. And then the younger one started on the corner as well. But I actually when I was in about year seven, I got the album's which is like the trumpet book. It's the book, you know. And I sat down and tried to play some of it with my poor little sister who was only in grade four at the time going, oh my god, I can't play there's nothing you just gotta you just play it you just do it like that. I wasn't a very good teacher then clearly. And the next day she put down a trumpet never picked it up again and picked up the trombone instead. I'm not playing the trumpet anymore, but it made me feel bad about it. Find matches a trombone player. Scottish philosopher have a lot of guilt about that. You talked about mom guilt. I've got sister guilt. Very good at the trombone now though, so it's okay. Maybe it was meant to be maybe that was her path in life you just had to guide her slightly she doesn't usually follow in my footsteps so you had to try other ones. Also want to ask you you said before about you, your muse Imams? Did you find because you were friends before you had children? Did you find them? Did you find that that there was little comparison with your muse? Oh mums group. Absolutely like that the museum moms group is super supportive. Everyone, you know, it's very real, we write about all of our challenges, you know, we write about all the really bad things, and we tell each other about the good things too. And everybody is like, there's no comparison, there's no, you know, oh, my, my child seems better than yours. Otherwise, I'd be losing pretty bad. I'm very, very high, you like it, you're right, like being already being friends. I mean, some of the a couple of the girls in the group, you know, I didn't know so well beforehand. And now we're also close, we, you know, text pretty much daily and just build each other up and just make each other feel like everything's okay. And everything's going to be okay. And I'm really lucky. Absolutely. My local parents group, there's a couple of girls in there who have become, you know, some of my closest friends, you know, and we, we really look after each other as well, you know, or living on the same street and, you know, supporting each other in that way too. So I think you can get lucky with the people you end up with, you can get unlucky, it just really depends. And I've had absolutely lucked out in finding, I even have a third mother's group. Another one. Everyone's just really amazing and supportive, and no one ever makes me feel like what my child is doing isn't okay. And I think that's such an important part of being, I think, especially among, you know, because we tend to be the ones kind of, you know, and this is generalizing, and it's not in every situation depends on your circumstances and the set of parents and whatnot. But we do tend to be the ones who kind of know where the milestones are meant to be. And we're the ones waking up generally every night if we're breastfeeding all through the night to feed the baby. So we tend to be the ones that end up getting sucked into those comparisons and those kind of competitions. And I think just being really mindful of making other people a never feel bad about what their child can or can't do. That be not, you know, not saying my child can do this to try and you know, show off but to be like, Hey, let's all rejoice in this together, my child can do this what new, you know, what is your child during this week that's really amazing and really special. Because I think it can turn into a bit of a competition. And that's, that makes me sad. But I'm so grateful that I ended up with all people around me who are just beautiful, and supportive and amazing, and I love them all so much. Life after baby really has made me kind of consider how much free time I had beforehand, even though I was working, like I was doing like 70 hour weeks, and still getting to the gym three or four times a week and still had free time outside of that. And now it's kind of like, probably the biggest surprise has been just how time consuming a child is, you know, I kind of thought you put them down for a nap. And then they'd sleep for a couple of hours and you get stuff done. And then you come back to them. And my child, beautiful Sam, he is the most incredible child on the world does not like sleep, I think he's allergic to sleep. So you know, his naps are sometimes only 15 minutes. You know, if we get really lucky, it's an hour, it really, really lucky. I think once or twice, he's done an hour and a half on his own. And I think, you know, the big thing as a musician has had to be prioritizing and scheduling. So sometimes now I have to practice the trumpet with a mute in at 11:30pm. Because that's the only time I get to do it. And I think, you know, everyone said to me beforehand, like you, you you weren't even know what you used to do with all your free time. And I was like, Dude, I'm pretty busy. Like, I know what it feels like to not have free time. Now after having a kid it's like, I know what it feels like to never have a moment to yourself. Because literally now any. And I say literally in the actual way it was meant to be used. If I have free time I'm off into the studio to practice. If he actually goes down for a nap, it's practice time. And so now I pretty much don't ever have any time to myself without the horn on my face. And that's been that's been a bit of a shock to me. I think, you know, I would I would have loved to know that beforehand that it really is that intense. And I'm sure it will get easier as we go along. And as he gets older, you know that then if we add another one to the mix, we go through the whole thing again, and then it's even more chaotic, I'm sure. But yeah, I think that's probably been one of the most surprising things as a as an artist and a mum, kind of just how much I need to use any little scrap of free time to make sure that I can still maintain my craft. Yeah, when I used to sit down and do half an hour of practice, I reckon probably 20 minutes of that was like looking on Facebook or, you know, rearranging my books or, you know, playing with a little thing on the trumpet. Now, if I sit down to practice for half an hour, I am practicing hard for half an hour, because I know that there's not going to be another half hour or if there is that I've got to use that half hour really well, you know. So it really does change the way you kind of focus and knuckle down things because there's just no, there's no room for faffing. You just can't. Alright, yeah, laughing is faffing is canceled the moment that child comes out of you. Sometimes my sisters come over to look after Sam just so I can go and practice if I'm having a particularly hard day they live close, which is lucky. But I'll just be like, Hey, guys, I haven't been able to get anything done today. And they will just come over, they'll sit with them. You know, for an hour or two, I'll get some washing done, I'll jump in the studio or have a shower or whatever it is and, and having that support has made it all possible. You know, you just need people you need, you know, you need a village to make it all work. I'm so lucky that I have an amazing village around me. You know, and I know it would be harder for people that don't and I know of people who don't have family here and it's bloody hard. And I just I don't know how they do it. You know, single parents, I am absolutely in awe of anybody who raises a child alone. I can't even fathom how hard that would be. You know, so I'm very privileged to be able to make it work. And I feel I feel very lucky for that. So there's some really exciting stuff coming up with falls. Hopefully we'll be doing a little mini east coast to the start of October may or may not happen. But then also we've got a gig in Maine in in mid October and another one in Brunswick, I think in November. So that will be very fun. Jazz lab orchestra is about to do recording for a new album, and they play at the jazz lab every month as well. COVID permitting. We've lost our first yard originally our last few unfortunately. But yeah, that's the main things coming up. They get on board. Madison, I've thoroughly enjoyed chatting with you. It has been so much fun. You've given me lots of laughs today. All the best with your full ski and well done again for opening people's eyes to the challenges of pumping and returning to gigs. So yeah, thank you so much. Thank you so much, Alison. It's been an absolute pleasure to be on the show. If you or someone you know would like to be a guest on the podcast, please contact me at the link in the bio. Or send me an email at Alison Newman dotnet

  • Julia Reader

    Julia Reader South Australian water colour and acrylic artist and art educator S1 Ep21 Listen and Subscribe on itunes , spotify and google podcasts Julia Reader is a watercolour and acrylic artist, an art educator from Mount Gambier South Australia, and a mum of one. ​ Coming from a background in graphic design, Julia is a firm believer in following your heart, being open to new opportunities and that everything happens at the right time. ​ We chat about how her perfectionist trait stifled her creativity, how she used her art as a therapy tool to work through her control issues, letting go of your expectations, not just in art but in life, and allowing mums feel all the feelings they are experiencing, good and bad, without judgement. ​ **This episode contains discussion around infertility, post natal depression and panic attacks** ​ Connect with Julia on her website and instagram Julia's December Workshop details Follow along with The Portrait Project here ​ Connect with the podcast here - https://www.instagram.com/art of being a mum_podcast/ ​ Music in this episode is used with permission from Alemjo - https://open.spotify.com/artist/4dZXIybyIhDog7c6Oahoc3?si=pTHGHD20TWe08KDHtSWFjg&nd=1 ​ When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum, the podcast where we hear from mothers who are artists and creators sharing their joys and issues around trying to be a mother and continue to make art. Regular topics include mum guilt, identity, the day to day juggle mental health and how children manifest in their heart. My name is Alison Newman. I'm a singer songwriter, and a mother of two boys from regional South Australia. I have a passion for mental wellness and a background in early childhood education. You can find links to my guests and topics they discussed in the show notes, along with the music played, and a link to find the podcast on Instagram. Following music used on the podcast is done so with permission. The art of being a mom acknowledges the bone dig people as the traditional custodians of the land and water, which this podcast is recorded on and pays respects to the relationship that traditional owners have with the land and water, as well as acknowledging elder's past, present and emerging. Thank you for joining me. My guest today is Julia reader. Julia is a watercolor and acrylic artist, graphic designer and art educator from Mount Gambier, South Australia, and a mom of one. Julia is a firm believer in following your heart being open to new opportunities, and that everything happens at the right time. We chat today about how her perfectionist traits stifled her creativity, how she used her art as a therapy tool to work through her control issues. Letting go of your expectations, not just in art, but in life, and allowing mums to feel all the feelings they're experiencing good and bad without judgment. This episode contains discussions around infertility, postnatal depression and panic attacks. Today, I'd love to welcome to the podcast Julia reader. Thanks so much for coming on, Julia. Thanks for having me, Allison. Yeah, it's a pleasure. Another hometown assets, which I'm really excited to chat to you. You you're a painter, and do drawing as well. What what sort of mediums do you work with mainly? So I primarily work with watercolor? I have been dabbling in a bit of acrylic. They're the main things that I use. Yeah. Obviously, watercolor for most, I think that's probably what I'm probably most known for. But yeah, like, I really love acrylic, too, because it's sort of like the polar opposite to watercolor, you can paint over things if you stuff them up. But with watercolor, it's not so much the same. So in that respect there, like almost two completely different ways of working. And I like to challenge myself sort of at both ends of the spectrum. Yeah, right. So how did you first get into painting? That's a really good question. I teach watercolor classes. And I say to people that I can never actually remember the first day, or the first time that I picked up a paintbrush with watercolor and started painting. Yeah, I do remember doing a like a little watercolor painting for an exhibition. And I was invited to be part of an exhibition for a local group called the soul sisters collective, which is actually a group that I'm now a part of. But I yeah, I remember doing this little watercolor painting, I remember thinking that it was absolutely terrible. But it was what I did. And I was willing to frame it and put it up on the wall. And then there was probably like, a few years after that, that I didn't touch anything watercolor related. And then yeah, somehow I fell back into it. And I really have no idea how it started. I'd like I can't even tell you whether I was at home or sitting at my office. But it was just something that really just evolved very naturally. You know, there was a lot of practicing a lot of watching YouTube, because I am self taught. So there was just really lots of watching videos, looking at how people used it. And then from there it was, I guess. Consistency is what I always say is like, it's the game changer for I think anything if we're consistent with something, then we will see the results. But yeah, it was just a case of yeah, just painting, you know, you might want to make just once a week and then as I started to sort of see an improvement and maybe had a little bit more time. I would paint a couple of times a week and then there was a couple of points where I was doing like a painting a day. And I think I think I started doing that when Jack was about Eating. No, he wasn't he, he was only 10 months old. And I looked back on it. And I just think like, that was just such a crazy thing for me to commit to. Actually, it was actually not a painting a day, it was a project called the 100 Day project. So it was 100 days of painting. And obviously, I didn't do it over 100 days, it probably went to like 150 days, I did 100 paintings. And I think I bombed out at about 75 with Jack, because it was just too much. And I was starting to get to a point where I was really not enjoying it as much. Because there was a lot of pressure for me to sort of put something out on my social media. But yeah, yeah, just a natural level of illusion, evolution sorry, where I just went from not really touching it to wanting to play paint with it all the time. Developing a really a real love for it. And I think that's just sort of where it's that love has led me to where I am today with watercolor in particular. Yeah. So you said what's kind of happening at the moment with you with the acrylics, you sort of discovered this new thing? And you're sort of learning and similar kind of, sort of pricing? So yeah, I think I mean, look, I've still got a huge amount to learn with watercolor like, I would never like, yeah, I guess I know that I've got so much to develop as far as watercolor goes, it's such a technical medium. But yeah, I found acrylic and acrylics, almost like the sort of playful thing that I can do on the side that still creative. And if, if I don't do it very well, I can literally paint over it. And I can start again. And let me tell you, I have got canvases here that have got like about five or six paintings that have been painted over, you know, so many times, and like there's even paintings that people have purchased from me recently. And they would have no idea that there's actually three paintings that they've actually purchased. Maybe one day if I ever get rich and famous, which is really not the intention. Maybe maybe those people one day will discover that there's like all these hidden artworks underneath the one that they purchased maybe acrylic is I just find it like it's sort of like reversible. So like if I if I do something wrong, I can literally let it dry and come back and paint over that section. watercolors just not you can't do that. So yeah, it's a little bit strange, I guess that you've got like these two different mediums that that work in two completely different ways. Yeah, I'm drawn to how each of them work individually. And I think there's some days where I feel like I want that challenge of watercolor. And then there's days when I feel like I just need the ease of acrylic. So but yeah, look, acrylics, definitely something that I enjoy. So I can see that that's probably something that I'll continue to do. And for me, the moment is just working out how I bring the two together. So that my body of work looks, I guess cohesive, obviously, because they're two different things. They look different. I can achieve different things with each medium. So I can do things with perhaps acrylic that I couldn't do with watercolor. So they sort of take on a life of their own. Yeah, that mentally for me at the moment is just working out how I can sort of bring the three together. And when somebody sees that particular work, they can say, oh, yeah, that's Julia's work. Whereas at the moment, I feel like there's probably a bit of a divide. So I'm just going through that at the moment trying to work out how to sort of gel the two. So yeah, when you say that, I think yeah, you've got definitely a recognizable watercolor style, like I think, certainly anyone local. And I mean, I'm not in the art world at all. So I'm not sure how, yeah, white things spread, but certainly anyone in the mound that would see that would go oh, that's Julius, which is really cool. Then quite a few of my walk can't quite get it around for it. So I've got my little collection of things. And then I've got my kids stuff behind me, which is, you know, a mishmash of stuff, but I love and don't look, I'm not showing you the other side because that's absolutely love because I can't draw I can't do that. I love having those sort of things around me. They sort of inspire me creatively create creatively and the other the other things that I do so yeah, thanks. You for being awesome at supporting me so going back to the beginning, you talked about the soul sisters collective when you created your first watercolor. So what sort of creating or work were you doing at that stage? So back then, and I'm just going to pull a year out, I think that was about 2015. It could have been it could have been a year earlier or so. So back then, my creativity was my graphic design. Right, that was really all it was at that point. I wasn't painting. Like I wasn't, yeah, I just wasn't doing anything other than graphic design at that point. And I was actually quite at that point, I was really fulfilled in my graphic design career, which is something that I'm like, I'm still doing it today. It's still of my business. But I think, yeah, I was just in need of something else. And that's sort of when the painting started to happen. But yeah, back in 2015, it was just, I was a graphic designer, I was friends with a lot of the people that were in the soul sisters collective, which are all born at the time were all, like, sole traders working for themselves all female in, in our Gambia. So yeah, it was a real honor to be able to join their exhibition, because like, I was really quiet. sort of been aware of all of those people, because they were all sort of doing this business for themselves. And at that point in time, I never saw myself owning my own business. So yeah, it was really lovely to be able to join them. But like I was highly critical of the work that I put out. Obviously, I wasn't, I wouldn't have called myself a painter or anything at that point. I was literally just dabbling in this watercolor that I must have found somewhere because I can't even I don't even think I probably have the original watercolor that I was using on that particular painting. And yeah, just really highly critical of what I did. I've still got hanging on my wall here, so it can't be that bad. Yeah, at the time, I was just really honored to be a part of the exhibition. But I was also like, yeah, not not loving anything that I did at that point. So yeah. Sort of reaching back in your graphic design, how did you get into that? Was that something you've did at school, or you've always been sort of into that sort of stuff? Yeah, I've always been quite creative. Even as a child. I, I've always gravitated towards the arts. I remember having a science teacher who just used to tell me that I was not going to get anywhere with art. And I should just apply myself in his science lessons, because this is where it was at. I know, like, you know, as a kid, I think I when I say a kid, I was probably like, 1616 when he was saying this? Yeah, I always just, I just never wanted to apply myself in math, science or anything. And I really do believe that we've got like a brain for creativity. And we've got a brain for all those really sort of technical subjects. I really enjoyed English, I loved creative writing. So anything that had an element of creativity where I could explore, like, my ideas, and I could express myself in some way. Were the subjects that I was drawn to, in saying that I was never like, into drama or anything like that. But um, yeah, I was very much into art. I did art I did design, I had a very supportive design teacher. And when I first started design, like he really liked, fostered an interest in my work. And I think from there I think I always knew that I was going to be a graphic designer. I had a period where I thought I would be an architect. But yeah, I got into sort of my, my later years of secondary school and I knew that graphic design was where I was headed. I got to year 11 Sorry, year 12 And the workload was just like intense. And I decided to split my YouTube up over two years. So I could really focus on my design. And I can't remember what my final grade was in design that I think it was like nine out of 20 or something. There was some like, technical thing that stopped me from getting the 20. But anyway, doesn't really got moderated down because the state wasn't good. Yeah, that's right. And so from there, I actually studied through TAFE. And it was such a fantastic. It was such a fantastic way to learn because it was so hands on. And so I did my first year in Mount Gambia, I did my second year in Adelaide, and I lived with a couple of girls who one I'm still very good friends with today are actually friends with both of them today. But one, like our friendship has just continued on. And we both have very similar interests, even today. And we're all two of us are still graphic designers. The other isn't. But yeah, it was such a great experience. I lived with some people that were studying graphic design through university. And so I got to see how the two courses compared and I was just really happy with choosing that one. Because I think if I was sitting in a lecture theatre learning these things day in and day out, it would I would have lost interest I needed to like, see how it worked practically in a, like a specific setting. And I got to do that. So yeah, I still very much love graphic design. But I'm just understanding that there's so much more to what I can offer. Yeah, and yeah, I totally recommend graphic design to anyone out there is still I think it's still a fairly popular sort of choice for younger people. Yeah, that especially today, this always social media, and everyone's creating images for promotion. And these little, little, what do they call tiles? You know, on the Instagram? Oh, yeah. Like, it's Yeah, Canvas, definitely. Like, I think it's definitely got a place. And yeah, like just having the skills of graphic design is like really helpful for me, even in my art business, and being able to promote myself and keep sort of a consistent theme amongst my look and creating that brand. So there's like huge benefits to having that knowledge behind me. And I can see that it's probably something that I'll eat depending on, you know, how my career plays out. And, you know, I don't tie myself down to anything. I feel like my options are always open with what I could be. But I can see that that skill set that I've developed as a graphic designer will certainly carry through I think probably every job that I do. You've got that understanding of it is yeah, yeah, for sure. There's so much there's so much to it. It's such a broad, broad job. And every time people say to me, or what do you do? And it's like, oh, gosh, where do I start? Like, really varied? Which I love so much. Like, there's someone like me that felt like I can't I always thought to be good at art, you had to be able to draw something that looked like the thing you were drawing. That was my thing in my head. And because I couldn't do that. I thought I can't do it. But then when I I knew nothing about mediums, different texts, different. Whatever's paints, when I did that watercolor, I was like, Oh, well, you can do whatever you want. Like it just I just I had no boundaries, no barriers. It just became this amazing. I don't know, just even the way you got us to practice doing circles and learning. Like you said before, it's so technical, how different like amounts of water on your brush, create different things and just completely opened my eyes. I'd never looked at things that way. I didn't understand things. So I highly recommend it to anybody that doesn't know anything. I say joy because it's amazing. Yeah, yeah, it's, um, I think like, in most things in our lives, we probably like have a set of expectations on how we need to do that thing. and like, that includes everything from parenting down to like, I don't know how you hang your washing on the line. You know, like, we've got a set way we think things need to be done. And what I love about teaching watercolor is just giving people an opportunity to use creativity. And a lot of the times it's creativity that people didn't think they ever had. So I really believe that every person on this earth has got an element of creativity in them, I don't think we can survive if we don't. So, you know, it's just giving yourself permission to be able to, to use it. giving yourself time and also taking away the the expectation that you need to be good at it. Because it's unrealistic. So I think that if, if I had picked up watercolor on that first day that I did, and I expected to paint this amazing painting, and I didn't achieve it, I would never have picked it up again. But I gave myself some grace. And you know, whether I did that, I probably did it subconsciously, I probably didn't make the decision to go easy on yourself, Julia. But I just, I just went with almost like a childlike playful, you know, just go and see what it can do. And then, you know, I obviously enjoyed it. I didn't have I didn't feel like I failed. And then I could come back again and try again and then come back again and try again. And and then would you believe it? I've liked building this skill set, that's actually starting to make sense. And I'm getting a better understanding of the medium. So in the workshops, that's like, one of the first things I say is, and I had a workshop, like literally on Friday night, and I said to the girls there if if you have like any degree of OCD, like trying to like perfectionism control issues, watercolor watercolor will let you know, you'll, you'll get to a point where you just like the frustration will be there and it will test you. So like, you know what I was totally in that category. I was. Yeah, like, probably my, my need to control things was like, super highlighted when I when I had a newborn, because my control was, I couldn't control this little human. And, you know, it was months and months of me. You know, just trying to trying to get into trying to create a routine that fit in with me. And it all went terribly pear shaped like Christmas have must have been 2017 Duck was six months old. And like I literally had a meltdown on Christmas Day, because I think it was just I put such huge expectations on myself for that whole six months. And then Christmas day came and I knew that I had to be here and I had to be there and then had to fit in a sleep here. And I was very like, and I still I still am today. I'm still quite routine base. And like I think my son actually needs that sort of routine too. But certainly like that first six months was just a complete undoing. And I got to Christmas day and I just literally had actually call it a panic attack. When I look back now I really found it very hard to read. And my thoughts were like, I could not like line up. The first thing I should do the next thing to the next thing. And I just remember feeling like I was just losing my mind. And so Christmas Day was like a massive unraveling for me. And it also was the biggest highlight of I actually have to surrender, like and surrender was like the biggest word. It's probably the biggest word that I've adopted or a principle that I've adopted through my whole parenthood so Jack's only for now. And I'm still learning how to surrender like, I still I think I've I think I was like, almost forced to do it back at that six month point on Christmas Day. But then I still have these moments where I'm like, surrender Juliet. Like you can't control everything. You know, everything will happen as it's meant to. It's a trust. It's just having faith that it's all you You know, evolving as it's meant to. But yeah, but just going back to the board call workshops, the control. Yeah, it's definitely something that watercolor will highlight did a couple of like painting a day for I think I've done it like two or three months now, where I've just picked a month, and then I've painted something like maybe one particular subject, or I've just painted anything I want one day each month. And I did a lot of that because, yeah, I had this like perfectionist trait, which really stifled my creativity. And it was just really good to be able to commit to something and like, let everybody know that this was this thing that I was going to do. So I was being held accountable by people, because I literally would have people message me and say, Oh, hi, I didn't see your painting today. Which is great, because like, this is what I this is what I needed. Painting every day meant that I didn't actually have time to be perfect. Sometimes I only had five minutes. Yep, some days, I might have had a couple of hours. And so it was a really great way of like breaking that that thought pattern of you have to get this right, because I could I could see that that was an issue. And I think just flicking right back to that day that I had a meltdown. It was you know, it was highlighted to me back then that I had this tendency to want to get everything right and have everything work perfectly in this certain way. And so then, as I was becoming more and more aware of that, as I parented as I painted, I was putting myself in positions that I could really like challenge that way of thinking. And so these these months that I would paint every day really sort of reversed my thinking around that. And so now when I go and teach watercolor, it's the probably the main thing that I try and get across is, like, let go of your expectations. And like this is not just painting, I think this can just go right across the board. We we really are super hard on ourselves. And I think let me know, I'm talking about my experience here. But I have spoken to so many other mothers and we all fall in this trap of you know, we've just got to get it right. And you know, we need to have control. And I just don't think it's fair on ourselves. I don't think it's reasonable. And it's not fair on our children either. Because they're their own little people. And they're not supposed to be controlled to the nth degree like, so. Yeah, what a journey it's been. Let me tell you, it's like you created your own form of therapy. Like you worked out. Yeah, you needed to do you used your art as that, that tool? Yeah, that's quite incredible. I think, um, I think, like, I'm such a believer in, you know, people come into our lives as they're supposed to experiences come in, I think children come into our lives when they're supposed to. And, like, I've always had a real trust that I would be given the things that I need to get me through at the time. And painting, especially watercolor is like highly therapeutic. And I had a girl sitting next to me on Friday night. And she said I would pay to just come here and watch you put the paint on the paper. Because it's like she said I'm mesmerized by it. As and I've heard this by so many people and I even do this when I watch other people painting. So it's not just the people who have never seen watercolor be used before get like in a trance. Yeah, watching being painted. It's me watching and I know I've painted enough now to like, yeah, if I watch somebody painting, I can get really just really sucked in and just watch it. There's a huge therapeutic benefit to I'll just say watercolor because that's what I know. And it's it's also just like sort of that flowing sort of medium. So I think, yeah, certainly something that I've considered is like, actually studying art therapy, because I think, yeah, we're gonna die in an age where I think it's probably needed. Like, don't don't probably think it's needed. It's needed. So, yeah, yeah, you bring up about watching people, I love watching people on Instagram, I'll just watch people paint. Like, I love it so much. It's like, it started started off. I think it's an interesting to work out how people make things from not having any understanding of, of how people create art, and really, the processes. And then yeah, like, I love it, when people post their actual videos of them painting. It's like a, like a meditation, I suppose you just get lost in it. And it's just, it gives you something. It's just incredible. I don't quite know how to explain it. But I don't know. It's just a beautiful thing to witness. And then I'll like write a comment on someone's Oh, I love love watching you pay. And there'll be like, Oh, I wasn't sure if I should share it or not. You know, people feel that. I don't know that nervousness about putting it out there because I suppose they feel judged. I don't know if that's the right word. But there. Yeah, but that I don't think they realize how much people get out of it, you know, tiny, tiny little thing that they share, like 30 seconds or a minute or whatever. Yeah, it's awesome. That's right. Yeah. Yeah, it's, it's definitely something that I've noticed anytime I paint, post anything live, like, on live, but you know, if I do like a time lapse of a painting or something, I can always guarantee that someone will say, I just loved watching that. And it might not be that they loved the actual painting or Yeah, the subject or whatever, they just love watching the paint go on the paper. So yeah, it's, it's, it's pretty special actually feel quite privileged to be able to one sort of have an understanding of watercolor, because it is something that takes me to time. And I'm also very privileged to be able to pass that on to people. And I just love the fact that I have people that come back, and come back and come back to these workshops. So if there was any sort of, if I needed any sign that I was sort of doing the right thing, it's just that people come back and they want to keep learning and, you know, putting themselves in a position where they can try this out so. With your teaching, did you find any sort of challenges in that? Or did you sort of jump into it like yet? I'm really, I want to share I don't have any sort of hang ups about, you know, being in front of a crowd? Like, did it come to you really naturally? Or did you have any sort of challenges? Um, I think like, probably just nervousness, but I think that would be pretty normal. Next, anyone? The actual teaching side of it was so just, I'll just take one step backwards. I'm an I'm one of these people that overthink everything. I am super analytical. So I can almost talk myself into something and out of something in the same flight thought, yeah, yeah. And so the way that the workshops came about was I think I might have put up a video of me planning something. And someone said, Oh, I'd love for you to teach me how to do that. And then I put up a story on Instagram that just said, is there anyone out there who would like to learn watercolor? And it was like one of those questions, yes or no? And then I got lots of yeses. Yeah. And literally, it all happened within like, a few hours. I think like, this is the beauty of like, when you when you when you sort of done something over and over again, like I've done, I can't count probably how many workshops I've done now. When you look back to like, what was the first like, when did you start doing this? And it's like, oh, it was this. It was just this really flippant decision to put up an Instagram story. And like, that's where it started. It wasn't over thought it wasn't something that I planned for months or years or anything like that. It was just this one really defining moment that was just very organic. Yep. And and it all started from there. And, like, yeah, I just love the fact that I'm here I am, like, a few years down the track still teaching these workshops, still getting people coming to my classes. And yeah, it was just this. Just this really, like, fleeting moment where I was almost like just this change in my direction. Yeah. Yeah. So grateful for that. Yeah. It sort of links in what you were saying before about, you know, believing that things happen at the right time, things will happen. Yeah, you know, it's like, you made that decision. And instantly, it was all opened up for you, because it was like, it's almost like when you manifest something, you know, that. Obviously, you hadn't thought about that for a while. But it's like, it was like, you're ready. It's gonna happen. Now, you know what I mean? It just off it went, it's like, yeah, I love that, too. And I think, you know, you just you follow the things that feel right and good. And I think a lot of that's intuition, which is something that I've, like, worked on for a long, long time. So like, I really do, try and listen to my gut. And I really do try and yeah, just just follow the things that really light me up. You know, I hopefully, like, whether I even listen back to this podcast, my own voice, I don't know. But if I do, I would love to be able to hear the excitement in my voice around watercolor. Because if I was talking about cooking, like it would be different, you wouldn't, you wouldn't pick it up. But I was like, really enjoying this thing. So I'm pretty sure if I could compare the two, you know, and it's that it's that excitement and that joy that comes through in the way you deliver something or the way you talk about it that? Like, they're the things that I want in my life. Yeah. And like I said to you at the start, I don't rule anything out. I don't know where I'll be in five or 10 years time, maybe I won't be teaching watercolor, but maybe I'll like, maybe I'll have an art school. Or maybe I'll be an art therapist, or I just always want to keep chasing the thing that lights me up. Because I think that's when you're really on path. That's when you're really doing the thing that you're supposed to be doing in this lifetime. So yeah, I'll just keep tracing. I love that. It's like you're so open to whatever can come in. And yeah, listening to your intuition and going yeah, actually, I feel like doing that. I'm gonna do that, you know? Yeah, that's brilliant. Yeah, yeah, don't get me wrong, there are days when my head definitely talked a lot and you still have to pay bills, Julio, and you can't do that. You know, it's a slow burn, I think if you just give yourself the the space to entertain the idea at least, then you've sort of like planted a seed and, and whether it grows into something or not, is probably just a matter of time so. So let's talk about Jack. So Jack, please board now. And you mentioned that when he was 10 months old, you made the decision to do your your picture your painting your day. Yes. So how does Jack sort of fit in with your, with your art? Are you able to create while he's there or sort of how does that sort of look on a day to day basis? Yeah. So first six months of, of Jack was pretty much like Groundhog Day. Like I'm not gonna lie, and I'm not gonna sugarcoat parenting. It was bloody hard. Yeah, and I'm very, very self aware person. I didn't go into parenting thinking that was going to be easy but like He literally cracked me open. And like, I'm grateful for that now, but back at the time, I think if I was going to really be completely honest, I probably had postnatal depression and found it very hard asking for help. And I've always been very proud and very independent sort of person. So I felt like I should be able to do this. And if I asked to help others be judged. So the first six months, not a lot, but about 10 months, I think he was probably getting into a routine of better sleep. And I'll just say here that he's like four years old, and still wakes up in the middle of the night. So I'm okay with that. Now, I'm totally okay with that now, because I've surrendered to it. But yeah, like, by 10 months, I think I felt like I needed to, I was trying to claim a piece of myself back. I felt like a given and given and given and it was, it was a real slog. And I wasn't getting a lot of sleep still at 10 months, not getting a lot of sleep. But I think I just needed to try, I knew that I needed to give myself something. But I didn't know. I think it was just the thing that I could see myself able to do at a kitchen table at nighttime. So it was still in my house, I didn't have to go anywhere to do it. And it was therapeutic, like I did enjoy the actual painting side of it. So I definitely, definitely tried it, I got all I did pretty well, I got to 75 days, and then decided I actually made it quite clear. I said to everyone on social media, I can't actually I just can't do this anymore. Like, I actually I'm really proud of the fact that I've got to 75 days, but I can't, like I just can't keep doing it. And it was great, I got a good response. It's like, you know, you've done amazing, we can't believe you've done that with a timer, or baby or whatever. So, after that point, like creating with Jack was just very, very intermittent. It was just, you know, most of the time, if I had a spare couple of hours while he was sleeping, you know, I was actually working like souls back doing my graphic design trying to work within sleep time. So I really wasn't creating a lot at all. Still, like biggest being creative with my, what I call my real job graphic design. But like I wasn't painting, I wasn't like I wasn't, yeah, doing it consistently by any means. Today, as well, I guess, you know, jumping to today's probably cutting out a huge portion of his life. But I think just as he got older, I was able to do a little bit more with him around. But generally now I try and carve out time when I haven't got him or when it might be a weekend and he can be out playing with his dad. And you know, I can sort of just get a mental run on. Like, it's quite hard to explain. I mean, I'm not sure whether it's the same fee, Allison, whether you're writing music, or like producing it or however you do it. But when you're in the zone, you're in the zone, and when you get snapped out like it's very hard to be pulled out of it and then come back in it like and that might just be even like him Jack sticking his head in the door and saying, Hey, Mom, I'm hungry. That can really like snap you out of your like your train of thought. And yeah, like I think that's probably been the trickiest part is when you've got that real creative urge that you just you know that you need to just go in and paint something and you can't do it. So you feeling you get very frustrated and feel a little bit creatively stifled when you can't use that creative energy. And then when you're able to use the creative energy, but you're getting into interrupted. And yeah, and so I think the way that works best for us now is if I just on my own, and I can just do it, and I don't get bothered. And like this is not happening all the time, let me tell you like, but it's amazing. I think it's amazing what you can achieve in a short amount of time when you do have children. Something that might have taken me a few days to achieve like I can literally like do it in a couple like couple of hours. Yeah. So you Learn to use your time very wisely. And you learn to be very intentional with the time that you have. I think so. Yeah, look, it's very much I grab what I can get when I can get it at the moment. Yeah, the time that I can get to create, that's what that's how it works at the moment. But I know down the track, you know, two years time, or kindy, next year, and then school the year after. And I know that a lot of things will open up for me in that in that period of Jack's life. And I don't want to lose sight of like what I've got with him at the moment and the time that I have with him at the moment. So I don't wish I had more time. I'm just taking the time that I've got. Because I know that this is just, this is the season of my life at the moment, and it will change and then it will change again, and it'll all change again. So we'll just continue to do Yeah. Yeah, and you're you're good with change you you like, you know, you're obviously sound like you're accepting that. Do you think that ties into your connection with nature that you, you spend a lot of time, you know, seeing things change? Seeing the leaves change? Seeing, you know? Yeah, I think that that helps. Yeah, I think. I think by nature I like. Yeah, it's probably a little odd really like, because I do like, I do like to know, I do like to know what's in store for me? Yeah, actually, it's really interesting. Yeah, I guess I like an element of control. But for the most part, I'm happy to I'm happy to just move in the direction that feels right. So I think, yeah, yeah, it's a really interesting question. Because I feel like I've probably got a little bit of, like, I've still got an element of control. I think I've probably always had that. But yeah, I'm just, I'm just very trusting of, like, I'm trusting that I'm going to be, I'm going to end up doing the things that I'm supposed to be doing. Have a real fight around it. But yeah, I mean, like, I literally love being out amongst the natural world. Like, it's so grounding for me. And, yeah, I think that probably does play a part in that, like, I see. Like I even said before, it's the season of my life, like, you know, I think I can see that. Like, we're all not meant to be doing the same things. Like every day, I go through phases where I want to be really, really creative. And then I go through like, a social media hiatus where I do not post anything, and like, I'm sure the algorithm hates me for it. But you know, like, I was on holidays recently. And the last thing I wanted to do was even look at social media, let alone post something. So no one heard from me for like, probably 10 days. But yeah, I go, I go through ways of, you know, wanting to be seen and heard. Sometimes I go through phases where I really feel like the thing that I'm thinking about needs to be heard by someone. So I like to like, you know, put it into words or whatever. And then I go through phases where I just literally want to withdraw from it all. And I honor that, like I don't, I'm not going to post just because I want to see me, you know, because the algorithm won't like me I really couldn't care less about but yeah, I think I definitely like to just go with the flow. And I think you're right, probably tying that back into like the nature side of things is probably perfect. Let's delve into the two topics that I particularly like to talk about. First one's mum guilt and put that in air quotes. How do you feel about mum guilt? How do I feel about it? Okay, so if you were talking to me about an experience that you'd had, like, let's say, you were finding it hard, giving yourself time to do something. My advice to you would be, Alison, you're still the person you were before you had a baby. Get out there, you know, you need to spend some time on yourself. So I can give some great advice. But so I would like to say that I don't believe in mom guilt, but I've experienced it. So I think it's definitely it's there. I still have moments, even today, where I feel like I could be doing better, should be making a different decision. I think it's, I think it's incredibly real. I think it would be great if it wasn't, but I think we would be kidding ourselves if we said that it wasn't a real thing. Because yeah, I have felt it. I've probably even been in a category of martyrdom martyrdom? Is that what they call it? Where you? Yeah. Or you just really sacrifice yourself? For somebody else? And yeah, it's really interesting, because like, I've had an understanding prior to having jack of how important it is to look after yourself and to put yourself first and to know that that's actually not being it's not being selfish. It's like, probably the purest form of self love, is to be able to put yourself before somebody else. But then falling into motherhood. And, yeah, it's just a real, like, it just, it up ends that belief. And I think, for me, it probably just, it just happened. Like it was just, I think, a change of lifestyle, knowing that I had a little baby that was like, 100% reliant on me. And I felt like, I just sacrificed myself, I literally did. And I think when it came to that Christmas Day, when I, you know, everything fell apart. You know, it really highlighted to me that I needed to take better care of myself, like I was not eating well, I literally just ate the scraps. And that's not to say that I didn't have like, my partner, cooking me meals and stuff, like I still ate, you know, well, but you know, just just eating toast on the go. And, you know, not just making decision that actually had to look after myself. So, yeah, it took a while to get my head around that. But um, I think, yeah, just getting back to what you said, Mom, Gil is, it's alive. It's happening, it happens. And I think what we all we can do is really like support, especially new moms. To understand, uh, give, give them give them the the ability to be able to, you know, spend time on themselves, you know, going there helping them. But you know, it's not just new moms as well, it's, it's, I think it's mums in general. Yeah. Just yeah. All have kids of all ages. Yeah. Yeah. I think that's a really important point. Because, I mean, I'm not obviously I'm not begrudging the newborn stage, because I know that it's hell, I've done it twice. And it's really hard. That's the thing like, it's, it's almost like, well, you're over this hard stage, you'll be fine. Now off you go. You know, it's like, the Thank you, right. Looking out for mums of, of children at any stage in any age is really important. Oh, absolutely. Yeah, I mean, I can only speak of, you know, the first four years. But I know that it's like, it's still things that you know, an example is, you know, I've got work that I have to get done. I've got deadlines, I, I work well, at the moment, I'm not working from home, but I'll likely be back working from home soon. And you know, if there's a time that I need to jump on my computer and finish something off, and Jack comes up to me and says, Mom, can you come play with me? And I have to say, Nobody, I've got to get something done for work, you know, there's an element of guilt in that. But the reality is that that's life. You know, I do have to get this thing done. And so I can I can reflect on that and say, Well, you know, you did have to do the thing that you did earlier. But it doesn't mean that I don't have that moment where I think, you know, I should be playing with him, because this is what he wants. Yeah, so yeah, it's a tricky one, the whole manual situation, but I totally believe it's there. Yeah. It's an endless thing isn't it's like, one day, you might feel like, yeah, you got it. Right. And then the next day, you feel like you're the worst moment? Absolutely. Yeah. It's a constant thing. You mentioned briefly their ties into my second point about identity, where you said, you're still the same person you were before you had children. Obviously, it's a belief that you hold. So one of my friends had a baby, years before I had Jack. And I watched her go through. I watched her lose. I've watched her. I didn't watch her lose her identity. But I watched her. Talk about losing her identity, and then trying to reclaim it back. And I remember saying to her, you're still a person you were before you had your baby. Like, you're still my friend, I still remember you when I like, studied with you live with you. So like, that hasn't changed for me. But she had lost sight of that. And I couldn't quite get my head around it at the time. And I was really trying to explain it to her. And it wasn't until I had Jack that I understood what happens. And you do lose yourself. Like, I don't think it matters how? Well I don't know, I can't speak for everyone, but certainly for me. Like I totally lost myself. I didn't know who I was, I knew that I knew what I enjoyed doing before I had Jack. And I knew that I now had a baby. Obviously couldn't make them both work at the same time. So I felt like I was in this like limbo state. And it took, it took a while for me to work out. Actually, it was sort of like a process of rent reinventing myself. That's how I felt it. It played out. I started trying to paint again, it obviously didn't like go, how I planned. And it was still very hit and miss as far as when I could actually be creative and when I couldn't. But I think what it did was it made me realize what I actually wanted to do. I started to get really clear on the direction that I wanted to take. And I sort of think I had a friend say to me, I think Jack was only quite young, he might have been six months old. And I have a friend or she actually a client as well, who said to me, Julia, when you become a mom, she said you've only got a certain amount of like bullshit that you can tolerate in a day. So when you've reached your threshold, you know you're done. And I I always remember that because I just remember thinking like it. Like I just didn't have time for a lot of stuff that I didn't have any interest in. So I think I just I just I started to become really clear on the direction I wanted to take. I became very clear on the people that I wanted around me and the people I didn't need around me. A lot of things just started to To like very much very slowly, but over time, making more and more sense. Yeah. Yeah. And I feel like I started to reinvent myself. And yeah, I honestly believe that's why I'm where I am today, because I just didn't have I just didn't have the energy for meaningless things. And so I was just trying to follow the things that felt right and felt good. Yeah. Yeah. And it's like this, this new perspective of, like, I only have this amount of time. And I'm not going to give this time to stuff that that doesn't feel good for me or is, you know, feels like it's being wasted on stuff. That's irrelevant. And, yeah, I think naturally, you know, when your life changes that much, I think naturally, things just drop away. And like that, that goes for friendships, jobs, beliefs, I think just the things that don't serve you anymore, or perhaps were not really sustaining in the first place. You just don't have time for them. Or they don't have time for you anymore. So I think. Yeah, look, I think you get like, I think motherhood is just such a pivotal point in a woman's life, I don't think you can, you can ever expect that you're going to be the person that you were before. I think is so unrealistic. But you don't know that until you doing it. Yeah. Let's see, it's very much it's very much a learned and learned experience or a learning lesson. So you have you have to experience it together. It's like that joke if you had to be there. When you said before about control with, with Jack, when I had Digby, sorry, when I had Alex, I was exactly the same. I just wanted everything to go, how I needed it to go. Like, I remember one day, I had a similar experience to you, but perhaps not on the same scale that I wanted to go and watch Ben, he was cycling at that stage. So what I'm watching, right, so I'd worked out the whole day of when he had to get out when he had to sleep all this stuff to say that I could go watch. And it didn't work. And I just lost it. I was like, I can't do anything anymore. Because I've got this kid and blah, blah. And I remember my mother in law said he's not going to be this young forever is going to change. And I was like, we're like, I didn't hear that. You know, it didn't mean anything at the time. And then when he did start to change as of this morning period of Oh, no, he's not a baby anymore. But you know, like, Mr. Graham said, we don't wish it away. Don't Don't wish him to be older. So yeah, when I had D, I was the complete opposite. And I think it helped because I had been working in childcare for quite a while. And I had to excite, I saw all the myriads of ways that children could be raised and how their routines could be. And I had this whole new outlook on on parenting. And also there were seven years between them, so I hadn't quite grown up as the two and eggs. I just let it happen as it happened. And I was just such a more relaxed mother. Yeah, just I could completely, completely relate to that. Your experience. When you said, like, you know, you had this thing you wanted to be doing at the end of the day, so like, you will try and organize wake sleep. lunch late, you know, and I did the same thing. It was like, yeah, the pressure. Yeah, absolutely. Yeah. I didn't really touch too much on the spiritual side of things. But like, yeah, like, it's, maybe it's not the same for everyone. But for me, it was like a very, very, like it was it was an awakening of sorts, it was sort of like, you know, you you can't control everything. Like, you're not meant to control everything. So I just feel like I've been cracked open multiple times through this parenting experience. And it's been, it's been like, I would never ever trade it for anything in the world. But I'm also not going to gloss over it and pretend that it was easy because I think we say so much of that. And I feel like people go into parenting with this like me, you don't want to make them feel like it's going to be doom and gloom otherwise You know, the Human Rights Code at the end? You know, like, but you want to give them some honest, like, give them some honest accounts of what you've been through. Because then it also validates the people that are in it doing it, thinking that life is just like, yeah, it is hard and to have people come along and say, like, even when you're in your depths, and someone comes along and says, this won't last forever, don't wish this away. It's like, no, but can you just like, can you just sit with me in this place that I'm in at the moment and actually validate that I'm, it's okay for me to be thinking this thing at the moment. Like, yeah, yeah, it's valid. Yeah, yeah. I don't think enough of that goes on, that you're actually you're allowed to feel what you're feeling. It's okay to fear feeling. And let yourself feel that way. You know, when one comes along and says, you know, Julia, this might be forever, and then you get that element of guilt. You know, like I should be, I should be more thankful and grateful. Yeah, like, I went through an infertility journey leading up to having Jack and that was four years. And then when I had him to have all these feelings of like, you know, like my life, I remember feeling trapped. I remember sitting on the toilet one day, just thinking, I'm just trapped. And like, I'm just, I can't get out of this. Yep. I remember having thoughts of blackjack not being able to sleep. So. So when when I was trying to put him to bed because this was bedtime, trying to get him to sleep, persisting, persisting, persisting, almost going insane. When really, I should have just got him up. Got Back Up. He's not ready to sleep yet. Put him back down later, but no, in my head. This was bedtime. Yeah. And I so I drove myself like, crazy. And I remember thinking, I wish he had a reset button that I could like, I remember having those thoughts of like, I wish I could literally just press a button that turned him off. And he went to sleep. Yeah. So like, I look back on my sports now. And I'm like, God, that was crazy. But you're in the depths of it like, and when you're having that little thought to yourself in that dark room, and no one else is seeing or hearing it. You know, you nobody knows what you're going through. Do that. Like nobody. Nobody hears that little thought that you have? No. Yeah. So yeah. All right, it was bloody hard. You didn't know any better. And I think that's where you need to give yourself grace. You just you didn't know any better. And if you did it all again, and you have you do it differently, because you've learned and you're easier on yourself. And, you know, I hope that I get to do it again. But I know that if I do it would be totally different. I'll have a different perspective. And you know, Jack's four years old, maybe I'll have a seven year gap to you know, like, and I'm actually okay with that. Because I think I don't think I could have done it any other way. Oh, yeah, I don't think but I don't think I could back up children like you know, and I'm not no disrespect to anyone who like wants the two year gap or the whatever. But I don't personally think that I could have ever achieved it. If I had a fallen pregnant when Jack was two years old, I would have cried myself to sleep every night like I just don't believe that I was meant to have you know, yeah, so Oh, you know, the beauty of hindsight Hey, sort of look back and yeah, but it is what it is. And you know, we just did the best we could really so which wasn't really that bad? So you've recently set up a space outside your home for your work? Yeah, yeah. Is that going going good? No, it's going really well. I'm I'm probably there for a little bit longer as in maybe a month to six weeks, something like that. But I yeah, I was offered a Be the back section of a coffee shop in Mount Gambia called confession. Who does delicious coffee by the way? That's been the downfall. So much caffeine. But yeah, look, I got to a point where I needed a I just wanted a space that wasn't at home. I could see that. Like, I wasn't getting a lot done here. So I felt like I needed like some way that I could actually go to work. I've been working from home for I think, eight years, actually not nine years. And for the most part, it's been fantastic. But yeah, I actually put something up on Instagram one day. And it was just like, does anybody have a place? I'm sort of in need of a space to work from can be, can be formal, it can be informal, I'm not going to rule out what it is where it is. Yeah, so I just sort of, you know, put it out to the universe and. And then, like, I was probably buying copies everyday from confession at that point. Yeah. And then I got a message from Don on on a Thursday night to say, you know, we've got this space, businesses moved out of it, and they've found their own short brand. Do you have any interest in maybe working from there for a few months, and really, just to fill a hole? So it was going to be just an empty room? And they didn't want that? So without even thinking? I just thought, yeah, absolutely. Like, what is the worst that can come of this, I am either incredibly unproductive there. And I can work, I can just bring my stuff home and work from here if I need to. But I had this whole room that I could hang up my artwork, which has been leaning up against walls in my office for ages. So I just really saw it as an opportunity and a bit of an experiment. I still see it as an experiment. Yeah, I just couldn't see any negatives to it. So it's been fantastic. I have spoken to people that call, like it's a bit of a thoroughfare the room that I'm in. But like I get to chat to people that I've never met before, I've had some amazing encounters and conversations with people that have like, furthered me in some way, whether it's the way I think about something or, you know, just conversations with people who are trying to create art groups or other artists, or yeah, I've had the ability to work with alongside a couple of artists, and it's just fabulous being in that really sort of creative space with other people. Oh, yeah, I've had my artwork up on walls, I've been able to sell a couple of paintings, just expose myself to a group of people that I wouldn't normally come across. And it's been absolutely fantastic. And what I've learned from it is, as much as I classify myself as an introvert, I do need interaction with people. But I need it, I sort of need it on my terms, too. So I get a lot from working with other creative people. Just it doesn't, I don't have to be working on a project with them. But just being in their creative space is very important. And that I get a lot more done working from somewhere than working from home. Like it's amazing. How many times I probably catch myself underneath my clothesline hanging out washing. How did I even get here? You know, it's just like, I think you hear the washing machine go off. And before you know it, you you're hanging up the washing and it's like, Joey, you're working like so, yeah, I'm realizing now that there is a benefit to me not working from home. And I love the fact that I can go to work. And I come home and I feel like there's a division between the tote. Yep. And I feel like when I'm home, I'm home and I'm present. And these are just all things that I have haven't. I just haven't noticed because I haven't been able to work away from my office that is in my house. And now that I've had that opportunity on I think like from here and I'll be looking for somewhere that I can actually call my work space or my studio where I can be I just productive and have my own my own area. And I also know that I want to be able to work amongst other people. So, yeah, it's been fantastic. It's been so good for that. Yeah, absolutely. It's given you these, like, like we said before you don't you don't know. I guess you don't know what you don't know. So by experiencing things you've gone, yeah, this is good. Yeah. I think it's great to for people that, like, follow you on social media, they can actually go and meet you face to face to, which is, like, so important, I think to like, it's great that people build relationships online, but it's, I think it's, it's, especially with art, like you actually want to see and I don't want to say touch the person, but you want to be more of the the person that's making this. So yeah, to you know, you get the energy and pick up on the vibes and that sort of stuff, too. So, definitely, definitely the benefits that way as well. And for people to be able to, you know, touch and feel and you know, see work and yeah, it's great I'll just check ever get involved with you just say do painting or anything like that? Do you do it together? Yeah, definitely does. And Jack is like, he's he hasn't shown a huge interest in like art and stuff at the moment. There's also an element of me like, not wanting him to get pain everywhere. I was gonna I would definitely had died outside where he's unleashed his creative, his creative desires. But yeah, he's, yeah, like, he's definitely got creative creativity in him. But at the moment, he's just very much into anything with wheels. That makes noise. Yeah. He was funny, he was playing in doing some coloring in only a couple of days ago. And like, he colored outside of the line, okay, so He's four years old, colored outside of the line, and he colored over the top of the yellow headlight on the car. And he was he hated it. He told me, he was never going to pick up another colored pencil. And here I am, like, deciding going, you have done an amazing job Jack, like, you know, you're practicing, you're not you can't coloring in the lines, you know, you're not going to be able to do it properly for a little while. So I'm encouraging you, meanwhile, really saying a portion of myself inside of him, like, you know, trying to control things. But yeah, he, I don't think he doesn't really influence my work. The way that he does influence, I guess the way that he does influence my creativity in some way is that, you know, I want I want him to do the things that he loves to do. And I want him to explore the things that he loves to do. And I think, like, I can only lead by example, in that, in that respect. So I want him to know that, you know, I've had a lot of people say to me, Oh, you're you're the rd type. And, oh, what does it mean? Like I like to, I'd like to just get you to explain that to me. But um, you know, a lot of a lot of a lot of people think artists can't make money. But artists can make money. There's plenty of artists that make money there. us in this town making a lot of money by selling their stuff online. And yeah, to not sort of pigeonhole anything into you know, just give, give, just entertain the idea that you could be, you know, good at this thing. If it's not today, it could be, you know, in a month's time, or maybe it'll be 10 years time, but like, just persistence is the key. So, he influences me in that respect, but he doesn't necessarily influenced the things that I paint. That's very much a personal thing for me, so Yeah, but he's certainly part of the process. I guess. You can't he can't not be Yeah, yeah, that's the that's the Yeah. So I've got one more workshop left for the year. And that is on the fourth of December, that's a Saturday at the apple farm. That's a two hour workshop. And it includes sexually over three hours, there's a two hour workshop. And then there's an hour for lunch. And there'll be a delicious pizza and sort of shared platter lunch. And that's a very festive theme. So there'll be the opportunity to paint some, you know, gift tags and cards and stuff like that. It's quite a social, a social sort of afternoon. So it's not so much about learning a lot about how to paint watercolor is just giving you sort of the tools, the materials to be able to just have a bit of fun. And I'm sort of really like envisioning, you know, especially moms, I'm very, very feminine audience. And I just sort of want people to be able to say, oh, you know, we haven't worked with our friends for ages. Why don't we do this thing that's like our little Christmas catch up? Because we all know what sort of December looks like in most people's calendars. Yeah. Well, like a staff show or something like that. So it's such a beautiful venue, and I'm hoping that the weather is amazing. And, you know, good food, good company. You know, a bit of like, creativity, I think it's perfect. So yeah, that's, that's the workshop that I've got coming up. I've just launched my website. Congratulation one. Now, there's still a lot to go on there. But like, once again, something is better than nothing. And it's, it's an evolution at all, like, it'll just continue to evolve. But yeah, so I've got my website up. So my web address is Julia Rita creates.com. And I'm just about to kick off on a project run by April Hague, and Jane Van Eaton. So to like amazing artists in our Gambia, who were doing like fabulous things with regard to, like art education. And they, they just recently won a grant. And they've launching a project called The Portrait Project. And it's, I believe, it's 10 artists, we all have our photo taken. And then we all paint a portrait of either ourself or one other person in the group based on the portrait photo that was taken of us. And it's a project that will span over six months, and we get to spend time with like these 10 artists, and we get to sort of collaborate and discuss and just learn different techniques and styles. And I think it's just fantastic to sort of submerge yourself in a group of women that all have like a similar interest. And so yeah, I was so thrilled to be invited to do that. And it was, again, like one of those no brainer moment moments where I knew this was sort of like another experience that would like enhance the direction that I'm going in. And so eventually, once that project is tied up, our portraits will be printed on a large scale and actually put up in a public space. So yeah, like really confronting, because portraits are obviously not something that I paint, and let's face it, like I think everyone a, whether you're artistically minded, or not, like painting a face is actually quite, you know, stretching the skill set. And you guys to having your face out there, like that something to, you know, consider if there's any sort of, you know, well, I've got a big chin or you know, that sort of stuff, you know, it's Yeah, that's me. I've, I've I have fast forwarded my thoughts to that moment. But no, look, it's it's gonna be fantastic. Yeah. So it's, it's, it's only really just kicking off at the moment. But I think if you were interested in more on that particular project, you could go to if you look up April Hague haitch ag UAE on Instagram. She's got some information on there. But yeah, perhaps if they If I do set up a specific social media page, I'll let you know Alison so you can be on it to the specific Yes, Lily kids. Yeah, I'd love to keep keep her eye on that. And I'm sure a lot of people would be really interested in that too. Yeah. Seeing the progression of that. Oh, that sounds so great. Julie. A good one. Yeah. Lots of cool stuff happening. Yeah. Oh, yeah. I should also say that I am going to be at a market on the 10th of December. Yeah, at the city hall and that Gambia there's an artisans market there. So yeah, it was quite popular last time. So hopefully this time as well. If you or someone you know, would like to be a guest on the podcast, please contact me at the link in the bio. Or send me an email. Alison Newman dotnet. Edge to Ellis Cafe is a fortnightly ish, long form interview based podcast featuring conversations about politics, environment and mental health in a world on edge with Ben heavy. Ben is an international relations researcher, environmental educator, mental health advocate and longtime friend of mine who enjoys having a yarn over a hot coffee. The podcast tries to make sense of the different kinds of edges that define us, divide us and shape how we interact with each other. In a world that's gone a little bonkers, and what it means to be a little different. Check it out at pod bean.com or wherever you get your podcasts

  • Eleesa Howard

    Eleesa Howard Australian contemporary mixed media visual artist S1 Ep25 Listen and Subscribe on itunes , spotify and google podcasts In this final regular weekly episode for 2021 and Season 1, my guest is Eleesa Howard. Eleesa is a contemporary artist from the Mornington Peninsula in Victoria and a mum of 3. She works with multiple mediums including acrylics, oil pastels and collage, and is not afraid to experiment with any materials on hand. ​ Eleesa approaches her expressionist style in an intuitive way, using her painting and collages as a way of letting go, of not over-thinking life and instead focusing on the positive and joyous in every day. Her works are reflective, exploring relationships, emotions, and connections to her family, community, and environment. Eleesa is currently focusing on exploring sentimental childhood memories, motherhood and the everyday moments. ​ Today we chat about being clear and communicating your art making needs, using art to move through challenging transitions in life, drawing inspiration from strong female figures in her life and the joys of raising teenagers. ​ Eleesa website / instagram View Eleesa’s latest series Memories Are Made Podcast instagram / website Music used with permission from Alemjo When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum, the podcast where we hear from mothers who are artists and creators sharing their joys and issues around trying to be a mother and continue to make art. Regular topics include mum guilt, identity, the day to day juggle mental health, and how children manifest in their heart. My name is Alison Newman. I'm a singer songwriter, and a mum of two boys from regional South Australia. I have a passion for mental wellness, and a background in early childhood education. You can find links to my guests, and topics they discuss in the show notes, along with music played a link to follow the podcast on Instagram, and how to get in touch. All music used on the podcast is done so with permission. The art of being a mom acknowledges the bone tech people as the traditional custodians of the land and water which this podcast is recorded on and pays respects to the relationship the traditional owners have with the land and water as well as acknowledging past present and emerging elders. Thanks so much for tuning in. In this final regular weekly episode for 2021 and Season One, my guest is Elisa Howard Elisa is a contemporary artist from the Mornington Peninsula in Victoria, and a mom of three. She works with multiple mediums including acrylics, oil, pastels and collage and is not afraid to experiment with any materials she has on hand. Elisa approaches her expressionist style in an intuitive way, using her painting and collages as a way of letting go of not overthinking life, and instead focusing on the positive and joyous in every day. Her works are reflective, exploring relationships, emotions and connections to her family, community and environment. Elisa is currently focusing on exploring sentimental childhood memories, motherhood, and the everyday moments. Today, we chat about being clear and communicating your art making needs using art to move through challenging transitions in life, drawing inspiration from strong female figures, and the joys of raising teenagers. Thank you so much for coming on today, Alisa. It's a real pleasure to meet you. Thank you so much for having me. It's a pleasure to be here. You're a visual artist. Tell us about the mediums that you work in and the sort of style that you do. Yeah, so I'm an abstract artists, I guess sort of more expressionism might say, I work with a bit of mixed media. So I use mostly acrylic paints, and collage oil pastels, pretty much have a go with anything that is sort of laying around really. And it seems to evolve. And chop, chop and change as you go along. So yeah, that sounds like a bit of fun, actually. It's like the sort of open to any sort of anything. I said, I think if I stick with one thing all the time, I sort of start overworking it and then overthinking it. So it's good to have a few different things. So I don't like even at the moment, I'm doing some paperwork with collage on timber. But I've also got some paintings on the go as well. So just to just to mix it up. Yeah, that's cool. So how did you first get into painting and creating? Well, I like so many people as a creative kid. Always having a go with things. Drawing and you know, I remember being sort of I think Musclemania that for and draw. I was really into like Holly hobby and last in the prairie. imagining myself in what boots and frilly dresses. Yeah, a bit of a daydreamer. So and I remember drawing I had, I was drawing these profiles of these girls in bonnets and stuff. And yeah, I had friends asking me, Can you tell me mine occasionally? Well, so that was pretty cute. But you're pretty much high school, I guess where you're exposed to opportunities to have a go at different things. And different mediums and that sort of thing. My grandmother was quite always creative as well. So should there was always sort of that influence. From the beginning to Yeah, yeah. High School. Really? I guess. Yeah. And then from then you sort of did you go. Did you have a say a day job, but did you? How did you sort of progress once you left school? Did you go? Well, no, I didn't. I am. I ended up. I was really, I really loved photography. Actually. That's where I was sort of my spy doing art, but I love photography. And I sort of had a dream of being a photographer. Didn't really work how I ended up getting married very young, so about 20 and had my daughter, my first child at 23 as well. So just you know, you're busy working. You know, there's always things tinkering in the background, but nothing sort of serious. And then yeah, always sort of been. And then as I got I had kids always trying to sort of keep up with painting here and there. But then things get messy and you can't always do that. So no formal training, always just sort of trained myself to hurry. When was it? In 2018? I did do a Diploma of visual arts so when my youngest was heading into high school, it was a bit of a Oh, geez, okay, he's, this is my last one. What? Maybe it's time for me. And I was a bit lost. And so I ended up going to an open day at the local TAFE. And she's, and I just worked, I just instantly they walked into the rooms and like, this is it, I've gotta go, I've just got to do this. I've got to come here. So even though I'm still working a day job, I'm working three days and three days there, I was flat out, but I just made it happen. And I absolutely loved it. Especially like learning printmaking, and even the sculpture I had to go out and found that just really fascinating. So So that sort of kick started it back up again, really, you know, I've always done other things sewing, and I used to have market stalls and making quilts and things like that, to always have a creative outlet. Just not so much the visual art side until really then again, which was Yeah, so I took on a bit of a studio space and just dedicated time to it. And try not to feel guilty about it. Think Yeah, the age challenge for mom. Yeah, exactly. Yes. So tell us about your children. So you mentioning. Yeah. How many children do you have? I've got three children. So my oldest now, Bonnie, she's 25. She still lives at home. And then I've got my son, Finn, who's 22. And he just moved to Geelong and actually just during lockdown, like in June. So we haven't seen him for five months, which has been a bit hard. And then my youngest is Salman, and he's in New Year. 10. Next year, so yeah. And he's just about 15. Yeah, right. So we're sort of like this, you sort of used that, that creative outlet to sort of help you through a transition, I suppose, is sort of a change to the and how you looked at yourself? Yeah. I think especially my, when I had my daughter, I did stop work. And was really like a mom at home. And but I used to just go a little bit, you know, crazy. So I'd always have things on the go. Whether it was painting furniture, or you know, sewing outfits for her, just actually remember cuz she used to just cry so much. And always wanted movement, too. And so I actually remember rocking her with my right foot, like in the pram and then saw me with my left foot. By like, no kidding, I was like, I've got to get some stuff done. It sounds like you would have made a good drummer. I'm like, she was just a shocker. I didn't know how I even had any more kids after that. I'd been in the shower, and I had she'd be like in a baby rocker thing. And I have to have my foot out of the shower while showering just issues hard work. But yeah, always kept up those sort of things. You know, just I needed something. And I used to love being creative with the kids too. You know, I'd always have as I got older craft tables and try to get kind of man to which I really enjoy. Yeah. So any of them sort of continued with any sort of, like art practice or not? Well, the only one really is my middle one. He's quite creative. He's a musician. So he loves his music. He's also a chef. And he also just likes at the moment he's actually been dabbling in some painting himself so I'm keen to get over then they can have a see what he's been doing. Yeah. My daughter did do art at school. And I hope that she sort of gets back to that as she gets older maybe Yeah, but yet at the moment, no, no, yeah, my youngest sporting so completely different. The kids are also different Your collection that was called sentimental. Yeah, I was just really taken by that. Yeah, the in particular was to that I really was drawn to soft kisses. And then it was what was it just called T? Is that right? Yes, that's right. Yeah. They were actually. They're actually about my husband. Yeah, I think during lockdown last year, I was in Victoria. And, you know, we've been through quite a bit of lockdown. And last year, we were all at home a lot. And we were trying to sort of survive, we're having our own little sort of stations where we could kind of go off to, to keep everyone on saying. And he always has actually, for a very long time, as always made me a cup of tea. And I just just was really appreciating it. You know, you take these things for granted, but I did really, I just thought, you know what, I'm really lucky to have someone that does that. And just those little morning kisses. So I think I was just in that zone of feeling quite sentimental about that. Yeah, so they came out in those paintings. Yeah. So was the whole was the rest of the collection. Yeah, it was there any about your children in there? Yeah, absolutely. So my son, Solomon, he was going, we were having a pretty hard time with him just at that particular age 14 is not fun for boys, or girls. Not all of them. He was really, he's my feisty one. He was pushing pushing buttons. And I was just like, Oh, my baby's going. And I'm finding it really hard. And so I had two paintings, which was almost called Let me go. And that was him. Basically saying to me, let me go. And the other one, which I've completely forgotten what it was called now, Archie's there's another one or two very similar. And they were both about him about pushing buttons and the push and pull. Oh, that was cool. Push and Pull. And yeah, that push and pull of wanting to him pushing us away, pulling, you know, all that sort of thing and kind of find that balance of teenagers and yeah, letting them grow into their own person. But yeah, it can be hard letting letting go too. So yeah, that was definitely about that. Yeah. I really, really enjoyed them, though. Just see. Yeah. And that's the thing like your style. Abstract. What was it? What was it? Yeah, expression is, um, I guess. I'm not an art person at all my backgrounds music, so I don't Yeah, things but it's amazing that you can, you can express how you feel, just through the strokes. Like it's not an actual depiction, you know what I mean? I just found that really amazing. I was really wrapped how they resonated with people, and even my sister who's in South Australia. And I hadn't told her anything sort of about the series was about and she's, she's in the she's got the little ones at the moment. She's got like a four year old two year old. And she's one of the pictures came up on Instagram. And she said, I just really love that it reminds me of something to do with motherhood, she said, and I said, Oh, that's amazing, because it's exactly what it's about. So that was really? Yeah, that really? Yeah, felt really great about that, that someone else could see that. Yeah, that is Oh, isn't it? Oh, it was really cool. I was talking to an artist over the weekend recording. And her style was very nice now, but it's basically like, oh, hang on, I've got to find it, or find money. Because I just didn't I just find it incredible that all the different styles that you can do, it's just me, she surrealism and symbolism. So incredible, like, you can basically look at it. And like decipher, it's a story, you know what I mean? Like, there's just, it's, it's incredible. And then oh, like for because I didn't really do art at school because I had this idea in my head that art had to be. I guess what I realized now is fine art. I suppose that's what I thought that had to fit in. So I thought, well, I can't do that. So I'm not going to do it, you know? And it's now it's like, all these different things you can do. It's just amazing. I love it. Yeah. We're often told that at school, you know, like if you can't You know, draw correctly or that sort of thing. Like, I'm not the greatest of drawers at all, you know, but I just love what I do. And, you know, don't have a big background and all that sort of real fine art sort of thing. But um, but I think that doesn't matter. Like you just go for it. If you feel passionate about it, that's the main thing. Yeah, that's it, isn't it? It's amazing the things that I'm learning doing. You were saying about how the works, you sent a manual series that are some that were inspired by Solomon. Does he know you that like, and how does he feel? He that he knew that actually, afterwards, when I showed them, show them to him. And he's the most he's really not sentimental. It's very Yeah, he's my least empathetic kind of one. And he's just kind of like, Oh, really? Oh, okay. And that's probably very, yeah, maybe later, he might sort of that might just touch him. And I know, he was sort of touch but he's not want to be gushy. And yeah. He was just like, Oh, Mom. Yeah, so yeah. Not not the biggest sort of reactions on AI, but that's the thing. I've got a 13 year old. So we're sort of into that territory. And, yeah, yeah, it's just the poor kids. It's like the hormones ago now. Adjusting because here in South Australia, next year is different. But this year was the last year that year eight was the first year of high school. Next year, they're going to take them for me seven. So he's just started high school this year, and just the whole transition of that entire different world and how you move school, and it's like, it's not such a big jump. And I think that's why I'm being so nervous about him going into high school, just because I just know how much change there is. And just how much they're exposed to. You've tried to sort of keep them a little bit sort of contained. And yeah, that's it. Yeah. All of a sudden, there's just this whole world to just, you know, get them through it. Yeah, absolutely. Yeah, it's sort of it's funny, like, when, when I had them as babies, it's like you, you think this is going to be the hardest part. But then when they grow up? And I remember people saying that to me, you know, just make the most of it. And, you know, because it goes so fast. And then there's a teenage years, and I'm just thinking, oh, yeah, but I, you know, I do can't wait until they can do this and can't wait until they can do that. And then now I'm the person saying, Make the most of it goes really fast. I mean, yeah, yeah. And I wish I you know, like everyone, you do wish that you sort of could go back and sort of just really slow down. Yeah, and because, especially with my older two, I was young, I was young, I had all the energy, but I didn't have the patience as much. And then with Solomon, there was an eight year gap between the middle one and him. And I was quite, I was a lot more relaxed with him and a lot more patient, but he just wanted to grow up. And, you know, I was trying to keep him back. Like he started walking at nine months. I'm like, no, no, no, I was ready to go, ready to go. And of course, having the older siblings, he was just wanting to always be ahead. And I was, you know, so there. can't do much about that. But yeah, I did try to be a lot more relaxed and appreciating it. Definitely, especially those early months of newborn and I just tried to go really slow and enjoy it so you touched on briefly, we sort of talked about the identity shift and how you used your art to sort of work through that and I guess you've you've used it in other times, like you're talking about you your series that you've done, the new the push and the pull and letting go has it been really sort of integral to you to work through it in that way like that's been your outlet and your I don't want to say coping mechanism but you know, part of the tools that you've used to help you through different I think so and also I might own mother as well. And my own parents, I think dealing. My actually my, my new series I'm working on is sort of more about childhood as well. But you know, it's my children, I guess reminding me about things that happened to me in some way. Yeah, so I had a little bit of a, an up and down childhood, you know, parents divorcing early and to and fro and all that sort of thing. And yeah, I think it is, it is definitely a coping mechanism, I think is, again, cliche. People go, oh, when you get older, you really, when you think all the things from the past that you've pushed aside, just come out, like, whatever. I really do, and it sucks. Yeah. And I think is, as your kids get older or dear, it just reminds you of things. And maybe it's a way of holding on to them, as well. I'm not sure it's a bit confusing, really. But yeah, at the moment, it is sort of, I guess, just remembering how things were, and as a child, but also maybe appreciating how much how much what my parents would have gone through as well. So just relating it all back to that as well. So yeah, that's really interesting. Is it time you sort of you give your parents a bit of a bad rap, don't you? Sort of Yeah. And then when you experience it yourself, you sort of get ah, I can, okay. Like I had, like my stepmother. She was only in her mid 20s. And all of a sudden, she just had a one year old. And then she had three older kids like my dad. Yeah. And, you know, she just kind of the best way she could, she was quite firm, and strict, and, but that's probably the only way she could have could have done it. But I also learned so much from her. She's really industrious, and she's creative as well. We'll craft broidery, things like that. So always surrounded by she had a huge influence Actually, me on my life. This is a really industrious woman. My mother, my mother has bipolar. So she just growing up with that around to she didn't really ever get to do never worked. Because she was always really struggling. So I never had that sort of other influences. Um, woman that was working and doing things and juggling children all the time. Yeah. Huge impact on me. So yeah, so she really did. I don't think that was the question you asked. Oh, I can't really we just go off in our directions. So very, Oh, absolutely. Yeah. Other words, the was a big influence also on me. Just she was always another she was in. She didn't work. When she was younger, she did. She was a nurse and all sorts of things. But she was always creative, too. She She painted. So played the piano, cooking that certain too. So yeah, always that sort of always influenced on me as well. I wonder if women in that era would have felt the same sort of guilt that we feel now? Like, yeah, been a thing for them at all. Or it was just my grandmother's that era? Yeah. Yeah, I don't think so. I think because it was just the norm. You know, the mother stayed home. And that's just the norm. Yeah. Back then. Maybe they actually maybe it was the reverse. Maybe it was almost like if they were working. They felt the guilt of going to work. Yeah. Yeah, probably. Honestly, it's something that it's just a whole huge big thing. Like the guilt. It's just and I feel like, I don't know. I mean, everyone experiences it differently, or experiences or doesn't experience it, you know, and that's, it's so interesting. Like, no, I would I agree, man. The guilt I'm such an overthinking anyway, that I constantly analyzing everything. And motherhood and how you bring up your children. Am I doing it right the right way? And my Should I've done this and I try not to look back too much. Because really, you've got no control over that. But you just, you got to just try and do the best that you can in with what you've got, basically. But yeah, the mother guilt of putting yourself you know, ahead of you children sometimes. I've definitely learned over time not to have that quite so much. I think as the kids were younger I did. But especially that like when my youngest son in high school, I was like, No, you know what, I'm, I'm okay, I deserve to have some allocated time. And to actually let the whole family know, right, well, this is actually something that's really important to me, and I'm going to make this happen. And it was actually really nice to see the support that they gave me too. Right? Yeah, no, really, even my, my middle boyfriend, he would say he was actually said to me, I'm, I mean, really inspiring me with the work that you're doing. And, you know, that's the biggest compliment ever. And my husband's really supportive as well just, you know, constantly telling me that he's proud of me, which is really lovely. That definitely helps with not feeling guilty. Compliments. Yeah. But um, you know, especially like, I work as well. So you are juggling quite a few things. My studio is now home, which during lockdown that happened, which was really good, because I did that guilted me leaving the house. Because sometimes my son would call up my youngest and go, Oh, Mom, where are you? Have you got any food for this? And this and I'll have, can you can you give me this to eat? And you know, just you know, it was always about food? Um, yeah, so I'm at home now, which is lovely, because he can just come in coming in. And while I'm here, I can have a chip, especially during lockdown when we're all at home again. That was really important. I felt quite good doing that. Yeah, yes. That works. That's been working really? Well. Yeah, that's great. It's interesting. You say like, when you communicated that, this is what you're gonna do? It was like everyone went, Oh, good. Okay. You know, everyone's really clear on what's happening. Like you said, they can support you. I think there's a lot to be said for that, like actually articulating what you need. This is, this is what I'm going to be doing. Yeah, cuz I don't know that we do that enough. Probably years ago, I could have done it. Yeah. And I probably would have been still fine. But maybe it's just my, as a mom thinking, I shouldn't look and allow myself to or they should just know what's going on in my mind. Like, hello. What really, you know, see, I'm trying to do all these things. Doesn't Yeah. Doesn't make sense to you that that's what I want to keep doing instead of actually, like you said, articulating it and actually saying it out loud. So yeah, yeah, yeah, that's a real a real woman thing. I think, I don't think anyone would ever be afraid to just come in and say, right, this is what I'm doing. Okay. I think we're concerned about other people, because we're, you know, we're looking at for the ones in our care, are they going to be okay, you know, maybe worried about offending people or, you know, our own feelings of guilt. I shouldn't be doing this, you know, just like, just take the bull by the horns and go, right, this one I'm gonna do just set it out. Exactly. Exactly. So you know, no, that's absolutely the way to go. I think. Yeah, the needs to be flexible, you know? And be available, like, especially with a teenager. Yeah, just just being available. Not even that even like my 25 year old daughter was having a moment the other day, and she just said, you know, drop things and be ready to have a chat and that sort of thing, too. So, yeah, that's it, isn't it? It's like, you're always gonna be sort of juggling that role. You you might be doing your art or your whatever your interest. Is this at a moment's notice. quickly swap perhaps over and off you go in Monroe. It is yeah, it is. And that can be quite exhausting. It's exhausting doing that, you know, like you do. Yeah, I think you have to allow yourself rest. I think that's an important part of even the art practice. I've sort of learned that in the last year really only the last year of saying, Okay, I'm not going to feel guilty about even just resting and just thinking about At my art or just take taking some time away from it even just to refresh, refresh your brain. Yeah, that's, that's really true, isn't it? Because it would be like in any sort of creative pursuit? You're not. You're not always, you know, in that space all the time that you just, you know, it goes in, in waves, I suppose. And to recognize that and go, Okay. I'm just gonna step away for a bit. Yeah. Yeah, no, absolutely. I think it's necessary. Yeah, for sure. So you were talking about the series that you're working on at the moment? Is that what I can see behind you? Is that the little? Yeah. Yeah. So they're all on, like, recycled upcycle bits of timber. Yeah. And this is paper. So I've done some acrylic on paper. And then I've actually added collage, and I've got all these are crayons, actually, and pasta pens. So it's all about I sort of had this. I kept thinking about all these images of sort of old buildings and the feeling of the heat in the Adelaide Hills, because that's where I grew up. We lived on a property and my my stepmother was growing lavender and all sorts of things. And we had cows and we were always sort of out and about. We made mud bricks. So lots of lots of things that you were always using your hands. So the house was all hand built. I didn't do a great deal, because I was pretty lazy. And I hated the heat. So we're always doing this stuff. And I was always really hot and but they just kept doing it. And I really, you know, looking back I saw appreciate even being whatever I was involved in, but I do know that I was constantly come on Elisa sitting around and I was just like, Oh, but I even though at the time, I didn't appreciate it. I look back now and just think, Wow, that was such a fantastic experience. I know it was a lot of hard work, having property and all the things that they did. But it's really influenced me. We had just just sheds and anything like that I've just been really attracted to we would go on family holidays, and we'd stay and we'd go to the country and stay in old like I remember saying this massive old house and Bera you know, but my fascination was the actual building. And so I've just sort of been working through what all that means. And I think it is the stability of those structures and the longevity of them. Things that are built with your hands and how you know how meaningful that is. It lasts a lifetime. And I think I had a lot of sort of up and down in my childhood. So there was a bit of to and fro with my mother back and forth with my dad and I actually lived my grandparents for a year when I was about nine. So I think all these things around me that I absorbed is, is which is what made me feel grounded. And it's just come back up again. And so that's sort of what I'm working on at the moment is just how that's all influenced me, like all the structures and even the summer heat and the gun trees. And yeah, all these memories. I've just been looking through old photographs and just working through that. So yeah, yeah. So even though I, as a child, I feel a bit unsettled. They're the things I've gravitated to. So yeah, I want to try. I want to try and make sure it's a positive way of remembering things even though there was other things going on in the background that might have been negative or hard. As a child. I'm just trying to find those little strengths of positivity. Yeah. Yeah. That makes sense. That makes perfect sense. When you were just talking about that. It reminded me I'm not sure if you're into or heard of the chakras, like the chakras of the Oh my son's really into that my my finger He's just a hippie. He loves all that stuff. Yeah, he's telling he's been telling me a bit about that. So yeah, yeah, cuz when you were saying about that you needed to feel grounded. The things that you're talking about doing things with your hands, and like, the earth, and heat are all related to the base chakra, which is basically the one that keeps you grounded. That solid and all this other stuff might be going on. Yeah, and it's this, this core, this, it's basically your, it's in your, like, right down in your tailbone. So it's like, if you're seated, it's the part of your body. That's, that's touching the earth. And it just seemed to I just made that connection, as you were saying. Fascinating. Yeah. That's amazing. I have to look into that a bit more, actually. Yeah, I think it's that going into your own little bubble. Maybe that's even why I loved it as a kid, you sort of looking at everything else. And you're in your own little world. I mean, I used to even if my bedroom was my sanctuary, you know, as sort of that 12 1314. And I'd be constantly like, I painted and I'd be like, setting it all up in different ways all the time. And at one point, we lived in this little house, and I had to share a bedroom with my sister. And we're quite different bit of an age gap. And anyway, I was desperate for my own space. And we had this little hallway, like a little entryway that we never used, we would always go the back door. So I decided that I was going to set myself up in this entryway. Yes, I was so desperate for my own space. And literally, I could fit a chest of drawers. I had a hook for my school uniform, and I had a bed I posted around and that's where I slept. I don't even know how long I slept there for I think eventually they got a caravan and I slipped in the caravan. I asked permission I think I just did it. I was just so yeah, so definitely having my own space and I'd sit in there and I do whatever, you know, beading even you know necklaces and all I think I was into that at that time and yeah, so definitely, yeah, yeah, going into your own space Yeah. I remember helping my dad, Bertha lamb, you know, things like that we, you know, had animals and yeah, now I'd be like freaked out by that. But I'm really thankful for those experiences, because some are in my own kids haven't experienced things like that. So we're pretty, pretty lucky. Really? Yeah. Let's see, it's all about perspective. Yeah, yeah, just the way that you look at things. You could you could say it as negatives, but you've chosen to look at them as positives. That's yeah. And I think it is all coming out like because my kids are older. And what my youngest is. Yeah, just getting to that towards that end of high school heading towards their family a few more years left. So yeah, makes you just reassess things and all that sort of stuff. Yeah, that's it isn't it? It's like the these these particular moments that adopted throughout your life we have take stock and you know, recess and yeah. Do you think you stay at keeping your studio in your home? Or I actually think I just be really nice, like, even have an evening I can just go in there whereas I wasn't taking advantage of going have an evening where I was. And I'm quite a homey person. So I do really enjoy that. Yeah, so I think it'll just make me let me use the time a bit more wisely. In your face. So you know, if you've got it, all of a sudden, you just want to come in and quickly do something you can and then got blown working on cooking. I can go in and do something. And that's, that's perfect. That's how I've always done it. I don't even know what else you know, like that is how I've always done it. It's always in between life. Yeah. Yeah. The project that you're working on at the moment, is that do you have like a end goal? You're going to exhibition? Next year? Yeah. Is it gonna be going? This one might be I haven't got anything go. It's just a little series that I just thought I'd launch all together. Okay, I just have to find a graphic. Basically, it's finished. So just that next step, and then putting it on website. And that's, that's the part it's boring. But yeah, it is. And it's called memories are made. So it's basically they're made in your mind, but they're also made with your hands. Yeah. So hopefully, yeah, in the next week, maybe I can get my act together. Though, there'll be up so yeah. And it's something I haven't done before. I've got lots of little pieces on blocks of wood. And yeah, so we'll just see, I've really enjoyed doing it. So we'll see how it all goes. I'm thinking you're probably having an open studio in a couple of weeks. So that probably pushed to finish it off. And yeah, always good to have a bit of a goal. But yeah, look next to you. Maybe I might probably like to apply to a couple of different galleries and just see, see what happens there. But yeah, I try not to think too far ahead. Otherwise, I get a bit overwhelmed. And that stops the stops the making. Yeah, so that's the plan so far. Sounds good. Yeah, I responded quite well, to the materials, I guess, too. But this will just happen because we had some all these off cuts of timber and things and our families upcycle timber, and I was like, Oh, that will really look cool with this and just just having a go. Yeah, yeah. Other ideas I've been making. I made some paper mache bowls as well, a while ago, which I again, I'd like to sort of experiment with too. So too many ideas. There are the I love all these podcasts. And it's been fantastic. Listening to two other moms and how they all do it. And it's really, really good. So Oh, thank you for coming on. It's been a real pleasure. Thanks so much, Alison. Thanks so much for listening today. We'll be taking a well earned rest over the festive season and be back early in the new year. Have a great Christmas if you celebrate it, and we'll see you in 2022

  • Mother Wild - Mother's Day Special

    Mother Wild - Mother's Day Special A global group of women who believe in mothers mothering themselves. S2 Ep42 Listen and Subscribe on itunes , spotify and google podcasts Today I present a very special Mother's Day episode to mark the day in the US and Australia and many other countries around the world. I am joined by 4 creative mothers, Angeli Gunn , Tasha Miller , Karryn Miller and Carmela Fleury representing Mother Wild - a global collective of women who believe deeply in helping mothers mother themselves. Along with their 2 other co-founders Anna af Jochnick and Karin Hesselvik the girls facilitate festivals, workshops, courses, monthly activities and retreats (both virtually and in real life). 2 years ago the idea for their first book Mother Wild: A Book Of Mothers’ Dreams was born. Each one contributed their own unique set of skills and words to bring the book to life, together with 9 artists from 13 different countries, while collectively caring for 32 children during a global pandemic. The result is an inspirational book that has more than one purpose. While the book was designed as a simple bedtime story for children, the true intention is to re-awaken the wild, adventurous spirit in mothers - and not just through the words on each page. In the first year, all profits from the book will go towards supporting mothers in the best way they know how - by mothering them. ***This episode contains discussions around post natal anxiety*** Mother Wild website / book / instagram Podcast website / instagram The Lost Daughter movie Mercy on the Mother Quotes during this episode are taken from the book, thank you to Danni Reade for narrating. Music is from Australian new age trio Alemjo , and is used with permission. When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum, the podcast. It's a platform for mothers who are artists and creatives to share the joys and issues they've encountered, while continuing to make art. Regular themes we explore include the day to day juggle, how mother's work is influenced by their children, mum guilt, how mums give themselves time to create within the role of mothering, and the value that mothers and others placed on their artistic selves. My name is Alison Newman. I'm a singer, songwriter, and a mom of two boys from regional South Australia. You can find links to my guests and topics we discussed in the show notes. Together with music played, how to get in touch, and a link to join our lively and supportive community on Instagram. The art of being a mum acknowledges the Bondic people as the traditional owners of the land, which his podcast is recorded on. Welcome to the podcast. Today I present a very special Mother's Day episode to mark the day in the US and Australia. I'm joined by four creative mothers, Anjali Gan, Tasha Mila, Karen Mila, and Camilla Fleury representing mother wild, Mother wild are a global collective of women who believe deeply in helping mothers mother themselves. Along with their two other co founders, Anna F. Chuck, Nick and Karen hustling. The girls facilitate festivals, workshops, courses, monthly activities and retreats, both virtually and in real life. Two years ago, the idea for their first book, Mother wild, a book of mother's Dreams was born. Each one contributed their own unique set of skills to bring the book to life, together with nine artists from 13 different countries, while collectively caring for 32 children during a global pandemic. The result is an inspirational book that has more than one purpose. While the book was designed as a simple bedtime story for children. The true intention is to reawaken the wild adventurous spirit in mothers, and not just through the words on each page. In this first year, all profits from the book will go towards supporting mothers in the best way they know how to run retreats for mothers to Mother themselves. Quotes during this episode are taken from the book, and a big thank you to Danny Reed for narrating music used from a limb joy with permission. This episode contains discussions around postnatal anxiety is this the first time you have more than one person? It absolutely is the fifth. And you don't have just one more you have. I have triplets. Yeah. Could I just take a photo of this? Like so let's see. How's everybody going? Oh, so good. Oh, my pleasure. Thanks, ladies. Sorry, I'm trying not to seem daunted. But I'm like, This is gonna be awesome. Some giggles Yeah. Thank you so much. This is really exciting. I've not just got one but I have got four creative months with me today. Welcome along, everybody. Thank you. Yeah, this is so exciting. We're here today we're celebrating creative mothers all around the world today. Lots of special guests. And we're talking about this amazing book that I've got in my hands, Mother wild and the the amazing group of women behind. We are mother wild. So I'm going to start by talking to Camila. Camila, welcome along. Thank you. Tell us a little bit about yourself where you're from a little bit about your involvement with the book and with the project as well. So I am part French part Spanish, but I was raised moving around quite a bit just because of my father's job and after birth. I think motherhood I don't know if I think Tasha calls it a beautiful transition. It broke me but also made me go deep into I became a very inquisitive spiritual seeker and I did a bunch of things. And I believe it was iOS go I was looking at a ceiling and there were broken knees, and they were about 24. And it was like you need to work with mothers and all of you might be broken. But together, you hold a new roof or a new paradigm. And so I just sought out to work with a couple of moms through a thing called the online moment village. And it was six moms at a time. And from this village, I offered a Wildeman Mastermind course, which these beautiful ladies joined. And from there, it was just magic and predestined. And I did nothing but just show up and let magic unfold. So that's how I actually happened. Wow. So it was really quite like an organic sort of thing. It sort of came from weight. Do you have a background in art before you had your children? And I'm sure I've always been an artist, but no, I got lost in engineering for school and and then I think doing a life coaching training that Tasha and I both did, they made us do vision boards. And then that took me on a vision board journey, which I'm still on on a daily basis, which keeps me sane. So I don't think I'm an artist, per se. Although writing is an art right, so I guess I've always been a writer. Ish. A bad one, but I've always been one. Awesome. All right. Karen, let's go to you. Can you share whereabouts you are in the world? what your background is and your involvement with the book as well? Yeah, I'm, I am originally from New Zealand. I currently live in Japan, and I left New Zealand when I was 20. And I haven't really besides having my two girls there. So they had some claims in New Zealand. I haven't really spent much time living back there. But yeah, so my involvement with the book. Yeah, I mean, it's been such a collaborative process together. And Carmela came up with the beautiful idea. And then we all kind of joined together and worked on it, to bring it to life and be clear with Darren, the idea would have stayed an idea. Like there was enormous momentum behind car and in terms of writing and making it I mean, publishing, editing all of that. So that should be it. She won't say that. But we're very, you know, it's funny, cuz I could like see your face and you're like, hang on, like, What did you say? Yeah. Yeah, no, it's been a beautiful process. Like I am, I was before becoming a mum, I was working as a travel writer for many years. And then I kind of switched and I moved into PR, and part of that was also the stability of PR, when I was working in as a travel writer, it was a little bit like any kind of creative pursuit, sometimes it's the income is high, and sometimes the income is low. And so, you know, like, travel writing was always my joy. And I work with hotels now. So it's still joyful, like, it's still in the travel industry. But I think for me, this project, gave me a chance to kind of flex a different side of creativity for me, whereas, you know, like, I'd been focused on, you know, what I need to do for the clients or what I need to do for the magazine. And this was like, Well, what do I want to do? What do I want to bring into this world? And what's the kind of message that I want to share with moms? And, you know, we had a collective vision, we all wanted to share something with mums, and we all wanted to impact mums. But um, yeah, I think that's like, part of what really excited me about this project, because it was, yeah, just that pure creativity versus having to meet someone else's. And in that, also, you know, we didn't have to meet like a publishers demands, you know, we like we followed our own rulebook when it came to this. You had to leave for two years for a very, very long birthing process. That was, yeah, but yeah, having that complete creative freedom to present whatever you wanted to. Yeah, yeah, that's tremendous. All right, Tasha, over to you. Yeah, I grew up in the United States and I live back here now but I met Carmela first and Tokyo and I was living over there with my family. I became a mom there. And I remember like you might see a meet cute in a movie I remember the first time I laid eyes on her she was just all hair and legs in this big pregnant belly and I just thought I don't whatever she's got I want some of that was just so magnetic. And it's still like a pinching me listening to all of these ladies talk and just thinking this is really my wildest dreams, not just the friendship, but the fact that we get to create and collaborate and go on this wild ride together is just, it's so energizing and invigorating. And I you know, for me, I don't know that I would have ever called myself an artist. Esther before having the opportunity to work with these women, they loved to travel, but I look, you know, I loved exploring, I loved making things, but I think, you know, we talk a lot together about uncoiled potential, and that inside all of us, there's just so much wrapped up in there and particularly under, like the weight of motherhood, it's so easy to sort of shrink and putting, put that part of ourselves, you know, back on the shelf in the back burner. But what I found with working with these women and then continuing to connect with other creative women who are mothers, too, is it It not only isn't uncoiled it's just like this fire that burns now and you know, a lot of times I feel like the such a construct or an idea in our minds that you know, we need to hold on to our idea of hold on to things till the right time, you know, to be able to get out there and do that and, or keep waiting or or be afraid that life is passing a spy or somebody else is going to kind of take our whatever, seize the moment, and it can create a lot of tension, and conflict inside and what we found with them. And these are like the most generous, incredible women but also every mother we've met along the road has been the most incredible, generous creative woman is like, when you see someone burning bright, it just lights you up more. And the more it's like a generative quality so I can look at so many things in my life now go yeah, I've always been an artist actually. Like, we're all in coke, Coke co creation with our lives, you know, and and looking for ways to express express that so yeah, it is. So it's it's been really dreamy. Yeah. And I must say you're you're you've got such an infectious way of talking about it. You can't help but get like, swept up with it. It's it's awesome. It was like a stoke, right? Like, I feel like for surfers when they're on the party wave. I'm like who's joining us? This is so good. That's it. Listen, I love that. All right, and finally to Anjali, welcome. Hi, thank you for having us. This is such an honor to be here. Yes, I share a little bit about your background where you're from. Yeah, just a bit of your involvement with the book as well. Yeah, absolutely. And before I do that, I have to say about these magnificent women. Carmela is like our visionary and our connector or community builder. With current the way she was in the writing process. It was like watching magic unfold right before your eyes, she would come up with most beautiful things. And so much of this book has like her heart just stamped on these pages. And she is so beyond organized because she helps make things happen. We wouldn't be here right now if it wasn't for her. And Tasha, even though she doesn't, or hadn't seen herself as an artist, she takes the most beautiful pictures. And she puts together the most incredible videos and she captures like heart and soul and spirit. And she found so many of our illustrators, and she just has this magic radar for finding talent in all its forms. And so I just wanted to give them a shout out before I dive into this because I really Yeah, I mean, it's everyone brings so many strengths and talents and gifts, that I actually think this is not just a once in a lifetime gathering, it's like a once in multiple lifetimes that you get just this beautiful confluence of talent coming together. And it's incredible that I look back on this and think, you know, during two of the hardest years of most of our lives, that we had this really incredible project we were working on. And for me, it gave me so much joy. And also it was a story of source of strength and inspiration. So I was born and raised in Canada, and I loved, loved traveling, and I still do. But once I became a mom, it became even more important to travel and see more of the world. So I was traveling in Japan, which is where I met Carmela and like Tasha said she just has this magnetic quality where it's like que you. You say the words and I will be there because we're going to make dreams come true. And the heart of this book really feels Like, we want to make sure that mothers don't get weighed down with the demands of motherhood and whatever it is that lights them up, or brings them joy, we want them to remember that. And, as well as they're reading this book, it's their children who understand the importance of their mothers having their own dreams, and finding their own joy in places outside of motherhood. And that is so important. The book I love on the back, six authors and nine artists from 13 Different countries created this book virtually while caring for 30 children during a global pandemic. That's just like, I don't know how else you could say this is amazing. No, it actually ended up being 32 children because it took so long for the book to come out to were born and the process the same mom, so there's two. So you could give them a shout out and then current who are not here. And they they helped get illustrators and help get our ducks in a row and funding for Kickstarter. And so they they're here in spirit, they can can you each share with us what what sort of your pages were in the book of what your your dreams are in the book, we really came together to to write and bounce off of each other. So now when we go through the words, like it's, it is hard to discern, oh, that was definitely you know, my thing. But I think that that has kind of been the spirit of how we've worked together the entire time. Of there's no ownership over one thing they there is not only a generosity, but a tremendous amount of trust. And we really looked like I always joke, I got my fountain of bad ideas like I like overflowing with them. But I use that term loosely because we love the idea of like nothing is off limits. You never know, you know what you say? Even if it's 50 iterations down the line, how that might have inspired somebody else's art or else's ideas in the world. And so in terms of that, but I will say the dream that I personally feel incredibly connected to is a beautiful illustration done by aura Lewis, who was our first Illustrator to jump on board and say yes. And it's mother's in a field of flowers. And it's all about mothers coming together and community and supporting each other supporting children running around wild and free. And when I look at that, I'm just like, that feels like home. Like that's the direction I'm going, you know, if only if only in my mind. Yeah. So So basically, like you're explaining not It's not each page isn't one person's it's you've all thrown your ideas together, and come up with it collectively. So Alison, if I can add, I think we've had windows of between like, because we're not, we weren't on the same plus we had the Europeans. And so it was over three, basically one of two or three were either waking up or falling asleep when we were all together. So we had maybe a window of 10 minutes when we were all clear headed. And so but just the act of showing up. And this is for mothers who are listening, just the act of I mean, I think we're just being each other's accountability. Coach, we just by showing up, we would just maximize our time together rather than like, oh, I would like to write a book. But I'll start tomorrow. And when it's just yourself, you might just put it off a little more than when you're showing up. And we're like for the next 10 minutes. We're going to brainstorm and so we would brainstorm. And what was funny and I remember Anjali, you know, when you said like watching card from a distance, like magic happened unfolding, like I feel like that happened at some point, because we sat down with, I think we had 120 dreams that we had all come up with together. And what we did is remove the location because it was like Thailand, Bali, this the other, you know, we remove the geographical location because the feeling was kind of the same, you know, dancing in the desert in Africa, you could be doing it in Australia. You know, it's just remove the geographical location and kind of bring in like, Who wants to go in the snow who wants to go in the ocean who wants to go deep sea, you know, and CDC diving who wants to, there were all these characteristics that were the same in all these different places. So we actually just collect you know, combined all of them and I think we came down to 18. And it's funny because we asked a couple of friends along the way and we all had similar daydreams or similar adventurous dreams of things that we'd like to do. So go ahead card on I was just gonna say to like, we wanted to make sure that we had like the big dreams, you know, like the maybe the once in a lifetime dreams, but we also wanted to have the dreams like just being able to have a bath by yourself without being interrupted. So I think it's just the act of dreaming versus what the dream is. And you know, we kind of say that as well, like whether you go off and do it or you know, like, it's not the point, it's just reminding yourself that you know, to dream. And I think you know, like to just give Anjali, a little shout out as well, since she said such beautiful things about us before. Like, I think, with this process, as well, rest was also like a really important one that we wanted to you know, they think we get caught up in doing these things, big things in activity, but especially as a mom, like resting and taking that time of solitude is really important. And that was one of the things that we wanted to get across. And one of the things that throughout this whole process like Angela was really good at reminding us about, yeah. Self Care. Yeah, self care guru, for sure. So Angela has got it nailed down. She is the cream of the crop when it comes to mothers. She's one of Yeah, one in a million. Love you girls. And I love it makes me so happy to see mothers taking exquisite care of themselves. So anywhere along the way, when we can remind each other that it just feels really, really good. Yeah, for sure. I actually saw a quote the other day on Instagram, and it was something about I can't remember verbatim, but it was about we see rest as a reward for something rather than as a part of just general life. Yeah. It's so true, isn't it? It's like, we have to get all this done. And then we can take the break. But no, we have to prioritize rest. And Alison, in creating this and even just creating mother wild, we we set out to define a few things that are really important to us. And one of the things we realize is like with that grind culture and with that hustle culture, it didn't quite feel feminine. And when Carmelo was talking about the new paradigm, you know, that was something that would come up often is how can we do this in a way that maybe feels more feminine or feels more delightful, or we're not necessarily trying to get to those same goals that we've been taught to believe are markers of success. And so Karen said something really beautiful. She's like, Guys, Friendship first. And so that kind of was like set the tone for us to take care of not only these friendships, but to take care of ourselves in the process of birthing this book. And Tasha would always say, Guys, it's the journey, right? So like any hard lessons and challenges and bumps is like, okay, it's part of the journey, and even the rest and the self care that factored into so many of our meetings and moments and even our time away from one another, that it kind of has got woven into the fabric of our lives, because this is how we want to do things and approach life now. Not just Yeah, yeah, we really want to walk the walk. Yeah. Have you noticed that your lives have changed since you've done this in the way that you care for yourself? Everyone's nodding. Yeah. At the very beginning of our, you know, when we first came together, and I feel like I'd love you to explain it in more detail, but Carmela brought this analogy, she said, Okay, we're a flock of birds, you know, and if you look up in the sky, birds flying formation, and there's always one at the front, the one that has the most energy, let's say, but when that bird needs to fall back, it falls back. And without any fuss. Another one comes forward and takes that so so she's like, so when you need to fall back, fall back. And when you want to fly harder and faster and flap harder and faster. Go to the front, there's no hierarchical thing. Again, it avoids boils down really to like a tremendous amount of trust. And it's not that I just that I like, trust that these ladies are going to be brilliant in what they do and all of those things, but I also really trust that they'll respect and understand and encourage me when I'm tired and life is demanding and a kid is sick, or I just need to lay down that that's going to be okay. But we're I think it's the educational system that kind of teaches us like oh, you know, get grades don't show your neighbor like while you're doing the test. And and I think that that that sense of collaboration is lost along the way. But scientists do show and birds don't know and they're not reading the scientific facts, but they know that by flying together, they will reach they'll not only go faster, further, but they'll reach together the destination they set because I don't know how they communicate again, but they reach it. So for survival. We need to Uh, and I do think creativity is needed. It's vital, vital force for any human school, you know, just by flocking together, we're reaching a goal together. And it's more fun. It's more lucrative. It's more everything. Why don't more women do this? We thrive in community. Yeah, absolutely. In my dream, children run wild and free. Mothers thrive together in community. I like talking about mum guilt. That sounds really nice. You want to go there? Let's go there. Yeah, let's do. It was the first to take that one up. And quick question, Alison, do you steer away from profanity? Or can we just oh, gosh, no, go for it. Okay, we can talk. I thought I remembered that. Yeah. I'll figure it out. first. You first Oh, okay. So just recently, on our Instagram, we had a post with like, a whole bunch of middle fingers up saying fuck off mom guilt. So this is definitely a topic that we discuss amongst ourselves. And for me, I don't have mom guilt. As in, I don't invite mom guilt in to stay for tea. That toxic voice is so not welcome. In my mind. It's a fucking waste of space. Bravo, I believe. Thank you. Yeah, put it in a timeout or just don't like it's permanent timeout. Because I believe I'm doing the best I can at any given moment. It's a fallacy to think that we can be at all all the time. So my intention is to be present. And it comes down to this. I really fucking love myself. And I also really care about my well being. And feeling guilty does not serve my well being. And it does not improve me as a human in any way. Guilt is for when you're doing something wrong, something bad, something malicious. So when a mom feels guilty about going out for a date night, instead of being with her kid, you're trying to tell me that her pleasure and her well being isn't a value. Or when a mom is with her kids and she's not working? She should feel bad about that. No. How does that help her in any way? So I just think it's absolute shit. And we have the choice to value ourselves and try not to be everything to everyone all the damn time. document that. Sorry. Yeah, I was clapping I was. Luckily I was muted. So distract from your beautiful, beautiful words. Yeah. I love that. Can you send that to me, please? Because that is amazing. I feel like I need to duck up next. I actually, I think you hit the nail on the head. Like the thing about presence because I think that you know like, that's when Mama guilt starts to enter when you're thinking about the future or the past. But you know, like that, that one line you talked about with presents really stuck with me there. That's the key. And Carmela, I know you're itching. To hear what you have to say. You think more I think I'm so happy I'll listen that you can't you ask this in every podcast because it is what terrifies women and and mothers from moving forward and it's that I don't know if it was passed on from generations. It definitely once you you do the work on delete Justin, things unlock and you can finally walk your path. I the first piece I wrote on medium and we're happy to I'm sure we all have our own versions of our own battling that that that demon of mom guilt. But um, I wrote a piece my first piece on medium was Dear Mama guilt, your fucking pitch. And it was I just talked about how Prince Siddhartha left at 29 to renounce it. Yeah, he left his family of origin for seven years. He left his wife with a newborn son behind. And he came back from meditating under the treatment and met his seven year old child, no biggie, what else he was substances subsequently named the Buddha, the enlightened one. And then, you know, it was at a time when I was like, I had a four year old and a two year old and I was about to go on to one of many things that the spiritual curiosity seeker was looking for. And it was just like, Oh, these voices and it was just like one man along the way, who was like, Oh, where are your kids and who's looking after them? And it's like, why are you leaving them? And I remember like, oh my gosh, he's right. Am I doing this? And then it was like, wait a minute, I have given so much already through the pregnancies through the daily mundane things that I can ask for little bit of time away and I didn't need the permission of my husband, they were thumbs up, didn't need the permission of my parents, they didn't know where I was going. And, and it was just culture at large that I just had to bat away. You know, he was just asking me a normal question, but I took it really personally and I had to have that argument back. So this poor man, I think it was at a chicken boat for a boat ticket. And I was like, I've been doing this and that and he's like, Okay, give me your ticket keep going. But then that thought behind if one at once I did that, that job on Julie did a bedding her away. I mean, it was just like, Alright, let's go walk the Camino. Let's go do this. Let's go. It was just one after the other. So I recommend moms to do that work first. And then things will unfold. Hmm, huh. Well said Well said, sir. I'm just conscious that my the way I'm looking here is changing quite a bit because of my you're enlightened. My son likes it. I love it. It's a halo. I'm just gonna close my brain. Literally glowing. blinding you all in a minute. I love your background. Allison. I'm so intrigued me. We're just lose back there. There we go. Yeah, I do a lot of different things for fun. Like my my core, I'm a singer and a songwriter. But I do all sorts of things just to switch off. So there's a lot of painting stuff and that there's all my put my kids paintings up there because I find that incredibly inspiring when I'm writing and, and I've got ever up there as well, because they're pretty amazing. Yeah, I love it. It's like a living vision board. Right? We make a lot of vision board. Yeah. It's like my whole my vision wall. And then I've got you can't see it, because it's out of picture. But real, real artists work that I've framed that I've purchased. So I've got like, that really awesome stuff over here is like the seven. Love it. But it's that whole idea of like to be beautiful. You have to take in beauty. Right? Yeah, absolutely. And we just were taught to think that that's really frivolous. But that's like the thing that gives us vital energy, you know, and in a generative like reciprocal relationship, if we're going to keep creating, whether it's creating art for others, or it's creating snack boxes and creating a plan to get three kids in a minivan before 8am, whatever it is, right? We're constantly meeting some sort of need or demand or whatever. Like, we've got to fill ourself up with beauty. And I think along with rest, it's incredibly valuable. And I always love coming across a woman who's killing herself often that way. It's like striking. In my dream, the drums and my body are one. I dance wildly, under the blazing sun. Yeah, I wanted to share too, and I'm gonna butcher the quote, so maybe somebody can help me. But a quote that we talk about a lot is the Carl Jung one that one of the greatest burdens on a child is the unlived life of the mother or the parents or however it was phrased. And that's for me, and I think a lot of probably the four of us here is kind of a compass to come back to, when, you know, Mama guilt inevitably rears its head, or I'm finding that tension within just like, I, I'm not going to be perfect. I don't you know, I also have take issue with the whole construct of a good mom and a bad mom or whatever, like, you know, I think that that's really loaded as well. But basically, at the end of the day, there's so much like I, I can try my best to be as healthy as I can and curate a beautiful childhood for my children. But at the end of the day, they're going to experience it in their own way. And that's not mine to choose, right. But the one thing that I can control is I'm not going to give them a mom, who is resentful, who is depleted, and who you know, is is yeah, just just unfulfilled and unsatisfied in her own pursuit in life, that part I can do and my hope is from there, those are kind of some keys and some tools for them to do that in their own way in life. Thanks, amazing reactions. We love we love giggling we love having fun. We throw dance parties all the time virtual dance parties 80s Dance parties. I mean, we want to feel that pleasure and that joy in our lives and we want to share it with others. And so along with rest, that's kind of one of our core principles or beliefs, if we're gonna get kind of corporate there, you know that it's like, we like taking deep breaths, dancing together, laying down and, and really supporting each other as much as we can. And like Carmela said, showing up. But what's interesting is that when we offer resting or dancing, or move, you know, mothers and we're generalizing here, but tend to run away a little bit. Whereas we're like, we're going to do a really intense intellectual, like, professors from the University of Jerusalem are coming to talk about the taboos of motherhood, like everyone shows up. So again, I don't know if it's something to do with our educational system that values research and, and you know, have lots of slides and lots of proof over just easy, playful, joyful, fun dancing, without a mental conclusion at the end. So that's an interesting, and arrest Oh, my goodness, mothers are like, not using my time efficiently, there's no chance you're wasting in my dream, I sail across the sea. destination unknown. Adventure beckons me. Color and before we move on to the next topic, is there anything you wanted to add to the mom guilt soup mix that we've got going on? You know, it's something we've we've, we've talked about internally so much, but yeah, I think through this process of working with these amazing woman is how I've really overcome Hmong girl. And I think, you know, they kind of let talks about, like, what we've been brought up to believe and stuff. And I definitely for the longest time, and I've talked about this internally, like, had my self worth tied up with productivity, and whether that's productivity through work, or whether that's how much I'm giving something children. And, you know, I'm on this constant hamster wheel, whether it's with Yeah, with all parts of my life. But yeah, like coming together, and like exploring these topics with these woman, and, you know, through the other things that we run with other amazing woman and stuff I've really come to learn, you know, like, it's not doing anyone justice, when I feel guilty about these things. Least of all my kids, you know, and especially like, I have two young girls, and it's something I don't want to model. Like, I want them to go out there. And, you know, like, do what they want to do and do it unapologetically. So how can I expect them to do that? If I'm not doing that? Yeah, that is so important, isn't it? And I think it's it I think if we're gonna change the world, we've we've got to be able to model it for the next generation so they can continue it on. I think that's so important. Is it Yeah, residue, just stop here. Do you want to say that we have relapses we have? Oh, yes. All into mom guilt. On a daily basis, were like, Oh, my goodness, I missed this moment. Because I was doing that and, and just letting letting go of them. I do think just that introspection of like, Oh, I think I did. I overdid it, I gave to too many people at once. So we really encourage mothers to take solid, you know, solo retreats and just a little pockets of recharging, re re re evaluating the you know, adding creativity and what an arrest and play and things that recharges Yeah, yeah, absolutely. Absolutely. I think it's not not dwelling on it as well. Like I think I've got better you know, when you have the relapse that you don't beat yourself up about it, you know, like, Yeah, I think yeah, we're all work in progress. Yeah, absolutely. I had a I had a therapist I started seeing this year and I, you know, finally blocked at the time and she would do telehealth, I have three really young kids and so I'm like, okay, you know, I cut this one hour right and but that hour leading up to it be so stressful because you kind of do all the things and get them so set up and you know, when I'd arrived there and be exhausted and then our be up and I'd be like Okay, I gotta jump back into it. And she said to me, she's like, whether you can schedule five extra minutes or 30 extra minutes or an hour and what it all what do you do, all you do is lay there or you score your even whatever it is. He's got to give yourself that room that pause to integrate. And it was so simple, but I literally hadn't considered that you know, it's just how much can I squeezing. And now when I look at my schedule, and I'm probably the biggest offender with relapsing in a lot of ways, but I look at how can I give that little bit of space? Or if there's a lot that I can give, that's even better, because we have to be able to integrate, otherwise, we just holding on to so much all the time. It's no release, until we explode, our body breaks down. Yep, that's so true. That's difficult physical boundaries. I remember a mom was just like, had the kids at the same age and we were meeting and hers. She had like this peaceful salt lamp and like, she was just in her place. And my kids were hanging on asking for food. And I was like, why? Like, they're the same age. Like, it's not like, why do you mind need more than yours. And she's just like, they know that this is my space. And I was like, Oh, I got the salt lamp. And it has my dream, I speed through an open space. I howl as the wind whips my face. All right, so another big topic I love to talk about with my guests is identity. So the way that the concept of your own identity changed when you became a mother? Would anyone like to start us off on that? I'll dive in. I don't know what I'm gonna say. I'll just dive in. I don't know, I want to come back to like what Camilla said in the beginning of quoting Tasha about this beautiful transformation. I think, you know, like, for me, becoming a mum, like, during the whole pregnancy process, I was so consumed with what was happening inside me that I hadn't really thought ahead to what would happen when the baby came out. And I think, you know, like, I, I really had in my head that, like, when I had this child, like, that was not that it was it for me, but I would give it everything, you know, like, I just really had that in my mind that I had to give up. It was definitely that kind of mentality. And then I think like, within a week, I'm like, Oh, I don't want to give myself up. You know, like, I'm like, I'm exhausted and everything, but I'm like, I'm like, okay, that's not the version of motherhood, that like I want to have, and then connecting with these amazing woman, you know, and like, just finding people with similar. Yeah, you know, we just, we think similarly about motherhood, you know, that it's not this martyrdom, it's, you know, they that you still want to be your own person, you know, you're not, you're expanding as a person. You're not giving up, you know, and I think it was the hugest transformation, and I don't think I would be, I think it was a good transformation for for one, you know, like, what we're doing is all about mothers and I wouldn't we wouldn't be doing any of this if we weren't mothers ourselves. Because we've gone through the whole process. But yeah, it's, uh, oh, come on. I will add, and I don't know if anyone who had more than one felt the same way. I felt like from zero to one was a massive like, whoa, tidal wave. How will my I mean, I think suffering postpartum anxiety for sure. And then the second one, didn't feel it that much. It was like, oh, no, I can I can be a human too. And I remember when I had my first one, a friend that I used to work with. She was like, What are you doing? And I was like, I'm drowning in motherhood, in the early days of motherhood. And she's like, I knew it. Like you're one of those brilliant people who like has given up everything for motherhood and like, we need you. We need you to leave. You know, she had just read Sheryl Sandberg like lean in I was like, I Ali Wong, and I was like, I don't need to lean in, I need to lay the fuck down. I'm tired. And I remember being like, I felt like I was letting her down. But I was like, there's no other thing that could be doing right now than what I'm doing and wallowing in it. Whereas for when my daughter was born, it was a very different energy. It was definitely more and I think that's probably what women have when they have multiple choices like the first one you're like, oh, and then it gets a little bit easier, but maybe not. I think I've had mom I've heard of moms who have the third child was like they it took it took them down. Tasha or Anjali, would you like to add anything to that? What can I say? I always like to tell this story. So when my daughter was about my first child was six weeks old and I motherhood and postpartum just hit me like a tidal wave. I mean, the only way I can describe the level of anxiety is I constantly felt like I was in the middle of this ocean with storm When the waves all around me just treading water and just trying to hold up my baby and keep her from drowning, it was It surprised me, because I always assumed that everything would feel so natural. And that I would, yeah, that was really kind of where my unfolding would have been there with this title of motherhood. And, you know, it was more complex than that. And I think that was my real first sort of understanding of how we can all contain multitudes that it can be the most wonderful, beautiful thing and also, it can be so incredibly painful at the same time, and is that once I could kind of allow for that, I feel like that I might, I've been able to expand so much more and allow for so many more things to be true at the same time, but it's lucky with my husband just so anxious, so exhausted all the things like you're saying Carmela with that particular that transition to being a mom. And I'm like, Oh, I just feel like I'm failing. I feel like, you know, everything I'm doing is not the right thing. I'm so worried about this. And he just looks at me and he goes, it doesn't matter. And I'm like, What the fuck do you mean? Like, this is literally the only thing that matters, like everything and I do in life is all not you like gonna be measured. It's like how well I I'm performed motherhood, basically. And he went on to say he's like, it doesn't matter. Because you're the mother, she has let go of this idea of being a good mother or a bad mother. Those are just constructs, no matter what, your her mother. So that's all you can do is just be that. And I was still quite pissed off at the moment, like feeling really misunderstood. But those were some of the like, wisest words that really took a bit to seep in, but became that place not only in motherhood, did I start to let go of this idea that I needed to perform something so well, that I could really just be me and get really curious about who I was never given any given moment. And just kind of yeah, a lot allow myself to come out a little bit more in ways that before becoming a mom, I don't think I even really had the awareness of how much I think I was holding back and meeting others validation. Hmm, it's very good. Tasha, I love it. I love when you talk about containing multitudes. Because I think it's something that we often think it's either A or B, right? And it's like, no, it's a and b, c, and d, so many. For me, my creative energy comes from dance. So I've always been a dancer, there's a running joke in my family that I can dance before I could walk. And I've always loved choreographing dances in my head, and I like to perform them because I don't have to worry about controlling other people in their tempo and anything. And for me, motherhood kind of felt like stepping into a dance in partnership with my child. And I was very lucky in the early phases of motherhood to have my husband who's had children before. And so he came with this very calm, reassuring energy. And I just remember feeling like I had no expectations about how anything was going to be or how anything was going to go or what it could look like, it could look like what it should look like. And it was the most freeing thing because it allowed me to really just step into that role with like, my whole heart, and really enjoy it. And then in the last couple of years, there's been a shift if this kind of sense of like, oh, there's this independence. And there's this growth for both of us. And now it's starting to feel like I can dance on my own again, a little bit more. And so that's been really nice is finding that rhythm in our lives, where it's like, I was there when I felt like I needed to be the most. And now I can look beyond that, and get excited about what the future holds. But being a mother now is so massively a part of my identity because of the work we do together. Yet. We never ever talk about parenting, our kids come up, but it's really about us and introspection and kind of what that looks like in this chapter of our lives. So there's been an evolution and for me, it didn't come with a sense of struggling against that. It came with kind of just saying, Okay, it's like it's a dance. And I think when you try to give it a little bit more ease a little bit more grace, and you don't try to control things as much. In my experience, that's kind of been that sweet spot and feeling like, oh, okay, there's a time for everything. There is not this sense of needing to know all the answers, which has been really, really nice, especially in the last little while, we've all dealt with a lot of uncertainty. So kind of not having to know everything right now. But knowing that we are there to get there, like we show up together, Tasha has this really beautiful phrase where she talks about companion plants? Tasha, could you elaborate on that, because I feel like that's what I'm trying to say. But you say much more eloquently. I have to give credit where credit is due, I was, like, just introduced, I've never gardened until I moved to an island where there's just people garden like crazy here. So I've been learning a lot. And there's a mother here in particular, I'm going to shout her out. Her name is Rachel Phillips. And if you live on Whidbey Island, you know her, she's just sunshine mother of three young boys. And she talked about the idea of companion plants, how there are certain plants that grow better next to each other. And so that's something that we together really talk about, and think about and really find to be true. And think of each other as our companion plants that when we're together, we just we get more of the nutrients we need. We exchange ideas, we exchange energy, and we just watch each other bloom, it's and it's incredible. I love that, I completely relate to that, because I my parents used to have a plant nursery, so I know all about companion planting and how, you know, you might put something next to something else, because that plant attracts the bugs away from this other one or, you know, that kind of stuff. And it's interesting hearing all your different views and the way you speak about things. And the same, this is the same for all mothers is it some people will find things really easy. And some other people, I guess, because of their the way they've been brought up or the way they've been parented find things really challenging. So being able to, you know, when Angela, you were talking about, you know, allowing things to happen and not control things I can see that would be very hard for someone like me, who likes to know what's happening next, and what's coming up next. So it's like you can bounce off each other and support each other. Yeah, that that analogy of the companion funding is really awesome. Love it. And it takes some of like, the pressure off to write, like, it all goes down boils down to like, I just kind of have to show up and do my thing. Like, you know, a plant isn't like, think about like, how am I going to do like, it just it just happens and and we we think about nature quite a bit when we're sort of, you know, exploring a lot of these ideas and concepts and just like how can we live life in a way that is generative, regenerative, you know, so that we can utilize our energies in the best ways and look to nature, you know, things go fallow, and they need to go fallow takes rest when it needs to blooms when it needs to. And there's just so much wisdom there to be drawn upon. And it's a huge source of inspiration. But it's hard to shift and do that by yourself. Right? It really, really helps to have other people who are not only walking the past, but who who who inspire you and remind you, you know that Tasha has coined a brilliant term per mama culture. Great work credit. Yeah, I like that. Yeah, yeah. Play on the permaculture, that's brilliant. In my drain, I take a journey within. I meditate in a forest and a cheeky monkey swings in. So just like you guys to talk a bit more about, like, you've talked about things that you've done together the different sort of events, I suppose. That's the right word things that the group does. If there's someone out there that's listening, who thinks I need to know more about this? Can you share a bit more about the logistics, I suppose? Like, where do they go? What's the sort of things they're going to expect that kind of stuff? Everyone's looking at you. Oh, okay. All right, then. I'm like, I'm looking at everyone. Um, Okay, then there's many different ways and I think we're, if you want in a couple of hours, we're announcing the mommies, which is the Grammys for moms. So there's tons of free events that we'd like to just for moms who, who, sometimes it feels like too much like let's introspect, let's write, let's find out about ourselves. It's like, verily, just so we do things that feel a little bit easier to access. You. We have next is a monthly mother, the mother monthly, where you just get a taste of community, we're currently revamping current Do you want to say a little bit more about mother to Mother monthly? Because she, it was her I had, I had a feeling it put me on the spot with that. Yeah, I think mother, the mother monthly, we've just done one full year, and we're going to take a month break. And we're relaunching. And in the spirit, you know, one of the things that we wanted to do with mother, the mother monthly is build community. And so in this next iteration we're bringing more mothers on. And it's also the aspect of flying in a flock. So we can share the load a little bit more easier. Because we want to do other things as well. We're gonna have more mums. But with a previous version of mother, the mother monthly, we just kind of, I guess our tagline was like, we wanted to introduce mums who were doing cool shit. So each month we had a theme. And then we would bring on different mums. And they would talk about the topic and we would have like a movement session, then we would have more of the chance to talk it through. And then we would also have an open conversation, which was one of the most popular, I think sessions because it was just our chance to chat about things. And kind of going back to Tasha, how she was talking about nature and incorporating nature, like we followed the seasons in the northern hemisphere, so we kind of like have been wintering and resting and that and now we're kind of coming into spring again. But yeah, and also like our internal seasons was a big thing that we want to follow with mother, the mother monthly. So with the menstrual cycle in that so we're bringing all that kind of into it. I don't know if I really should talk too much about the next version of other than other months, because we're kind of finalizing a few of the details. Well, we there's a lot of virtual offerings, but we are also pivot towards, in we haven't actually met all together in 30 years of working together. So we're pivoting towards doing retreats, which we we did before. And now that COVID is opened up we have one coming up in Sweden, the summer, there'll be whipped be there's there's many things in the pipeline, but we really know how valuable and we get, you know, we give each other permission by showing up in person with each other to work on the things that are important. And reprioritize and get support. So that's that's the plan. Hope we get to listen. Yeah, I think the easiest thing is probably just to go to our website, and to subscribe to the newsletter as well. And our Instagram feed is the most up to date. And yeah, the brilliant Tasha and Anjali run that that social media side of things, and they're they're better at keeping things up to date than maybe we are on our website. And then, of course, as we've mentioned before, too, we also just published our book mother wild a book of mother's dreams, that we've worked in collaboration with nine incredible illustrators from all over the world. And we kind of like, gave him some words gave him carte blanche, like, like interpret this how you want and they came back with stuff beyond our wildest dreams. And we're really proud and excited. And we've come up Carmela who introduced a project initially and she said, You know, there's so many big heavy books which have which have of course incredible value as well. But we wanted to make something that was light and distilled in something that mothers could could read with their children. So we say it's a it's a bedtime book, designed to awaken mom was wild dreamer with ANSYS got that dual purpose there. And we're really excited. And it's been really fun to hearing back from people as it kind of opens the conversation because a lot of times it's hard to remember like, oh, yeah, what is my dream? You know, what? What would I like to do? What you know, if, if there were no limits and work from there, and yeah, it's really beautiful to watch that unfold and other women. Yeah, it's, it almost sounds like we're talking about the guilt before it almost sounds like a, like a selfish pursuit. It's like you're a mum now. You've got to do this stuff. There's no time to stop and think about what you want. What's the bigger picture for you? And it's just I think it's is a really clever idea that you can read this book with your child. They go to bed and then it's your time and you've already switched on. You know, this thinking, oh, yeah, that's right. I really wanted to do this or I really wanted to do that. So it's, it's like, right Oh, off you go. Like now it's your turn sort of thing. So it's really, really clever. I really love like, I'm so grateful that I've got my copy, like, thank you so much. Thank you, I just, it's on one hand, I don't and I don't want this to sound rude anyway, but it's, it's such a simple idea, right? It's a book the theory to children, but the outcome of it and what's contained in it is so immense and so limitless. It's just like Bravo ladies, it is amazing. That means that that means everything because you know, it's it's fun to do these projects, and it's fun to connect. But really at the heart of it what we want is just that little bit of space to open up inside a mother right like this is the most exciting trip will ever take is is internally getting to know ourselves, right? All of that other stuff is really just to facilitate that deep dive is Allison, can we ask you put you on the spot a bit? Like what's your dream? A dream? Maybe? Yeah, I would have to say the one the one where the the mums on stage. That is That is me when I saw that. I was like, Oh, that takes me back to when I was a kid and I used to pretend to be Madonna. And I Yes. We have Madonna fans in the group. There's a lot of enthusiasm here. Yeah. So this is my like I was born in 78. So I might be you know, a little bit older than you ladies. I'm not sure. But I used to have the old hairspray Ken and I used to pretend I was on stage and then I used to pretend I was getting an award so I'd have my my speech for collecting my Grammy or whatever. I don't think I knew about the Grammys then when I was a kid but no, that was my thing. So yeah, that's me on say doing my thing. Oh, I love it. Brilliant. Well, you're an incredible singer. I got to hear a little bit of your stuff before you're amazing. I'm glad we did. That was going to be the cut off dream we were we were on the fence on keeping it or not. So we were really lucky that you resonate. And you are invited to the to the mommies in a couple of hours you you can get your Madonna Grammy award award your mana? Madonna Madonna. Yeah. In my dream, I stand on stage. The band's lifts me up as I sing out my rage. Are you ready? Current said, because, you know, at some point, you go down this like rabbit hole of like, what makes a successful book? And do we want to go into the children's category? And then we do should we pitch it and then you know, then you go down. They're like, oh, we need this many followers. And we need to have this impact. And we need to sell this many copies. And we need to do all this promotion where like, Does this feel right to us? And we're like, no backtrack back. And Karen said a sentence she's like, we can measure our impact by how I can't remember the exact words you use car and maybe you remember better. But it was something like we can we can measure our success by the impact of like that space that mothers open up within and it can be just one mother it can be it doesn't have to be numbers. As long as we've connected with a handful of others along the way, I think that we will feel successful, quote unquote. Yeah, Karen, did you Karen sorry. Did you want to add to that, too? And I just Yeah, I guess just reiterating that. Like, I think that's a big drive. And you know, like, we yeah, we've kind of learned and I think especially through mother, the mother monthly that it feels more organic and it feels authentic. And it feels better for us when we actually have connection. And it's you know, we don't we're not so concerned about the big reach, we want it to just be meaningful. Like that. That's the bigger driver. And yeah, and I think that was really nice. Like we through this whole process. We kept coming back together and just reevaluating, and Angelique kind of briefly mentioned their core principles like you know, and one of the core principles there was the dancing the laying down and that but was keeping shit simple. And so each time we kind of get when into that masculine energy, where we really started to think about, you know, those key markers that we should hit and what we should do and how we need to get, you know, all this done. We were like, Nah, that doesn't feel good. You know, like, and it's a passion. You know, this is a big passion for all of us. And we don't want to do it, if it doesn't feel good, even though sometimes it's hard. You know, like, at the end of the day, like it brings us all joy. And yeah, we've got to do it in a way that's authentic to us. Yeah, that's it, isn't it? It's like, there's a difference. When you say it's hard. There's a difference between hard work and you know, having to get something done, then actually going against what you genuinely believe, and makes you feel uncomfortable when you start seeping into that. areas that you might think like you said, it's just doesn't feel right for us. So yeah, you've honored that which is really commendable. There's something that I've, it's really interesting, when I talk to moms, I get things tend to go in cycles. So the last thing for interviews I've had, have all talked about this concept of value, and what how society places value on things. And this monetary idea that especially with creatives, you're not creating things to go out and kill a lot of, you know, some are making their business and their livelihood to sell them. You're creating because it's something that is meaningful for you. And you're sharing, again, that connection with people. And I think what we've sort of got to what we've come to the conclusion and feel free to share your thoughts on this, that this, I guess the patriarchal world values, you know, money, if you can earn money from something, there's a higher value on that than if you can't. Everyone was nodding then so I'm really keen to hear what he's got to say. wants to jump in? Everyone's go cool. No, it's really interesting, because I'm not gonna say anything about this topic. Particularly, I'm gonna let someone else dive in. But you should see us on a call. So we're like, talking over each other. We're also excited. And it's, it's kind of interesting to watch us all be polite, and wait for the other person to go first. But I see Carmela is unmuted. So I will let her lead the way on from from a zoom out perspective, we run this Whatsapp group that's called the glow mama village. And one of the girls shared this talk that's happening, and it's all about these really smart people. Harvard educated and, and not and, and celebrities and non celebrities, but who are talking about how can we leverage compassion, humility, and connectedness in our cultures? Rather, I think we're all shifting away from the what's the word I'm you, corporation, there's a word, someone helped me out, I'm having a complete brand capitalism, capitalism. Thank you, please. But we're still we're still we're still in it. And so it does break my heart a little bit to be completely transparent. When I see moms put a lot of effort and a lot of their time and you know, at the cost of not being with their children or doing a job that would give them a high salary, when it's not financially rewarded. Because then they don't value the work. And then they'll take on jobs that might not be as fulfilling, but that will pay the bills. And so to me, there's this like, fine balance of like, how can it? How can we value what we do and put up because No, but yeah, it was interesting, when we started putting a price tag to what we were doing, people would value what we were doing more to so it's a learning experience. And I would love to do it for free for the rest of my life, if I could, but it doesn't serve anyone doing that. And so there's there's this fine line of how can we make it sustainable? And we have to feed ourselves to from it and value of what we're doing. And yet, yeah, not only not not letting that monetary value be our only sense of value. Does anyone else have something else. I also wanted to add that Tasha discovered and shared this great website, which is called bill the patriarchy.com. And it's really, really an interesting way of looking at all the things that mothers and caregivers do. And what that would be worth if you chose the hourly wage that corresponds with what you believe you should be paid for. And I will say when we started our Kickstarter campaign, we had a millionaire by the way on Julian, if I remember correctly, right. Oh, yeah. In two years, I think I made a million if I didn't have to pay taxes, so before taxes, so I know it's interesting, right? We talk about the invisible load and all the emotional labor that goes into raising our child During and I think because a lot of us do it with love. It doesn't also mean that our time isn't valuable. So that's also one of our, our things that we looked at when we were doing our Kickstarter campaign, it was really exciting to see all the support flood behind us. And for us, it wasn't necessarily, even though the Kickstarter was fundraising, it also showed us the greater interest in the project we were doing, which meant we had traction and what we were pouring our hearts into, was something that people were excited about and interested in. So I think that was probably the better payoff. At the end of the day, wasn't the financial it was the sense of like, yeah, you're on the right path. And, and there's people out there who believe in what you're doing. So we felt pretty grateful and pretty energized after that. Absolutely. Hugely validating you know, you've got that, that collective energy behind you of people mums want this, they need this, you know, I think, for me, like and that just remind me about the Kickstarter campaign, like I still and I know you ladies do to the Kickstarter video, like, it makes me cry, and the amount of people who like watched it, and well, you know, like, teared up over it, it really had, like, it hit a nerve for a lot of people. I feel like I need to go watch it. Now. I really wish I had found you guys back then. Because I would love to have contributed to it, too. It's like, and I'm so glad you found me too. Yeah, but this is like this is yeah, it has how incredible that we found each other, you know, like these, these little zeros see, to be like, Okay, I'm going to take a leap, and I'm going to start a podcast, and I'm going to kind of put myself out there. And I'm sure along the way, you've just listened to, like incredible women that you've met along the way. And you know, you can't always measure exactly the impact, right? But there's this sort of trust, knowing that if I show if you show up with integrity, and and from a place of like i Yes, it's it's incredible to build and to grow and to be validated, you know, in that sense, but really, at the end of the day, like you're having these conversations that have this rippling effect where you don't exactly know where it's going to end up. Yeah, but you also kind of like, you have to release that too, right? I think Elizabeth, is it Elizabeth Gilbert for one of one of the ones that we refer to a lot, just kind of, maybe not even her but like talks about this idea of like, you pour all of this energy into creating into making something great, but then it's kind of like birth to you know, we might have this idea before we have children that like we're gonna mold and educate and make these people but really, they, they are who they are, right, it's our job then to just kind of help support their unfolding. And I feel like with creative projects, which again, can be so many looks so many ways, right? I feel like every, every mother is creative, like it's just, it's there every Yeah. But um, it's kind of like, you have to release the attachment, you know, or I'll see we'll just eat ourselves alive. And again, same in motherhood, if I am so attached to the outcome of how what my child is going to do, I will drive myself crazy. And that doesn't belong to me. And I think there's, it can be really helpful to have people in community who can remind you that because it's quite vulnerable, right? Like we want to be accepted. I want things to have in the intended impact. We want things you know, to be well received, and it's natural to want to feel validated. But But that can't be the only currency there. Right. Is other people's validation? Yeah, absolutely. You're listening to the art of being a mom with my mum, I also name and it's really nice to have the support within this group. Because I think if we were each going at a project alone, we'd probably be wandering and having doubts from time to time, like, are we going about this the right way, like you're trying your best to chart your own course. But sometimes if you don't fit in the mold that's been said, it can feel a little bit unstable. And I noticed one of your questions you had about the podcast was about support. And I think that that's been one of the best things is we all feel like we can go farther together. Because we were kind of creating this new paradigm together. We all agree on it and we're not afraid to try it out. And kind of recognize like Really what is our intention? Each step along the way, whether we're hosting a virtual retreat or whether we're launching our book? What what did these goals actually mean to us? What do we want to see come out of this and the community that we've built so far, I would venture to say, to me feels like our greatest achievement. You know, and that's not something you hear all the time. Usually, it's measured in other ways. But I think for us, genuinely, we feel like that's been one of the greatest thing. That's things that's come out of this. Yeah, absolutely. I love that. Angelina, it makes me think to, you know, the idea of like, a rising tide lifts all boats. And like, yeah, the most valuable thing will be, you know, not the money that somebody might have spent to, to join our monthly community for the month. But maybe six months down the line, we're seeing all of these mothers like, like not only starting to write this incredible stuff, but share it. And that's only going to impact people in their sphere in their sphere, that there's really like this incredible expression that's coming out in different ways. And also, they don't have to be mutually exclusive. Right? Like, we can be proud and excited that we're able to sustain a business that's able to, you know, receive, like, financial compensation for the hours we put in. And also hold that the most valuable thing to us is watching mother's shine, like both are both are true. And we like want it also, I think, for me is made me really value and actively seek out ways that I can support other mothers and that that pursuit as well. Yeah, when we talk about community, I write lots of notes when I've speak to my guests. And I've written intense support, and I've put it in a big circle. And that's that is the vibe that I'm getting from you ladies today. It's is that incredible support for each other, which is just awesome to see. And awesome to be in a little group with today. It's just so uplifting. Happy to be your first group interview, by the way. You've done an amazing job in my dream, I go for a deep dive. The magic of the ocean makes me feel alive but I think that's what we feel like with all the things we do as well like with mother the mother monthly, especially like because we brought we brought on other speakers in the last one year and I'm like, wow, like, they we had to meet the most amazing people we learn so much. You know, we build this community. But yeah, I yeah, I think and we all like it's a ripple. For me, it's a ripple effect. Like I feel like the core principle of really begging the shit out of each other and like absolutely adoring each other, like, just makes me want to go do that everywhere in the world. You know, like, it just kind of ripples all out. And you know, like, especially, and our focus, of course is moms but it's everyone but you know, like I really feel like that when I meet a new mom. I'm like, oh, okay, like, how can I how can I help like what can I do and it's gets me excited. But I did want to give it just a shout out that Carmela really is the the glitter we refer to her as the glitter glue that brings us all together. And just to kind of come back to that again that like none of this would have happened and I can see your grown without you guys, it would just have remained an idea that I wanted to thank you because this is officially the first podcast I'm doing. We were all on it. We had our first friend do your podcast and my battery ran out and I basically took 30 minutes to come back on and I missed the whole thing. So this is officially my first podcast. Thank you for hosting us. delightful conversation. I do have to head and help my kids with breakfast and getting them to the bus but um, thank you for having us and absolute pleasure. And you're invited to the mommy's Awesome. Thank you. We're excited Can I just ask? I watched this amazing movie yesterday. I want to know Is anyone else seen the movie called The lost daughter on Netflix exec came up on our global mama village. Yeah, it's, it's, it's good. It's It's, yeah. It's like this. It's like you're taught it's, I don't know, it's like, all of a sudden, it's like this massive taboo subject has just got a huge audience. And it's amazing. Like, when when the girl, the one that shouldn't give things away the one with the big hat. I can't remember a name now. Yeah, she said to the lake later, is it later, I couldn't remember her name was later or later. But when she said to her, how did you feel when you're away from your children? I actually said, we spoke amazing, because I knew she was just and then when she said whatever she said was fantastic. Whatever I thought I was, it's just groundbreaking, isn't it to have something like that set out in public? It's like, Ah, I was just blown away by it. I just hope that it gets so much publicity and traction, and so many people say it, I just think it's amazing. So amazing. I think it's, you know, yeah, I think it's great, because it's it shone the light on that. And but you know, of course, there are such mixed reviews, if you've kind of gone down that rabbit hole of reading what people say about it. But it's we did taboo as a topic, and other than other monthly and it was the most popular month, like people want to talk about these topics. Yeah. What do you think that says about? Society? It's just, they're not ready for stuff yet that, you know, a portion of us are ready to talk about things and other people are catching up? Or is it a divide in an unknown generations? What do you reckon? I think that we've for so long, stripped mothers of their humanity, right, and the way that they're portrayed, and also what we expect, like love is supposed to have a child is supposed to then compensate for all of these other things. And we we live in, in societies where mothers are grossly under supported and, and every sense and the demands are massive. And yeah, there's the there's no space, in a lot of instances for mothers to really feel the whole breadth of their humanity. So I think that makes people largely uncomfortable, because you have to, like, reconcile that fact that women are mothers or are humans, again, to bring up Elizabeth Gilbert, and she's not a mother herself. Maybe I'll look for this. But she wrote this Instagram or Facebook posts a couple years ago called Mercy on the mothers. And it's absolutely beautiful. And it's a, you know, a paragraph or so. And she's just basically saying, what could happen if just for one moment, we could just give mothers grace, like maybe, you know, maybe they had mental health issues, maybe they were really tired. Maybe they battled addiction, maybe they just needed time for their selves, and on and on and on. But what if just for a moment, we suspend a judgment, and we just kind of allowed for them to be human. And it was so deeply moving. And validating not only as a mother myself, but I think also for me to look at my own relation with my mom and generations and generations and generations and really sort of feel the gravity of what happens when we took this whole, essential, valuable, you know, swath of society and, and actually looked at them as real people. It's incredibly moving. It is it's so profound. Yeah, yeah. Yeah, maybe I'll look for it really quickly, because I think it's Yeah, go for it. And isn't that amazing, though, for not a non mother to say that like, that's like, yeah, she's got an incredible insight, obviously You know, life somewhere. That's, that's what's going on. She was also, you know, and I feel like it was an maybe an a big magic book, I can't remember which one, but she talks about how her parents went off and did their own thing. And that kind of, you know, like, her parents were busy leading their own lives. And she didn't look at that as something as a negative, but I think it's an inspiration for her, you know, pursuing what she wanted to pursue? Yeah, that's pretty powerful, isn't it? Yeah, I can't help but feel so moved by the idea that mother's living out their own lives is a healing of what we've been taught for so long, which is that you should be a martyr. And that the unsaid words are, your needs don't matter as much as your child or spouses or society's opinion of you. And so, to me, when we bring up this topic of mother's dreams, it just feels like there's something really special there that we want to hold space for. Yeah, it feels like a healing for me. Yeah, yeah. I love it through that lens. Anjali, that's really true. Because I oftentimes think of, I guess, maybe this is true of every generations, here we are living, right. We're really like the bridge between past and future. And for so many mothers, of course, fewer and fewer opportunities for them, but really fewer resources, and to be able to openly talk about these things at once we can shed light on it, and we can process it right, then we can allow for it. And of course, you know, so much of the work that we do today around this, maybe we won't feel we feel we feel benefit for sure. But really, it's going to be future generations that that, you know, really can move forward from this place. But yeah, but every time I take time for myself, every time I you know, check in with me every time my mother, the mother, really, really look at that. It's it's a healing not only for me, but for all of us. That CDs, and it's that it's that ripple in the pond. And it is, yeah, it flows out. And that's something that a lot, I would say, every mum that I talked to on my podcast, is a question that I asked them is that it isn't important to you to be. And I put this in air quotes more than a mum, because there's nothing wrong with I mean, that statement to me just sounds wrong anyway. I don't even know why I would like that. But that's the gist of it, like more than the parenting role, the mothering role, and everybody says, yes, it's so important that another way that someone described it to me recently was that they were an artist before they had children, and they were an artist, even before they met their partner. And that all of a sudden, when they actually had a child, why was that going to go away? You know? Why? Why is there an expectation that what you've been for your whole life is all of a sudden going to change in the blink of an eye? Yeah, yeah. Yeah. And I love that, because that's really acknowledging the fact that it's not that, you know, mothers weren't all of these other things weren't more than mothers for generations. And still today, but that they were having to basically cut themselves off of, like parts of themselves off right to suppress them to, to disengage or disconnect from them. And that it was always there. Yeah, that's, you know, what you said, you said something before, that you're expanding as a person, you're not giving something up. And I feel like, that's what has happened for moms for so long. And still does happen. But I think the way that we're talking about it now, you're sort of giving yourself that validation and permission to go, oh, hang on a sec. That's not actually what I want to do. And there's people there to support me in in the way I want to live my life, I suppose. Yeah. So good. Just as a side note, Angelique, just message to say her Internet has crashed. I wondered where she taught. All right. Well, look, I think I'll let you ladies go. Now. We've had a wonderful chat today. I've thoroughly enjoyed meeting you all and share the space this morning. It's been so much fun. It has this is why we love doing this, like energized after this. Yeah. I feel you feel like you could take on the world now. But can you imagine we always share the quote too. I think it was Jana Romer, who we heard this, like a well rested woman is a dangerous woman, right? Because we love but can you think of like, if every mother had some ounce of this every you know, in her day, not every moment is meant to feel like we're all feeling right now. And that's okay. Like we're here to invite all of the challenging difficult parts of life to there is we need those right? And also, if every woman, every mother could could could feel this, like, what you can't help but think, how the world would shift. You know? Let's with that energy, can I before we go, just to read to you because I think it's a beautiful monastery. Only two, but just that quick mercy on the mothers because I just I go back to this all the time. It says Dear ones, recently I was at a conference where the question was asked how many of you are afraid of turning into your mother, nearly everyone in the room stood up. This made my heart ache. My heart ached, not only for, for the people in the room who were all beautiful, creative, imaginative and wonderful human beings. It made my heart hurt for their mothers who will never be stopped, stopped being judged as failures. Because oh my god, we never stopped blaming the mothers do we? How many years? How many dollars? How much energy have we all spent as a culture talking about how mothers have failed us? What I want to say today is can we take a break just for one day, and show some mercy to the mothers? Because being a mother is impossible, and I don't mean that it's difficult, I mean, it is impossible. What we as a culture expect from our mothers is merely that they cannot be human. Mothers are meant to be some combination of Mother Mary, Mother, Teresa, Superwoman, and Gaia. It is merciless standard of perfection, merciless. God help your mother if she had ever fell short. God help your mother if she was exhausted and overwhelmed. God help her if she didn't understand her kids, God help her if she had no gift for raising children. God help her if she had desires and longings. God help her if she was ever terrified, suicidal, hopeless, bored, confused, furious. God help her if life had disappointed her. God help her if she had an addiction or mental illness. God help her if she ever broke down, God help her it couldn't if she couldn't control her rage. God help her because she fucked up. And if she fucked up in any way, she will forever be branded bad mother. And we will never forgive her for this. So this is my question. Can we take a break today from judging the mothers and show them mercy instead? This doesn't mean that what happened to you at the hands of your mother was okay. This doesn't mean that any pain you have is not real. It just means that maybe her pain was real, too. And if you are yourself a mother, and you never stop judging yourself for how you are failing, can you let it go for one day? Just for one day? Can you drop the knife that you're holding to your own throat? Mercy just for one day? Let us find mercy, mercy on you. Mercy on everyone mercy on the mothers? So have that same feeling to that last question. Like me? I'm like caring for right now. Oh, my God, that is so true. And I really don't and, you know, I know we're gonna call me now. But we talk about this construct of good mother bad mother. And of course, we all want to come to this as our best healthiest self. Right? And that is a practice to do and there's ingredients we need to get there. But at the same time, like this idea of a bad mother of failing our children are you know, I don't think mothers any mothers really failing, I think that they some that are more under resourced than others. I think I love I think Glennon Doyle always says, you know, there's no such thing as other people's children. And I don't just take that as a sense of like, having responsibility for the collective well being of kids everywhere, but also that society also has responsibility and benefit from seeing to the well being of my children as well. Right. Like, I don't think mothers have failed I think society's failed mothers. And there's a bit of an internet like a revolution that little ripple when we say like what I have to say no matter what I feel what I need to express what I need to create, because it makes me feel alive. Like that's not nothing, right? That's everything. That's yeah, I'll send it to you. That's my goal. I go back to that all the time. Kissing like yeah, Oh that's so powerful oh man can we do this to me continue all look Thank you I've had such a wonderful time thank you to all the best with it all and and I'll put the links in the show notes where they can find your amazing website we are mother wild and yet all the best with the book as much as I thank you so much. And by the way, Allison like congratulations and thank you for this incredible space that you've cultivated like it's amazing be able to go through you know, your list of apps, I think it was 35 I feel like I can't remember the exact numbers. And I'm just like the cloud every conversation is so rich and and that it has it means so much so to the thank you and for giving us like the space to be able to share and hopefully connect with. With more moms. It's so valuable. Oh, thank you. No, thank you. Thanks for your company today. If you've enjoyed this episode, I'd love you to consider leaving us a review, following or subscribing to the podcast, or even sharing it with a friend who you think might be interested. If you or someone you know would like to be a guest on the podcast. Please get in touch with us via the link in the show notes. I'll catch you again next week for another chat with an artistic mom

  • Lisa Sugarman

    Lisa Sugarman US writer S2 Ep57 Listen and subscribe on Spotify , Apple podcasts (itunes) and Google Podcasts My guest today is Lisa Sugarman, a writer and mum of 2 grown daughters from that famous town of Salem Massachusetts, USA. Before having her children Lisa was a newspaper (news and feature) reporter, writing for magazines and papers in the US. Lisa was a teacher for 15 years in local school system, as a class room teacher, coach administration and one-on-one aid for children with special needs. It was after her children were a little older and she working in the school system that Lisa got back into her writing, writing about her own personal experiences in parenting, producing a column for her local paper just for fun. in 2009 her column "It Is What it Is" became a nationally syndicated column throughout the US and then around the world. This lead her to the opportunity to write books, full of content the helps and inspires families, and in particular mothers, and based around how to embrace your perfect imperfectness. Let the mistakes happen and embrace them. This lead her to the radio in Boston for many years. **This episode contains discussion around mental health, suicide + the death of a parent ** Lisa lost her dad to suicide when she was 10 years old, but didn’t find out that he took his own life until about 35 years later. Now, because of that life-changing experience, Lisa is a passionate and vocal advocate for suicide awareness and prevention and she's telling her story as a way of encouraging others to tell theirs. Lisa is also a proud ally and member of the LGBTQIA+ community. She lives by the motto "It’s okay that life is messy…because we're all a work in progress." Today in addition to my regular topics, we end up talking a lot about social media, and the role it has played in creating 'helicopter parenting'. and the affects of its portrayals of unrealistic perfection on our guilt and parenting expectations. If today’s episode is triggering for you I encourage you to seek help from those around you, or from resources on line. I have compiled a list of great international resources here Lisa's website / The Vomit Booth Read about the Salem Witch Trials We mention the Uvalde School shooting and The Beaumont Children Podcast - instagram / website Music used with permission from Alemjo my new age and ambient music trio. When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum, the podcast. It's a platform for mothers who are artists and creatives to share the joys and issues they've encountered, while continuing to make art. Regular themes we explore include the day to day juggle, how mother's work is influenced by the children, mum guilt, how mums give themselves time to create within the role of mothering, and the value that mothers and others placed on their artistic selves. My name's Alison Newman.I'm a singer, songwriter, and a mom of two boys from regional South Australia. You can find links to my guests and topics we discuss in the show notes. Together with music played, how to get in touch, and a link to join our lively and supportive community on Instagram. The art of being a mum acknowledges the Bondic people as the traditional owners of the land, which his podcast is recorded on. Welcome to today's episode. Thank you so much for joining me it really is an absolute privilege and an honor that you've chosen to listen to my podcast. My guest today is Lisa Sugarman. Lisa is a writer and a mum of two grown daughters from that very famous Town of Salem, Massachusetts in the United States. Before having a children Lisa was a newspaper, news and feature reporter writing for magazines and papers in the US. Lisa spent 15 years working in local schools as a classroom teacher, a coach in administration, and a one on one aid for children with special needs. It was after her children were a little older, and she was working in the school system that Lisa got back into her writing, writing about her own personal experiences in parenting, producing a column for her local paper just for fun. In 2009 Her column it is what it is, became a nationally syndicated column throughout the US and then around the world. This led to the opportunity to write books full of the content that helps and inspires families and in particular mothers and based around how to embrace your perfect imperfectness. This led Lisa to host her radio show in Boston for many years. This episode contains discussion around mental health and suicide and the death of a parent. Lisa lost her dad Jim to suicide when she was 10 years old. But she didn't find out that he took his own life until about 35 years later when she was 45. Now because of that life changing experience, Lisa is a passionate and vocal advocate for suicide awareness and prevention. And she's telling her story as a way of encouraging others to tell theirs. Lisa is also a proud ally and member of the LGBTQ plus community. She lives by the motto. It's okay that life is messy, because we're all a work in progress. Today amongst the usual topics I like to discuss, we end up talking a lot about social media and the role that it's played in creating helicopter parenting, and the effective it's portrayals of unrealistic perfection on our guilt and our parenting expectations. The music you'll hear today is from my trio, LM Joe, which is made up of myself, M Anderson, my sister and her husband, John, we play new age and ambient music. If you're triggered by anything we discussed today, please reach out for help, either to those around you, or by seeking assistance online. I've compiled a great collection of international resources. If you're looking for a place to start, you can head to the podcast landing page. Alison Newman dot net slash podcast. Thanks so much for coming on today. Lisa, it's a real pleasure to welcome you to the podcast. It's such a pleasure to be here. Thanks for having me. Yeah. So you're in America, we're about to you. So we live about 15 miles north of Boston on the east coast of the country. And we're in this cute little, semi famous city of Salem. Wherever you might be in the world, you can recognize that name, because it's got a lot of history attached to it. So we just we just moved actually from my hometown about a mile down the road. A little a little sea coast town and the birthplace of the American Navy. We just moved out maybe nine months ago, we just our girls are grown women now and we didn't need a house in any particular neighborhood anymore. And we just kind of took advantage of the crazy real estate market and sold and moved down the road. So we're in Salem. Oh, very good. So you're getting yourself set up in that special little town is it how many people live there? Is it very big Salem? In Salem? Um, yeah, I mean, I wouldn't say that at this point. I know the exact population but it's a pretty densely populated city and it's it's fairly Large. So there are definitely, definitely a lot of people i We live in an area of Salem that's kind of not in the hustle, we're a little bit removed from where people who are tourists would typically come to see and everything involving the witch trials. And, you know, you know all of that history you would go maybe two or three miles away from where we are, but it's a pretty it's a pretty densely populated little city. Yeah. Yeah, certainly. Yeah. I think that pretty much everyone that's listening, probably recognize the name and the connections and the history. Yeah. I remember reading the crucible in year 11, or 12. Yeah. Yeah, that's something like we obviously have our own sort of histories here. But we've got we've got nothing sort of along those lines. So it's really fascinating to sort of, and I don't know how much of that is really true, either. Like, is there a bit of sort of folklore that goes along with? Yeah, there's, there's, there's some lore attached to it, for sure. And it's definitely I'm sure been embellished over the years, but I think, you know, so much of it, believe it or not, is, is actually very true. And it's been very well documented. And I mean, we haven't taken the tours since I was in grade school. And we would, you know, we would always, it would always be like a little junket to Salem to, you know, kind of take advantage of all that history. That's there. So I mean, I, I know that, you know, there is there's a lot of truth, kind of woven into all of those legends as well. So it's, it's a pretty deeply historical spot with so much significance. And it's neat, especially around October, Well, depends on your perspective, if you're from here, you want to be as far away from here as possible. If you're not here, like the entire world seems to converge on Salem, for the month of October. So everybody that that I know, knows to stay far away, because it's a little chaotic. Yeah. It's also kind of cool that everyone was, would be really interesting. Living in a place like that. So tell us a little bit about yourself lay. So what you do what you've done, I guess you can expand for as long or as short as you wish. So the floor is yours. Yeah, I appreciate that. So first and foremost, I mean, I'm I'm a mom, I have two very grown daughters, my youngest just turned 22. And our oldest is turning 25 in another few weeks. So I've been at it for a while that a little motherhood game. I was a teacher in our local school system for many, many years, probably close to 15 years and wore a lot of different hats in kind of in that role was a classroom teacher was a coach worked in administration was a one on one aid supporting just individual children with special needs over the years. So I had a really, really big open wide lens to really kind of view the parent child relationship, that that whole dynamic, the way the whole family system works, the way kids are, are educated and supported. So that's kind of what tracked me over toward what I've been doing most recently, in the last decade or so. I've always been a writer. So before I had children, I was a newspaper reporter for many, many years and wrote for magazines here in the US, and this way pre pre internet and that whole explosion. And we kind of took a break, or I took a break from that and stayed home and raised our daughters. And then it's just so funny how, how things happen. So unexpectedly, like you're you're tracking in one direction, and then you get an opportunity. And it kind of puts you on a on a totally different path. And that's what happened to me. I was working in the school systems. And just for fun, I started writing again, I had never written a column in my life, I was always a news and feature reporter and I just for fun started contributing to my local paper, because I had had some pretty deep connections there when I was in college. And they're always asking, you know, these these little hometown newspapers or I was desperate for people to, you know, to give them content. So I just started writing about what I was living at the time and what I was living with parenthood. So I started writing. And little by little, it just started catching on and people started responding really well to it. And it just birthed this whole brand new career. So the column was syndicated, it's called it is what it is. And it was just syndicated throughout this media organization, it was all over the country and then it kind of, you know, by virtue of the internet, it goes all over the world. So that happened for men. I've got like 12 years 11 or 12 years I was writing the column I still do and from time to time less so because I started focusing on books. And that led me to the opportunity to write books. And I've written a few of them, parenting focused all about kind of how to embrace your perfectly imperfect, this is really the easiest way to understand it. Let the mistakes happen, embrace them, and, and really kind of find the good nuggets that are within that. And then that kind of led me to the radio, and I ended up on the radio for a couple of years here in Boston. And so it's just, it's just been this, this really cool little flow of opportunities that have all kind of centered around creating content that helps support and inspire families and in particular moms. So that's, that's kind of the long answer to the How did I get to this point? And what kind of stuff do I do? So? Yeah, I still very much enjoy writing parenting content, although I've kind of shifted my focus a little bit. And I'm doing a lot of mental health advocacy, and suicide awareness and prevention and doing a lot of speaking and, and writing about that as well. So that that's, that's all interrelated, because it really, it impacts our kids an awful lot. And, you know, it's important to start and have those conversations. So that's kind of what I'm doing now. Yeah, right. So with your books, do you sort of draw on your own personal, like things that have happened to you, things that you've learned, or, I don't know, wish you'd known that kind of stuff? Yeah, that's exactly where it comes from. That's, that's where everything, just about everything that that I've done has come from, it's all anecdotally based. So it's really just either, you know, stories and experiences from my own childhood, or from, you know, the experience of raising my own children. And all of that experience being in the school system, both in the classroom and kind of in the administration role, and working with parents and kids so closely, and I just started seeing, you know, I started seeing such a pattern with parents and with children and parents were just getting so overwhelmed by this, this invisible need to be the perfect parent to have the perfect kid to make sure that they didn't make any mistakes, to make sure that their kids never fell on their face to make sure that, you know, there was no struggle. And in doing that, and it was all based from a place of love and caring for their children. But they were absolutely crushing their kids with these crazy expectations of how they should behave and what they should accomplish and how, I guess how, just how perfect they should be. And and it was it was really debilitating. And you can see the kids being affected by that and such negative ways. Kids kids couldn't couldn't build resilience, because they couldn't do things for themselves. They weren't allowed to do things for themselves. So I just started voicing my opinion, I guess, is what you could say about how counterproductive I thought that was. And that we really need to let our kids figure it out by failing by trying one way doesn't work. You go another way and, and it just really stirred up. You know a lot in me in terms of wanting to help parents understand that they don't have to be perfectly you can give yourself permission to trump the balls. And, you know, to kind of embrace that madness because parent parenthood, like if you can't laugh at parenthood, then you're in the wrong job, you know, yeah, that's it, isn't it? I've got just after you've said that, I've got that many things I want to ask you. I've got so many questions, I can take you in lots of different directions. So I'm gonna go, let's go. I'm gonna go with so talking. I mean, the phrase that sort of comes to mind when you're talking about that, that method of parenting, that helicopter parenting where you've always got to be over the top of your kids making sure things go right. Like you said, they don't. They don't get that chance to build their resilience because they don't get the opportunity to fail and experience Is that sort of emotions and that sort of stuff? I wonder, because often we talk about different generations and how they were parented and the sort of norms that were around, then, when do you think things started to really change and become this different way of parenting? Because I remember, as a kid, you know, being allowed to go out for most of the day, ride my bike around the neighborhood, do all this sort of stuff. And now it's like, oh, no, you can't do that something will happen to you like, when did that start to change? Do you think and what might have brought about that change? You know, it's funny that you should say that because I talk about that with my daughters, what we you and I have had similar experiences. The town that I grew up in this little coastal Harbor Town, just north of Boston, a mile from where I am right now is just this little peninsula town, surrounded by a harbor, four square miles, we would get on our bikes, there were train tracks, paths all around town, where you could get to and from one end and the other and that's all we did, we would be outside until Billy Fallon's mom rang the bell or blew the slide whistle and like the whole neighborhood would scatter and go home because they knew it was time to go home. But we out for like a second the sun came up. And we'd be on the path and we'd be downtown, we'd be in the harbor, and, and my kids, my kids were bike riders, not to that same degree. But they were the kids playing manhunt. I don't know if it's manhunt is a game that that, you know, it's it's tag, it's just like, all throughout the neighborhood and in the trees and in the fields and whatnot. So it still existed when my kids were young, but I feel like I can't say that there was a catalyst, like, I don't necessarily know that I can say, okay, that at that exact time, because of that exact event, everything shifted. But I do think it was somewhere in between our generation and my children's generation, where, you know, I think, I think meet the social media influence has just brought so much fear, it's done so much good. But it's also done so much damage. And I think that, with that constant connection, and that constant flood of information, and news and, and trauma, we're all living through trauma. I mean, look, no further. I don't know if the news has arrived yet. Of what happened in Texas. Okay, so, and I'm really my heartbreaks. For you guys over there. It's just shocking. Yeah, it's, it's, you know, as as someone who taught for so many years, and as the mom of two daughters, both of whom are teachers currently. You know, it's hard, I have so many teacher friends, and just a mom, and anyone who, of course, especially as a parent, can just hear that, that situation about those those poor children and those teachers who were killed. And it's just, it's devastating. And it's like, but we the reason why I'm bringing that up is because the second that happened, the world knew about it. It was everywhere. It was on, it was buzzing on every phone and every tablet on the planet. And so everyone is sharing in that trauma, everyone is experiencing that fear. Everyone is making plans because of it to protect their children. What else can I layer around my child? How else? How better Can I bubble wrap my child and my family and my world. And so we've got those influences in ways that we never had them before. So on the one hand, having something like social media or a phone or the ability to connect with your kids, when they're off in the world, is great, because it's kind of like that umbilical cord is still partially connected. And that's a comforting feeling. But I think we've leaned too heavily into that, to the point where everything is about instant gratification now. Why is my kid not texting me back? What happened to them? Did they get hit by a car? Did they get abducted? Did they I mean, like, so I think that you know, there's a there's a good side and a bad side to this whole social media phenomenon. But I think that, that right there. If I were going to point to one thing that has really done more damage, it's that because now everyone's hearing from every possible angle in the world. What could happen to your kid if you let them out the door? Yeah, you know, and so I think because of that, we've just, maybe our generation, my generation, I guess, has just clamped down an awful lot harder. Out of fear. Yeah. Yeah, it's very fear driven, isn't it? It's that need to keep people safe or stop, stop the bad thing happening or stop them from feeling upset or bad or, you know, emotions that we see as negative or that kind of thing. Yeah. Yeah, it's interesting because I don't want to talk about bad stuff. But as an example, there was years and years ago in Australia, there was some children abducted though, called the Beaumont children. And for years and years and years. That was like the only, I guess, episode of that nature that we all knew about it. This was back in the 60s, I think. And so you know that that thing you're saying about, we're all connected now. Any everything in anything that happens? We all hear about it. So there probably was other stuff going on, but we just didn't know about it. Yeah. So once we know about it, we'll go Oh, no. And yeah, go into that fury action. I'm glad you brought up social media, because that was something I was going to ask you about this notion of perfection, the the way that now because we see this curated version of people's lives, we not everybody, but a lot of people want to present the very best of themselves on social media, you know, which is fair enough, I suppose you want to even want to look good or whatever, but unrealistic, to the point where, you know, it's really not reflective of people's lives. And so it's giving off this false sense of perfection. So then everyone else that's consuming that information, starts to think, oh, no, I must be doing something wrong. My life doesn't look like that. Yeah. Is that something that you sort of you agree with? Oh, yeah. Not only do I Gree with it, but I talk about it, often, I write about it even more often. And I really appreciate the fact that you use the word curate, because when I do talk about it, that is always my go to word. Because that is exactly what's happening. People, people are filtering or curating the best of the best of the best. And in most cases, and I mean, you know, there, I think there's now a happy to see now that there seems to be a little bit of a shift, where people are like, No, that's bullshit. Why am I doing that? Why am I why? Why are we only putting this facade out there? It's this veneer of what's you know, of what we think people want to see or what we want to project. And I think people are getting tired of it quickly, because it's sending such a, you know, such a damaging message. And it's creating, you know, we fall as parents into such a comparison trap, and I write about this, my co author and I write a lot about this, in our most recent book, we have an entire chapter devoted to not know, not falling into this comparison trap. And I think the biggest, the biggest suck into that trap, is what we're seeing on social media, and we really can't avoid it. I mean, do you know, do you honestly also know, a human being at this stage of life that does not have some kind of a device? I mean, unless it's like a newborn. And even I think the newborns, there must be like a newborn tablet or something, right? And they give you this push on. So I mean, it's like, granted, you know, people use things to different degrees. And not everybody who has social, you know, social media is on Instagram, and not everyone is part of Facebook or not, but the majority are, and, you know, when you're in that world, it's impossible to avoid seeing what's being put out there. And when you, you look at that, and you start comparing yourself to that, it's, I don't want to use the word traumatizing because I think that that might be a little bit of a strong word to use, but it's it definitely leaves a mark on you. If you're like, Well, wait a minute, like, how come that mom of 12 children is so beautifully, like she's perfect looking and dressed, you know, dressed like to the, to the nines, and she's, you know, she's she's driving her SUV and she's got her coffee in her hand and all of her children have braids. They're all wearing dresses. She's all made up, like, like, come on, like, this is crap. Like people like you know, I know so many moms who are Like, I couldn't even like, find a robe, to put on myself to get my kid to, like, conceal my, my pajamas to drive my kid to school, you know, you know, like throwing kids into into the school, like throw an apple and a handful of Cheerios at your kid and then dump them in the car. And so it's like, we need, we need that reality check. And we need to stop comparing ourselves because it's just so toxic. And it's so unfortunate because it really I think weighs heavily on people. Even though our rational brains most of us are like, okay, come on, this is dumb. Why am I trying to compare myself to that person? My situation is different. There's this different, but it's like human nature. Oh, yeah. And that's the thing you're not when you're, you know, you're scrolling through your Instagram or your Facebook feed, you're not in, you know, switched on rational mode, you're in relaxed looking at stuff mode. So you do you use, that's your first reaction is to go to that, oh, how come? I can't do that? Or how come she can do that? Or, you know, and then yeah, you might think about it later and go, Oh, this is the list of reasons why perhaps, you know, but yeah, we will we go to it? You mentioned that you're interested in mental health issues. Do you find that that a lot of issues with around people's mental mental health comes from this kind of bombardment of social media and the comparisons and that kind of stuff? I do? I absolutely do. And, you know, again, I'm the mom of two children. And I think back to that time, which was not long ago, it was in my children's lives, when they didn't have this influence, they didn't have this gateway, into a world of other kids their age doing doing all these things. And you know, they didn't have the ability to see the, the birthday party or the bar mitzvah, or the event that they weren't invited to, you know what I mean? Yeah, you can now and, you know, they couldn't get harassed. In this way. It was like, back in the day, when you went to school and you got bullied on the playground, which was bad enough. Now, it's like, there's nowhere in the world you can't get bullied, because you've got, you know, this vehicle that allows that to happen, right in your hand all the time. So I think, again, it's like, you know, I keep using social media, and technology as kind of the catch all for why so many things have escalated. But it's in all fairness, like it is it exists and, and impacting kids mental health is definitely one our mental health to forget about just kids, but it's just as bad, you know, for us to see the, you know, the the girls trip that a whole bunch of the moms, you know, went on, and you didn't go or the big garden party that someone had or, you know, day on the boat that you weren't invited to, it's, you know, it's impossible to ignore it. I think that it depends on who you are. And it depends on how seriously you take that, being bombarded with that all the time. But, I mean, look at the suicide rates in young children right now in adolescent and teenage children. And it's startling, and it's going up. And, you know, every other day, you turn on the news, and you hear about a child who was cyber bullied, and they jumped off a bridge and you hear about a child, you know, who was shamed, you know, who was shamed because of their size? Or, you know, something, you know, that it's, there's bigotry, there's, like, every negative thing in the world can flow through your phone just as easily as every positive thing, and our kids are right there on the other side of it. So I think it's, it's absolutely had a really negative impact. And it's, it's sad. It's sad, and I don't know, you know, aside from putting things like parental controls in place, and really just understanding what your kids are looking at when you're younger kids are a part of that even even as they navigate it and start to be part of it and grow into it. Like we've got to, we've got to really be super focused on what they're focused on. It's too easy to let a lot of the negativity slide Under our radar, and still reach them. And I think it's hard for some parents too, because because we didn't grow up in this world of what's happening to be actually actually aware of what is happening, because I mean, a lot of teenagers aren't, you know, super forthcoming with what's going on in their lives or what they're consuming on their phones. So yeah, to sort of, I don't know, yeah, I don't want to say educate yourselves, because that sounds really patronizing. But, you know, being aware talking to other parents and sort of finding out what sort of stuff your child could be into, or being exposed to, so you actually can help them out and put some boundaries in place, perhaps to sort of limit what they're what they're exposed to. Yeah, I don't I don't think it's unreasonable at all to say to say that I don't think it's patronizing to say that at all, I think it's necessary to say that and even more necessary to act on that, because we're that line of defense, it is our job when they aren't rational enough as young people and they're developing and, you know, those connections are all being made in their brains. It's up to us to create those boundaries. And to keep talking the same talk. And I don't want to say it's rhetoric, because it's not rhetoric, it's important. But it's one of those things as parents, especially young kids, that we have to just keep saying over and over again until you want to throw up and until your kids want to throw up because they're so sick of hearing it, but we keep saying it anyway. Yeah. I want to turn to still looking at social media as a little bit. But the something I really love to talk about guests as talk about with guests on my show is mum guilt and or mommy guilt or mom guilt, whatever you want to call it. What are your thoughts about that whole topic? Oh, wow, I have a lot of thoughts about mom guilt, I also at times have had plenty of mom guilt. It, it is a toxic emotion, because it keeps us from doing the things that I think we need to do. And instead causes us to do things that we think we're supposed to do, like keep our young children busy from the second that they open their eyes in the morning, until the second thing go to bed at night. And we are so afraid of and so consumed by guilt, if we don't have, you know, a four course dinner on the table every night, if we don't have the house clean, if we don't have activities planned, if we don't have social events, if we like all all these things in that and this, this ties in all of this mom guilt ties very heavily into the whole comparison issue. Because we're all looking at everything that everybody around us is doing. And I'm not just talking about on social media, I'm talking about just like in general, we're looking at what everybody is doing around us. And we're feeling such intense feelings of guilt because we're not doing what that family is doing. Or we're that mom is doing and you know, and we're feeling guilty about things that we shouldn't feel guilty about. Like if you love your child, and you're dedicated to supporting your child and inspiring and encouraging your child and, you know, and you're not gonna let your child go hungry, like it's okay, if they have a bowl of cereal for dinner. It's okay, if the laundry is not done. It's okay. If you didn't get dressed today. It's okay. Like, that's the stuff we have to start emphasizing more than the whole idea of checking off every single box or else our day sucks, and we accomplished nothing. And we're guilt ridden because we didn't accomplish all the things that we feel like we're supposed to do. So it's a huge issue. And, and again, you know, it also is another issue similarly in the way that more and more people are starting to show their real selves on social media, which I love. And saying, I'm actually not okay. I'm actually a disaster, and I'm this and I'm bad and that's owning it and being honest In the same way, I think moms are starting to recognize that this whole guilt thing is complete bullshit that they shouldn't buy into it, because it's just going to chip away at your soul and your confidence and your self esteem. Because if you don't, and this goes back to perfection, if you don't, if you don't do everything the way you think you're supposed to do it, now you're riddled with guilt. And now you're in capacity. So it doesn't know what yeah, it just serves no purpose to anybody does. It's such a, it's a horrible thing. I hate it. I just think it's a load of crap. It is even just makes me so cross. It's. Yeah. And I just want to hug all the moms all at once every moment, like, let go. Yes. Yep. Yeah, I had, I had some ladies on, I had like, four, four mums on at one time for a Mother's Day special few weeks ago. And they one of the ladies had written a letter to mum guilt. And it was like, Mum, guilt, you're a bitch, I need to read that it was really good. Really. And that's the thing, like, as well as like, not, like admitting that we're not going great admitting that, you know, I don't want to say a failure, I'm putting that in air quotes. But you know, that it actually is normal to not be doing everything, as well as you had hoped, like, these expectations that we feel like, we've got to do it this way. You know, for whatever reason, because we've been judged, or because someone told us, we should do that this way. Or, for whatever reason, you know, and to say, I actually, I don't buy into that stuff, you know, it's a really, it's a really powerful thing to say, and then to share with other mums. And they might go, oh, actually, I was feeling a bit like that. But I didn't know whether I should feel like that, you know, doubting yourself. And creating this whole movement of this, you know, giving the middle finger to monkeys. I know, I love that. And I appreciate and support that so much. Because I think that so much of what motivates us to, to, to, to reach a place of guilt, or to compare ourselves to other people in the first place comes from, directly from our ego, as we're doing this thing that so many millions of people before us have done and so many people alongside us are doing. And there's this internal voice that says like, Oh, of course, like, I can totally do it, like they do it, like I should be able to do that. Right? I should be able to have six kids, and also run a business and also have a like, a Better Homes and Gardens house and look amazing. And besides to and, you know, it goes on and on and on. But, and I think that when we can't, or don't do the things that, you know, we feel are the things that should be done. You know, that's, that's when it chips away at us. And, and it kind of breaks us it breaks our spirit, because then it's like, well, how come they can do it? I can't show that I'm failing at it. Yeah, that's the reason that we've we've got a hold up that, again, that perfection that everything's fine this facade of, you know, I see. Yeah. I really think people are getting more comfortable with that feeling of saying that, that they you know, not projecting the perfect world. I think I think we are getting better slowly. Yeah. I mean, that's, that's what I've been begging people to talk about now, for? Well, well over a decade. You know, I moderate a group on Facebook that I that I started now, it's been years, it's been several years ago. And it's on Facebook, it's a public group, and it's called the vomit booth. And it's just a place that marries kind of everything that I do in terms of, you know, writing and speaking and kind of philosophies of parenthood, the humanistic common sense views of parenthood, and I brought it to this place where it could have an interactive component and people could actually come into this group and talk about the good stuff and the bad stuff and bond together and share together and the idea of it being a place where you could kind of like hurl out vomit up whatever it is, that's that's troubling you or holding you back and that people someone's there to hold your hair back while you let it out. And you can listen and vent and, and some incredible conversations over the past several years have come out because it's a place that I really encourage people to like If you're not okay, if you're struggling with XY or z, if you feel inadequate, like, let it out, share it, start that conversation, because I guarantee you that there are 10 million other people feeling the same way. But nobody wants to be like, nobody wants to be the first one to talk in the elevator. Yeah, like, just but once somebody does, everybody starts talking. So that's what we want to do. Yeah, that reminds me that analogy of the first one to talk when I in Australia, we have this thing called Moms groups where after you have your baby, they, they put you with complete strangers, they're just people that happen to have their child at the same time as you. So you put in with these people that you have nothing else in common with, apart from your baby came out at the same time you need. That's all you need. That's the common denominator. And I remember one of the first sessions we went to, and I was, you know, things were not going well. And everyone goes around the circle and says how they're going. And everyone seemed to be going really well. And I was sitting there thinking, why is everyone going so good? What is wrong with me? You know, what's wrong with my baby? Why am I struggling? And then, when it was my turn, I think I said something. I tried to make a joke like, Oh, I'm glad you're all going so great, because I'm not and then just My life sucks. Right now. I shared all the crap things about the no sleep and the sore boobs and we couldn't breastfeed. And when I broke the ice with that, that's when everyone started to be more honest. And it was like, Oh, thank God, like we can be honest. Yeah. Yeah, it's just yeah. That's what it takes. And then then, then everybody comes out of the woodwork. And then everyone's like, Oh, but wait, but me, but this, but that we're outdoing each other with worse stories. Exactly. And, and you know, not not to take the focus off of parenting, which is what I know we're spending so much time talking about to circle it back for a second to mental health. That is exactly. And this applies to children. And parents, obviously, it applies to mental health in the sense that once we start vocalizing are not being okay, or our struggle, or our fear, or whatever it is, once we put it out there, there is almost always going to be someone who will then connect with that, and then we'll have some kind of a similar experience or know someone or, or understand on a deeper level, and then it just, it's like self perpetuating, then all of a sudden, that dialogue starts and it's that's why it's so important what whatever space you're in, in the world, whether it's the mental health space, or the parenting space, or the marriage space. It's not communication, that can change everything that can elevate you from a place of silently suffering or feeling shame or being stuck to it elevates you to a place where okay, I'm not alone anymore. And other people know what I feel like and other people may have done some things can suggest some things that will, that will be useful to me. And that's why this there's so much incredible power in our shared experiences. But they do no one any good if we don't share them Yeah. Yeah, that mental health is at least interesting one, I think. People are really afraid to share that. It's like, the way I sort of compare like, if you've got a broken leg, you're not going to be scared to go to the doctor to say, Hey, could you fix my leg? But for some reason, we were so worried about being judged by I don't know, it's, it seems like we've we've failed somehow, but we're not actually in control of the, you know, the chemical imbalances in our brains. But we've sort of learned, I guess, from previous generations that that's something you don't talk about. And, you know, I had an experience where I had quite bad postnatal depression with both my children. And I shared I did a podcast years ago with a mental health group in my town. And then that then snowballed into it was like a group of community people that were known in the community members that that would be identified, sort of through whether they like it as me as a singer. There was like, people that own shops like just pick faces that you know, in the community, and we ended up with these great big banners. They put us on these banners and put us all around town with the little like cute barcode scan, listen and listen to the podcast. And my dad said to me, are you sure you want everyone to know what happened to you? I said, Yes, that I do. This is exactly why I'm doing it. Because I want people to know that it is normal is nothing to be ashamed of. It's like normalizing this discussion around mental wellness or mental unwellness. And I don't know, it's like, yeah, that generation, it's like, Oh, don't don't talk about that sort of stuff, you know? Well, we had no, you're right. 1,000%. Right. And I love the fact that you did that, because that is what we should all be doing. And I know, it's a lot harder for some than others. There are a lot of people out there who are, you know, very introverted, and very uncomfortable sharing. But the fact of the matter is that there has always been such a deep dark stigma associated with mental illness. I mean, I think back to, you know, another generation before me to my parents generation, though, I lost my father to suicide when I was 10 years old, thank you. And I didn't find out about his suicide until I was in my mid 40s. So 35 years later, I found out about it. Not at all, because my mother felt like it was shameful, had nothing to do with it whatsoever, my mother was just strictly trying to protect me, I had already lost my person to have told me at that time, when I was 10 years old, that it was his decision would have shattered me beyond repair. So in that sense, I'm so grateful that she did that. But it had nothing to do with a stigma. But still, at that time, and for so many decades later, until just really in recent history, it isn't, wasn't something you talked about, it was something that automatically, by default, gave you kind of a black mark, and made you feel less than or made you appear less than even if it didn't, it did in your own head because of the narrative that was associated with it. And, you know, it's like the same reason why parents were so reluctant to say that their children had learning disabilities, or that their children had mental health issues. And same thing, they didn't, they didn't want that stigma to be attached, but it's only in doing what you did, or what I began to do, which is to talk in every space I possibly can about my father's story, to help encourage other people to share their story, or their trauma or their grief or their, their illness, because that's how we change. That's how we normalize it. And that's how we change that narrative. You know, I think of it in in so many different ways, when I think of what happened to my father, and how it's impacted me in my life. You know, there's the loss that I felt as a 10 year old, then there's the loss that I felt, so I have grieved his death now twice in my life, you know, once his child and once as a grown, married mother of two children. And, you know, I think about the power that's within that story, both as a child and a survivor of suicide loss, and someone who has had to kind of travel that arc of forgiveness. And I also think about it in terms of like, when I really found out the truth, my girls were teenagers, I had one, just entering high school, I had one who was graduating from high school, and, you know, my oldest, has, has had mental health issues and has had anxiety and some depression and is very open about it. And, you know, getting help for it has changed your life, it's changed, you know, because as you said a little while ago, these are things it's like, if you were born, if you were born with six fingers on your hand, you would be someone who was born with six fingers on your hand, and that was beyond your control. And in that same exact way, like someone's born with a heart condition or someone God forbid, has cancer. It's, it is no different. The mental health challenges, issues, diagnoses, whatever you want to call them, that we have as human beings like that is that is beyond our control. And we need to be treated in the same way that you would treat someone with heart disease or cancer or whatnot or a broken leg. Yep. So yeah, my my, my goal at that time once I kind of arrived at a place of really, truly understanding why my father, I don't know the reason why I will never know the reason why. And that haunted me for a long time. It doesn't anymore. I just know that my father had so much mental illness that was undetected by anybody in our family, but he it was not being here anymore, whether it was for our benefit or his was the only solution. And so I've come to accept that but I've also accepted the fact that my father had so much gin netic like the genetic cocktail in my poor dad's body, from where he grew up and how he grew up, and the mental illness that existed in his family, like that's in my destiny that's in my children. And what really inspired me, I think, to start talking in general about it to my children in particular, was, like, you guys may not feel this way or that way now, or have these feelings or emotions or thoughts now, maybe when you're 22, maybe when you're 26, maybe when you're 30, maybe, you know, these, these things don't always surface immediately. And I wanted them to know like, look, this is, here's your DNA. Here's, here's what could be in your DNA. And here's what it might look like in you. Because here's what it looks like in him, I have certain tendencies or issues. I'm an empath. I feel everything as though I'm grabbing on to like an electrified wire, all the good and the bad in my life house, and I feel it like I'm holding a live wire. And I know, that's how it manifested in me, but I wanted to have that conversation with my kids so that they would know and be able to have an open line of communication. Like, I'm okay, I'm feeling weird. I need to talk to someone I knew. So, yeah. Yeah. No, thanks for sharing that it's worth. It's yeah, thank you. It's really great. So that, that you're able to share it. Because like you said, there's so many people that can't for whatever reason, and that sort of reason why I feel like I sort of want to help those people in my own way by sharing my story, because maybe they can't, but that, like you said before, you know, they might take something from it, they might go, oh, I can empathize with that I, I experienced that. Or I understand what you mean by that. And that might give them the little nudge to, to reach out and do what they need to do. Yeah. You're listening to the art of being a mom was my mom, Alison Newman. Identity is another thing that I really love talking about this, you know, that we're, we're a woman, we're having this amazing life. We're doing all these things, and then we become a mother. And then it seems that our sole purpose is then to, you know, be a mother, that we might lose other components of ourselves that we had three children, or all? Yeah, yeah. So Oh, and yeah, I've spoken to a lot of people through these podcasts. And there's so many varying degrees of experience with that, which is wonderful. Because, you know, we're all different in that it's great to share. Have you got some thoughts about that? Topic? Yeah, yeah, I do have a lot of thoughts, a lot of odds, a lot of experience with it. Yeah, I mean, I was definitely lost for a period of time, for sure. In my life. Probably around the time that I chose to stay home, my husband and I agreed, you know, that, that I would stay home. He was, you know, the primary breadwinner at the time. And, and it made sense, just economically, that I would be the one. And I was in that place that you talked about, like that incredible place of, Oh, I know exactly what my purpose is. My purpose is those two little humans and, and teaching them and growing them and nurturing them and loving them and doing everything for them. And you get lost in that place. And I'm not saying that that's not a beautiful place, and you have children, and obviously you have children to be devoted to those children and raise them and whatnot. But as I think we've all realized, over the past, I would say probably five years or so 10 years or so, maybe just even five self care is something self care and preserving or creating our own identity simultaneously, is so necessary, it is imperative that we do that. And so many of us just kind of pack up our former identity, and just put it in a little box and put it in the back of the closet. And that's where it stays. And we're so you know, laser focused on our kids. That then all of a sudden, and it happens all of a sudden, you know, it is gradual, but then it's not because all of a sudden you're at that point where you're like, well, they don't need me at all, for almost anything except maybe some cash from time to time. And laundry and food. So, and then all of a sudden you're like What the hell am I What am I supposed to do now? Like, where do I go? What do I do and, and it's really hard. And I was definitely in that space. And what really did help me was kind of this organic, tripping and falling into this life within the school system that I had. And that became a path that felt right to me for so many years. And for so many reasons. You know, and then I had a chance to, you know, write books for a living and do what I'm doing now. And it evolved, but it was only because I basically, like pulled on my big girl pants and said, I, I have to have something that is for me, I have to figure out what that is, and who that is. And you know, and honor what I need for my life. Because I've just spent the last, you know, 20 something years, giving my children what they needed. And the more attention that I started paying on myself. And the more I did for the benefit of my own growth, and the more I prioritized that the healthier I was everywhere else in my life, like bottom line, and it was work. It was working, and it continues to be work. But it's such powerful, unnecessary work. Hmm. You know, so lately, That's it, isn't it? Yeah, that's something that I, I could not exist without things for myself, honestly, I just go, like, go more mental than I am now. No, I get it, I get it have to have, it's just, ah, I don't know. I, it's so it is so necessary. And you know, it's interesting, like, like, I was saying before, like, I couldn't, I couldn't be a stay at home mom, like I just, I have so much respect for for moms that do that, because I just couldn't do it. You know, and we're all different in what we need. And, and that kind of stuff. I just Yeah, I don't know. But first of all, there's nothing I love better than a good Blab. That's, you know, that's where all the best ideas and you know, and experiences come from our blabbing. But like, I just have such respect for for all the different varieties of parenting that there are out there, like you've got the stay at home mom, or you've got the mom that those the hybrid, or you've got the mom that goes into the office every day or, you know, and every thing in between. And, you know, there's, there's just so much credit, I think to be given, for people who understand, like, this is where I'm really good. This is where I'm really great. And this is where I need to make sure that a lot of my attention is focused, and but it's also over here too. So it's like, you know, it's just it, we're constantly building on ourselves. And, and, and I love that there's so much inspiration for doing it in so many different ways. And there isn't one way that's, that's better or more accomplished than any other way. They're just great examples. And that just inspires me when I see that. Yeah. And it kind of this, this, someone's going off on a tangent never it kind of makes me it makes me sad for a lot of sets the word, but it Yeah, it does. It makes me sad for for previous generations of women whose role it was exclusively to be a mother, you know, like, there wasn't a choice. It was like, when you got pregnant, you left work, because you had to give the jobs to the single women, right? When they got married, they had to quit their jobs. You know, just all the things that women would have wanted to do. You know, and if they did do it, they were judged so harshly for, you know, doing the wrong thing. And putting that in air quotes again. You know, just the opportunities that we have now, because of the work that previous generations have done to get us to this point is tremendous. Because I just think if I hadn't lived in that era of my grandmother, yeah, I would. I would know, you and I would have gone on an island somewhere. Like another community where we could do anything we wanted because i It's funny, I often think about that my daughter, my oldest and I seem to fall into this conversation all the time about different periods of time, where we felt she she would have preferred living during like, caveman era for something she's got lots of wrist very funny, lots of reasons why, but with that I don't need to go into but that was like her period of time. And I, you know, I would have loved to have lived I think during the 60s. I mean, I was a child of the 60s but I was an infant. I would have liked to have had that experience because it was such an explosive period of time in the world. But I also think that you I don't think I could have survived it just like you like, I know, like, I would have known if I was the person I am today that back then I would have been like, Oh, hell no, like, I'm gonna work. No, like equal salary equal opportunity. I'm gonna work from home, my husband's gonna raise the kid, you know, and I think I made it would have made a lot of enemies back then because I just wouldn't have tolerated it. But yeah, we owe a huge debt of gratitude to those, you know, those pioneers who came before us for sure. Absolutely. stuff without them. Oh, yeah. See, even like, when I watch, I really love period dramas. I can't even think like the Jain is and all that kind of stuff. Yeah, you just think those those skills there are in? What's that one that's on the British and, you know, you get a taste for it. There's one of the daughters, who just, you know, wants to do our own thing doesn't want to get married, you know, you just think how much of that would have gone on. But no one would have had a choice. It's just you had to do this, you had to marry this bloke for money, because it kept your family going, you know, all the sacrifices that women would have made to think Christ at night. Just, it's, it's really disturbing. Like, read it. i Yeah, it's disturbing. And I also feel like such deep sadness that so many generations of women had to live such a pressed lives, and we're so limited and these brilliant, capable humans, were forced to do like, one of three things. Either you were going to be a teacher, or you were, you know, a mother or a homemaker or that was it. And, um, yeah, we we've, we've definitely come a long way. And, you know, I'm excited to see how much further we can go. But like, I'm just really grateful that I'm kind of living in the period of time that I'm living right now. Yeah. I would not have made it yet. You, so you mentioned your daughter there. Briefly, I wanted to ask, as a mom of two girls, is it important for you to sort of role model the fact that as a mom, you can do anything you want? That? You can? You can? Yeah, the sky's the limit, basically. Yeah. Yeah. That's always been incredibly important to me. And I think that the reason why it's, it's so deeply embedded in me is because of my own mother, and because of what my own mother has both gone through and accomplished in in her life. I mean, my mother, you talk about, like what people were supposed to do at certain times, you know, in history, my mother, when she went to school, went to high school was, was just such a strong and capable student she loved, she loved school, she loved the whole learning process. But she came from a family that was a very lower income family, everybody worked, and she wanted to go off to college, they couldn't afford college. So as soon as she graduated with honors from high school, she went to work with my grandmother. And so, you know, then my mother got married and worked a part time job in a nursing home. And my all of all of my experiences with you know, when I think of strong women, it all traces back to what my mother did. My mother was became a widow when she was 40. She had never had a college degree. She had to raise now a family by herself, a child by herself live in a home by herself. And my mother went back to school, six months after my father passed away, went back to college for five years at night, got her degree, worked, got a good job, you know, was the most present and hands on parent and it was because of that, like, I saw that. I saw that, you know, my mother and I used to do homework together in her bedroom at four and 5am in the morning, because that's the only time she could do it. She wanted to do it in a way that it wouldn't disrupt our dynamic. And so I started doing that with her and it just she and she alone was the one that that proved to me that like the sky is the limit. You can do anything that you set your mind to that women are so resilient. Humans are so resilient and I always wanted my daughters to feel that way. So it's, you know, when I started getting opportunities to do the things that I really wanted to do, like, I wanted to be on the radio, I wanted to write books, I, you know, I wanted to put myself out there, it was scary as hell, because, you know, you put content out there on a regular basis, and you know, that not everybody receives what you put out there well, and I was like, nope, gonna, gonna go gonna go ahead and do it. And as a result, you know, my, I've watched my daughters grow into their independence and want to just kind of, like, grab life by the throat and say, here I come. And it's beautiful. And it's, it's necessary, and if it doesn't come from us, it's gonna be a lot harder for them to be wired that way in their life. So that's it, isn't it? Yeah, when they get from us, and, and my husband too, is, is has always been so is, you know, inspiring in that way, and supportive and, you know, has built us up and motivated us and encouraged us to, you know, and supported us to get out there and do all the things. You know, so having those positive influences really makes a huge impact. Yeah, that's it is it? It's like they, if they grow up with that, that that positive messaging from the beginning, it's like, that's, they're gonna take that through their lives and keep passing it on. And, you know, that just keeps rolling on all that. All that good stuff. Yeah, yeah. Something I've just started talking to moms about, I'm gonna make it an official topic, because I'm getting really interested in this lately. It's funny how like, like, you're talking before how you get led in certain ways, and you do different things that you might have been planning. Same happens with, like, the topics I talk about, they sort of evolve over time. And one thing that keeps coming up is this, the value, a big thing is through the pandemic, when things got shut down, as particularly in Australia, you know, we had the restriction on movements between our states, but our sports people, mainly sports men, were able to basically do whatever they liked, or the football and the soccer or continued, but the arts and anything sort of creative, like performance, you know, the shows, all that sort of stuff, that all got shut down. And that sort of is sort of sparked a bit of a, a conversation or a thoughts around the value that we place on the arts, and then that sort of snowballed into the value that we place on a mother that is a creator, you know, is it? Is it okay for her to do that? Because that's not a roll. Putting that in air quotes again. Yeah, you know, she's meant to raise children. So how do we view the mother? That is the Creator? Do you have any thoughts on that? I've just spread me sweat on you. Yeah, no, I like I like when people throw questions like that at me that I don't see coming. You know, I think that it goes back to what we talked about a little while ago, that we, we and I say we, in terms of women, mothers have had to fight for our position. And, and it's been a very challenging fight. And, you know, I think by default, we, you know, when you think of parents, you naturally just automatically assume that the mother is going to be that prime caregiver. And that that has to be kind of the ultimate responsibility that, you know, that overshadows any other thing that that woman may be that you know, that she she may be a professional, she may be an artist, she may be a creator, any of those things, like, we've got to shove all that aside for 18 or so years. And we've got to focus on on, you know, the mom being the mom. I think, I think it's trending, but I don't know what you're seeing in Australia now that we're, I don't want to say that we're out of a pandemic, because we are by no means out of it. But I think that you know, I don't want to put it in these terms, but I think it is just, it's just but in these terms by default, you talk about like, oh, well, it was okay for the footballers and the men to keep doing what they were doing. Well, they were making money. It was commercial, they were making money. And I'm not to say that artists like I know that you're a singer and a songwriter, and you know, and those who are kind of deep within the arts aren't making money but they sure as hell aren't making money on the same scale, as you know, professional teams and things like that. So I think that they just got a free pass. Yeah. And we still had to stay kind of, you know, had to be kept in this role of, Oh, you guys have to be there to take care of everything else. While you know, well, well, you know, the money is being made. And, you know, there's, you know, the energy surrounding this, these, these sports and, and what comes from them has to be supported, you guys have to do the rest because by virtue of you know, parenting, I mean, it's you know, it's not a stretch to say that the majority of caregivers are moms are women. Not that there aren't plenty of stay at home dads and caregivers who are dads, but that's our role. And we have to just keep kind of breaking out of that. That, that place of that identity. And, and I think it all goes, it travels right back to the whole, you know, self care and identity conversation that we had a few minutes ago. Where's it we can't tolerate that anymore. That's the thing. We have to say, our art or our craft or our inspiration, or our creativity is just as important. And just as as necessary, and we have to fight for it. And it sucks that we have to do so much active promoting it and fighting for it. But we do and we have to do that collectively. And that's that's how we change that tide. Yeah. You know, your thoughts about it? Yeah, the thing that, yeah, then the monetary thing is a big one, isn't it? Because we obviously live in a capitalist society. So money drives pretty much everything. And that's something that has really been annoying me lately, too. It's like, because because what you're doing doesn't have a similar monetary value to what someone else is doing. It's just automatically not given the credit that the other thing is given. And that's something that annoys me. Oh, and, and I think it annoys me too. And I'm glad that we're talking about it, because it's by virtue of conversations like this, like whoever it is, that's listening to us right now. If they share that feeling, well, then that's, then there's a domino effect there. And then this conversation extends beyond you and I and extends beyond the podcast, and then it gets other people talking and gets other people aware. And then there's, then we have to kind of collectively not tolerate it anymore, recognize it? And then start talking about it so that it can be addressed. And it can change. Absolutely, yeah. And I think an example that I always go to, with this show, whenever we start talking about value, monetary value, and how society generally, judges creativity, or the arts. There was a, I'm gonna get this story wrong every time I feel like I change it every time I tell it. But one of my guests gave me an example of how her and her sister in law both had young children that the grandma was going to be looking after, while the moms were working. The grandma would look after the sister in law's children, because she was going to a proper job in a proper office, putting their near quotes again. But she wouldn't look after the artists children, because she was just fluffing it out. She wasn't actually working. And I'm praying that air quotes get. And that's just, I mean, that's could be potentially a generational thing too. But oh, sure, for sure. Yeah, it's just that kind of view of the arts and mother's creating, it just gives me the sheets and really, you know what it is? I think it's not it's like it's there's a stigma about it, that you're like taking your one in a million shot. Like if you think of, of someone who's a singer, songwriter, you know, you're doing that as a as a child or young person, you'd come home and tell your parents I'm not going to conventional following the conventional path and going to college. I'm going to pursue my degree in acting or my my acting, passion or my music, passion or my songwriting, passion, whatever it is. And I think that because it there's such a minority of people who become successful on a level that people equate with success, like you have to have like an album out to be successful. You have to have a book out to be successful. You know what I mean? There's so much. There's so many different degrees of success within that but I think that that it's it's based on? Well, it's not really legitimate, like, you're just, you know, you're just writing, you know, some some fluffy little songs here or there or you're, you know, you're painting some pretty little pictures here and there that there's no real substance or value or, or monetary piece that you can attach. So that it's like, it's it legitimized. Yeah. You know what I mean? So I think that's where a good deal of the issues come from. And, you know, you think of these proper tracks, college leads to job leads to financial security. Well, people are only now just recognizing that that is not the only way. That is not the only path that is not the only measure of success like that, that that dollar sign cannot, cannot be attached to the word success anymore. Yeah. Yeah. And, yeah, it just reminded me of this conversation, my son, my oldest son's 14, and he's just having to start choose his subjects for next year school. So this, you know, the pathway to whatever job he wants to do, they're starting the subjects now. And I keeps my husband's a financial planner. So humans are completely different brains, the way we think about a thing. And I keep saying to him, just do something that you enjoy doing, you know, find the thing you're passionate about, work out, if there's job around that, you know, if there's not one, make one, you know, what I mean? Like, find something that you love to do. And then my husband's like, I'll make sure you get enough money. So it's like, yeah, covering it from both sides. Yeah, that's, it's hard. Because I mean, look, we can't ignore the fact that bills have to be paid. Our kids at some point, down the line are going to have to be self sufficient. They're going out, they're going to need to live on their own, or they're going to have to buy food and gas and, and, you know, support all the things that, you know, are involved in living independently. But it's like, it's it just bums me out, when we attach like, well, you have to do you have to have a six figure job to do that well to mean that, that you are successful. And it's, it's crap. And it's setting our kids up, to be really disillusioned about doing what they really want. It's, you know, it's setting them up to believe that they shouldn't do what they really want. They should do what they really have to do. Yeah, I mean, we do have to keep it real in the sense that our children do have to learn how to support themselves. But at the same time, too, we can't, we can't make them believe that, you know, there's only one way to do that. And there's only one level at which they should aspire to do that. Yeah, that's it, isn't it. The other thing that I think is changing when we're talking about money, and, and things, there's the whole culture, I don't know. I certainly noticed over here, but it's changing now, but this culture on social media of this hustle, and you've got to always be doing something and, you know, I can't think of any, like, Girlboss and all these sort of hashtags. And it's like, you have to be driving really hard. And it's just, it's exhausting. Like, you just think when do you have time when, like, this self care, you know, actually, resting rest is not a reward for doing rest is, you know, should be something that we do naturally, because our bodies aren't supposed to go full bore all the time. You know, that culture around that, I feel like is, is definitely shifting, which is really good. It definitely is. I mean, you know, there's definitely this population that believes, especially these millennials, who believe like, you've got to have a side hustle. And you've got to also have a side hustle. And you've got to be in constant motion, and you've got to be that much more driven and that much more successful and that much more capable. And, and I think that's just coming from a place like in particular with women, it just comes from everything that you and I have already talked about in terms of like, we're kind of fighting for a position we're fighting still, to be taken seriously to be viewed equally, to be respected to, you know, and so it's, it's almost like we just, you know, we have to just go at it a lot harder to be taken even more seriously. And that's unfortunate that we that we kind of innately feel that way Yeah, it's just, it's unfortunate. And I hope that as as time goes on, and we begin to kind of normalize success, you know, you know, across across the gender spectrum, like it's, it's, you know, be just as successful as a man or a woman anything. That's, you know, it's going to take time for, I think, us to let go of that, that internal drive. Because I think it's burning a lot of people out, it's really hurting people out. You know, and I think it's causing people to be, you know, to put themselves in positions that they might not want to put themselves in, because they, you know, or do things in terms of like, jobs and opportunities, just because they feel like they have to versus they want to. Yeah, so hopefully those two scales will eventually balance. Hmm. Yeah. composure of hustle the way we do? Oh, yeah, that's it, isn't it? It's like, it's funny, like, all this stuff that is ingrained in us as, as kids and growing up like, you always had, like college, like we call it University over here, but it doesn't have the same I don't think has the same sort of end goal. Like for you guys, like every, I'm making an assumption, but on TV shows and movies, it's like, everyone goes to college. Over here, uni is not, we don't all go to uni, it's like, if you get a job out of school, that's almost the best thing you can do. But I remember, like, like, my dad worked really long hours. You know, I think a lot of us grew up with that, that nine to five, or, you know, eight to six sort of culture around you, your parents or your your dad working. And it's like, that's what you're supposed to do, you know, and then all of a sudden, you go, Oh, actually, I don't really like this. And it's like, you start to no question stuff and see what people around you are doing. I remember the first time I realized that, I had a friend who was only working part time. And like this was when I was, you know, just out of school working as like, how can you do that? Are you supposed to be working full time? This is like, No, it was a foreign concept. From what I'd grown up, we'd say, you know, again, these little changes. And, yeah, well, it's like the whole millennial mindset. Now. And I talk about this a lot with my older daughter in particular, because even though there's only three years in between our girls, it was a, it's a big enough gap that my oldest mindset about certain things is quite different than my youngest. And they're both very, very hard workers. You know, my oldest is in graduate school right now to be a teacher. And she's also working full time and my youngest works full time in the school system. But it's funny, like, you look at the millennial, the millennial mind nowadays, and they're all like, I don't want to be an I'm not going to be in an office, I'm not going to take that job that I'm applying for, if it means I actually have to go into an office or if it means I have to travel, they're like, no, no, I'm really focusing on my work life balance right now. Like that whole generation is not having it at all. And I think too, that you know, and this goes back to one of the, like, if you have to attach a silver lining to what's happened pandemic wise, it's allowed us to do so many things from home that we otherwise just that weren't allowed before. And so it's brought the world much closer, it's made everyone and everything much more accessible as the upside. And, you know, I just look at the way that my children are now and all of these millennials are like, yeah, um, so I've been working from home for like, the last 18 months, and I'm really not planning on continuing my company, if my company is not going to allow us to do that, you know, it's just so funny. You know, and now they're all like, converting vans, and living van life and working remotely from like, deserts and, you know, and, and beaches. And, and I absolutely know that if I had been born now, if I was my 25 year old age, I would 1,000% be working remotely, I would have like a Ford van that was converted, and I would be like on the coast of Australia somewhere down the road from you, and I take home from a van and you know, and and they're they're not settling for that so they things so I guess the reason why I'm saying all that about my own kids is because it's just proof that that that tide has changed. thing that they're prioritizing. They're worse. And they're prioritizing that, that work life balance and that self care a lot more in this generation. And they're not tolerating the idea of the whole, like, nine to five and the way that it used to be like, he's so good, it's wonderful. Yeah, that's interesting about during the pandemic, like all this stuff that people would sit on, that's never possible. You can't do this, and you can't do that. And it's like, actually, you can. It's wonderful. You know, and I don't know, we learned a lot. I mean, it was horrible, still is a horrible thing that, you know, a lot of families and people have gone through, which is been really not very nice. But there has been some positives come out for, for the whole of humanity, I think, looking at things differently and challenging. Yeah. And it's that old saying, like, you know, why do we do it this way? Because we've always done it that way, you know, that, that? And I think that's a real sort of, I don't know, almost a masculine mindset. And I want to say that it sounds nasty, but no, reminds me of something my dad would say. Yeah, no, I get it. I understand why you would say that. It's, it's just because historically, that has been the mindset. That's the way things were for generations. You know, think of the hierarchy who it was that instituted those ideas and those values and you're not wrong. Yeah, I don't want to blame all the boys but we're finger pointing at you guys history. Have you got anything you want to share that you're working on at the moment or future projects coming up? Anything you want to give a shout out to and share? Where people can find you online? And that kind of stuff? Yeah, sure. I'd love to. I think I mentioned a little earlier that one of the things that's got a lot of my focus right now is mental health, and suicide prevention and awareness. And that that actually slides right into the project that I'm working on right now, which is another book that really uses my father's story, the story of my my father suicide, as just a vehicle for starting conversations and for helping people just through my own personal experience, helping people kind of travel that that road to forgiveness, if they're a survivor of suicide loss. And so that's, that's something that I'm kind of deep in the weeds with right now, doing a ton of work on and then working to be a crisis counselor with a crisis agency here in, in the United States, that I'm actually very, very excited about because that kind of all goes hand in hand. So I'm working on that. And just continuing to do lots of speaking and writing about parenting, just the way that I'm doing now on all the outlets here in the States and around, you know, around the world that that help families be happy. So that's what I'm working on. And you can find me anywhere. I mean, you can find me, my website is Lisa sugarman.com. And everything I'm working on is kind of in that one spot. Instagram is Lisa underscore Sugarman, the Lisa Sugarman on Facebook, you can join the vomit booth if you search the vomit booth on Facebook we can I will I will let you in you can just curl it all up oh definitely going to check that out. I'm really really interested in that. That sounds really good. I want all of your moms in your in your community in your area in your part of the world I want to know what's you know, what's affecting you and bringing all this it's like a clown car you can I'll millions of moms and dads and stuff you. I love it. Thank you so much for coming on later. I've really enjoyed chatting with you. It's been a really great conversation. I I've loved I've loved every minute of it too. And it's so fun for me to just to especially to hear what's going on in places where I you know, I don't I don't frequent I don't I know know what, you know what's happening in your part of the world the way You do. And so it's it's often fun to find out, you know that some things are different and some things are similar. And at the end of the day like we still It proves my point that no matter where you are and what you're doing as a mom, it's like, we're, you know, we're all part of the same community and the same family here, and we're all dealing with the same stuff. So it's fun to be able to come together and share that. Yeah, absolutely. Yeah. Thank you. And thank you for sharing so openly. And honestly, I really appreciate it. And I know my listeners will appreciate it, too. So yeah, thanks so much. Pleasure. Thanks for having me. Thanks for your company today. If you've enjoyed this episode, I'd love you to consider leaving us a review, following or subscribing to the podcast, or even sharing it with a friend who you think might be interested. If you or someone you know would like to be a guest on the podcast. Please get in touch with us via the link in the show notes. I'll catch you again next week for another chat with an artistic mom.

  • Heather McClelland

    Heather McClelland UK singer, songwriter, musician, composer and music educator S2 Ep40 Listen and subscribe on itunes , spotify and google podcasts My guest this week is Heather McClelland, a singer, songwriter, musician and music educator based in Sussex UK, and a mum of 1. Heather grew up in a very musical family. Her family were a travelling band with West African and Irish influences, and Heather’s first gig was the at an Irish Busking Festival at the age of 6. She has been writing songs since the age of 13. In her high school years, Heather sang backing vocals for her mother’s performances and was playing in bands. During her university years Heather and her band toured Ireland supporting Mad Dog Mcrea . After finishing school Heather went to Brazil for three years, studying music and performing with some of Brazil's leading musicians. This trip cemented her decision to pursue her music as a full time career. On returning to the UK in her mid-twenties, she continued to perform Brazilian-influenced music (appearing at Festinho, The Royal Festival Hall and Favela Chic) as well as collaborating with other artists including champion beatboxer Bellatrix, Wah Wah 45's Stac, and Ninja Tune's Submotion Orchestra. As a soloist, Heather's debut EP China Mind was released in 2020 just before the pandemic hit. It occupies the space between folk and electronica, singer-songwriter and neo-classical. Her songs are ethereal and haunting, featuring her uniquely pure-toned voice and her evocative harmonies Heather’s vocal group The Sugar Sisters is a 40s inspired trio, specialising in close 3 part harmonies. While busking, the trio were spotted by the producer of Irish radio presenter Sir Terry Wogan and that lead to some amazing opportunities, including performing on BBC Radio 2 and at Royal Albert Hall. Heather has many years experience in music education. She currently works at the Royal Brompton Hospital as lead Artist on the Vocal Beats programme, which she helped to create and develop. The project works with paediatric heart and lung patients from birth to 25 years, offering a diverse range of music, including lullaby singing, beatboxing classes and singing for breathing sessions. Heather also works as a musician in residence at Great Ormond Street Hospital for children. **This episode contains discussion around the loss of a parent and grief. ** Heathers Website / youtube / spotify The Sugar Sisters VocalBeatsOnline Read about Royal Brompton Hospital VocalBeats project The vocal Beats Nursery Rhymes album Georgia Fields ' Find The MotherLode Heather's music is used throughout this episode with permission. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum, the podcast where we hear from mothers who are artists and creators sharing their joys and issues around trying to be a mother and continue to make art. Regular topics include mum guilt, identity, the day to day juggle mental health, and how children manifest in their art. My name is Alison Newman. I'm a singer songwriter, and a mum of two boys from regional South Australia. I have a passion for mental wellness, and a background in early childhood education. You can find links to my guests and topics they discuss in the show notes, along with music played a link to follow the podcast on Instagram, and how to get in touch all music used on the podcast. He's done so with permission. The art of being a mom acknowledges the bowl antic people as the traditional custodians of the land and water, which this podcast is recorded on and pays respects to the relationship the traditional owners have with the land and water, as well as acknowledging past present and emerging elders. Welcome to today's episode. Thanks so much for joining me. My guest this week is Heather McClelland Heather is a singer, songwriter, musician, and music educator based in Sussex in the UK, and a mom of one Heather grew up in a very musical family. Her family were a traveling band with West African and Irish influences, and Heather's first gig was at the age of six in an Irish busking festival. Heather has been writing songs since she was 13 years old, and in her high school years, she sang backing vocals for her mother's performances, who is a singer songwriter in her own right, and she was playing in bands. During her university years, Heather and her band toured Ireland supporting Mad Dog McCray. After finishing school, Heather went to Brazil for three years where she studied music and performing with some of Brazil's leading musicians. This trip cemented her decision to pursue her music as a full time career. On returning to the UK in her mid 20s, Heather continued to perform Brazilian influence music, as well as collaborating with other artists including champion beatboxer Bellatrix and Ninja tune to sub motion orchestra. As a soloist Heather's debut EP Chyna mind was released in 2020. It occupies the space between folk and electronica, singer songwriter and neoclassical. Her songs are ethereal and haunting, featuring her uniquely pure tone voice and evocative harmonies. Heather's vocal group the sugar Sisters is a 40s inspired trio specializing in close three part harmonies. While busking the trio was spotted by the producer of Irish radio presenter, Sir Terry Wogan, and that led to some amazing opportunities including performing on BBC Radio and at Royal Albert Hall, in addition to writing and performing him has many years experience in music education. She currently works at the Royal Brompton Hospital As lead artist on the vocal Bates program, which she helped to create and develop. This project works with pediatric heart and lung patients from birth to age 25 offering a diverse range of music, including lullaby singing, beatboxing classes, and singing for breathing sessions. Heather also works as a musician in residence at the Great Ormond Street Hospital for Children in London. This episode contains discussion around the loss of a parent and grief. carry with me, huge huge. Thank you so much for coming on the podcast. Heather. It's such a pleasure to have you today. Oh, thank you. It's a real pleasure to be speaking to. Especially across the waters like it's nice to be speaking to someone it's a totally different time as well. You're in your night and I'm in my morning. Yeah, and yeah, so what what we're about to lunch. Are you in London? Where are you willing to? No, I'm actually so I'm in Sussex we were I love them. My husband just walked in the door so probably downstairs might hear him talking to the neighbors outside currently. But anyway, so I live in Sussex now which is southeast. We spent I spent a lot of time living in London and yeah during like living in a flat in London with a child in lockdown was definitely like a good like push to leave. We've been wanting to do it for ages. But yeah, so I now by now I work in London a lot. Like I just live an hour from London, but it's very much in a beautiful village in Sussex. So kind of the best of both worlds. Yeah, nice because you can sort of escape that intense busyness and sweat. Yeah, for me. Definitely. And I go to London, like at least once a week, sometimes twice. So it's really Yeah, it's still totally a part of my life. But it's very much like it when I get back to the country. Yeah. Oh, that's awesome. Things You just reminded me of, I'm already going off topic. We went to London, it would have been 2005 everything before we had kids. And I just felt like, I didn't feel nervous at all. I just felt like I was at home because we watch a lot of English TV shows. Yeah, in Australia. And it was like, Oh, I just felt so relaxed. And like all the accents, I found myself starting to into, like, do people's accents, like he would say, Yeah, and it was just really fun. And it's so relaxing. And then so nicely think London's relaxing night. I mean, there's no doubt that it's often when I go overseas, I mean, I haven't been I've saved for a long time now. But we'd go to Asian countries, because they're close for us. And you just don't know what you're going to get. But obviously, the language barrier, the smells are different, like, the culture is slightly different. And I get really nervous. As soon as I get in the airport, you could always tell if there's a guard holding a gun, you're sort of like, yeah, it's a totally different vibe. Yeah, London was just like, Ah, this is, ya know, it's so great. It's so great. And it's so great. It is great when you have child children, like there was a lot of stuff to do. But it's such a great place to be pre kids as well. Like, I really enjoyed this period, like late 20s, early 30s, living in London and just go into parties and go to magazine party just doing really fun, you know, just having that live for a bit. It was great. And then you have kids and then you're like, God, it's quite an effort. With my child. I'm already going out. Yeah, the organization. It's just like, it's a whole like, lane for like, this whole. Yeah, so that has to happen. The other thing you reminded me when you talked about leaving an airway, there's a show we get over here called escape to the country, but and visions of people how they go, Oh, we just want to get out of this city. And oh, it's like, that is literally what England is like right now. I mean, there's so many people that are moving from London, especially like in this village. Everyone's just like, Oh, God, country, so yeah, it's so much that's why Yeah, I I'm gonna have to do some Googling when I get off and I'll have a look at some pictures of your what your little areas like? Yeah, like it's gorgeous. Yeah, totally. The other thing I love asking people about is their weather. What's your weather like at the moment? Um, yeah, it's pretty good. It's okay. It's just like, yeah, it's just gray skies. And I think it's very, you know, you can really feel by the beginning of March, you know, we're all just like, desperate for spring, it's been this kind of really intense winter, and it was really sunny the other day, and I was like, Oh, my God, like, hope you live like, there's that kind of vibe. And then, yeah, so I think it's like, although it is a bit gray, you also kind of know that it is hopefully, I mean, it's England, so it has snowed at Easter before, but do you hope that we're kind of coming out of there, like, sigh like back end of that kind of wintry vibe. And I think for us, it's really nice, because we've only been here like, we've been here just over a year. So we kind of saw, like, you know, the blossoms coming out and like sort of discovered it, but it was very much when we moved here, you know, we were still in a lockdown. And we also were kind of, you know, just figuring out the house and whatever, just basically very, very new to it. And now I'm quite excited about the fact that like, I know that the sun is coming and like just sort of discovering this area and watching like the blossoms come on the trees and stuff because that is quite special, isn't it when that starts happening after you know, because it's so I mean, as with most people, I definitely know I'm quite affected by the weather. And after you've had like really bleak winter, you're just a bit like oh my god another day and then suddenly the sun the sun shines and you're like, okay, yeah, okay, like life is good. Yeah. So yeah, it's quite great right now. It's fine. Yeah. drizzly with with a view to sun. Every time it's sunny, you felt like you have to do something. And then you're like, Yeah, it's fine. To do like, I can be sunny and like, we can also just be like, oh, yeah, we don't have to go on these massive trips. My husband was like, sunshine and we have to go on a walk and you know, so it's like, knowing that we're in a nice place now that we're gonna have hopefully a whole lifetime sun coming in. Yeah, you don't have to do it all at once. Yeah, exactly. I love that. You're a singer and songwriter and a musician. Can you tell us about how you got started? And the meat of it? Yeah, sure. It's so weird. I was thinking about this today because I was thinking it's like I do so many different things musically in terms of my life is like, it's yeah, there's there's a few like very different things that kind of obviously intertwine. But it's quite rare almost to like, talk to someone about all of them at the same time, do you not like because it's almost like you're kind of like, oh, this is me when I do music and hospital or this is my singer somewhere and stuff. Well, this is the vocal true, like, so you kind of have these quite different, like mindsets. And then you're like, oh, yeah, it's really nice to reflect on everything. So I basically, yeah, so I grew up in a musical family, but in a very alternative way. So like, I didn't have it wasn't like I had like four more lessons or anything when I was a child. I mean, I would have loved that. But like, I had kind of quite the opposite, like really alternative parents that just did music, like so I kind of just grew up around music. My dad was Irish. So I like had a lot of like, Irish music, which is actually I think that does feel quite important because in the Irish culture, it's just so like, natural and instinctive. So I kind of grew up a lot around, like all my, his family would always just be singing at gatherings like my granddad, even when he was like 95 would be like singing into into the early hours of microphone at party, you know, that kind of vibe. So, yeah, so I just grew up with that. And then, and then my first performance was when I was like, about about five in Ireland. So we're basically traveling around and a boss in Ireland. And I had my first ever performance was with my all my family, and my mom and my dad, and my brother and my sister have more since then. But at the time, it was just the three kids. And we were performing in a busking festival. So like, they basically had to like go round, you'd go and get kind of basket and then get chosen and be the finalists on the stage. So we got chosen to be the finalists on the stage. So I have this memory of being about five and like fighting over a microphone with my brother and sister because we're slightly different heights. And then we like sang. And I don't know, I mean, I think that the whole town came in my mind and my memory there like 1000s of people watching. I mean, I don't know, they're probably a couple of 100. I don't know, like, you know, so that was Yeah, so I guess that kind of it was always like, it's weird, because it was always very natural. But because of that I kind of it wasn't like a big thing that I saw. It was just like, oh, yeah, cool, like, and then your family broke up. Yeah, it's just what I did. And then my family broke up, my mom and dad broke up. And then my mom got together with an African musician and had a few children with him. So I grew up in with like, a lot of like, West African music around me. So then that was all like, we're kind of always traveling with that. And they were working doing a lot of music in schools. And, and performing. And then and when I was a teenager, my mom used to sing. And I used to basically sing like backing vocals for her. So it was quite a weird like, I was saying this the other day, I say this gig that is like, literally the moment where I was really embarrassed about my mom because you just go through that phase when you're a teenager right? Where you're like, oh my god, mom, like what are you saying? I was literally standing on stage with her at the same time as being like, totally, like singing her songs was like, oh my god, like so it's really interesting conflict. But yeah, but then I think I kind of Yeah, it was like not they did obviously, like, encouraged my singing, but it was weird because it was like, it was just quite a sort of like, it wasn't like I'd meet someone and they'd be like, in my family, they'll just like oh, yeah, cool. You sick rather than like, was kind of later in life when I would go and do stuff with other people that would be like, Oh, wow, like you can really sing. Whereas it was just kind of like just what people did. And then yeah, and then it was kind of when I went to uni that I started really like having my own bands and like started you know, I was always writing stuff since I was a teenager but then it was like when I started going to university I started performing with my own bands and then I went I spent a few years living in Brazil and doing music there and that was like for me that was a really nice again, it was very much like kind of culture that you know, it's very on British in the way that music is very much like everyone there and it was just you know, you have no no space to be like really shy and like oh, I don't I feel a bit self conscious about singing. It's just like you sick, sick. So it kind of so going into Brazil really helped me kind of with you know, overcoming any sort of shyness and also it was a really nice it was a period where I just met all these new people, and no one knew anything about me and It was the first time I'd kind of had these people that were like, Wow, you're a singer, and you've really got some income, we want to really support you. And I had a whole group of people that really sort of supported me to go and do recording. And like it was the first time almost that I kind of, I don't know, like, yeah, that was almost like an adult away from everyone. And someone knew nothing about me that just had me. So it was like, a really important chapter in my confidence, I think. And that's where I made a decision in Brazil, like, whatever happens, even if I have to, like bask on the street, like, I'm going to pursue a musical path. And yeah, and I have done that. I mean, it's been, obviously, as you will know, is a very up and down journey, but like I have pursued it, and then it's taken me to lots of like, different, you know, places and yeah, really exciting things. And yeah, like, we'll mix and stuff from where I don't see myself to him. Yeah, so then I did like a lot of stuff with my solo staff in Brazil. And then I came back and I and I've kind of carried on pursuing that. And then I also speaking of busking on the streets, like I kind of had a, a trio that, like, I have a couple of friends who are really, really incredible singers. And one summer we were like, oh, like we need some money over summer. Why don't we just go and Bosque and so we put together this, this trio called the sugar sisters, which is very much like, you know, close pot harmony, but all very visual as well. So dress up like 40s clothes, and it was all like, so we did that. And we just like went to Baskin from doing that. It's so funny that there's these two kind of formative things in my life with busking, but from busking with them. We can't like just so much stuff happened from that, you know, like someone I don't know if you know, this, I don't know if you know, do you know? I don't know how well known he is. But there's this person called Terry Wogan, or there was an amazing presenter here that like everyone loves like it was like, absolutely like he is he's not alive anymore. This Irish radio presenter that like, absolutely like one of the like, any person here is like, oh my god, Terry Wogan, my husband's amazing Irish man. So his, his producer spotted us busking. And then we went on to tear away his radio show, and then did quite a lot of different stuff with him. And then like, just on all these really nice gigs came and so like, I just had this kind of, you know, like, where you didn't know, something happened and went from being like, Oh, we let's go get some money. Like, we're also going to risk in this summer to like, going and being like, Oh, wow, this is so yeah, this kind of one of these random little chapters of life. And then, yeah, yeah. And then I do music as well. In a hospital, a few hospitals that I've had as a musician in residence where I get to work with some really amazing other artists. And that's a whole kind of other chapter almost, but I kind of do that. And then I Yeah, and then I write my own stuff still. And I continue performing. And I do work alongside my husband with the stuff that I write. And he's helped produce, he's amazing musician himself, and does lots of other stuff too. So yeah, kind of. It's an interesting thing, thinking about all this stuff. You've done all the stuff you kind of content like, yeah, there's so many different things that you're kind of balancing and then obviously, with parenthood and then obviously, with a pandemic, so it's felt like quite a strange time. Being musician now I'll say, but I feel like I'm only just post COVID Like, starting to believe that music can happen again do because there was a period probably like a year ago where I was like, oh my god, is this life now? Are you like, are we ever going to do the cake again? No, that was a really big stream of consciousness. So please ask a question. That's fantastic. Oh, it's it has it's been such a shocking time. I mean, Touchwood we've, personally we've been pretty good. We're in South Australia. So we're quite away from like the big centers like Melbourne Sydney that have had the big outbreaks. And we certainly haven't had the level of lockdowns Melbourne had been locked downs but like we haven't had the same level of lockdown as what you guys have had over there so but even in that was just like stuff was just getting cancelled left right and center and it was like Oh, really like my phone's my cherry lips kiss There we go. Did you find sort of new ways to be to K Playing music like is it really important to you to keep it to be honest, I found it like a really difficult time because I think I'd love to say like, yeah, it was amazing. And I like, did this and I went there and I wrote this and but actually, the reality is I like had a two year old. And I, I really struggled like it with it, because I think it's like, especially when some of my friends were, you know, we'd be like, Oh, I've just like, I mean, everyone's different. But some people were, you know, having a lockdown. And maybe they felt like, they were getting using it as an opportunity to write songs or something. But like, I know, I didn't, I couldn't write anything. I mean, I mean, I tried to I wrote little bits and bobs, but I just didn't really have the headspace I, I worked. So all the hospital stuff I was doing, I was really lucky to so I did that online. And so it was really interesting taking a whole practice online so that in a way it was you know, still doing creative stuff. I collaborate with these incredible like, this other singer stack, and he's World Champion beat boxer. So we kind of had to find a way to do a whole like, yeah, online offer to patients and young people that we work with. So in a way we were like, you know, we made a kind of like, harmony and beatboxing nursery rhyme album, while we were doing these, like live streams, also, you know, so I was doing stuff with them. But in terms of my own writing, I was sort of desperately trying to, like carve out a little bit of time, but it was like, and me and my husband, you know, the good thing is, is that we were at home together. So sometimes we would like you know, maybe just have like a little jam session in the evening or play through some stuff. But then it's funny with that, because you get like irritated like, oh, I want to play this or blood or play that like so then it's like I've got so we kind of bicker through what we're gonna play. But I yeah, I just found it like a really difficult time because there just wasn't. It just felt like survival because it was like, we were in a flat, we had no childcare and I had to work and my husband had to work. So it was kind of like if I wasn't doing the hospital work, I was doing child care and a flat with a two year old who is as an only child will sit away will say not was was never been the most self sufficient child never want to go and play by himself. But you know, I mean, it's not like, not a kind of, like, entertain himself if he's now four. But he's and he's amazing. He's really sweet. But you know, it's not a kind of like, oh, it just sits in the corner with the drawers while I sing. It's like, just on that I saw a video of you on your Instagram, you were seeing Bewitched Bothered and Bewildered. Yes. And you could hear this little boy's calling out. But that is literally, exactly I mean, we had that was that was actually during that period as well. Because that would be like we'd be there. And we had a piano in the living room. So at least I'd be like, you know, what I would always try and do is I think, okay, when can I sing? So it's like, he'd be eating breakfast. And I'd like you know, have a book of like, standards. And I played them on the ukulele and like, oh, like, yeah, get my house was there but exactly, you just learn how to just be like, the seeming like, yeah, okay, later, you know, but you can kind of weave it in. And then people are like, Oh, god, that's amazing that you can weave it in and you like literally the only way I get to do it. But actually recently, I'd say which has been so nice is I had a gig last week, and I had a few rehearsals. And he was so amazing. And I wasn't like it was the first time where I would say okay, I'm just rehearsing and someone's come around, and we're just singing some harmonies, I've set up your toys and stuff in your room. So you can come in if you want to play. And it was kind of the first time that he was actually just sort of doing that. And then also we went right, yeah, I went into someone else's house. And he was like, playing with a train set listening to us rehearse. And I was like, Okay, this is this is really nice. I'm really you know, so he's, as he gets older, he's like, he loves music. And he's more sort of getting a bit more not respectable, but like, he's sort of getting more of an understanding that like, this is important. And he like, you know, he'll go to sleep every, every night. He has phases that will either be like my out and he'll listen to or my husband's album or like when we were rehearsing, he was listening to my husband the other day, like doing some little electronic triggers for some of one of my songs, like really kind of abstract part of the track that like no one would really know what that was probably listen, he walked into when someone's can't be enough, right. So he's just got this like, really? You're like, yeah. Well, I'm glad you brought that up, because there's an incredible video. And I've got to commend you for teaching your child about amazing musicians about Yorke's. He must know her inside out. Yeah, just I'll just give you a bit of background for the listeners. There's a video where you're basically playing like literally snippets of songs, even like, it's like intro like the intro could even be like, the sound of a like one drum beat or something like the very beginning of a song. Yeah. And he's just yelling out the name. So, that's that Yeah. That is like bravo to you for not maybe not doing that with the wiggles but you know what I mean? Like, I know I did. Yeah, I know it's funny my husband's like tried really, he's he's always got a carrot into quite nice music and Akira loves it. But he's got this real like memory he's got. He's like that about your to a level that I know loads of incredible Buick fans. I mean, I love New York, but I don't think I know an adult that would be able to go head to head with him. Like he's so good at knowing what the title is. But every time he will listen, he won't just go like, I like this. He's like, so what's the name of this song? Can I see the cover like so he kind of just takes it all in. And then he'll say I want to listen to something I've never heard before. But Bjork, so he knows, like to give it like, the good thing about Bjork is she's got such a big back catalogue that you can keep discovering. And he's like that About Flags of the World and geography as well. He's got kind of crazy, great, amazing. Yeah. Yeah, that is so so it's actually been really nice with him to kind of discover and listen to music with him. You know, it's been a really nice thing. And like, yeah, some of our favorites. So he's just got a real quite a niche. And at his birthday party, he is his fourth birthday party. And anyone that that knows be, well, like, There's a song called Earth intruders, which is like, quite sort of. Yeah, quite intense. It's like quite rhythmical and quite heavy. And he was like, I want Earth intruder. So he's like saying he doesn't know his friends. He's just literally like, What the hell is going on? And then he's like, and then for lights and then musical statues. He's like, I want human behavior. And again, they're all just they're dancing. These guys. I think they're really enjoying it like. Now, Nasr, he likes to get the teacher to always plays on Bjork songs and come home. So they played possibly, maybe, but it wasn't the right version, but all the other kids are just like yeah, I love that. It's funny. Yeah, yeah. Yeah. Yeah. That brought him a Bjork t shirt for his birthday, which was what she loves is his favorite t shirt. And we did actually send because I have a friend who's like, who works who's kind of has connections of people that have connected to Bjork. So she did send me the video we didn't get a reply, but hopefully nonetheless, she's she got to watch it even if she just got to watch the video of Akira naming us she'd be pretty proud of it. I hope so. Oh, that's great. Day from all the things that you were exposed to how could what what way do you describe your style of music that for your singer songwriter? I guess I would sort of I would describe it as a ethereal very harmony driven. Yeah, I love strings. I love harmonies. And I love music that kind of creates like a sense of atmosphere and slightly otherworldly. Like yeah, so I guess it's very, like, female vocalist, but very much and yeah, and the theory away and I don't, I don't feel like it's like, oh, yeah, it's just phone call. Like it's I find it hard to kind of categorize it in a way Yeah. Yeah. So I'd say like it's it's, you know, a bit acoustic a little bit electronic. There's kind of fragments of like electronic fragments of acoustic and staff fragments of folk but all together, it's like, yeah, Ariel is kind of what I'm going for. And it's really nice because I it's taken me a long time to develop that sound like obviously, I've worked through I've been writing songs since I was like, probably 13. And I have gone through like, lots of different phases and recorded stuff that I would now say like, oh, that doesn't represent me at all. Like I kind of, you know, it's taken a while to sort of discover like, what my voice is. Yeah, what kind of musical sound I want. And I definitely think that has has my husband he's been really helpful in like yeah, I really trust his musical instinct, but I think it's the closest to I think as when you're first starting out, it's very hard to kind of sometimes trust yourself when you're like with someone that may have a louder voice or you're working with a producer or an especially because you know, I'm very much I have done more music training as I've got older and I went and studied musical in Brazil and I did different things. But I, as I said, like when I was younger, I didn't have less than I grew up and I sang in a very instinctive way. So like, actually, when you first start coming, and you're suddenly going into a world of people that kind of have different sets of theory, and then you're trying to articulate your ideas when you don't necessarily have the language for it, that can feel quite intimidating. And I think with Taz is like he is the closest I could get to like putting my ideas out so he can start. So sometimes, for example, like a lot of the stuff I've done, like, I've got a seven string guitar from Brazil, and I like, wrote a bass line on that. And then he helped translate that onto a piano like, but he did exactly what I done and was like that, or like I've got, sometimes I've written some stuff on a ukulele, I'd like some interesting chords, and then he's put that onto a heart. Or then I've written all these vocal lines, like I love writing those layers of vocal harmonies, and then he's helped translate all of those and put those onto strings. So it's like, a, you know, so it says, directors, my ideas could be with someone that can kind of translate help me translate them. Yeah, so that's, so that's been really interesting, like us working together. And obviously, he brings all his own stuff as well. But the first time we work together, I wrote this song for him. And when we first got together, and he and I knew like that, I couldn't just say the word like love, because he's he is really into lyrics, we kind of bonded over lyrics. So I remember writing the song was very pre pre kids, when you could spend hours thinking about how you wanted your lyrics to sound. So I had like, 36 pages of lyrics to get to these one lyrics. And, and I Yeah, so I wrote the song and, and then I sent it to him. And then he, like, wrote this really beautiful, outdoor piano back and then like, sent it back to me. And then from that, then that was the beginning of our collaboration. And now like, that whole outro section just has this beautiful like, Scott. It's kind of almost a track on its own. And it's got really gorgeous strings. And so yeah, we kind of always tried to collaborate in a way where like, he has sort of space to bring his style and taste and then yeah, finding his his voice comes through as well. Yeah, yeah. So how would you describe his style of music? So he has his own desk called Taz Modi. And he has his own solo project. And it's like, it's contemporary, classical, I guess. So it's very, I mean, it's really beautiful. But it's very, he plays piano and yeah, does a lot of stuff with piano strings. But he also does a lot of stuff that's electronic in it like, yeah, kind of contemporary electronic stuff. Well, doesn't really describe it very well, but quite subtle electronic stuff in there. And then he plays with a band called sub motion orchestra, and he plays a band called portico quartet. And again, both of them are kind of like elements have elements of like, electronic jazzy like. Yeah, very cool. So I first met Taz through hearing through my friend Ruby, who plays in submission orchestra who I also sing in the trio with so fast. Yeah, so I met her through that, because he plays in the band with her. And it's like, it's really nice to meet someone that you really respect as a musician. And then and then like, and then to make a connection, because I think it's so important. Like, I feel like music is such an A part of me that it's like you really, even if you just met someone, and they were like, so perfect, but you just really like, I don't know, I know, like, I have, like, you're just on a totally different wavelength musically. Like that would be I don't think that would work very well. You know, like, I know, if I did once I once was seeing someone, and he just was just he just had a really bad music taste and like, but we just, and that sounds really harsh. But it's like, we were just on a different wavelength. And I was like, it's not. It feels like such an integral part of me that if I play your song, you just don't get it like you don't get me like so. Yeah. So it's really nice that we like connect on that level. Absolutely. It has good taste. Yeah. So that's the thing is, it's about looking deeper into things and maybe seeing, seeing why you've created what you've created. And that gives you gives you a glimpse into you. And so yeah, if people are only seeing like, you know, the surface, there's, yeah, yeah. So they're like, Yeah, it's really nice. And you're like, Okay, I don't want to say that. I'm sorry. But like, with your partner, you're just like, how are you getting like, who are you? Anyway? So yeah, we do. And it's funny with Chad's because it's like, it's a really good connector between us because like, if we're really like, if we're annoying each other or kind of irritated by each other, we're having a little period of finding things challenging. Actually, probably the best way we could reconnect is like seeing each other doing music and sort of remembering who each other is, you know, because sometimes when I go and see him playing, I really kind of just see him and I like, do you not? Yeah, if you're not, I mean, and I hear the sort of sensitivity of the music that he plays. It's really beautiful. It kind of reminds me of like, really who he is like at his core, and that's like, yeah, and I think probably the same for him. It kind of really reminds you of like that. really big thing that's like a really big connection. And like I said, we connected through music, we connected through a shared love of different different styles move through a shared love of lyrics and stuff. So that is very much kind of an integral thing for us. Yeah, so. So when you guys decided to have a family? Was that Yeah. Were you conscious of how that would affect your community? Definitely. Yeah. And I really, it's still something that I found. Yeah, I just feel a little bit like, in this creative world, you're always kind of striving to do something or to like, reach some I don't know. For me, I kind of feel like there's always felt like, I've done all these really cool things, but there still feels like oh, there's this thing to actualize. And you kind of can't take your foot off, but you can't just be like, Oh, I'm just having a total break from everything. And I'll get back to my career later. You know, it's felt so i think i Yeah, so I definitely felt I was quite scared. Like having a baby. I was quite scared about like, losing my place, I guess. And actually, in a way, looking back, I actually did things like, probably in hindsight, to say, I don't, it's too soon, but like, I think, I think I'd have another baby, maybe I would give myself a bit more space. I mean, maybe I wouldn't, but like in like, I think looking back, it's like when Akira was so tiny. I was like, back doing like a really big gig when he was like seven weeks old. And he came with me. You know, and it was this like, completely silent audience of like, in a really formal place like 400 people in silence, like watching and I'd like just been like trying to breastfeed like backstage and then I like, went to sing. And then I was like, Tas came with me. So you could hold a care. But again, it's like, you know how, when you have a baby, you're completely like, it's the one thing you don't have any control, like their timing. So you know how you're like, if you like, need to get dressed up on stage, do my thing. This is timing. Suddenly, you're like, Oh, I kind of got little baby. I'm trying to get them alive. And yeah, so I kind of I remember doing that and being like, Whoa, this is actually like, I've just, I've really just had a baby. And my voice was really weird, which I get no one told me that my voice would be weird for a while after having a baby or the hormones. So yeah, it was quite, you know, and, um, and then I also went back to work at the hospital really, really soon as well, because a really good opportunity came up and I was like, oh, so I'd like you know, I do all these things like my in laws. Well, like, they'd look after I go, I'd be expressing it like, you know, when he was like, literally, like three months old, where like, I just go, I mean, I mean, little snippets, but it's like, yeah, I really, I just didn't want to Yeah, lose my place. I guess. So. And, yeah, and I think I, I want to I wonder how, if looking back if I think like, how has it affected me? And I think yeah, it has affected in lots of ways, like having a child is amazing. And I love like being a mum. It's amazing. It's given me like a sense of purpose. And also maybe that thing that you're always trying to achieve that kind of maybe, I don't know, finding a bit more peace with that and being a bit more present to the moment because actually, I think what I like one of the things about being a mum I've kind of learned since through time is if I try and do too many things at the same times as being with a carer, that's when it's stressful. Like I need to kind of, I don't want to say I need to separate my life, but I need to like it's great. Like we say in the mornings I can sing with him isn't terrible. But if I've got a gig, like actually, I really just want to have headspace to get ready for that gig. And if I am if I'm with a career in the day, I really don't want to be trying to work at the same time. You know, it's like trying to like not do it all at the same time. Because that's when I feel this real pool and I've done stuff like you know, when you're trying to get ready for a gig and you're trying to remember all the stuff you need to take and then like your child just happens to have a tantrum then and you're just like, oh god, what's been like right types hairclips things like find a deal. And what else like doing a vocal warm up? Well, like, you know, and that's when it's like, so maybe as a mom, as I'm getting older or more experienced. I'm sort of like, yeah, like I had a gig the other day and I said I was like, Oh no, we'll just get my mum to like, come over. And she will look after him. And then, and then we'll like in the night and all this stuff. And I was like, No, I just want to drop him to London and let him stay with your mom. So I don't have to have to headspace. It's like, I want to have the day to just like, prepare for this gig like mentally and practically, like, I just want to do that. And like him have a great time where he's with someone that can just be present to him. And then you know, and then and actually, it was great. And I think his task didn't quite get it. And then on the day, he was like, oh, yeah, this was actually really good. It wasn't it. So yeah, ya. I come to you it is important, I think to not only you're going out to do your gigs and have your own thing, but you still have to, while you're in your home or with your family, you still need time to be away from them. Like you need that separation, like for your sanity, you know, just to get in that zone, like you talk about just how you make sure you don't forget something for you getting ready. And, you know, definitely because it's a totally different headspace. And I think that's the thing, like when, and when you're a parent, you can't like nobody can prepare you. And I think that you can't explain the feeling of like, when you go from not being a parent to being a parent and having a baby and suddenly you're like, oh my god, I can't go for a Wii when I want or, you know, suddenly you've got this other person who is like, totally dependent on you. And it's like, it's a real shift, like you almost don't exist, I know you're getting learn your identity. But at the beginning, it's really like, what the hell like where am I bought? And I'm just now I feel like I'm a vessel for this other person. And I don't know who I am. And it's quite a weird transition period. But I think, yeah, I think that actually, and that's, you know, and I think obviously, as your child or children grow up, then you get better at like, maybe being with that. And I'm not saying that, like, you're just living for your kids, and you're not in there. But I'm, but what you have is like, when you're with your child, ultimately, like you could be about to walk out the door, and they'll be like, I need a poo or like, it's like, that's the thing, you're suddenly in this other world that you don't have really all this control of time. It's like you're in this kind of situation where actually no matter what, you're there, and you're kind of when they're little, you're there, and you're kind of helping and supporting them. So actually, it's not that it's difficult for them as well, if you're totally being like on focusing completely on something. It's like this kind of balance, isn't it? So let's see. Yeah, and then and then when you're on mute when you're being a performer, or when you're doing that is like the other extreme, isn't it? Where it's all about, like, Okay, actually, I need to think about what I'm wearing, I need to think about how I sound I need to think about what I'm gonna say like, there's all of these things, which is very much a kind of insular, like, focusing on like, you and your identity, or, you know, like the kind of the other extreme and like, so I've had a few conflicting moments where I definitely tried to do both and got really stressed. Yeah, it's an intro. But yeah, so I don't and I think that kind of sense of identity, I've really, it's still something that I yeah, I'm sort of always grappling with. And I think some people as a parent would, you know, like, I remember someone saying, like, Oh, I just want it whenever I meet anyone, I just wanna go up and tell them like, oh my god, I'm a mom. This is a no baby. And I was like, wow, I kind of I mean, obviously, that's lovely. And it's lovely that they could see my mum, but I also want to go and be like, Oh, what's the opposite was like I'm saying, this is like, I know, like, you know, because I guess it's that like, you're kind of grappling with how to be all of those things and like, yeah. I come to you. Yeah, my biggest thing was when I had my boys, it's like, you do everything for them and you like you say you exist to keep them alive. And then when you see someone down the street or someone comes to the door, the first thing they want to do is see your child. It's like, Hold on a sec. I'm the one that's keeping this thing going. I'm going you know, exactly. And I know that's natural because people are excited, but it's like you just feel like you get shafted you just Yeah, it's like, yeah, okay, whatever. I don't know. And it's Yeah. And it's weird, isn't it? Because I guess everything, everything changes. And I think, you know, I was saying that, you know, I had a really difficult experience of pregnancy because I, when I was pregnant, my mom died when I was pregnant. So I kind of had this other extreme where I was like, also, I kind of went through this identity shift where it's like, I guess, when you lose a parent anyways, already, like, who am I? And how do I exist in the world and where you exist in the world. It's like a weird, it's again, it's like one of those things that you can't, it's very hard to explain. I think it's quite an experiential thing. But when through the loss of a parent is like, your position in the world changes because you have this foundation, and suddenly you don't have a foundation, I That's how I felt so and then, but then it was like, I didn't have the foundation. But then also, I'd kind of gone up a level because I then had this other, like, needs to keep someone else alive. So I felt like in the middle, I was like, Oh, my God, I'm just sort of like, I don't have any sort of foundation below me. And now someone else needs me like, What the hell, I'm just in the middle. And it was really difficult, because you know, my husband, also, like, he would normally be very doting. But like, suddenly, all his energy went towards our son, because that's what happens. You know, when you have a pet, that's also the nub of reality, I think when you have a child is that your partner kind of they suddenly they have to also try and keep this child alive, and you don't have any sleep. And you know, so it's like this other thing where the 10 that, yeah, the support you get from them has sort of shift or you're, you know, I don't know if you find that, but your role is like sort of shifted a bit, because suddenly, you're both putting a lot of energy into another human being. Yeah, absolutely. It's like your relationship between you has changed from the energy give each other to the energy that you both give to something. Yeah. 100%. And then you have to learn how to find that energy for each other, too. But actually, in the beginning, it is definitely like, yeah, it's a shift and like, so yeah, to be honest, like that period for me was just, you know, well, pretty, like, yeah, awful. Really. I mean, it's weird, because I you know, and it's so weird looking back at those early that early stage, because it's like, on the one hand, it was lovely. And Akira is a beautiful little boy. He's lovely. And he's, you know, so on the one hand, like, I have all these special memories, but I'm also like, oh my god, that was the hardest moment in my life, because I was just like, new mom, who the hell am I really sleep deprived in total grief, desperately trying to like, bring together my own, like, really trying to hold on to like my identity with you know, like, just that kind of thing. Like, it's incredibly true. Yeah. Yeah. So it was very full on. Yeah. I'm sorry. That's Thank you. Yeah. I wanted to ask them, he said that you your face kickback was at seven weeks. Mine was at seven weeks to you. So when you said that. But within that timeframe, where you and I know we've just talked about everything that we're doing for the baby, but I guess you would have been having to rehearse the gig like we, you were still we're still in music. You just like, yeah, I must have done. I'm trying to think of that. Did I? Yeah, it was kind of blur, isn't it? I probably would have done? Yeah, I don't think I think in that time, I probably wasn't massively, but then I would know, not knowing that gig as well as you normally they'd be like, can you learn a new cell or something? So maybe I thought, yeah, I would have probably been rehearsing, but very much like the people I was playing that gig with. It was with the sugar sister. So it was with the two other females and like, one of them also had a daughter, so they would have been very, like, you know, come to our house and like a Cadillac here. Right. You know, like, it would have been that kind of way of rehearsing, you know, it would have been sort of, okay, yeah, really support. Yeah. Yeah, definitely. But I do remember even trying to get to the gig was just like, Oh, I just remember like, it was really stressful. Like it was, I just kind of have this memory of me and he was like, trying to, you know, trying to leg it to get a train and it's like, raining and he was like, cry. And then we're having to like go to like pub on the way to, like, change it or I don't know, some kind of like, you know, it's like, but again, it's like you're trying to make two worlds of like a world that existed like, you have to be here on time to time with a world that is like with babywearers that actually, that is not the world you're living is this to happen right now. Okay, let's stop everything I need to feed him or whatever. Yeah, exactly. It's an interesting time to doesn't exist the same way. It's definitely a classic world. Fragments on that support element, did you have other people around you? You mentioned one of your co singers in your group had a child was there people around you that could sort of empathize and help you out and go, Oh, yeah, we get take a bit of pressure. Yeah, it kind of it was weird because I met. Or I did meet like a lot of other moms. And my, my sister also had a few has two children that are before me. So she's and we're really, really close in age. And we're really close. So she was like a really big support. But she lived in Devon. So that's quite far. And, you know, I mean, I guess it's probably not in Australian terms. But in the UK. We think it's quite far, because it's like five hours away from where we were. But yeah, but I did meet a lot of other moms. But it was a really weird time for me, because it was like, I felt very isolated. Because I had met all of these people. Like, we went to NCT. And do you have entities you know, that like the parent like, so it's the kind of thing? Yeah, so you go when you're pregnant, and you meet people, and, and it was, you know, and I've now met people that are like, I've got a few really, really close friends from there. And you know, we all had babies at the same time. But it was weird, because it was like, I was dealing with this. Like, I just couldn't, I went there. Can you imagine this was like, literally about four weeks after my mom had died. And everyone's just, they're like, Hi, what's going on for you? And I was like, Okay, guys, like, I just need to, like, this is my thing. I can't not this is what's happening. You know, I didn't Yeah, it's not like I chatted about it all the time. But it's like, I think and I think people didn't realize at the time, because I was like, I recently lost my mom. And I think it was only like, a bit after that. They were like, oh my god, I thought you'd meant like last year, I didn't realize it was just now. So I kind of like I felt this. Yeah, it was quite a weird sense of like being with everyone and having these amazing people who are lovely, who I became friends with, but no one else was having the same experience. And so it was quite isolating time at the same time, because you're just feeling something so full on I guess it might be, I guess, if you're feeling like, postpartum depression or something where you're like having something where you're like, you know, you're having such a kind of different experience of things. And I guess all like, you know, people were, your worries are very different to other people's you. I mean, if someone's talking about like, the color of the nursery, and you're just like, oh my god, like, what is my life good, like, you know, and then yes, invalidate those concerns, but like, you're just in a different place. But yeah, I did. And I really worked to, you know, build those relationships and carried on nonetheless, I'm not someone that would just sit in my house like and not do, like, I'll like, go out and meet people and keep trying and go into groups, you know, and, like, I'm very much a kind of was, I don't know, like what the word is. But, uh, I'm high functioning. I am high functioning. Grievers. You know, I mean, it's not like I didn't, I could have definitely not out there. But I didn't that was that was also the thing. It's probably the way I'd love to ignore get outta bed. But I needed to because my child was like, you know? Yeah, so, but now I've got a really nice network of friends. And then even here, you know, we've met some other really nice people even moving here. And Akira is still friends with like, you know, the people that we were with in London, and I had a great that, that, that first period of time where it was like, you know, like, yeah, like doing lunch, just being on a totally different time schedule with, you know, just sort of just getting into living in the moment and stuff with with other parents and stuff, you know. But yeah, it's very mixed time looking back on that, I guess, for me. Oh, yeah, absolutely. And that's right. Like you say, like, you're experiencing something at the same time as everyone else, you're but you're experiencing something so much more. Greater. Yeah, the emotional pull on you is just incredible. And yeah, yeah. Then, like you said, you're talking about all the, you know, the superficial things and you're like, yeah, no, there's actually yeah, you know, this is and it's and it's not fair, because you also know that like, and that is important to those people, like, you know, like that, that is totally valid, like what they're going through is totally valid. It's just that you're going through something very and that's sometimes their experience. It makes it you know, and, and it's hard like, it's so when you lose your thing for me, that was really difficult. It's like seeing people with their moms and stuff like that was so painful, you know, there's a constant reminder so that like, you go to the playground and someone's there with their mom and dad, and you're just like, oh, like Yeah, yeah, it's all around you. Definitely. Yeah. Listening to the art of being my mom I listened wanted to ask about Akira festival. That is an awesome name we have. Yeah, it's so random. I think that we like, I remember that it was kind of random that my sister sent me. I was texting my sister on I suppose pregnant about like names. And then I think there was some like spell misspelling. And it came up with some really sort of random name that sort of sounded slightly Japanese that was like, I can't remember it was but it was really cool. And I was like, What are you suggesting this like Japanese name and then we, and we thought it was brilliant. But then it was like, Okay, well, maybe not that well. But then we were just like, okay, it was really cool. And there was a there's a director called Akira Kurosawa who my mom really liked. And like Taz, who's really interested in MMA, like loves and like so it wasn't, it wasn't in any way because we were like, We love the director, we have to honor him. It was just that we were just like, that's kind of a cool name. And there's an I think it's a my mum was was Scottish. And I think it can apparently it is, has like Scottish like, yeah, roots, and it's sort of Scottish for Yeah, maybe for girl I can't remember. But I feel like it is in Scotland, apparently. And also, apparently it's in India and has his family has his dad's Indian. So we're like, Well, clearly there's like some connection and yeah, it's bold. It's a bold choice. But honestly, I think the energy leads to Brits I've seen on videos. Yeah. Satine. Perfect. Yeah, no, it's good. He's Yeah, we haven't met another. Okay, we're actually we did meet we met one girl that was called Akira. So I think it is a unisex name. Right? Like, yeah, but apart from that, and I yeah, I haven't met another girl. And I think she was Japanese. But I think parents in Japan, it's very much like a it's quite common, like, so I think it's in Japan. It's just like, Dave or something. You know, it's not like it's not unusual. So whereas here, it's like, just great. Yeah, it's I work in childcare. So I see a lot of different dates. Yeah. When I when I eat when that I like that. Oh, well. Oh, thank, you know, what I was gonna ask you about, about him? Did you find your songwriting has has changed, or, or sort of been influenced by becoming a mother? Yeah, I yeah, I think so I don't, I feel like, it certainly has, to an extent of like, I used to spend a really long time writing lyrics. And that's like what I like doing. I mean, I feel like the process is, like, laborious, and I don't necessarily enjoy it when it's happening. But I kind of like the results. So it's like, obviously, you know, I can rise, it's really easy to write some, like kind of throwaway lyrics I can, that's something you can do like quite quickly, but then to like, really create depth and like imagery and kind of take it, I would normally spend a really long time going through it. And I found that quite challenging in a way because I'm like, Oh, that's not really the way like you don't when you're a parent, you don't really have the privilege of being like, I'm just gonna spend a few days just really delving into this time. And suddenly you're like, right, there's a window, I just really need to be creative in this small time I've got so yeah, I think that's a that's quite interesting. And then it's funny how I'm like, also on the other side of that is like, at work, I'll often, you know, we'll be writing songs really, really quickly with people like that's what you do, like, you can facilitate other people to write really quickly. Or I'm running these like, Yeah, different sort of somewhere in sessions for different organizations. And yeah, it's so I think it's, um, I feel like in terms of content, I haven't I have kind of written some stuff around it, but I haven't I don't know how the contents like changed in a way because I feel like interestingly, for me, there was so much like, wrapped up around Yeah, parenthood and loss. And it was it was so like, sort of wound up like it was so I've kind of you know, I did like lots of different like grief counseling stuff to kind of try and unwind stuff. And I feel like at the beginning when I first had a carer, I just couldn't like I really want to point out like, I feel like it sounds like a really negative one. No, because I looked like it was really nice, obviously, you know, yeah, there's all these amazing positives. But equally, there was so much there was so much wound up in it that for a while, I found it really hard to like, write anything because it just felt like, you know, it was just like, well, this is just opening. Like, there's just, I can't really express this. There's too much in here. And I think now only in the last kind of couple of years, or actually, to be honest, only really, I started writing bits and bobs in lockdown, but not really having that much space. But only recently have I started to like really have a bit more sort of headspace and like time. And yeah, I guess it has changed because I guess I have changed, in a way is what I'd say. But I don't. But I haven't written like anything up for like specifically for him. Sometimes he's like, can you write a song for me, please? He's like, one day can I write? Can I be in it? Okay, cool. So yeah, that will come but it's so hard isn't it sometimes, like expressing all of this? I think I used to like when he was a little baby. I used to just like make up little songs and sing them to him when he was a child. Like make little all these little voice notes. But yeah, it's an evolving process, I guess is what I'd say around like Yeah. Yeah, when you mentioned their hair, he's, he's saying write songs for me whenever he's obviously quite aware that what you do and what dad does? Oh my god, like, yeah, he literally, like analyzes my lyrics more than anyone, like, in a way that like, no one pays any attention. So I'll go in and he's like listening to one of my songs at night. And he'll be like, so when you say this, what do you mean? He's like, learn the lyrics. And like, yeah, he wants he picked up I have this on on one of my lyrics. It's like, the oceans part. We meet and falling through Blue scenes. Night unveils the see unraveled, you find me. And he was like, Oh, I like the way you say unraveled there. It's kind of similar to be Oxon unraveled, isn't it? And I was like, no one has ever noticed. Like, and I'm always like, inspired by BJOG, like, unraveled, that's a great word. The only person who was three at the time, I feel anyway, but yeah, sorry for interrupting. Oh, no, no, no, that literally is about Yeah, it was heading down that path about he's, do you think, is it important to you? For your identity? I suppose that he's aware of what you do. Yeah, definitely. I think it is. Because I think, yeah, it's really nice for him to kind of know us. And, yeah, and it is, and it's nice for him. And because there's a part of him as well, in a way, you know, it's like such a Yeah, so I think it is, and it's important for him also, to kind of understand us as human beings as well, like, not just as parents, which is, you know, really not I think that's that's great, isn't it? When they're like, Oh, you, you exist, and you do all this stuff. And it's funny, because he always wanted me to go to his nursery, I think, yeah, like last it was about a year ago, we were singing a song together and he said, Oh, can you sing it at nursery so I had to go and like he got got me he was really sort of nervous. But he asked me to like, sing the song together. And it was teacher so we did. And he was like saying we need like we need to do it was really cute. But then like at Christmas I when he I went and I thought okay, I'm gonna go and just offer like, you need to go and do some Christmas singing in his nursery because it's like a really as a little Christmas present to them as that I'll go and sing with them. And so he was really excited about it. And then when I got there, he was literally just so like, it was really interesting, because he obviously all the kids are there. And like you said, you work with the MPC. Like, you know, you start seeing them. Oh, yeah, they're all really you know, and they're always wanting to cut like, yeah, they're already close. And they're all right, right there. And he was a bit like, about really kind of possessive like hugging me. He was also going after I started sang a couple of songs. He was like, Yeah, can I go play now? And I was like, oh, like singer, your master, but it's like his way of processing it. So yeah, he was really really proud as well. Yeah. I feel like it's a nice thing seeing you know, he, he's frequently kind of saying like, Oh, can I make up a song? And I'm like, Yeah, sure. And then we'll, like make little voice clips of him singing and, but the hilarious thing is because he loves Bjork. He was like he thinks in a really big walk away like a really like, Yeah, he'll be like, all this other ground like, expressive way. But yeah, I think it's like, you know I love that that's his he's very much music is a natural thing for him and I love that he knows that about us and also isn't just kind of like oh yeah mom and dad now I love that he wants to listen to us like he'll let literally I'll go in and he's listening to my music on repeat but he also does it with my mom, my mom's got an album and he will also listen to Yeah, so he'll might listen to one of her songs on repeat like in the night as well sometimes. So that's really lovely as well just like having that connection with people through music. Oh, absolutely. Yeah, that's so yeah, hopefully. Yeah. What was What's your mom's name? She was called net net McClelland the guy Oh, that's just lovely. Yeah, yeah this thing should be done yet. Though you try so hard. Those things you won't want to? Be. Know, we've sort of touched on identity a little bit, and talked about like the pool between the two and separating and stuff. One thing that I really liked to talk to moms about so bad for us, I really like to talk to you about your mum guilt. You know, like, it sounds really bad that I'm excited about it. But yeah, what are your thoughts about it? How do you feel about it? All that kind of stuff? No, I didn't know I was thinking about this. Before the interview. I was like, how, what is what do I think about mum? Gill? Yeah, I think I don't know how I know some people suffer from it really badly. And I was trying to be like, do I like how do I feel? And I guess it's when you? Yeah, when you're trying to do staff or like, if you're like, leaving, and he, like, going to do something, and then he's really upset or something like that. Like, that's when you could start feeling it. I think when I go, like, I think, you know, I've done some kind of like residentials have gone away and done some stuff. And it's like, when I do it when I'm there. I I'm okay, like I think I'm I'm quite good at sort of existing, like we have a really strong connection, but I'm quite good at like doing stuff being present in a different thing. And actually with Akira he's really good because because we've always, like worked and stuff. He from a really young age has gone and been the tases parents or the TAs or you know, he's actually very adaptable. Like he's not, I don't think he's a massively clingy child. Because, yeah, not that there's anything wrong with that. But like, it's like, that's just always been a lifetime. I mean, like, I went back to work really early and I. But then I'll also have like, really intense time with him. So it's not Yeah, I wouldn't go back to work full time. But I think so I think he is really happy. Like when he's with tases parents. He'll be like, I didn't miss you at all, sometimes. But at the moment, he's really like, never leave me. So we kind of go between these but anyway. But he's like, Yeah, I think we're quite good at like, being he's very confident and settled in a way. So we're quite good at like, sort of it not existing separately. But you know, like doing, like if I do things, having a great time with his grandparents, and I'm like, a way and I'm doing something creative. Like what I'm doing. I'm working on doing something like I don't I don't know, I'd not I? Yeah, I don't know if I feel guilty. But I Yeah, but I definitely can feel that pool when you're like, if they're really upset or they need you or like obviously, when you're kind of going I basically one of the things I do is I work for this amazing organization called Ultra young musicians. And I go and every month I go to Suffolk and work with really great artists and I'm like the songwriting specialist there. So every month I'll go away for a couple of days. So it's like and typically when you're about to get on the train to leave, they're like nursery phones and they're like, yeah, he's just been sick. You know, it's always like that, isn't it when you go away that that's when they're just kind of like randomly they'd get sick and stuff. So there's that wasn't that but yeah, and that's when you're a bit like, Oh God, my child and they're gonna be okay and leaving I'm like really far away and then without me and yeah, so I don't know the answer to mom guilt to be honest, that's really good now how do I feel about it? That's good we go you mentioned that you do your residency at the hospital. Can you share more about what, what's involved? About the other artists? And yeah, yeah, so basically, I started working there in 2015, and it was like this project that so it's on pediatric wards on the children's ward. And they weren't, they already had like music stuff. So it's a heart and lung hospital, I started working and they already had this whole singing for breathing program there for our adults. And then they wanted to look at like bringing music for children and young people. So I went and I was like, the first person that to do it, it was like just little old me like sort of trying to bring music to this ward. And then as it started, it was and it was great. So you're doing Yeah, a real mix that went through different ages. So that can be anywhere between like, like leading mums, you know, creating a kind of music group that people like that they would normally be going to these like groups of babies, for example, it says, so you're kind of doing like that with songs or doing kind of performance, the staff more like you're going to sing soothing lullabies, or you're like doing a singing for breathing session with young people, or Yes, it's very much like led by the young people that you work with, it's sort of guided by what's needed in the situation. And then after I'd been working there for about a year, we, we were like, Oh, this is great. And people are really engaging. But there's a whole like group, so maybe sort of teenage boys, for example, as a total generalization, but it was gonna probably be more difficult to be like, you want to do a singing breathing session, you know, like that. Yeah, some, some say yes. But so then we decided, like, then I had some really good friends who have beat boxes. So then we're like, oh, let's maybe bring beat boxing. And so then it developed into this whole big project now, which is basically singing and beat boxing. And yeah, and I play ukulele there as well. And just kind of, and so we just do a whole range of things. And it's amazing, like, I get to collaborate with lots of different artists, and we go in onto the water, they kind of, you know, you'll go there. And it's like, everyone knows, okay, you come in on this day, and there'll be like, a waiting for you. And then you seal that because it's a heart as a specialist hospital. So you'll frequently have people that will come like a couple every couple of months, or maybe it's that maybe some people will say, really long term, or some people will, like keep returning because they have cystic fibrosis, or they'll come back for different treatments. So it's like, you build a whole relationship with them. It's been really intense through COVID. Because obviously, we couldn't go on to the ward for like, yeah, yeah, over a year. And, and now even now, I'm there by myself at the moment, but like, we still I still can't sing. So it's been really full on. So I've had to do a heartlight develop a whole new practice. But hopefully soon, we'll be able to, but Yeah, cuz it's like, the more that restrictions open up here, almost the more intense it needs to become on the ward because obviously COVID is still happening, especially for vulnerable people, you know, there's clinically vulnerable people that like, you know, are very affected. So, yeah, so it's been it's been a really interesting journey for me like doing that without singing, which is like exactly what I love doing. And yeah, and I do and I also work at Great Ormond Street Hospital, which is another like, that's a really big Yeah, Children's Hospital where there's like all that's has all different specialisms. And then there's another one that I do some work out to which is which we which the vocal beat that's called vocal beats the project that we do at Royal Brompton Hospital with beatboxing and, and singing and like we've got there's lots of stuff like, online there's a whole there's like a nursery rhyme album on YouTube, but it's kind of like nursery rhymes that I could deal with listen to because as a parent and as a musician, a lot of them are just like, you know, you know, I'm saying Okay, so these are like, you know, nice nursery rhymes with harmonies and things that we, you know, that I would be happy to listen to. And then we've also got like a YouTube channel that we that because we started on the project, where at first it was just from nought to 16 year olds, but then it was like, Okay, actually, there's this whole group of young people from 16 to 25, that when you leave the children's ward, you're suddenly like an adult, but you don't really feel like an adult. So we then started, like, developed a whole program to support young adults in their transition. And then part of it we like CO design the YouTube channel with them. So there's a whole YouTube channel where I've done all these like, singing tutorials and beatboxing tutorials. It's called vocal beats, and it's gone. And I wrote, I wrote a ukulele book recently. There's always like, ukulele videos and like, so yeah, there's a lot of people like hospitalized or not like for any young people that just want to engage. Yeah, so yeah. Yeah. So it's something I mean, I'm really lucky to have done it. Like, it's great to do that as well. It's like, that must be just so rewarding to like, feel like you really feel real. I hate to using the word privilege now, because it's got a new home. Yeah. So yeah, show you that, you know, yeah, definitely. And it gives you like, it's really good. I think it's a really good. I mean, it's, it helped me a lot as an artist, because I think, you know, when you're working on a ward, it's as much as it's about obviously, it's like being talented, or, you know, so it's like, you want to have a really high caliber of musicians. And that's great. And we, you know, the program is like, really specialist and really amazing musicians. So you want to have that, but actually, an equal part, it's not like you could have the best musician in the world. And they it's not, it's almost more about the personality, like they need to be good musicians, but it's about being able to kind of relate, communicate, connect with people, because like, you are essentially walking into their bedroom in a really vulnerable situate, like, you know, you're going in to that someone's like, room when they're like child might just be about to have surgery, or like you're dealing in an intimate space. So actually, it's a real human to human connection. So you need to, like, have these like, yeah, like this kind of, you need to be able to connect and be really empathetic, but like, yeah, it's just, it's really interesting. And I think that as definitely, as an artist, there's kind of, it's really helped me actually on stage. Because it's like, when you go and sing an award, you can't like just like, say, for example, you were like someone that always only ever had your eyes closed. Like if you went in there and started seeing with your eyes first. That would never work because it's like, you have to be like I'm here. I'm another human. And we're like, connecting, and I'm making you feel really comfortable. And it's 100% not about me, it's about you. And I'm not gonna sing song. Like, there's not really any ego in this. It's about me providing something that's like, great for you. You know, like, yeah, yeah, when you're on stage, it's like, actually, it's really helpful with like, how to kind of be intimate and talk to the audience and stuff. Even if you've got like hundreds of people. It's like, you can create intimacy. Yeah, yeah. It's so yeah, I remember, as a kid singing, our teacher taught us to look over the top of people's heads. He used to teach us not to eyeball people, because I think he thought it would put us off, or, you know, we'd start laughing or whatever. Then I came to this point in my singing that I thought, Oh, my God, I'm connecting to people. I'm just looking at. Similar thing. Like, you have to, you have to look at these people. Because they're in your you're in their space. Yeah, yes. No ego. It's about what you're giving to them. So like, it breaks down that barrier. Yeah, your audience almost becomes a part of your performance. Like, it's not like you're exactly. And then, like, you're all together. Yeah, yeah, I can do that. Yeah. And there are people out there who are like, you know, the greatest. They're certain artists who are so amazing. Like, they can sit on stage with, like, 1000s of people. And it's as though they're like, having a really intimate chat is that you know, yeah, absolutely. That like that relationship with them. Yeah. Yeah. So it's been a really interesting and yeah, you do feel really privileged. It's also you know, it's, it can also be really emotionally challenging as well. I do a lot of, you know, also working with, you know, yeah, kids with cancer are working with, oh, you know, that dealing with loss, which you do, like, or, you know, that is some of the patients we work with are really, really sick. So, that can be really challenging, but also it's like you do equally. The same reason it's really challenging. You get to like, it's also really rewarding, because you're like, Oh, my God, like this person had a really short life. And I made a really big impact. Like the other day, I was just working and I went and like, there was some parents and they were sitting in the room and their child had gone down for theater. So they're obviously like, anxious as you would be if your child is going off to theater. And I went to do music with another little kid in the bay that we're in and the mom before I started, oh my god, like I just need to show you this before she had these really beautiful photos on her phone or when her child that was like about four I think now had been a little Baby to take most photos of me singing to her child. And she was like, Oh, we've had these all printed out. Like they're in this book. You're such a big part of his journey, you know? So like, it's really nice when you're like, yeah, yes, this makes feel emotional. I know. Oh, my God, I could go on. That's a really like, light story. But yeah. I know. I know. Yeah, it's very. So it's it was interesting. Like, I would also say that as the headspace, like, sometimes I feel very pulled in different directions, because it's such, it's like, you need so much headspace that that work is amazing. But it's like you are processing so much, you know, because it's like you're taking in, you're going into like, really emotionally charged atmospheres. And you're trying to like, and you can't go, like you're trying to process something, you know, which can just be that you're, you're there and you're seeing someone dealing with a really complex situation. Or sometimes you see someone that's the same age as your own child, and you're like, Oh, my God, you know what I kind of really resonate with you. Or there's sometimes obviously you do deal with loss. And so it's like, you kind of and it's again, it's very hard to explain that, like you're in this world, and then you come home and then you're trying to like, process that as it takes quite a lot of headspace. And then obviously, then you've got like the headspace then obviously, that that headspace doesn't exist in parenting, you know, like, then you come home, and it's like, you're just there for your family and stuff. And then you're dealing with like, headspace of like, being your own artist. And so it's like, and then you're just doing the headspace of like, I really need to just sort my house out because I just need to decorate or needs to be tidied or whatever, you know. So there's so many parts of you that you're always like, Wow, it really, there's so many different directions isn't there that you feel like you're kind of being pulled in. And, and I really, I, you know, so grateful to have created a life where I am able to do music, you know, like, I'm still into, like, I'm still doing singing and performing. And then with the staff, the hospital work that I'm still doing some, like, I'm still using my musicality to do the work that I do. And that's like, you know, it's really like lovely, and you really get to see the impact of music in a way that you don't see in like many other places, I would say like it just it like, it just lands in that space. Because it's such an emotionally charged space. It's just like, you really see this kind of very immediate impact. If you're not like yeah, it's Oh, yeah, yeah, it's amazing. Actually, I'm getting goosebumps when you say that. It's just like, it's so music is just incredible, like the connections and yeah, out to can transform you from one time to another and totally amazing. Yeah. 100% Yeah. And I think people are starting to see it, like a bit more in a way. You know, I guess that the way that they're seeing that, like, the impact that music can have on dementia patients or like people, you know, that it's like, how like, just stuff that is like, wow, this is kind of magic. Stuff that you see that music does, and it happens literally all constantly with the work we do. There'll be these things that have happened that you're like, Whoa, you know, like this the first time that someone has come out of surgery, like they haven't stood up for days and suddenly the music makes the baby stand out. Well, you know, this is a little you're just seeing like this amazing impact. Yeah, I mean, music is and music is the best thing ever. Think singing is like the best thing and then harmonies best really love. Honestly, when I read like Instagram bio and have kids like I'm like probably 2020 years formally in a in a vocal group. Like because. So harmonies but right right from the beginning of my life. Sorry, I'm gonna I'm gonna talk that was selfish. To talk to a fellow musician. Yeah. My sister and I were there's two and a half years between us and we're both got very similar voices, except she can go lower, and I can go higher, but we're still got the same. Like when we're both singing It's really hard to tell us apart. So we Oh, that's so nice. Yeah, something about blood singing Isn't that likes people when you're related? It's awesome. And yeah, so we've always sang together. We used to mess around and do concerts on the on the Sunday afternoon like push the the coffee table. Table do concerts for mom and dad. And my parents weren't like not they weren't like musical at all. They loved music, but neither of have them actually played or sang but their siblings or mums. Dad was very, very good singer and his mom. So my great grandmother was an opera singer. Not I don't think she was a formal but she had an amazing, amazing. Wow, I never heard it in real life, but I've heard lots of stories. And then my dad's side, his sister and his brother by sing, and his mum was really good thing. And his dad was a good thing I found out later in life. So it was, but it wasn't right there for my sister we just had they just had it in your blood. Yeah. And I first discovered harmonies because dad used to play a lot of American country music like Johnny Cash and Don Williams, and don't John Denver, and they're all obviously male singers. And I wanted to sing along, but I couldn't sing low enough in their register. And because I'm an outer, I couldn't sing an octave up. I mean, I probably could now but at that point, as a kid, I couldn't. So I had to learn a way to sing along. So I just started singing in harmonies, and wow, it was just this innate thing. I don't read like I couldn't read music to get by. But I'm not like a theory person by any means. So things by Yeah. Yeah. And that used to really annoy my, my, or like my organ teacher and my chill. I could read bass clef though. I can read bass clef. Not anymore, but it was really odd how your brain works. Yeah, so yeah, my sister and I've always saying she's always saying that she and I've always seen the harmonies, and it's just we've been like that our whole life. And it's so much more interesting as well, isn't it? Sometimes it's not like, you're like, hey, I want to do the harmony. Today, we'll be talking about how your husband you and your husband get on musically when my husband is musical. And not he doesn't do much these days. But he used to play in a in like a covers band in a country pub sort of environment. And when we first got together, I realized very quickly that he actually sang the harmonies. And I was like, oh, yeah, this is gonna work. That seems like a split second. And Alison, it's okay. And I grew up listening to like, my mom listens to like Crosby, Stills and Nash and I don't like like very much like, I grew up listening a lot to Harmony stuff. And that's kind of how I learned to sing harmonies was like, you know, singing in the car with my mum, and I'd be like, I'll try and do this one. And you do that one, and then she gave to my one. I'm gonna stick to your one. Anyway, yeah, but the staves are kind of like a modern day. I mean, they're gorgeous. You're like, if you're a harmony enthusiasts, they they are incomparable. I would say, you know, I've seen this live a few times and they've got the big sisters have which is like, there's something about blood people like related to each other Singing isn't there but you have sometimes like, is that a magic that you just have? It's like you have like an you have a what's the word? Not a telepathic connection? Is that what it is? Yeah, you can actually read each other and you know what someone's about to do and you can Yeah, like you change at the exact same time it's just yeah, it's always pretty special. Yeah, yeah yeah. Yeah, I've been doing stuff with Yeah, with some new singers recently, some really great singers are doing backing vocals to me and, and they sound lovely, but I was thinking, I wonder if I would do like because I've always done my own harmonies and it is like in tears was saying, oh, you know, actually in a way it's always the best he was like No, I think the best is always having people that blend really well. It was like you know I think the Beach Boys like they've all got so yeah, also you have got away like when you write yourself like in your mind it sounds like Yeah, it's interesting was recorded that you're like, yeah, how so? I've always ended up my own harmonies but yeah, maybe maybe I'll graduate to but it has to be so freakin tight doesn't have someone else's harmonies on your track but they are excellent at blending. And you're so critical of it because you know how you want it done. And you know how you could do it. So you're like yeah, every little bit you like yeah, Yeah, I guess I'm just kind of in terms of stuff that's coming up is like, yeah, it's just I think I'm getting gradually, like a little bit more space and time, you know, as Akira is getting a bit older, and we're sort of settling in here. And things are shifting a bit with COVID. And, you know, you can see sort of a bit of light at the end of that tunnel that, you know, starting to find because when I first moved here again, it was like, it was again, like, how do I you know, bring my identity, this singing identity here, because I kind of, I was in London, and then I came here on a lockdown. And then I really wasn't music. And then it's like, you meet all these really lovely people. But then you kind of also want to share like the other aspect. You know, it's like, yeah, of yourself. And actually, one thing that's been really nice is when I did a gig recently, and it's a fast game I did in Brighton, which is near to where we live, which is the biggest city where the city near where we live. And you know, it's fairly close. But it was really nice to see. All of like, my new neighbors, and we've met some really great people. Yeah, all of our new neighbors, just being so like, supportive and like really, yeah, just really excited and like coming to the gig. And you know, and it's really nice, because I guess that felt kind of, I don't know why it felt so important. But I just really, you want, you know, yeah, you kind of want to feel because I guess music is like, it's such a part of like who I am. It's not this kind of thing that I'm just like, oh, yeah, I just like do this thing. It's like, it feels like this. Yeah, this big part of who you are. So it's like, you kind of want to be able to bring that aspect of yourself. And I guess it's been a real the last couple of years. For me personally, I have found it a real challenge in terms of music, because it's like, you know, all the live, like the whole live industry is pretty much sort of, you know, shut down. And then also like, not even being able to sing on the wards. So it's like, I just had this thing where I've just been, like, you know, for the first time in my life is just like, oh my god, like, I'm sort of desperately trying to do this thing. But then you're like, why this is so feels like such a kind of uphill struggle. But then at the same time, you're like, oh, but who am I if I don't do that, because that is kind of who I am. Yeah, so it's just, it's been really nice to have a bit of time to yet I kind of am starting to feel again, like, Okay, I'm reconnecting with that, you know, like that side of myself doing music rehearsing people performing in like, the last gig that I did, I really tried to enjoy the process as well, rather than just, you know, like all the because it is a bloody lot of work, isn't it when you're doing stuff, but try to enjoy, like, every rehearsals when you're like getting to hear your songs being played and singing harmonies with all these really amazing singers I was working with and like, yeah, so it's like, trying to bring that in, rather than just Yeah. Because if you don't enjoy the process, then it can just feel like a hell of a lot of work, you know? Yeah. Do you think that that's also because? Because you are now a mom. It's like, every little that you do, you're holding on to that, and you see the importance in it. Whereas before it was, yeah, I've got to get this done. And then the gigs the big thing? Oh, yeah, definitely. And I also feel like as a mom, I mean, you get really good at just like, using your time well, don't you because you have so little time, so you get really good. And you know how you asked about? I guess like creatively, a really positive thing about being a mom, is that you don't that you don't wait for inspiration. Do you? If you're like, I need to do something creative. I've got like these hours on a Friday. Yeah, that's my creative time. You know, like, it's not like, I feel like it's just like, No, that is my creative time. Yeah. And like, and also I don't feel like you know, in the evening and stuff, like sometimes in the evening, you feel like doing stuff but equally in the evening. If you're just you know, you're pretty knackered against our writing songs. I mean, it's much more of a like, I'd way prefer to, like get up really early and do stuff like that'd be my my thing. Yeah, so I guess like, because I feel it's funny thinking about all the the way we've discussed stuff because I don't, I don't want to feel it sound like a really negative parent, because I feel like I'm really not. You don't sound like that. Because, like, I feel like but it is, you know, but the reality but I think I'm also very honest, because the reality of parenting is that, you know, it is like in terms of a whole identity of being an artist being a mom. Yeah, like it really is a big shift, isn't it? You're learning it takes time to kind of come to terms and all that to kind of find who you are. And I guess for me, because I have had such an intense like You know, journey of parenthood, like loss of a mother, then the pandemic, there's two, like quite intense things have happened at the same time. So you're like processing so much stuff. And then just finding. Yeah, and then the other side of being a parent is I think it gives you like, freedom with Akira, I think it's also sometimes I'm very much someone that like, feels I'm very much someone that likes to be doing stuff, you know, quite, there's quite a lot of pressure of like, oh, I need to be, you know, I like to achieve things I like to do. So it's like quite a river. And then like, always, like, oh, I should be trying to do this and do that. And I want to write this and I want it you know, there's always a sort of drive. And I think with a, when you have a child, it's been quite good for me to learn to like, just be in the moment as well German and not feel guilty that like, I haven't been creative, like, on that day is like, oh, yeah, you can, like, get some foam out and play on the tray or whatever. You know, it's like, you're just like, in the moment doing stuff with him and kind of discovering things and having like, these days, so yeah, you know, and he's gonna go to school in September. So it's gonna be like, this whole new chapter of like, getting sort of, you know, different time back and stuff. A new chapter. Yeah, it's exciting to look forward to that too, isn't it? Yeah, definitely. Yeah. next five days. Now, good on. Yeah. And look, honestly, you you have not come across as negative at all. Please don't like that. Because everything you've said, People mums have said it before. It's like, yeah, it feels the same way. It's like, yeah, it's just what it is. Yeah, and it's really hard. I think the difficulty is with parenting, is if you said to something like if someone who hasn't got a child hears this, they'd be like, Oh, that sounds awful. You know, I mean, because but what you don't always like what you can't really express is that sort of sense of love, isn't it? So you don't go around being like, Oh, my God, I love my child so much. It's amazing. He's given me purpose. It's just so brilliant. You kind of like the part that you will be like, yeah, because obviously, that's just like a given, isn't it? So it's like, another parent, you just know, like, yeah, obviously, like, you think your child is incredible. And it's the best thing you've ever done. And it's amazing. Like, that's a given. And it's really hard, because it's this, this, this, this and that, but that's the stuff you're talking about. But like, yeah, so that's the difficulty is I think people would just be like, Wow, that really doesn't like sound. Like, like the benefits outweigh the costs. Somehow, if you and I remember hearing someone say, it's like, if you tally everything up, actually, definitely the costs do not outweigh the benefit. Like there are a lot of costs, but then the benefits are so incredible in that small like that, that it makes it all worth it. Yeah, absolutely. Absolutely. My I've got a 40 CD and 14 He's turned 14 over a six year old and a 14 year old and my 14 year old the other day. I like not the other day all the time. If we're having trouble with the little one. Alex will go this is why I'm not having kids. I'm not having children and like if he just keeps coming up with this stuff. I'm not doing that. I see how to use b I'm not doing that. Like mate but it is so good. Like you just say yeah, the hard stuff that's the stuff that's loud and gets noticed you know the the activity whatever exactly the challenges, the challenges, but it's all the other lovely things that you're not notice the Commodores isn't it? It's like the cuddles or getting woken up with a little kiss or whatever. Like stuff that you can't really explain that could happen when you have those like hugs and stuff. Yeah, and she's just hanging out and chatting or like we do some painting together and he plays on the keyboard and like just all the other stuff because it's not loud and noticeable. Yeah, he just can't say that stuff. And I said you'll change your mind one time. No, I'm not I'm not either. I think I have so many younger brothers and sisters and I was very much exactly like similar like 14 When I had when my mom had my little sister and I think for that reason. All of my family like my siblings all had kids like what it was anyway yeah, we've all had kids quite late because I think we would just sort of watch the galaxy like wow that is very intense. Yeah, like never have like loads of kids because we're like no, no, no. Yeah. Follows With us get lost. And I feel like I've got quite a unique voice as in like, I think I've got quite a unique experience of parenthood were actually like a lot when when I was going through my own journey of loss and motherhood, like I found it really, I desperately wanted to find people that had that direct because you know, when you're kind of experiencing it, you're so desperate to find connection, because I desperately wanted to find other people that had that specific experience, like, loss, but yet actually losing your mom when you're pregnant. Because that even before after feels so different, like for me, it was so specific. Yeah. And I couldn't find any, I find it really hard to find that. So I feel that I have quite a sort of unique point of view. And there's quite a big sort of gap. Like, there's definitely a space there. And I feel like when I'm in the right space, and as times moving on, I feel like I've got a lot of stuff to write or join me or some way that I can use that experience creatively. Like as an artist bringing that together, like that experience, and whether that comes through in songs or speaking like, I don't know what that's gonna look like, but I feel like there was there's this there's a story to be told in some way. You know, like, that's how I feel about it. Yeah, yeah. Good on you. Yeah. What's the space? And that's the thing. You could be helping by sharing that in your future, the amount of people that you can be helping through that, because, you know, like you said, it's hard to find people have that, that specific experience, you know, totally. And yeah, and there could be loads, but it's just like, I couldn't find like I was there, like, looking on all these platforms, like asking, you know, grief support group like stuff, you know, and it was, yeah. And there were people that had lost their mom, there were like, groups with that, but there weren't specifically in pregnancy. And I was just like, I just, yeah, it'd be really good to like, hear. And I remember listening to one podcast where there was another singer, actually, who had had that same experience. And it was very intense. And like, yeah, listening to that, but it was it was also really helpful being like, Oh, yes, someone? Yeah. Yeah, that's it. Yeah, yeah. Anyway, yeah. It's important, isn't it to be to be able to express yourself and, and make those connections? Like, yeah, yeah. And it's so good, what you're doing, like, it's really great, like, made the time and space and like building this thing, because I'm sure it is making a difference to like lots of people. And I think you can leave like, it's so important, isn't it? I guess we're creatives that, you know, yeah. I imagine that for most people. That feeling of your own identity and creativity, and like, you know, grappling with how that exists, and how that CO exists? As a parent, like, yes, it's quite a big thing, isn't it? How that. Yeah. And coexist as well. Yeah, the way you described about that fear of whether you'd get back to the point you were or, you know, remaining in that space, that is a really common thing, like, especially like performers. Yeah, I've really expressed that like, because, you know, when you're, you know, you're building you build relationships with venues or, you know, other bands or whatever, and then you step away from it for for a period of time. And then it's like, you've got to start again, like, maybe someone else is running that venue, and you have the like, or who, who are you and you know, you've got to try and sell yourself again, and just remain relevant. Yeah, there's a lady Georgia fields who I interviewed last year, and she actually runs platform like her Instagram, it's called Finding the mother lode. And her her whole setup is providing resources for moms who are musicians about how to sort of navigate that whole space and how to get back into it all the emotions you're feeling and that sort of stuff. She's really amazing. Yeah, she said the same thing. It's just she thought she had this fear that that part of her life might actually be over. And that was a really horrible thought to have. Yeah, yeah. Because you can't do like, the reality is, life is different. Like you're not the thing is, when you have a kid, like you can't operate at the same, like, life has changed, hasn't it? So it's suddenly you know, you're not going to track up and down the country doing like unpaid gigs, I mean, things are nice. And you're in your 20s, where you're like, building my status as an artist or whatever, like the things that you could do. It's like, you cannot physically do that stuff anymore. Not that I want to do that necessarily. But you know, I'm saying it's like, everything has shifted, so it's like a whole like, how can you still keep building something but then you know, and my husband is like, going on tour in April as well. So then you're always navigating like his staff with my staff and then yeah, it's that's that's the other interesting side of it. dynamics. But yeah, so life has changed. And that's kind of great. And kind of challenging is when it has changed like, yeah, there's nothing you can like. Yeah. Yep. You just got to sort of work through overburdened Yeah. Yeah. And hope that more parents are like speaking about it thank you so much for coming on here though. And it's just been so lovely to chat with you. Oh, no, thank you for having me. It's been really nice to have this chat to it's been really lovely. Yeah, getting to talk about all the stuff that you don't really get to talk about. So it's so nice having someone asking questions about all these things. So thank you. Now it's been a pleasure. Thanks for your company today. If you've enjoyed this episode, I'd love you to consider leaving us a review following or subscribing to the podcasts or even sharing it with a friend who you think might be interested if you or someone you know would like to be a guest on the podcast please get in touch with us via the link in the show notes I'll catch you again next week for another chat with an artistic mom. This thing was done yet though you try so hard those things you won't want to Oh there is inside Combi? Inside distressed distress distressed

  • Jedda Glynn

    Jedda Glynn South Australian florist, designer and small business owner S1 Ep19 Listen and Subscribe on itunes , spotify and google podcasts Jedda Glynn is a designer and small business owner from Burrungule, South Australia and a mother of 3. ​ Jedda Grew up in a small country town, surrounded by a creative family. She’s been a dancer her whole life, running the Kongorong Calisthenics Club for many years, and recently starting her own small business, The Springs Creative, where Jedda arranges rustic dried flowers, with the help of her young children. ​ We chat about how being creative kept her sane during a difficult time in her life, the joy of sharing the creative side of the business with her children and the importance of having a supportive family around her, and the perks of living in the country and raising children on a farm. ​ **This episode contains discussions around domestic violence and an abusive relationship** ​ Connect with Jedda on Instagram Find out about Squib Group Find out more about the Kongorong Calisthenics Club Connect with the podcast here Music used with permission in this episode is from Alison Newman and Alemjo When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for my guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... elcome to the Art of Being a mum, the podcast where we hear from mothers who are artists and creators sharing their joys and issues around trying to be a mother and continue to make art. Regular topics include mum guilt, identity, the day to day juggle mental health, and how children manifest in their art. My name is Alison Newman. I'm a singer songwriter, and a mother of two boys from regional South Australia. I have a passion for mental wellness and a background in early childhood education. You can find links to my guests and topics they discussed in the show notes, along with the music played, and the link to find the podcast on Instagram. All music used on the podcast is done so with permission. The art of being a mom acknowledges the Bondic people as the traditional custodians of the land and water, which this podcast is recorded on and pays respects to the relationship that traditional owners have with the land and water, as well as acknowledging elder's past, present and emerging. Thank you for joining me. My guest today on the podcast is Jeddah clean. Jeddah is a designer and small business owner from barren gold, South Australia, and a mother of three jeder grew up in a small country town surrounded by a creative family. She's been a dancer for her whole life, running the conga and calisthenics club for many years. And recently, she started her own business, the springs created where She arranges rustic dried flowers with the help of her young children. Today, we chat about how being creative kept her sane during a difficult time in her life. The joy of sharing the creative side of the business with her children, the importance of having a supportive family around her and the perks of living in the country and raising children on a farm. Please be aware this episode contains discussions around domestic violence and abusive relationship. MUSIC Today is used with permission from Alison Newman, and LM Joe. Welcome, Jenna, thank you so much for coming on today. Thanks for having me. Your project is called the springs creative. Can you tell us about that and how you got started and what you make? Um, well, it's very, a very new business. Earlier in the, my partner took myself and our kids on a little holiday up to Victor Harbor. And I just snuck away from them for a while and went through a little market that they had along the foreshore and I noticed a lady up there was selling like bunches of dried wheat and little ponytails and things which we see on the side of the roads down here everywhere. Like it's a very rainy, a lovely little nature. I concept I guess. Yeah. And that's, I don't know identities, were something that I can do here on the farm. I can go out exploring with kids. And we can cut down the branches of trees that we like or that have flowers in the garden. And we just tried to dry some and it worked out really easy. So I decided, oh, let's sell them for Mother's Day. So I put together I think it was 30 odd little recycled jars with some bunches in them and started a little Instagram platform. And it sort of escalated from there. And I had it was messaging me for weddings coming up this season. And then I decided to create a website. And yeah, the little businesses grown and grown from there. So we called it the springs creative because that's where we are in Baringo it's called a little area code the springs and where we live runs alongside the Springs Road so it's sort of just clicked that little Yeah, idea. Yeah, that's great. And yes, have a look on on the Instagram. Anyone that's listening to this because they're just gorgeous. They're They're very, it's it's different, isn't it? They? I guess because they're dry. They're gonna last and last and last. They're not like the fresh flowers that are gonna do they're gonna wilt in and die. They just look amazing. You've got a real talent to for these. Putting them together. Have you always been sort of a creative person making things? I guess so. Even as a little girl I didn't have that many dolls I was writing to pencils and paper and drawing and in my room and making things my my mum and my And both bananas are right into quoting and making. So I've always had that, you know, a home I guess my dad's even quite creative being he's a farmer as well. Making things out of junk like building things and building machinery very clearly like that. And then when I was younger, my mum got me into calisthenics. So I've been in dance my whole life. I'm also a part of the conquering calisthenics club and running that club by myself as a coach. Yeah, so I've been into making costumes and sequencing and creating teens and yeah, smart my life I guess I love I love being a being hands in mind and in our guests during high school. I was in love with all the art subjects and design and things before before I go to maths and science like me, so yeah, it wasn't a great fan of school. But yeah. I can totally relate to that. Say you mentioned that your children help you gather and collect things for your work? Tell us about your children. I have three kids. I've got a son and two daughters. Yeah, what are they nearly nearly six nearly four and just turned one. Busy but a lot of my making and business planning I guess is done when they go to bed. So you spend all night doing your hypnosis because your daily times for your kids your day times for school drop offs in washing and housework. Yeah, it is. It is a big a big commitment to decide to open a business because you do have to give me your free time to to that. Yeah. That's it, isn't it? And especially having a little one too. I guess you're not. You're not guaranteed a full night's sleep either. So no, I am honestly very lucky. All the kids are great sleepers. They go to bed at seven and they they wake up at about seven the next day. So yeah, I am pretty strict on their routine. So I can by eight o'clock jump on in my office and get some stuff done. Yeah. Well, that's great. You mentioned about the farm. So do you do actually have a farm as well that you run? Yeah, my partner's a part of a family trust. So we're surrounded by family. There's Yeah. Every day there's something happening was sharing to be done. There's harvest and silage, there's Yeah, sheep work or whatever needs to have happen. They've also got a theory that they run as well. Yeah, so I am surrounded by a lot of business minded people. So it's been really great to bounce ideas. And they've actually shown quite a great interest in what I'm doing, which is exciting and encouraging. Yeah. Yeah. It's great to have that support, isn't it? And especially with having three children, you'd sort of you'd need to have a pretty good support network around you. Yeah. And my parents lived down in Congress, they're not far away, as well. So yeah, my mom has my kids a lot for me to do my calisthenics. So yeah, go away to competitions and things like that. She Yeah, she takes all that on talking about the concept of mum guilt, you know, this idea that yeah, just supposed to be doing mum stuff all the time, and we're not supposed to do anything for ourselves and Yeah, my eldest three kids from a previous marriage. So I went through a lot of dv relationship. And I left that relationship when my daughter was only, not even one years old. So I've had them longer for a long time. I don't remember much of my daughter's life, because I was going through a lot of things behind the scenes. But I feel that the calisthenics especially, was my escape from what was going on in my home, I could go to castings, and be creative and find my happiness, then come home, and it wasn't okay. So then I moved in with my parents and I could, I could let go, I could be who I wanted to be, and find my happiness again. And I still, I still have a lot of mom guilt. Because I chose to be creative over being there for my kids. But now things are a lot different in a lot happier relationship, happier home, I can juggle both I can be creative, and I can be I can be mum, and can be present. Like it's been very different. Having my youngest and going through bringing her up and, and a little the joys of breastfeeding and things we support around me. It's been a lot. lot different. Yeah. Yeah. And I guess creating the springs creative. He's also something I can do with the kids like exploring the farm, going going out into nature, and oh, look at these wondering what that's going to look like in a couple of weeks after we've hung it up and dried it, or what color could we try and make this grass because we've been experimenting with dyes and food coloring and things to try and suck up into the stems and create new colors and things like that. So that's been fun to do with kids? Oh, yeah. It's almost like a little like, like a science project or so. Yeah, definitely. I mean, it was, it was great to do through COVID as well, not their way here in South Australia had much COVID dramas, but it kept us saying that we could do a little bit of schoolwork in the morning and then get out in the garden. And we'll go for a walk around the paddock and see what we can find. Yeah, for sure. And it's like, I guess, I mean, the kids probably aren't on social media, the ages. But can they sort of delay See, they see the finished product? And they they sort of have an understanding that what they've Yeah, has made this beautiful product, I guess. Yeah, let my my daughter especially, I'll make up a bunch of flowers, and they've got to be delivered up to the hospital. Let's say this to a new baby. And she gets so excited that we're going to Yeah, make someone say brighter with something that we've made. Yeah, that's beauty. And that whole, that whole giving concept that it gives the learning that you can spoil someone without it being a toy or something materialistic it can be a bunch of flowers is enough for somebody as well. Yeah. Yeah, that's really lovely. Do you mind if we delve into this previous relationship a bit more? Is that appropriate? Obviously, if there's anything you don't want to talk about, I'm just interested this the connection that you you raised about the way that being creative was like your outlet. It was your escape. Yeah. Yeah. Can you talk a bit more about that? Is that? Yeah, well, at the time, I was teaching classes at the Congress home. And, like it was a commitment, good scribble gene for classes, two or three times a week. I had to go. I couldn't be having a worse day. But at four o'clock, I had to be there to open a hole up for these kids to come in for their classes. Like when I opened that whole door and walked in. It was I'm free, like, I can do what I want to do for the next year and a half. But when I shut that door and walk out, I have to go back to reality. So I guess it was it kept my, my my I know my gears going it kept kept me alive. You could be honest that. Yeah. And then when I guess when things got to that point where I decided that enough was enough, it still was my, my my little I was my therapy, I guess I could I was going through counseling, going through mediation and things. And yeah, I can be really stressed out. And it was my Yeah. A little a little escape from what was really going on in my life. Yeah. forever grateful for those those kids. I have no idea of what they helped me through. But yeah, they got me through some of the darkest days. Yeah, yeah. And that sense of community. I suppose having having people around you that valued you. And looked up to you. Yeah, yeah. With Yeah, definitely. I love being a part of small communities, because for that reason, your next door neighbor knows what's going on in your world. And they're there for you. Yeah. Well, yeah. My parents were my brother, my sister in law. And then, after 12 months of living with my parents, I moved into a home with my kids, just me and the two kids. And we're only a few doors down for my parents and my brother like it was a little safety net. And yeah, we got we got through it. Yeah. I met my current partner and moved down to Cancun for the first time in my life. When he moved 10 minutes up the road into Boingo. Yeah. Well done. Good for you. Yeah, that's a great, it's a great outcome. You know, you hear a lot of a lot of things not going going the other way when it comes to domestic violence. And I always consider myself one of those lucky ones. Yeah, I felt I felt like I had people behind me to push me through through that mountain because a lot of girls get to that point and they turn around if you go back to like it. I totally understand why girls go back. And it's not only girls it's guys too. But when I took those steps it was crazy how many doors were open for me with counseling. Support hearing about Gambia there's a lot a lot of things I didn't even realize to exist for people ya know, I met some amazing humans who encouraged me to keep going to keep climbing Yeah, I got there in the past I guess yeah, let's go yeah you born and bred in Congo wrong. Usually I've lived here my whole life and even the ceramics which is a beautiful area. It's only what would it be from the man it's like 15 minutes would it be yeah if that Yeah. So we're right on the highway so pretty much where the Grand Council turns to what arrange Council? Yeah. And there's the old springs hole that's still there. Yeah, yeah. Yeah. Often drive past that and think Oh, wonder how many lovely you know, dances and parties and stuff. They have their history around this. Phenomenal No luck there. The beautiful old homes at the old Baringo homestead there on the hill. Yeah. Love beautiful properties, like the hills and green grass and the scrub lands and stuff like that. And then like then all you can see is the bluff as well. Yeah, some fucking mornings. It's really quite eerie. When you look at over. Yeah. It's a beautiful park. That's the thing. I guess. Most people would just drive straight through there. They're on their way to somewhere else. And they just, you know. Yeah. I always did like living here in Congo. He drafted like, oh, every now and then to go to football or netball. You never paid any notice to him? Yeah, yeah, that's it, isn't it? We used to spend a lot of Sunday drives driving around with mom and dad that was just sitting on a Sunday. Go for a cook For, ya know that that tracks between here and anywhere, my dad knew them. So we spent a lot of time driving around, which I probably took for granted as a as a teenage girl or even a bit younger like I was, this is so boring. And it's my going home. And now I love it. Driving around, we decided to go in a different way home every now and then. Yeah. Yeah, that's really cool. And like, yeah, you kids, you kids who grow up with that different sort of view on the world, too. I suppose that there's all these hidden hidden places that people don't know about and all this cool stuff. It's a great lifestyle raising kids in, in the country and on a farm that they they see and learns things so differently. My son knows about the birds and bees now like he's just worked out for himself. Like when I was pregnant with my youngest, Haney how it all happened. So the Rams in the shape have it. That's one less conversation you've got to have as anyone have to even think about it. I guess to then the concept of death to life and death. It's not a dog. Because they see it, you know, often, I guess, yeah, like that we eat our own meat off the farm like lamb and pork. You know, kids know where it comes from. They know. They know what goes into what they have to they may the hard work that goes into raising the lambs to be that to that point, and when they go on the back to the abbatoirs. Or if the when the pigs go to the piggery from the piggery to abiqua. And they know what's happening where they're going. Yeah, yeah, definitely. Yeah, that's a great thing to teach children. I think too, because there's no denial then. You're not hiding things and no wedding milk comes in this year. Oh, I know. Yeah. Yeah. Yeah, that's that's a that's a good one. I think. Not recently, even a couple of weeks ago, I think my pop said to me Oh, I saw this article the city kids they don't even know where milk comes from. And it's kind of like a joke but I think it's true. You know, like there's so many kids that are detached from from that they don't understand they probably think it just goes it's in a factory in squirts out of some big machine you know, it's not Yeah, connection. Yeah, yeah. But then we don't know what goes on in city life like what it's like to ram or bus or gosh, like, yeah, yeah, what it's like to drive around you around in a car park at the shopping center trying to get apart. We don't have to deal with that. Yeah, that's a great way of looking at it. I've never thought of it that way that's really good. perspective or even when it's like to walk to school we drive to school or drive the bus stop or not that we're hugely remote but we are in a way Yeah, yeah. Yeah, that's it isn't it? All these little differences and we just I guess we take for granted what we know and don't think about what we don't know the concept of identity is something that I love to chat to moms about on the podcast. Yeah. How do you feel about that? Like is it important to you to sort of put in air quotes to be more than just a mum to have your own your own identity and your sense of self? I guess I guess I know Facebook keeps reminded me of my what my life used to be before kids Saturday nights it shadows or I don't know even just little adventures I used to do back in the day is a total lifetime ago for me. Yeah, and I guess when you do become a mum you have to let go of that life yeah. You your your life comes second to your kids slow development and their their health and well being is above above yours. Yeah. But you do have to keep it leveled enough that you are your best self where you're at can't be can't be distant you can't be unwell. You've got to be that for that therefore them which I guess I've learned from the past that are needed to put my kids first to get out of that for them. Yeah. Yah, yah, yah. Yah, I love being on I probably love I love being a stay at home mom, I'm very lucky that I can have that role. But yeah, you don't can't get a break. I don't get to go to work and have seven hours without my kids. I've got to be with them. 24/7 so that so that time when they're in bed and you're doing, you're doing your thing that is that is really precious. Isn't it that time that you get? Yeah. And that that they use my time? Yeah, that's my, my. My therapy. Yeah. Yeah. And I guess you you've got to look at look at it like that, that you can use the time that you aren't with your kids to be productive, but also using it to have your time out of work. You've got to go to trade like that, like your time and Once Upon a Time was going out for dinner with friends are going out getting your hair done, but you're going to look at it differently that that's a trait it's not your everyday. Yeah, yeah, that's it. And even even having an opportunity to go to Woolies and get some groceries without the kids such Some. Some new time. Yeah. Yeah. You're still doing your mum work. It's it's your chance to Yeah, timeout or that moment before school pick up and you see the car on your phone. But your your time? Yeah, yeah. Yeah, that's it, isn't it think things take on this new perspective? And? But yeah, you're right. Like it's in finding those little moments, and then being aware of how they're fitting in for you. And not just sort of not just sort of going through the day, like mindlessly I guess. Yeah, yeah. Really pinpointing those moments saying, right, this is my time and you know, owning it and making the most, I suppose. Yeah. Yeah. Like, it could be a morning the kids sleeping that little extra 20 minutes, and you get to watch sunrise on TV and have your coffee hot? Like it's yeah, those things. Yeah. Yeah. That's your time. A little things before before the answer. It's working, really getting down to the road. It's a little five minutes of freedom. I think that that sort of shifting perspective, it's, it's challenging, but I think that looking at it that way will help a lot of people too. I think just just shifting, shifting the way because yeah, life life is not going to all of a sudden say, Hey, I'm gonna look after your kids for two weeks while you go on a holiday. You know, it's an if you've got to, you've got to sort of find those little moments in the in the mundane every day, day to day activities. Yeah, and you also got to find that. I guess in your relationship to that mum and dad can have their time out when they want to, it's okay. If dad wants to go fishing or whatever mums allowed to go, go for a walk or go do what she likes to do. Yeah. Yeah. It's not just all about mum. Both and the kids, the kids also need to see that. We both we both can go do what we're gonna do. We don't have to be at the same time, I guess. Like, yeah. Yeah, like, we both can go do our own things. As parents, we don't have to rely on each other. I guess. Like, yeah, you can have something for yourself. Do something by yourself. It doesn't have to always be with someone. Yeah, yeah. Like, yeah, like our relationship is like dunking, going go fishing, or go catch up with his mates or his brothers in so so it's okay. Like, it's not. We have to do everything all together all the time. Yeah. And if I go down to the sick, catch up with my friends, or go to dancing or whatever, that's, that's okay. It's yeah. Yeah, it's great for the kids to be able to say that it's not to stand like the strength in relationships. You know, you don't have you have to be with each other all the time. Yeah, yeah. Yeah, I guess I guess the lock the lifestyle around. Things don't stuff on the farm. You can't have Saturday and Sunday off. Things still need to be done. The weather's right after the sun been near like this weekend. We weren't planning on doing anything as such, but we ended up sharing 15 games, but yeah, the kids and I had planned to go to narracott yesterday, so we still went and yeah, we still got to do what we plan to do. Yeah. But yeah, things on the farm still have to be done. Yeah. Yeah, that's it, isn't it? Yeah. And I guess that teachers, sort of models, I guess, like that adaptability and that resilience. I suppose that if whatever is thrown at you, you've you've just got to deal with it at that time. And yeah, yeah. And it teaches the kids too, that plans change, as well, that it's okay. It's not something you fit. Yeah, it can be disappointing, but you keep up and walk on. And it goes on. Yeah. Because change is a big a big thing for anyone, for adults, but for children, especially when plans change. So I think that's, that's a really valuable thing for for kids to grow up with that idea that it is okay for things to change. And, and it's not a thing to be scared of, because I think a lot of people are asking. Yes, yes. Yeah. I've never thought of this stuff before. It's really cool. It's like your children are getting this their own special brand of, of life education, I suppose. Will these these little thick tools? Yeah. Yeah. Yep. And I guess I was, I was brought up the same like I was brought up that you talked about what you want to talk about, get it sorted out, there's no worrying, there's no need to go round and round in circles so that you can you can find a solution to a problem. Yeah, work it out and move on. Or? Yeah, yeah. And talk it out rather than, you know, dwell on it, hide it and internalize it and go around around around forever. Sometimes I still overthink everything. It's what we do as humans. A blurry that things are the same things. And then ends and you move on you just Yeah. Yeah, I'm blown away with our area, like, how supportive other small businesses are of small business startups. Yeah, it's fantastic. That you can reach out to other little businesses and they'll give you a heads up on things or CVS, things like I had, had a couple of girls. Say, Go for it, go to the library, market, get yourself and your branding out there and see what happens. But just Instagram alone has been amazing for me. The followers and the shares. Yeah, the inquiries for weddings has been amazing and exciting. It's exciting to share that happiness with those people. Because a lot of them have had their weddings canceled because of COVID. And to be a part of that excitement for them, and then they're still worrying that things will get canceled. But yeah, yeah, that's, I'm really looking forward to got my way our first wedding coming up on the 20th of November. So yeah, I'm super excited to. Yeah, bring all those ideas out and show what we what we can do. Yeah. Yeah, that's crazy. Yeah. And then to see where things go, like if we can get more into the wholesale of dry flowers. The boys this year have a lot of wheat crops in two of my partner's brothers own a business in Millicent called squeak group, which is a stock feed plant so they make a lot of canola meal and canola oil and other products as well, which has been super exciting watching them growing their business. Like it's a multi million dollar thesis, but my little flowers is flooding along but it's so good having family that around, like who are very business minded and say you should be doing this you should be doing that. Have you thought about this or? Yeah. How much did you make on it this week? What was your profit like? You should be looking at this. You shouldn't be doing that. Like I'm just a little, little, little check making some flowers. It's no big deal. No. It is great having having people like that to bounce off decisions, I guess. Yeah. Yeah. Yeah, that's thing even though you you're the scale might be a little different, but they might, you know, have a suggestion of something and you go, Oh, I didn't realize that. Oh, yeah. Yeah. Yeah, one night, every now and then they have a fire and catch up at our place. And I was saying how much dried wheat is on the wholesale market. And they all is what you can make a driveway in their crops and firewood with scissors, cutting down wheat. So I'll make a profit off their crop, so it shouldn't be fun. And even like, fracking, we've got all our scrub weeds that we spray for weeds. Yes. Huge, popular over in America like looking at the summer. And bouquets they've got those in there bouquets. Like that's something I've got my back door. Yeah, easily. Yeah. So it's cool watching trends from overseas that come into Australia and yeah, trying to get my head around things and what all the whatever on locks and yeah, that's, that's awesome. Again, that perspective shifts like something that that we spray we get rid of, because it takes you know, takes up room in the grazing and it's just a pest. People People love and they want in their bouquets. It's like the Pampas grass and things like that. Like it's, it's classed as a weed. Yeah. And I've been looking at, had a lot of people inquire for me to post them bouquets or post them arrangements, so looking by security in different states, and each state has a different role. It's amazing how Australia can be one country but have all these different laws in different states. Yeah, okay. Hey, Sydney. I've really liked to get into his posting them, but it's going to be very complicated to do it. Yeah. Oh, it sounds like you've got some fun coming up in the future. Yeah, hopefully, building and growing. Yeah, hopefully. I feel like I've finally found my little niche and my little, little thing and laughter run when I left high school in 2008 with no clue at all what I wanted to do following year 12. So it is nice. It's nice to finally find my my life but yeah. life a life that I can still be mom and still be there. For school pickups and drop offs or volunteering at the canteen or whatever. I can still do both. Yeah, I need to see where things go. That's for sure. Yeah, well, absolutely. I'll be I'll be watching. I'm sure a lot of people will be after this. Because yeah, it's a great story. And I'm really, yeah, and your products are beautiful. You know. I just thank you for having me. Yeah. I love listening to your thought your podcasts and very interesting guests you've had on so yeah, and it seems foreign to someone like me. I'm just a little little piece of the pie out here so young. It's nice to Yeah, listen to other people's journeys and find inspiration from what they've done. Yeah, it's good. If you or someone you know, would like to be a guest on the podcast, please contact me at the link in the bio. Or send me an email. Alison Newman dotnet. Age to Ellis Cafe is a fortnightly ish, long form interview based podcast featuring conversations about politics, environment and mental health in a world on edge with Ben heavy. Ben is an international relations researcher, environmental educator, mental health advocate and longtime friend of mine who enjoys having a yarn over a hot coffee. The podcast tries to make sense of the different kinds of edges that define us, divide us and shape how we interact with each other. In a world that's gone a little bonkers, and what it means to be a little different. Check it out at pod bean.com or wherever you get your podcasts

  • Aleathia Holland

    Aleathia Holland Australian entrepreneur and business owner S2 Ep67 Listen and subscribe on Spotify and Apple podcasts (itunes) I am delighted to welcome Aleathia Holland to the podcast, Aleathia is an entrepreneur and business owner from Mount Gambier SA, and a mum of 3. Aleathia grew up in what she would describe as an entrepreneurial family. She was always encouraged to follow her ideas and try new things. She would make and sell potpourri as a child. She opened a clothing store in the late 1990s with a passion for selling one off, exclusive designs in a world that hadn't quite evolved to online shopping, in a town 500kms from a capital city. Her earliest memory of tea is of her Grandma using her very cold very black tea to add to the Christmas pudding, once she added a cup of tea all the grandchildren would get to have a stir and make a wish. Aleathia thinks it was this magical tradition that started her love of tea, although she didn’t realise this at the time. Aleathia's husband's work has taken her family around the globe. In Singapore and discovered TWG tea, luxurious tea tins, decadent high teas and divine blends. It gave her new appreciation for quality tea blends. From there she moved to South Korea and discovered traditional tea ceremonies, and green tea - the plantations were lush and green and filled the country side. That’s where she really discovered the difference between a top grade and low grade of tea, steamed, fermented or pan. It was amazing how much went into creating teas that we drink everyday, not really thinking about how they came to be in our homes. In 2020 when Covid struck, Aleathia's family needed to move with a weeks notice to Western Australia for her husbands work. Suddenly with extra time on her hands, Aleathia had the opportunity to start up her tea obsession! Aleathia opened her tea company Athella, driven by her passion for providing high quality, organic and ethically sourced tea, and she takes pride that she is able to run her business from a regional centre, and mix the tea herself. She entrusts the help of a Naturopath to ensure her teas aid wellness and are full of health benefits. When her family moved back to Mount Gambier, her business was embraced by the supportive people in her regional home. She is passionate about educating her tea drinkers. and has hopes to provide an accessible employment environment for working mothers in her home town. Connect with Aleathia - website / instagram / shop tea Podcast - instagram / website Music used with permission from Alemjo my new age and ambient music trio. When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum, the podcast that's a platform for mothers who are artists and creatives to share the joys and issues they've encountered. While continuing to make art. Regular themes we explore include the day to day juggler, how mothers work is influenced by their children. Mum guilt, how moms give themselves time to create within the role of mothering and the value that mothers and others placed on their artistic selves. My name's Alison Newman. I'm a singer, songwriter, and a mom of two boys from regional South Australia. You can find links to my guests and topics we discuss in the show notes. Together with music played, how to gain touch, and a link to join our lively and supportive community on Instagram. The art of being a mum acknowledges the Bondic people as the traditional owners of the land, which his podcast is recorded on. Thank you so much for listening to my podcasts today. It's really a pleasure to welcome you. My guest today is Alethia Holland. Alethia is a mom of three from Mount Gambier South Australia, and is an entrepreneur and business owner. Lithia grew up in what she would describe as an entrepreneurial family. She was always encouraged to follow her ideas and try new things. She would make and sell potpourri as a child and she opened a clothing store in the late 90s. Called a Linus with a passion for selling one off exclusive designs in a world that hadn't quite evolved to online shopping. And in a town that was 500 kilometers away from a capital city. Her earliest memory of tea is her grandma using her very cold and very black tea to add to the Christmas pudding. Once she added a cup of tea, all the grandchildren would get to have a stir and make a wish. Alethia thinks this was the magical tradition that started her love of tea. Although she probably didn't realize it at the time. A lady's husband's work has taken her family around the globe. In Singapore, she discovered TWG tea, luxurious tea tins, decadent high teas and divine blends. It gave her a new appreciation for quality tea blends. From there she moved to South Korea and discovered traditional tea ceremonies and green tea. The plantations were lush and green and filled the countryside. That's where she really discovered the difference between a top grade and low grade of tea. It was amazing how much went into creating teas that we drink every day, not really thinking about how they came to be in our homes. In 2020, when COVID struck a lathe his family needed to move within a week's notice to Western Australia for her husband's work. Suddenly, with extra time on her hands. Alethia had the opportunity to start up her tea obsession. She opened her tea company, a fella driven by her passion for providing high quality, organic and ethically sourced teas, and she takes pride that she's able to run her business from a regional center and mix the tea herself. She interests the help of a naturopath to ensure her teas aid wellness and a full of health benefits. When her family moved back to mount Gambia, her business was embraced by the supportive people in her regional home. Alicia is passionate about educating her tea drinkers and has hopes to provide an accessible employment environment for working mothers in her hometown in the future. The music you'll hear on today's podcast is from my ambient music trio called LM Joe made up of myself, my sister Emma Anderson and her husband John. And that's your cue to pop the kettle on and get cozy as a luthier spills the tea on what it's like for her to be a creative mum. I really hope you enjoy this episode. We had a lot of fun recording it. Thank you, Alicia. It is a pleasure to have you here. But I'm here in your space today. So thank you for welcoming me. I know I love it. I'm so excited that we've got our tea. Can you tell us what teas we've got today? We've actually got your favorite tea, which is our organic peppermint teas and Gyptian mint tea, and it's beautiful and smooth. And while even though I have put some of these sweet levels out he is meant to help with sweet cravings. See how we go it doesn't help me. Do you? So take How did you first become to love tea so much? What was the draw for you? The draw for me really is tea has been around my whole life from my sitting down with my grandma and having a cup of black tea with all those lovely tea leaves in it because we didn't have strainers and that's how she drank it. Yeah, I used to think but I didn't mind you used to let me put milk and sugar in it. You know it was it Get a treat. And then from there really, tea has just been a staple lot. When my mom and her sisters would get together, the cattle would go on, everyone have a cup of tea. So it's just become such a familiar part of our lives. When something's happened, we're all you know, something's happened up at Mom's, we're all up there, the candles on, everyone's having a cup of tea when my friends come to my house, the tea pot goes on. If we've had a party, and it's 2am we end with a cup of tea. That is my like, you don't realize what a staple it is apart from the every day. It has just become one of those things. That's when I started doing this business, I realized what a big part of was of my life. And then I think to what have massive parties for for a lot of people. And then you could share in that too. Which is really lovely. Because I know a lot of people don't drink coffee. So you know, sometimes you can, you know, get a bit stuck. You go to someone's house, and let's say your tea or coffee and you say I'll have a tea and they're like, Oh, I've just got this old lectins or some generic brand. And you get on. I'll take that. But you know what I mean? Like, especially when you you enjoy good quality tea, then you're stuck with something that's not quite the same where you go. Do well and truly, it's just created and did you like a lot of people actually because coffee is everywhere, right? And you know, getting this type of coffee, a lot of people will have a coffee, but they don't tea the rest of the day. Because I've never drank coffee, but tea is actually the most consumed hot drink in the world. Yeah, so even Trump's the coffee absolutely well and truly Trump's coffee and being able to get good quality tea and and look, I didn't grow up on good coffee tea, supermarket tea, because that's you just didn't you didn't know you had access to I was gonna say I don't think there really was that stuff around back then. No, especially make him here like, no, no, there wasn't, there wasn't specialty cheese. And it was yeah, it was quite generic. And that was great for a first experience. But that's really what started me on my tea journey because I do love my herbal teas. And I've always struggled with quality tea. But I do love my stable black tea. And I sort of got a couple of years ago, I got to the stage where I could no longer stomach black tea. And that's what really started me on that quest as I didn't want to give up that luxury. And I actually after investigating and researching, I found out that I'm actually allergic to the chemicals they used to map when they do mass production of tea. Ah, so I can drink organic clean black tea, which is what our Ceylon is made of. Yeah, no problem. But I cannot drink the mass produced tea. So in that, and I think that comes down. And that's what I'm a firm believer in is educating our little tea community because people drink numerous teas a day. Yeah. And you know, sometimes they're at those that don't have great stuff, you know? So that's really true, isn't it? Is that education process as well? For me that's important to me. Is that what I've learned? I'm able to pass on to someone else. Yeah, that's it. Yeah, cuz yeah. I don't know. I don't know how many years ago it was when it started to become quite mainstream, that everyone was talking about, oh, what's in our food, you know, all of a sudden, it just was like, bang. Nutritionists. And, you know, people from the eastern side of medicine been saying for decades. Yeah. But all of a sudden, like, mainstream caught up. And yeah, all the things like what goes into making a tea bag and the chemicals that are in that paper, eat whatever it is. Yeah. It's actually lung plastic. Yeah, right, and the stream. And then sometimes, if you're not careful, you you label fuzziness. Well, you know, goodness knows what you end up actually steeping in your water. It's a whole host. And you could be all drinking that every day, maybe up to three or four cups. Yeah, unless you're drinking looseleaf. And then, you know, as long as it's organic and clean, you're fine. And that's another big part of education is educating towards looseleaf even though I do do the clean teabags, you can't get better. Yeah. And I think too. Now, a lot of the companies now making an effort to put the little taste drainers in the top of drink bottles, because it's so popular, and they're catching on that people want to drink clean, and they don't want to have all that mess. Yeah, yeah, it's just the little extras. And I think, look, I'm the later into 40. And you do start to as women, we do start to have things that come up in our bodies that we need to clean up. And we start having reactions to things Yeah, it does put us on a pathway of finding a better way to eat healthy, I guess, as well. Yeah. And that's the thing like you say you might have, you know, myself, maybe, you know, five or six cups of tea a day. And if you're doing that every single time, yeah. So you are consuming a lot of plastics and your tea bags and things like that. If they're not, you know, biodegradable or native plant based product. Yeah, so it does it does make a difference Yeah. Now I remember back in the, I want to say 90s, late 90s, you had a clothing store in the main street or not all just off the main street, which I used to come to because I loved it. He was called Elena's my saying that right? Yeah, for a long time. Yeah. So you've you've always been like an entrepreneur and doing your own thing you like to sort of create, you know, business ideas. Look, I grew up in what I would call an entrepreneurial family, you know, from the age of 12. I was probably younger, actually. But my family had coffee shop with a couple during my growing up years. And the first one I used to make rose petals and sell them and this little guy had in the Hi Fi arcade as on my boat. Okay, I think it was, I can't remember what Okay, that was it's not it's not existent now. But there was a guy that sold badges. And he used to let me sell my little bags and pop furious probably 10 or 11. I did that with a friend. And you know, made myself some pocket money. Because, you know, that wasn't, there wasn't disposable income for lots of things back then. And so, you know, I always watched my parents work very hard. Like they both had great work ethic and had multiple jobs at times. And, you know, I think all of our schools work, I grew up in a family where anything was achievable. So that was that was something my dad was a real ideas person. And, you know, if we wanted to do he's the one that encouraged me I was living in, in Adelaide at the time. Yeah, running a store for witchery. And he's like, you've got to come down and doing this, and he's gonna do a hairdressers. You can do the clothes. And I'm like, why not? Go? Yeah, that was always I had the backing of my parents. So always and I think that's really important. Yeah. It's it's harder to achieve without some backing off support. Yeah. Oh, absolutely. I found is everything. Oh, absolutely. That's it, isn't it? And, yeah, I got some really good here from your show. Because it was different. And there wasn't many of each size. So it wasn't going to be heaps people wearing them, which I found really good. Because I went to check it once somebody's 21st or eight, I can't remember it was about three, the girls all had the same dresses. Because you know, you may Gambia and this was before the internet, you know. 1999. Yeah. We were a little bit. So I appreciate it that the point of difference that your clothing heard so nice. That was again, that was a lot to not be the same. Yeah. So that was really important to me that while I could have sold 10 of the same thing, I didn't want to do that. I wanted my clients to feel special. You know, I think that was really important. It wasn't about making x amount of dollars. It was me it was making, you know, building that community and making people feel special in their clothing. Yeah, absolutely. It doesn't matter what I do. That's what is the most important factor. That's what drives you. That's yeah, is that happiness that you get from seeing someone loving how they feel? And I noticed too, I hope I'm guessing this right, when you create the names of your business using your own name along for time. Is that too much? I don't know. I love that though. I mean, names have to have a connection for me personally. And yes, I'm proud of my heritage. I'm proud of the names that you know, my parents gave to me and that connection and I, I love having that connection to my name. I think that's important. So when I was coming up with this business, a thriller, it really was a struggle because you know, I had all these other different names that relate to tea, but I didn't feel connected to those names. Botanical Tea Company and things like that, which were great. But I didn't feel connected and this is a family business, my son's coming down here at 14. As much as he doesn't love it works on Tuesdays and Thursdays with mom. You know, he does the deliveries, oh, my delivery man much is doing you know, he's 14 comes and cuts up the boxes. He doesn't love it. But he has to understand the value of the dollar and family and then we help each other out, he gets paid to do it. I think it's really important that if it's outside, do jobs at home, I don't use my kids pocket money. That's part of their being part of family. And I get paid to do their washing, that when they come and work, that's a really good point. I don't get paid. Yeah, that's it, isn't it? You know, you never thought of it like that this house, we work as a family routine, you help out. I mean, not to say I didn't try the pocket money thing. I've tried everything, charts. You name it bribery. And we've all tried it. But it's just got to the point now where I'm like, the jobs at home, when you come to work with money, you get paid for the hour. And that's yourself by like, you know, that's his satisfaction on the jungle. So that's his first job. So yeah, and that's great. Because he loves that work ethic, because he's coming through, you know, you said about your mom and dad, to you to him, it's like, you're training him so well for the world, you know, you're giving them all those amazing skills that you've had. That's awesome. Can I make you know, to raise well adjusted children, is all we can hope for in, in this in the world we live in, it's really can be a struggle at times. This world of, of always outside influences that. I mean, I certainly didn't have any probably the same growing up, there was no, you know, social media, or carry on on YouTube. And you just think my God, it's like we're competing against all these other forces to try and keep our children, you know, and to influence our children are very vulnerable to what information goes in and who their influence five. Yeah. So it's really important that that we are still their biggest influences. You know, they'll have mentors and teachers and sports coaches, and, you know, people outside of us as well, uncles and artists. But social media can be a really good or really dangerous influences. We have to learn a way you can't limit it. You always have to learn. I mean, I'm not adults, but we have to learn how to embrace it. And help our children to navigate it. Yeah, exactly. That's really easy. You can't just go that can't have switch it off. Yeah, learning how and often that's learning together about what what your child is capable of. Because I know, at one point I, I sort of, I don't know, I might have underestimated Alex will be he's 14. And he's like, Oh, no, no, I, I know what he sees when I have to do it. And I was like, Oh, my God, it was and I thought, okay, you're actually more sensible than I thought you were. So yeah, that's okay. Sometimes it's nice. Isn't it? Surprised? Okay, job done. I out there, doesn't it? It is really hard. I really feel like when my kids were young, and social media was around, it wasn't really a thing. Because my oldest was born in 2002. The first time they got iPads is when we moved to America. So they were allowed to have those iPads on the plane if we traveled. And then they went away. There was no nothing during the week. I didn't have that because just wasn't done. But this next generation that's coming up, I didn't have a phone that I was on all the time either. Yeah, you know, very different so and it seems it's happening so quickly, like it's just the speed of technology inside for whelming. So you mentioned America so you've done a little bit of living overseas with your husband's work. So I guess that's why like when we were talking about aligners and the clothes store like I loved I've always loved working in what I do, but I met I hate that I always knew my mum was very much there for us like even though we had coffee shops and that my mom was the sort of person get off the bus, we had a massive long driveway that felt like forever, because we lived on a farm, you raining, we get inside and mum and have a hot Marlo and something hot out the oven for us. So I knew that if I was able to, I wanted to have that for my children. And it just happened that we had to move away when I got pregnant with Dagon. And so it sort of I wasn't able to do it, I was able to have a life where I was home for the kids, which was really great. So you know, not for everyone. But it was 100% something that I really wanted to do so so and moving countries to Yukon, we we've lived in three other different countries. We as a as as part of my husband's work, we weren't able to get work visas. So we weren't actually because we were in each country for about 18 months to us. So we couldn't get work visas, which is fine that I you know, had money blogs or something. I've always tried to keep a little part of the 100% there for my children, but also keep a little part of myself. It's very important. Yes, yes, yeah. Especially if you're over in a country, and you don't really know many people, and it's a foreign place. You know, yeah, it'd be challenging, challenging to set up to find yourself, I guess, you keep the sexism container myself, right being to look at, you know, us as sisters, who had all of our kids at the same time, I was able to stay home, and she wasn't, and it hasn't made a difference to our children. And I think that's because we learned the values from our mom. And one of those values was, was being the keys to the present and listening in the moment when your children need you. So that that's really important. My mom was always there for us when we need to. She was having a coffee running a coffee shop or not. And I feel like you can't have it all, like I think women it's been really hard for women is that we feel that we have to work, we have to be an amazing mom, we have to go to all the school functions have to be there for our partner still have a friend group. We have to do all these juggle all these boxes. And it's really a tough gig. And staying home is a tough gig and going to work as a tough gig. And I think there's been this mentality mentality, which is changing now. But I feel like it was like, yes, you're a woman, you can have it all, you can do it all. You're amazing. And I've really, I thought when I first had babies that I would be able to do it all. And I soon realized that wasn't a possibility. Not for my mental health, not for anything. I've realized that I can have it all, but just not right now. So I had the stay at home when I had the kids younger. And now I'm having the career. Yeah, even though I'm probably more tired to have a career. I love what I do. So do you know, I feel like I'm changing as women? Do we understand that? We don't have to do it all right now. Yeah. I the way I say it, I feel like we can have it all, just not at the same time. You know, like you said, yeah, that period with your children that was really important to you. And, and now they're sort of growing up. And now it's your time to have a little bit more time, you know, to do what you want to do. One of the ladies ahead on podcast. In Season One, Rachel Power said an amazing quote about, you know, post, the post feminist movement made us feel like we could have it all. No, all these worlds have been opened up towards this all these opportunities, but then as soon as you become a mother that just goes out the window. It's not it's almost like it's not relevant to you if you're a mother, because this notion of having always just completed neath, you know, yeah, so I think a lot of it is just, you know, being kind to ourselves and knowing that, you know, life does change, you know, I know that can be a lot of sort of an order use the word resentment, but it's like, you know, that this time is not your own. When you've got little children. It's like, okay, I'm gonna give everything to my children. And then knowing down the track, life's gonna change, you know, there's always this constant cycle of change. Yeah, I don't know where it's going. But I 100% agree with you. I love that. I love that if you're able to give that time to your children, if that's what you know, is like I said, it's not for everyone. Not everyone has. Every you know, some people need their time away, and they thrive better as a mother if they're working. So everyone thrives in different ways. But if You have the ability to give that press especially from those one to five, know from baby to five. If you can do that, then it's a great benefit. To be able to. Yeah, I think the important thing is is that we all do what suits us and, and neither side devalues one another females doing I feel like I felt it a lot when you know, obviously this is early 2000s. It was like, oh, no, I always remember this guy. We read it. I went to a hairdressing conference or something. container at the time was doing. And I said, I'm just a mom or something like that. girlfriend. Don't ever put the word just in front of you know, stay at home mom. And I like, Yeah, okay. Yeah, I was like, Nope, just to stay at home mom. Like that. It's how I felt at the time that what I was doing wasn't valued by society. Yeah, I don't feel like that now. Yeah. But at the time, because I'd had a career before. And I chosen to be and it's not very glamorous. stay at home mom. Yeah, I mean, going to it's and routine based. And it's a bit monotonous. And you know, it's the same day in and day out. But this is just those beautiful little moments that I got to have you with my children that, you know, I cherish. Yeah. And that time that you never get back again, which I've learned very quickly as they grow so fast, and they don't think their mother anymore. You think, oh my gosh. Well, then they turn into what I like to say, toddler adults. Because, yes, it changes you go, Okay, do everything for a toddler, and you have to do everything for little ones, right? Like go into primary school, and then start to become the independent, or the last at the table or the laundry, the dishwasher and help you clean up and this is all lovely. And you know, you know where they are. And it's, you're in control of everything, you know, you're it's all your influence, really. And then you come teenagers, and there's a real, you know, back and forth. And a lot of that goes on. And there's social media involved. And it's a whole different world where they're pushing back on your beliefs, because they want to explore their own beliefs, which is great. And I love that about, you know, kids in general. And then they become they turn 18 still living at home, which is I love it. But suddenly, there's clothes everywhere, and there's a cup left and it just packets of food everywhere. No one knows how to put a dish in the dishwasher. I don't know how they think that happens. They forgotten how to do that. Yeah. And then they do need you all the time because they're out in the workforce and then navigating how to communicate with other people and clients and adults. And it's like mom is a person that they revert back to so even though I'm busy at work, I'll sometimes get 100 phone calls a day, which you know, I'm like, okay, so it's like yeah, I like to say toddler adults because they're not that they revert back to needing mom for a whole range of things. That's really interesting. So unless they go off to uni or something like that, because my two oldest are still at home. Yeah, I do feel like I love them dearly, but they just picked up off themselves to be better. So when you kids, can you share with us how old they are, or Dagon will be 20 next month, and Ariella is a team and thing exporting. They're all beautiful ages. And yeah, they're, it's, it's so interesting having added, like your kids become adults, it's such a transition. And it's another beautiful different way in which you communicate and bond with them really enjoying, essentially living really Mowgli and just to see them grow, and I guess, you know, try and help them guide them to the right path, and then just seeing them make the right, you know, their own independent decisions that you've helped guide it. And I think to really notice, a lot of like mine and my husband's influence coming out in the way that they speak their beliefs and, and actually feel proud that of that as well, that they've got these beautiful mindsets in a way that I mean, they've moved on from it from us, and then just tighten because you want your children like you want your children to what I you know, I feel like I want my children to achieve and be better than what I've done, like last year, so I want them to improve, there's a lot of things that I fall over on, there's a lot of things that haven't, you know, I've had to change the way that I think, or my beliefs and things. And it's great, you know, you have to grow continuously as a person, you can't get stuck in, in certain ways. So it's really good to see this, the kids and they've challenged me on things. You which I love. I'm like, okay, all right. Yep. That's actually a great example. You know, so it's been really good, the way that they think about the world is very different to how we have thought about the world. Yeah. And I love their perspective on it. Yeah, that's, that's interesting, isn't it? It'd be it'd be, you'd have some really interesting conversations, you know, as they grow up, yeah. How they, how they think about things and how they see things. And because the world they're in now, like, obviously didn't exist when, you know, we were there, OSH is a completely different place in so many ways. Like, like, for example, Australia days, such a big difference to you know, what, how we grew up. Yeah. And my kids have just such a different thing. It's my gift to change it for them, it's just an instant just change. It's a no brainer, it's a no brainer for this next generation, like they are so worth the vault evolved than what way we are and have such a deeper understanding of hurt and pain. And I just when we talked about it, so I love that isn't that that's the next generations way of thinking about things because they're not stuck in the past and not know, not like, oh, just because it's always been done this way. We'll keep doing it that way. It's that's very encouraging to hear, isn't it? You know, not to and that they're not threatened by change. Yeah, right. They're not they don't feel that it's anything to do with them. You know, part lucky even though it's it's generational stuff that's happened there that I've seen how past generations have seen. So this is really a Yeah, I love that. And I hope as we move forward, this generation is going to make big changes. It sounds very promising. And that comes through the education system, and schools as they evolve more and everything. Yeah, absolutely. Yep. Yes, yes. When you were overseas, I think it was in your in Korea or Japan, South Korea, South Korea. You found some tea over there that you really like, is that the rice tea? I love all the green teas and the rice teas and everything. But I actually fell in love with tea in a more organic way when I moved to Singapore. Ah, right. Yeah, there was some beautiful teas that I got to try while we were living in Singapore. And from then in South Korea, I've seen they had all the green tea fields and plantations and to see how beautiful they were and, and, you know, falling in love with all the different kinds of the magic team. All these beautiful center. There's just so many beautiful green teams that because for me creative, yeah, like, oh, you vine, it's like, I just can't drink this. But I know that I shouldn't because it's full of health benefits. And it's like, and I just didn't like it. But then it just completely opened my eyes to a whole new world. So I really got into all the different teas and the tea ceremonies, the history. It's really just such a beautiful culture when you get into, you know, the ceremonies and rituals of tea and where it truly comes from. And that beautiful calmness about tea. And you're preparing a tea like it's just, it's all of that that can be really soothing. See, I think a lot of people would sort of be familiar with the way Japan sort of honors tea and uses that they use that the same South Korea is quite Yes. teas, teas everywhere. Yeah. Right tea is is very similar in the way that they create their tea rituals and teas very big for health benefits. Again, it's you know, it's used in all herbal medicine and everything, it comes back from all of that that needs. It was used in the original medicine, that was all the beautiful herbs and teas. It's just we've forgotten along the way as Western medicine has taken over. And everything has been packaged down. Convenience, that it all that all those pills are packed, they all have an ingredient of hers. So it's all that beautiful that we can actually get by off the shelf. As long as it's organic and clean. Then you're getting health benefits from it. So is that where you sort of sparked for you that you want to create this business? How when did that sort of come up that you thought, right, I'm going to do a team business we did that. That was when we had to move to we've moved back to negative you been here for three years and then COVID strock. And we had to move to my husband's job. So I spent 2020 in Perth. And I sort of like Perth, there was another drop of COVID there was no restrictions there were no mas, it was just the polar opposite of Victoria really was really different. And that's when I was really having the bad side effects from the black tea. And I had time to play around I had all these beautiful herbal and organic stores, I was living in the city again. So you know, I had this lovely chance to score. And I've been looking at, I really feel like I want to do something again for myself. That coal to business was really pulling at me and I was looking for opportunities of what I can do. And so then I sort of started playing around with things that I originally started with mixing collagen protein because it's really into collagen. So that's sort of where it started. The collagen tea was a whole nother whole thing. I am releasing that this year. But I had to get food technologists on board and I've had to learn so much into it. I'm luckier that Santi business is so much bigger, anyone that's listening knows, it's not so easy just to start a business from scratch. Like, you know, just the packaging alone is a massive thing to design and produce and you know, all the things that go with it. So, but back to Starling T, I started playing around with herbs. I was looking for clean organic teas. I looked into plantations, I knew that I wanted to work with single state plantations. I'd like to work with one that does Ceylon tea she doesn't like to enjoy. And they also do sustainable farming. So they don't DeForest, right? They just replant among so you'll see their plantation and I'm very transparent with where my tea comes from. And the So that was sent out newsletters with little videos of the farmers talking about the tea. And third, I work with third generation farmers. So they've really honed their skills over the years. And so they work around the forest, they work around the trees and everything. And I love that water gets reproduced in, you know, they're really conscious of their environment. And so that was really important. I didn't want to buy where I didn't know what was being produced. So they go, they show you the whole process of how they don't use pesticides, they don't use artificial fertilizers, and all these things that are now used in mass production teams. So I you know, connected with some really great people, I was working with a friend at the time, we also talked to a naturopath and got some naturopathic teas on board because I'm not skilled in those areas. But I knew that I wanted to create a sleep team. And I knew that I wanted something for mental clarity. Because, again, brain fog is afternoon is something that I really struggled with. So I knew that those two teams were really important. And I and I wanted to make sure that I had them right. So we went we started off by going to Fremantle market, which is really clean, organic, sustainable, and thought, let's see, let's see if we get anyone coming back. And of course, I was doing tea tasting, I was talking to people, I've done more research. I've also studied tea as well. That's ongoing golf course. And my next video is going to go on to finish my course. So I wanted to make sure that I was educated as well. Because I'm not trying to the naturopath or herbalist or anything like that. So we wanted to have my own background besides my tastebuds. Yeah. And what feel good in my body. So we found that people kept coming back and they would buy the whole range. So they weren't coming back for just their favor. They were trying and coming back for the whole range. So once that happened, I felt like Yeah, I suppose. So the workout the packaging, and I knew that I already wanted to do wholesale so I'm one of these people that go okay, let's do global domination. Make it small think big, right from the start thinking big, right? I just didn't realize how much it would take to get to global like thinking big, but it's it's been quite a few setbacks along the way. But we are definitely getting there and moving back to South Australian having such a beautiful local community throw their support behind me has been amazing. Yeah, it's been really amazing. So so that's sort of been my journey, we've had a name change along the way and, and a move into feeling more like it was part of me and my background and aims and values and, and it is like my husband works when he's home from work. He works away. So we, you know, we were the TeamMachine together, my daughter's coming to work with me next year after 12 She's having a gap year. So it's really very family oriented, which is wonderful. He's wonderful. Yes. And I've got to say I'm a big supporter of your team because I love it so much. I love it so much and it's so nice to be able to buy proper good tea that's made like from a person in my own town like I think that's so awesome. You can just get it right I can go did did it on the computer and the next day I get a nice little person I'm just actually speaking to I'm gonna fill your cup up here a bit more of this tea and you're right that is my phone. Well I knew that it was gonna like should I get something different today beautiful all throughout the time when you're building your business and you've got the kids Are you saying you need some coffee? So? Did you ever feel like, you know, this little horrible thing? The mom guilt was that ever in your mind that on I've got to focus on the kids and can't do this, you know, it was ever conflict. I love to talk to all my guests about this. Because I just find it's the most interesting concept in the world. I know that mom, you friend, your family guilt, parents, I mean, I think guilt is something that I'm not sure it happens as much with men as it does for women, I know my husband gets up, go, if he has to go away, that's all he has to do, to pack his bag and walk out the door. Whereas I'm like, Okay, our kids, what else needs to be done Washington down the house clean, like, our mom, your doesn't stop. And even though this is the thing that I've really noticed with having older children, is that that mom guilt doesn't stop. Yeah, it really doesn't stop. But some nights I do work, you know, six to seven days a week in my business and I at the start, and I really had to find a work life balance, because I love what I do so much. It does consume me at times, and I get so excited about what I'm doing that I just want to work 24/7. And I've found that, you know, there was that sense of everyone wanted me home, regardless of whether they were sitting in their room watching TV or off riding their bike, there's a sense of the kids do want you to be there in the moment they get home. And so I really had to battle and we've had lots of discussions around this. And just everyone you know, helping out taking interns to cook tea and things like so that we everyone understands that you know, what's going on at the moment that mums working for your band together, you know, it makes my job easier, it makes them feel more involved in the house, if you might their cooking. You know, like my oldest son cook a meal. My youngest is he does Taco Tuesday, you know, he will cook that up, you know, the taco meats and everything. That's his thing. So it just, it helps with the monkey. I mean, I try not to work on weekends now at all, unless the kids are all gone, which a lot of the time they are off doing their own things. And I tried to hold try to finish up by like, five 530. So that I'm home, you know, at home with the kids, but school holidays is hard. Because even though my youngest is 14, it's just like, they still like you at home. So I do feel good, because I've always been available for my kids. But I'm I'm at the stage right him being a little bit. I'm gonna take this time for myself as well, because I love what I'm doing. And it does build resilience and independence and your children to like, I'm I've always felt you that. I do think they need to be independent, and resilient. So that helps with the McGill. Because I feel like at least I'm teaching them some valuable lessons that they need to also aspire to do. Yeah. So when you're saying about cooking the meals, there's no reason why they can't cook like children can't cook meals for adults. Like I think we've got this thing in our head that because we're the grown ups or whether the mom we have to do everything is like why can't the kids cook, you know, they're old enough. They're capable, they know what they want to make, you know, and like you said before about contributing to the family contribute to the home. I feel like that's a really sort of previous generation thing that we're carrying down that we don't have to know. And they feel proud. I mean, yeah, I have been my youngest loves to cook. Well. He did a lot more. Say when we moved back to Australia one of the days I think he would have been about nine. Anyway, were mum and I were both building so we're all living in a house together. And we had a big glass door and glass window at the front and I've been down the street for whatever and came home. And Phoenix informs me that a lady had knocked at the door while he was standing on a stool cooking bacon and eggs with no top on over a gas stove. And she said he answered the door sales report. And she said Do you think you should be doing that with no telephone? How mortified Sweeney on the worst mom in the world. I'm like you cannot cook my monster mine because I was hungry. Like myself and bacon and eggs. Oh my god, that was devastating. But yeah, that because they are independent and that's something he would do with me in the kitchen. Not a problem because I'm around but you know we talked about don't cook a monster here but he was just extra hungry that day. Pretty good. And it's just yeah. So there are those things and they do take it on board and, and Pete most people go, Well, you know, that's not okay because he's too young. But I find value and I'm excited that he's able to do that for himself. Like I said, the pride that you take in that library makes it everyone team. Yeah, it may be just meant to the taco. You know, there might not be any salad with it is that he's made? Yeah, that's amazing. And that takes so much from me as well. He's doing that. And then someone else cleans up. It's just as little thing, and you're teaching him valuable skills that he's going to take on, you know, men need. Hopefully his partner this is I grew up an old girl family. My mom was pretty so like, she did everything for us. You know, so I, and I've got boys. So I really want my boys to know how to look up to be able to do their own washing clean a bathroom. Yeah, that's a big one. clean a bathroom? And you know, be able to make a meal. Yeah, it's all learning because it makes it look, because you know, how is it makes their relationships better, as well, because they're able to shoulder a lot of the load. Yeah, that's it isn't. And, and I think it just shows it's a, it's a sign of the times, you know, that life is changing, and that, that men, the traditional roles are changing. And I think if you can be a part of that, you know, by the actions that you do yourself, but also the skills that you give your sons, it's like, you're sending them out into that new world, you know, ready to roll? It's, it's wonderful. I feel the same that my boys Yeah, I just yeah, I'll say my head. I mean, my sister. Yeah, I've got two boys. Yeah, it's a different way, is a different world is so different. Some of the stuff they come out with, I just say to my sister, we never spoke like that, like just some of the ridiculous jokes and are and they are honestly the amount of things I've had broken inside my house. Yeah, the ball. Yeah. It's just like, there's a football that's been juggled around my poor indoor little garden that I've been cultivating. It's got stems missing, and I'm like, who's kicked the ball in my pants again, now? The dog the fairies? So yeah, sounds good. And look, you know, Chad's really good with helping as well. So I think if you're a partnership that the kids can see mom and dad work here. So that helps with a lot of you know, going back to that mom guilt, you know, when he says that travels away a lot when he's home, it makes a difference, because he will call me also the kids like dad's cooking meal when he steps up in those roles. So yeah, that's so important, isn't it those role models and seeing it in action Yeah. When you're talking before about when you when you had you by your first child, and you have this idea because of society's conditioning, that we can have it all we can do anything, whatever. And that then perhaps didn't turn out the way the expectation that you had were leading to ease. Was there a identity shift for you? Because you've been, you know, basically, an entrepreneur working almost a full time, probably more than full time because you're in business. And then you become a mother. And that all stops even though you did want to be there at home with them. Did you have that change in identity case or yourself and how Alethia sort of changed or has been changed by becoming a mum? No, we've I recognized it as being an identity shift because I wanted it. Yeah. You know, so I loved what I was doing to an extent. I knew that that. Yeah, that's a really hard question for me, because I know a lot of the women now really are aware of that going on with it, you know, there's so much talk about it. Whereas I don't really feel like I knew that I certainly had times that were harder, especially between babies. And that were harder at times, and that I struggled with, and I also moved to a town where, you know, one, yeah, so I had two kids 19 months apart. Where, you know, I was pregnant with Ariella had Deegan, who was, wasn't too. And with my support system, or so there was certainly difficult times, but that sort of became my whole world. And I didn't really, I still organized skills, weekends and things, I did make a huge effort to keep in contact with my friends. And I was always the one organizing events or trips away. So I still did all of that. Those things, but just probably not on a regular basis. And I didn't, at the time, I didn't want to Yeah, I didn't have that. I didn't want to remember my husband organizing a 10 year trip to Queensland, Phoenix was like two and I'm like, no. But I mean, I did everyone was like, he goes off organized, everyone, you know, Mom's gonna be here, and, you know, your sisters and all of that. But at the time that I just didn't want to be away from that's just how I feel personally. Yeah, that's how I felt really connected to my family in that way. Yeah. Yeah. Cuz I was gonna talk about like support because you you come from a family where you're very close, or grown up, they gave you three deals together. And then when you're in a completely different place with your own children, that would be really challenging. Like you said, you didn't have your family there. Yeah, yeah, definitely, like, willing to fill a pylon for three or four years. And that was definitely my hardest time. Because I didn't have and my parents were amazing. They came over all the time to support me then, because they, they're very good like that. And but yeah, I really, they were definitely hard times. And they were a real struggle. And it would have probably been great if I certainly made friends and I made connections. But nothing's like your family. But that's how it is for me. Not everyone has it. So we've got to go out make a real effort to make those connections. So yeah, we did all of that. But I was in a bubble. It wasn't a real bubble back then. I think. And it just Yeah. Was there anything you were doing for yourself as like a creative outlet doing you talk about your blogging? Were you doing that back then? Does it I wasn't, but I did that that's when eBay was really big. Ah, yeah, I would be like, I was always doing something. Yeah. So I'd be like selling like kids clothes and everything on eBay. Like just having a secondhand store. And it was really crazy about some stuff you sell for more than probably had children shopping addiction anyway. But you find something I remember having like a wiggles jumper and from Kmart, and it sold for more on eBay than one affordable. Secondhand. It's crazy. It's crazy. But yeah, so things to keep you're always done something. Yeah. There's never really been a time where I haven't been a motivation. Yeah, exactly. That's it, isn't it? If you grew up with parents that are hardworking, and show you the value, you know, how you earn your money by working hard, you know, it's instilled in you and, you know, stuff but yeah, and it just is just is how you feel like it's hard to sit idly you know? Yeah. And even now, I'm not you can easily go down the social media rabbit hole, and I am on social media a lot for work. Yeah, you know, I have to build these rules and everything now that you've got to keep updated. I'm definitely not a dancer. You're gonna see me do that. But it does take up a lot of time. So you know, and it's really hard. That's another thing For women with their family, and they're running a business, and then you go to social media, talk to so many women that feel at breaking point, because of all these extra things now that we have to do just to have a business, I love creativity. I don't even get to do all the team lens that I've got in my head that I want to get out. Because there's so many other aspects of running a business, besides just being creative. Yeah. So it's, it's, yeah, that sign of that. And social media and everything else is really hard. Yeah, there's was you were saying that Ronnie for post I saw about the follower artists, painters, and they were saying something like, become a painter so that you can spend half of time making rules for tick tock, can you the secret? Yeah, yeah, it's so true. It's so true. It's so and you know, it, it would be really hard even to be like a mom, and have that downtime, with social media and everything else, you can just go, oh, wow, two hours ago, oh, there's so many distractions for us these days, it's hard to be focused. That's very true. Yeah, I'm glad that I had my kids, I feel I really feel for the moms today. Because it would be really hard to be able to have time for yourself, time for your family time for your work. Time for your partner. It's really hard. What I feel for the people nowadays, like getting married these days, or having any sort of event like, everything's got to be Insta worthy, you know what I mean? Everything's got to look a certain way. I think God that when I get married 2003, or something like that, that obviously that didn't exist, but you just did what you wanted to do and what you could afford or what, you know, whatever was trending at the time. If you can't about trends, you know what I mean? Like, you just did whatever. But now it's like, you know, I've heard a particular people stories where they've got all of these chairs, like a white chair, and the bride's husband said to her, but no one will see it because they're sitting, I'm just like, that doesn't matter what could in the photo, just everyone's consumed by this, what things are going to look like? And and I feel like with little babies, like, everyone's got to have the best little clothes for the best photos. And I don't know, it's like, I'm glad that I'd I do you care about things looking good, but I'm not consumed by that. Because I think if you were, you would have a difficult time, you know, with comparison and judgment and that sort of stuff. I think, absolutely, it'd be so hard to step away from the bubble. And the whole Keeping Up with the Joneses thing, yes, escalated tenfold because of social media, and it's really kind of a really strong mindset to be able to take a step back from that. And just be who you need to be for you and your family, your authentic self and, and try and ignore. And that's sitting off by feel sorry, for mums. At any stage of life, I was gonna say new mums, but you know, can be at any stage about people say, Oh, you shouldn't do this, and you shouldn't do that. And, you know, all these experts are putting in air quotes, you know, don't rock your bed, you sleep and make sure you sleep with you, right? Like all these conflicting stuff is all over us from every angle. Yeah. So how are you supposed to just get back to your own? Like what's in your, your heart and your intuition to parent your child? You know? Yes, that's so true, especially about intuition, because I think we did that gets blocked, somewhere along the line. And I know with my first son who had colic, terrible, I don't think we slept for the first eight weeks. It was just like, the girls saying that I just was walking away, you know, asleep. And I was like, Yeah, but I remember someone saying just trying on his tummy. You know, and that was like a massive nono. And I remember putting him on there and just sitting watching him the whole time. And then I think he moved into his head to the side. So it was like, Okay, I feel okay about that. But the judgment and he stopped screaming after like, we just had screaming. He stopped screaming and was able to sleep I was able to sleep, but even in his pram, he's just like, when his belly, but the judgment I received from that was horrendous, because, you know, you know, and then I'd hear all the statistics and, and, you know, it was not a fun time. But at the same time, I was his mom. Yeah. And I was making that call. And like you said you'd sat there and watched him because it didn't feel right to you because you know, everyone says don't want your baby on the belly. Just leave always the seats, rolls, commendations and it's like, you didn't just chuck you in there and leave them and off you went like, yeah, you know Like people down the street to be like, but it was our people from our high levels of my family all the support system I had, it was, it was people I didn't know, you know, seeing him use pram and things like that it was, it was more of that. And I always found that judgment. It taught me that lesson anyway, you know, not to just judge a book by its cover, I guess he didn't come from, you know, in smoke and come from a smoke filled room that was not in conditions with him. So, but it's just a real, yeah, we really get a lot of judgment at home in from other women. Yes, he's actually from our PDS isn't that moving forward? If we can just support each other, and not judging each other? We might have a beautiful world, like you were saying earlier about, you know, some mums stay at home, some moms go to work, some mums work from home, some mums work, you know, like, and not throwing judgment on each other, because it wants you to actually so different and nobody knows what's going on in that family? Or, you know, in that height, no one knows. And but we're also quick to get oh, she don't know, you know, she's always on social, even the social media or she's always on social media. What if that makes her happy on social media? You know, she might have done an hour of footage, and she's just paid for their kid the rest of the day? Yeah, we actually don't know. But everyone is so quick to judge about what people need to sustain a healthy life for themselves. And I think that's where that stuff needs to take a step back. Yeah, we just need to be happy for someone because we don't know the full picture. Exactly. Yep. No, I love that? Having your children involved here. Do you hope that they see you? As an I'm going to say more than just monkeys? Like when you're just man? No, I don't either. Like just but you know, they recognize that you, as this person who has involved mothering in their life also does other things and can do amazing everything. Yes, absolutely. And I think one of the reasons why one of my thought processes was when I started this business, is I guess, my children, I wanted them to know that you could raise a family. And then you could still have a career. Like I said before, not everything at once, but they were stepping stones to life, that you can have different achievements through. And definitely having a business and, and showing them hard work. Creates reward, too. I think a work ethic is very important. Like, you know, you can be the smartest kid in the room. But if you don't have work ethic, or some passion along with it doesn't matter. Because that's the driving force that drives you to greatness is having a work ethic UCS, you know, the sports stars, this kids can be so talented, but they don't want to put in the training. They're not going to be a superstar. So I wanted my kids also to see, you know what comes out of hard work, because that's really the really important foundation and building block to having a better life. Because nothing comes easy. Life is hard, and it's there's going to be lots of stumbling blocks. So yeah, that was part of it. And also if they helped me out, like we just went to Melbourne and did the boho Luxe market over there, which was huge. And Ariella came and worked with three days and travels out a little Lackey and he built the stand and refilled and ran around did all that sort of stuff for us. But we literally Didn't, by the time we got there in the morning to the afternoon, we didn't eat, we didn't have a break. We just talked to people the whole time. Yeah. So she understood what it takes and how much work you've got to put in, to sell the product. And she also seen how passionate I was with talking about TV, you know, so that was a big thing as well. So I definitely think the curve, the kids don't resent what I'm doing, and that they also enjoy it. They don't necessarily want to take it on their own. No one's gonna, you know, take this business on and 09 and one that I want for them to create their own businesses and create their own life paths. Absolutely. With this awesome, sort of I can't think what the word you know, what we actually should have had folks, we should have focused, that was I was going to make our brains would have been on fire. Oh, man, I often have a focus team. When I'm doing this, I do that. What was it golden was a goal was a goal. Is that having that clarity? And you do get to afternoon and it's like, something happens now? Yeah. And you get tired? Yeah. And it's just like you just need that spark? has been influenced the way that you work, or the way that you do business or the way you think about your business? Yeah, I mean, being a mom has changed. So many thought process, processes, beliefs, you know, how I go about things and, and compassion. You know, one of the big another thing that I wanted to create coming back to my hometown, I knew that as I grew, so something like T is a really great person business that you can source actually create your blends, and then you can get a code that factor on who they then you send all your blends to they package, they do everything. But a really important aspect of my business I'm invested in is buying attention, because I want to be able to create jobs for females here and our local mums in particular, that have a school aged children. Because I think that's the hardest hours to come by. And not enough people show compassion around your children being sick, having school, certainly sports days, all of that. So if if I'm able to, my aim will be to grow my business, and be able to hire women, that we have a compassionate workforce more. And along those lines, where if there is a school assembly, or you need to take sick days, I get that I still run a business. But I want to be able to run one that work for women who also want to be there for their children. And then they don't have to make those hard choices. Yeah, between earning $1 and being there for their kids. Yeah, that's, that's if I'm able to do that. So we've already started the investment by buying the team machine. And then yeah, so being able to grow, I'm about to move into another space where I'll be able to do a bigger wholesale operation and hopefully be able to keep manufacturing to our local area. And you know, like it obviously costs a lot more being regional. Yeah, anything that gets sent here gets so much hammered with postage and everything. But yeah, I think in business and at the age, I've been very fortunate that if I can be able to create something for my community, then while running a business, yeah. So sort of want to wanted to have a charitable aspect to it. Yeah, I guess if if, you know, in that way that we're able to run it in that way. Well, that's so awesome. That is so good. That's my passion. Yeah, that's really what I want to create. It's hard work to try to get there. But that's that is my motivation and aim for growing up years your year. I would love to be able to run a business as compassionate to women who just find so many women are torn by on nine to go on your school excursion. And one of the other influences from that is because when I've always been involved in the parents committee of schools, and when my kids were at school, you had to fight to go on, you know, a school excursion. There's so many moms, where's now? Oh, no one. Yeah. There's no one to go on the school excursions, and it's so cute to go with the kids. I even get to go on one. Yeah, but there's one. And I really feel for all the mums just aren't able to do it. Yeah, yeah, they're able to do it. Yeah. And so yeah, and look, it's only gonna be, you know, a couple of people that might be able to help or whatever, whatever it grows, do you think too, it's, it's, it's that mentality, and then that, that sort of run on effect of having that mentality? Other businesses will see that and go, Oh, that's what we that's what people expect now that this is what Yes, you know, to get good people. This is what we have to give, you know, absolutely. And I think if COVID has taught us anything, it is that we can still be productive, and not work in a three by three office space. So I can't see why people can't work unconventional hours, if that happens, or, you know, work around different times and enable people to still have a family life. There's really no argument against that now, is that, like, it's literally been proven now. That things can still happen. Yeah, if not every single person goes into an office. And you can get stuff done between eight and 330. Yeah, 830 3 million, like, yep. There, there should be a way that women are able to have a bit of both worlds. Because a lot of women don't have the choice. And they have to go to work. Yeah, that's it, isn't it? It's just too expensive for everything. So yeah, so that that is part of my business plan. Yes. In my business plan. Yeah. Love that. She used to love that mentality. That's like, you're just talking about stuff. are you actually doing something about it? You know, actually changing the system? Yeah. Well, if we can look it, wouldn't it be amazing if one business tear and then another another business, when you know what we can have two days a year, you can choose to go with your child's function that you're allowed to take time off, to go to your charity event, sports day or whatever, like, take them to the show, which they're all going to go to soon. Yeah, I got that form the other night, and I looked at and if you weren't going on a Wednesday, I'd be able to go, you know, just those little for, ya know. So it's just, it's just little things that we can't like, you know, we can't do it all. But if it's one or two events a year, that's not a law that we're at, because somebody would never get to go to anything. Yeah. They just don't get to go to anything. And say, you know, they make up the hours by working through that lunch break, one of the weeks or whatever it is, it works for at least flexibility, the flexibility to have the opportunity to ask to have it written in there. To have that. Yeah, just have it have it has, because that's the thing. People are always too scared to ask because it's just someone will say no. So you don't even bother asking. Yeah, you know, and it's hard to ask. Because you don't because you may value having time off to go to a school assembly, this little Johnny's getting an award. But you don't feel that anyone else values that but we wouldn't be surprised a lot of people value that. Yeah. And it is important and you should ask for that. Yeah. Yeah, that's really good. I'm very impressed by that. still chasing me. I like it. I mean, I'm looking forward to trying it is rasberries, medleys line, the whole whatever fruit I've got flying on, I put in that. Orange is beautiful. I hope love orange on the weekend. Because it's just really refreshing people to them, I said, I would just like you put it if you do want to get bags, I said, I have a leader in there for the week. And just use it whenever you want. So you can get your tipsy. I'd like you to tell us what's coming up. For this amazing why haven't we got counting? My brain is exploding because there are so many things coming up that are just like was there was a first obviously we had a name change, because I went to a fella because there's so many different things coming in. And I wanted a name that really recognized all those things. It also gives us the opportunity to branch out to different countries as well, having a name that is unique to us. So the big thing that will first be coming under the umbrella, as I like to say will be Yeah, the college and T which was been my baby from the start, this is something that I've been very passionate about. There's so many, there are a lot of colors of collagen products out there. But there's no a lot of education around. So I just see collagen all the time and what they're telling people. And what they're putting out there is is not always correct. So we're really hoping that we can educate along those lines. But it has been a long process because I want to make sure it's right before I put out a product there. So the collagen t will be coming out. And that will be available in the teabags and the loose as well. So very excited, we've got a new packaging. So how to work on new packaging, I've got a lovely Kate Sutton who wears me on all that she's amazing. I've I couldn't do it without a group of women behind me helping me with this business. So that's been a really huge part of being able to move forward. We've got like I'm working on a Christmas plan, which I'm very excited about. As well as a Syrah that is used to make mocktails or cocktails, whatever you'd like. So we tried it last year, and I'm just refining that. So that will hopefully come out in the summertime. I'm also moving to a subscription based business, because I really want to reward people that buy on a monthly basis, so that they get an ongoing discount. So and I really want to create, like we do do a newsletter, but I want to make it more interactive as well. So really create that exclusive little community where we bring on collaborators, naturopaths, wellness, holistic coaches, and people that you can get information without having to buy a whole package together, or do a masterclass or anything like that, like you're getting that information when you need that, you know, community. So, education and information is super important with what we're putting in our bodies. And you know, all that information around plant based and everything like that. So getting back to the subscription. I know we get sidetracked all the time, don't we? So that we'll have quite a few of our I've got 14 wins now. So there's quite a few and there's more being released all the time. So it's something that I want to keep going as you know, some might be more popular than others and things like that, but I always want to bring something new. And you know, we've got the purity and things like that they're really different and ancient base Chinese teas and things like that. So you're always gonna get something That's you won't find in the supermarket. You know from me, you're always going to get a different tea or a different combination. So hopefully this Christmas tea comes together. I'm very excited about it again, it's going to be able to be iced and everything like that will have a subscription base. And yeah, there's a few good a whole new website changes photoshoots and everything I'm really coming, I just don't know how to fit them all in. Yeah, that is my biggest thing is I just, it's trying to fit everything in that we want to do. So I just got to tailor my ideas back. So I'm like, oh, let's do this. Oh, let's do that. And it's like, Okay, stop. Me and do it. Very difficult for me. I'm hitting all the trade shows next year as well. Yeah, we're hoping to do one in Singapore. So there's a lot a lot on the To Do lists. where it all happens. Somebody list good on Yeah. Love it. So what's the website so people know where to go. So if you go to WW dot, Leland t co.com. And you we asked you under the Lila Tico banner. So Lila Tico. Sue has its own Instagram and everything we've got, it's the basically sister companies, more about sisters, you know, love a little sisterhood. You know, my we've got my sisters and our friends and family. And yeah, I think that's really important to me. So that's why I created the sister companies. So because we do wholesale around Australia, people will just still be able to wholesale, the Leela Tico. And because the other thing, the big thing about that was, I still had a lot of packaging, because I've got new packaging for Lila Tico. And then just had this brain boss thing that when I have to change my name, so And sustainability is really important. So that's why we've still kept Lila Tico as a wholesale branch. So when the website changes that will be all a filler. So it doesn't matter what name you type in, whether it's a fella with an A, all in a Tico it will direct you to the same site, because it's all streamlined. But eventually a fella will be the number one was what you'll be seeing everywhere. Fantastic. And I'll put the links to the to all the things you've mentioned in the show notes so people can thank you click away Thank you so much for having me here today. It's been such a pleasure chatting with you. It's an honor for you to ask me to have a conversation and I think thank you for having me eautiful taste thanks for your company today. If you've enjoyed this episode, I'd love you to consider leaving us a review, following or subscribing to the podcast, or even sharing it with a friend who you think might be interested. If you or someone you know would like to be a guest on the podcast. Please get in touch with us via the link in the show notes. I'll catch you again next week for another chat with an artistic mum.

  • Onnie Michalsky

    Onnie Michalsky US councellor and podcaster S3 Ep83 Listen and subscribe on Spotify and itunes/Apple podcasts On the show today I welcome Onnie Michalsky, a podcaster, coach and licenced counsellor from Montana USA and mom of 6 children aged from 23 to 8 years old. Onnie began as a counselor in the mental health field. When she decided in 2019 to start a business it was inspired by her own challenges. Things like, the house would fall apart if she stepped away that she had to control everything, and that nobody could do the job as well as here. She thought that being a good mum meant everyone else's needs were taken care of often at the expense of their own. Her online business Moms Without Capes brings plenty of her own strategies and experiences with "Supermon syndrome", or "the perfect mother myth" and her progress with overcoming it. To let go of the negative self talk the perfectionism the people pleasing and the unrealistic expectations, discovering along the way who you are, and learning to truly love yourself and your life and to finally hang up that Supermon cape. Onnie helps overscheduled stressed out mums to slow down recognize their worth and find their way back to themselves. Sounds pretty good to me. Onnie Mom's Without Capes website / instagram / facebook group Podcast - instagram / website If today’s episode is triggering for you in any way I encourage you to seek help from those around you, medical professionals or from resources on line. I have compiled a list of great international resources here Music used with permission from Alemjo my new age and ambient music trio. When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... elcome to the Art of Being a mum podcast, where I Alison Newman, a singer songwriter, and Ozzy mum of two enjoys honest and inspiring conversations with artists and creators about the joys and issues they've encountered. While trying to be a mum and continue to create. You'll hear themes like the mental juggle, changes in identity, how their works been influenced by motherhood, mum guilt, cultural norms, and we also stray into territory such as the patriarchy, feminism, and capitalism. You can find links to my guests and topics we discussed in the show notes, along with a link to the music played, how to get in touch, and a link to join our supportive and lively community on Instagram. I'll always put a trigger warning if we discuss sensitive topics on the podcast. But if at any time you're concerned about your mental health, I urge you to talk to those around you reach out to health professionals, or seek out resources online, I've compiled a list of international resources which can be accessed on the podcast landing page, Alison newman.net/podcast. The art of being a man would like to acknowledge the traditional owners of the land and water, which this podcast is recorded on has been the Bondic people in the barren region of South Australia. I'm working on land that was never ceded. Hello, and welcome to another episode. I say it every week. But it really is a pleasure to have you and to welcome me into this world of encouragement and support for fellow creative mums. Today, I just want to give a quick mention to the email that I've been sending out every week. I'm really conscious of the fact that whatever we put online, we don't really own. And it could disappear at any time. And Instagram is the main way that I communicate with you all. So if you'd love to keep up to date with what's going on, in the event that you know, someone like Elon Musk takes over Instagram and recs that as well, or the simple thing like I get hacked and I lose all my data and have to start again, please go to my web page, Alison newman.net/podcast. And sign up to the weekly newsletter, where I give a little bit of a more detail about who's on each week and a heads up about who's coming in the following week. And I also have a few little different bits and bobs on there that I don't share on the Instagram page. If that's not for you, no worries. Let's keep chatting on Instagram where I'm most active. And you can find that link in the show notes or just search for the art of being a mum on Instagram. Come say hi. On the show today. I welcome ani Michelle ski ani is a podcaster, a coach, a licensed counselor from Montana in the US and she's a mom of six children aged from 23 to eight years old. Five girls and one boy only began as a counselor in the mental health field. When she decided in 2019 to start a business it was inspired by her own challenges. Things like the house would fall apart if she stepped away that she had to control everything, and that nobody could do the job as well as her. She thought that being a good mum meant everyone else's needs were taken care of often at the expense of their own. Her online business moms without capes brings plenty of their own strategies and experiences with Superman syndrome with a perfect mother myth and her progress with overcoming it. To let go of the negative self talk. The perfectionism the people pleasing and unrealistic expectations, discovering along the way who you are, and learning to truly love yourself and your life and to finally hang up that Superman cape. In her business mums without capes on he helps overscheduled stressed out mums to slow down, recognize their worth and find their way back to themselves. Sounds pretty good to me. I hope you enjoy today's chat with Arne. Thank you so much for coming on the podcast Ani. It's such a pleasure to meet you and to welcome you today. Yeah, I'm excited to be here. Ellison. Oh, that's awesome. I'm really pleased. Yeah. Tell me whereabouts you are in America. In Montana, which do you know what that is? Because I didn't know where it was. It like not fully south but in the middle somewhere. No, it's not in the north like it kind of is right Canada is right above us. Okay. Where the third state from the west. Yeah, right. I'm from the East Coast though. So when I met my husband, I had no idea where Montana was. I'm learning so much about about geography, like American geography. It's really quite interesting. So what's the weather like man at the moment? Today was actually in the 50s 50 degrees Fahrenheit Yeah, People are wearing just like jeans and sweatshirts, that kind of weather. But usually, it is, you know, two weeks ago we had to, like below zero temperatures, and it was absolutely frigid out. Usually we have ice packed roads through the winter. Right now we're just experiencing a little bit of a rarity these days. Yeah, so that's 10 degrees for us, which is cold. Like that's cold for us here. For me here. That's a cold winter's day. We don't get that very often. I still wear my coat even though I like the true Montanans like jeans and a sweatshirt, but I'm still bundled up with me, wherever he from originally. So from the I'm from outside of Philadelphia, Pennsylvania. Yeah, right. It's the same except our winters aren't as long or as cold. I don't think so. We still get snow and stuff. But yes, longer summers there. Yeah. So when, when I saw on the news a few weeks ago, you guys had really, really like ridiculously cold. Temperatures. Did you guys like lose power and all that sort of stuff and have storms or anything? No, I don't think we lost power. It was just so frigid. Like we didn't even want to go outside. I pretty much like hibernate from October through. It takes a lot to get me out of the house. And I had to invest in a good pair of snow boots and snow pants and everything when I got here, because for the first few years I like did not go out of the house for real. Yeah, it's cold. Yeah, well, I'll tell you here today, it's all worked out before it's about 71 in Fahrenheit, and beautiful blue skies. Some shining. It's just it's a really nice day apart from it's a little windy. That's the only thing. But the other day it was have to convert it. Hang on. It was 36 centigrade, or Celsius here. So what's that in? You? Know? No, not here where I'm from. We don't get anywhere near as cold. Yeah, I wouldn't like that either. 9896 96 Fahrenheit. It was here just a couple of days ago. So it really fluctuates. Yeah, we'll have like days, a couple of days really hot. And then we'll go back to sort of meet whatever. 70s No talking at all. No wonder you guys are all sick all over there. Oh, I honestly, I swear it has something to do with it. Yeah. And you get you just get used to something and then it changes on you. And that messes with you. With everything in your body and name. But anyway, enough about that. I actually find it really interesting. When I talk to people I want to know what what the weather's like. It's just something that I find really interesting. I don't know. Funny, cuz like talking about the weather is like consider like that small talk. I know what I know. Because it's when I was a kid, I had a lot of pen pals from around the world. And I just loved knowing what what the weather was because like, it's so different. Like, obviously, we're just talking about you know, I don't get snow. You guys get snow. I find that it's a whole different world. And I just find that really interesting and exciting. Have you ever seen snow like have you ever bit experience? Yeah, we did go once but we didn't. We didn't ski like we just went to literally say the snow. And it was different to what I thought like it was really wet. Like I thought it would be I don't know what salary but like, yeah, like, Yeah, I like sat down and just got saturated. Because we weren't planning. Yeah, we just had normal clothes on. We just went for a drive one day when we're in Melbourne. Yeah, but I'd like I'd love to go skiing. I think it would be really fun. I don't think I'd be very good at it. But I'd like to try. I went in high school for my first time we tried to take the kids every year. A few years ago, my husband and I decided to try snowboarding. Yeah. Well when I went in high school, it wasn't until the very last day that I actually got the hang of it. And then it was years and years afterwards until I got to go try again. And I am not an avid skier at all but a few years ago we tried snowboarding and that I was even worse. My calves were killing I really was like the most awkward thing was getting up on the snowboard. Yeah, it was just awkward my whole butts up and I wouldn't be a cool snowboarder and it wasn't happening. Yeah, I love watching them on the Olympics and stuff how they just like raw down here and then they just stop like they turn themselves in. They just stop so effortlessly. That would not be me. Oh god, that's classy you're cold mums without cakes, which I think is fantastic. Can you share with us what the premise and the sort of ideas behind that? Sure. So I created a whole business moms without capes. And what it is, is I help super moms who moms who think they have to be doing everything and taking care of everything. And with the huge like mental load and all of thinking they have to do all the things, and I help them create margin in their day for themselves. I helped them put themselves on their, on their to do list and give themselves permission to focus on themselves. So that's, that's really my huge mission is to help moms recognize their own worth, and give themselves what they need. That is that is so important. Like that is the biggest thing that we talked about on this show, it always comes up is that people mums need time to still be the person they were before they had kids, you know, that side of you just doesn't disappear and fly off into the distance. It's like it's particularly go there. Yeah. Creative and I've always had a passion for making and creating and doing trying to find that space within the you know, the role of mothering can be tremendously difficult. But it's so important to do it because, you know, just helps you be yourself I suppose. It's It's so true, like moms tend to lose themselves when they're sacrificing their, their identity. For the for being a mom, right? It's almost happens naturally you had to fight against it. But I helped moms like recognize themselves in the mirror. Because you get to a point where you're like, I don't even know who I am anymore. I don't know what it is that I like, because for so long, you're just doing everything for your family. And you turn around one day and you don't even recognize yourself who you are what what your purpose is beyond being a mom? How did this come about for you? Is this from like personal experience or anything like that? Yes, absolutely. So bite fi trade, I guess or I am a licensed counselor here in Montana as well. And so in the mental health field, and when I decided in 2019 All right, I'm gonna start a business right like that was like, as if I was just gonna know exactly what to do. I started learning more about you know, coaching and how to create a business and everything's like, everyone's like you have to niche down. And, you know, after I learned what that word actually meant, I had niched down to weight loss was what it was, because as part of my story, which we'll get into in a second, I had lost weight. And so I was like, Alright, I'm like, I'll do weight loss, right? So I started with that. And then I started gaining weight and I was like, this is not working. Well, I can't even get like a handle on like my own weight. I felt like it was worse than imposter syndrome. So I decided to do some more exploring and some more just you know, journaling, some talking to other moms and like just realized like trying to see like, what can I bring to the table? What can I create a business about? And who do I want to serve? So I knew right away even with weight loss, like I gravitate towards the helping moms. So I am a mom of six we have six kids. So I create a Mazda that capes as a way to bring my own experience because back in 2011 when I had lost when I started my like weight loss journey or started that I struggled with a lot of perfectionism and people pleasing and all the things that kept me from even taking a Zumba class. That was where it started. I wanted to take a Zumba class. and I couldn't figure out how to get the stars to line up for me to walk out the door. Because everything I did, I was homeschooling, I had to, you know, I was the primary, making sure the meals were all done making sure the house was all clean, like I had so many things on, like so many plates, I was spinning. In addition to like, I volunteered around the community and stuff that I couldn't figure out what it was that I needed to. So that really started my journey of like self development, and learning to get past those excuses that I was telling myself the lies that I was telling myself, you know, that I, you know, everything that I had to control everything that the house was going to fall apart if I stepped away, that nobody could do the job as good as me, right? All these things, these expectations that we hold. And I really had to do a lot of deep diving into all of that. And so yes, moms without capes, brings plenty of my own struggles and experience with the supermom syndrome. And much like my progress of overcoming it. Actually, I say overcoming it, but I still struggle. I just wrote an email to my my mom's and I was like, yesterday morning was like one of those moments where I was like, Oh my gosh, like, everything was everyone needed me within a 10 minute span. And I was just like, I can't do this. I can't do this. Sorry. So like, I have to continually keep myself in check. But where before I would just continually to like give give give. I've gotten to this point where I'm like, Okay, what do I need, and I give myself that. So like, in that case, yesterday morning, I was like, Okay, I need to walk out I need to breathe, I need to communicate to my family, like the effect that this is having on me like feeling like claustrophobic almost like, you know, you know, and I was able to rebound a lot faster than I would have 10 years ago when I was really like just thinking that, you know, to be a good mom, I had to make sure everybody else was taken care of. So I've done a lot of progress that way. But at the same time, I know that I it's not it comes back, the overwhelm comes back at times, you know, it's just the seasons, it's the seasons of like, you know, and the thing is our oldest is 23. And then we've got a 19 year old to 16 year olds, a 12 year old who's about to be 13 and eight year old. So by the time I get to the year, I'm like, I'm just tired. Yeah, you know, and like, I'm a completely different parent than I was 12 like 23 years ago, right? Like our older kids, like, never video games. Like I was always like, no, like that would make me a bad mom. And like, you know, try and like that the rains I was like home holding thinking that the world was going to collapse. Like I was able to definitely loosen up and when I say let Fun Mom sure face, you know, like, back and relax and like, enjoy company like enjoy like the company of my family and do things that before? No, because I always had to be the Enforcer. I always had to be the one that it was a lot of communication with a lot of personal work. Yeah, good on you. That's, that's so inspiring that you've been able to do that. Now Good on you. Because I think you took equal like the Superman syndrome by this perfect mother myth that the good mum, in our mind, I think we've got all these stories we tell ourselves of what this person looks like. And there's a fantastic sociologist over here name's Dr. Sophie Brock. And she talks a lot about this and that person, they don't actually exist. Like, if you write down all the things that you think is makes the perfect mother, that person does not live on this earth, like they do not exist. But we keep beating ourselves double standard. Yes. And I think a lot of it, like, you know, the comparison that we we look at other people, we think, Oh, they they're doing that on my I should be doing that. Oh, you know, you're talking about the screen time or my kids on screen time. This long? Oh, maybe I shouldn't do it. A lot of it's, you know, brought on by this judgment of others or social media, you know, shows us these ideals that were supposed to be Yeah, literally a highlight reel of 10 seconds of someone's life. And, and we compare ourselves to that. So being really conscious of what we want to do as our own self, you know, not doing what the neighbors doing or what the person on social media is doing. It's it's really hard to do. But I think I don't want to say that's what it boils down to because it's so much bigger than that. But you know what I mean having the faith in yourself to say right, this is what I want to do for my family. These are the rules in our house regarding whatever Uh, you know, the expectations we have or the morals that we have or whatever, and trying to do it without looking. So that goes down to you know, you have to know yourself to trust yourself. Yeah, with a point where you, you don't know yourself, yeah, it's really hard to trust yourself and then you get caught in that compare game. It reinforces that feeling or that belief of being inadequate, or like never measuring up, right. And then we have these huge to do lists that also create this feeling of like, I'm never good enough, or I'm never enough. And so by removing that, and recognizing, like collecting the evidence that says otherwise, because there's plenty of evidence that says that you are a good mom, right? Like you said, like looking at that definition. And you're like, No, like, why am I holding myself to this double standard, but you've got to be aware that you're doing that, because so many times we do it in our mind. And we can we compare ourselves to other people, we compare ourselves to this definition. And it's not getting us anywhere, except feeling worse about ourselves. It keeps us in this like, perpetuating cycle, where it's awareness is one of the very first step of realizing like, I don't have to be this doesn't have to be the norm. Yeah. Yeah. Which is, yeah, can be really challenging to do. It's sort of I can't think, well, it's called there's a Maslow's hierarchy of needs. And it's like, you get to the top menu, like self actualized or something. And it's like, how do you know if you are that? You know what I mean? It's sort of that thing of looking at yourself. From outside in? And I don't know, it's a weird, I can't describe what I'm trying to say. But anyway, right. Right. But like, that's self awareness, PS. Yeah, like, but first of all, like, give yourself that permission. Like, it's okay for me to spend some time on myself and in reflection, and asking myself what I need. Because, you know, I'm working with a lot of people pleasers that have a hard time setting boundaries. Yeah, I have a hard time like, you know, stepping away from that people pleasing, saying no, because, you know, you're saying no to other people, you're saying yes to yourself. And so you've got to, you've got to do the work, you've got to be aware of what what can change and have that belief that things can actually change? Absolutely. There's a quote that I read on your website, about putting out putting our needs first without feeling guilty. How is that possible? is a massive topic that I love talking about. I find it incredibly fascinating. That's so funny, when you just pull that coin like, oh, gosh, what's she gonna say? Everybody says, everybody, when they hear me start going, they think, Oh, what is it? Everyone's caught off guard one time when I saw them. Say, like, they wanted me to name the like, the seven things that like I just done like a Facebook live about. And I'm like, I just did it the week before. And I was like, ah, like, I don't have my notes for that. And then she's like, well, let me remind you to remember and reason about guilt. This was, this was something I really struggled with. And that is something that I also like, I see the progress that I have made, because I feel way less guilty. And let me tell you a story about when I first moved to Montana and my mother, like my my own mom rarely took her kids and we moved here when I was pregnant with number five. So when we were there, like we had four kids and my mom would like rarely take more than one at a time. So when we moved here, my mother in law called me up and she's like, I want to take the kids for the weekend. And my defenses went up now my mother in law is a great mother. Like she you know, she raised my husband like no problems whatever like I I went into a panic like because I had all these things like nobody can do the job as good as me and my a good mom because I'm like letting my kids go like leave me like that was like a touch. Separation anxiety on my part, but like, I all of these things were coming through my mind to the point that I got off the phone and like, cry to my husband. Like she can't take them like that. You know, we've got, I just had all these things, right. And so I, then I was crying to my best friend who lived in Pennsylvania. And she was like, Are you crazy? Like, let's talk. She's like, What is the worst that's gonna happen? Like you, you are going to enjoy this weekend like, let her take the kids, right. So she talked some sense into me, thank goodness because they went. And the overwhelming feeling that I had felt at that point was guilt. I felt like this tremendous guilt like of letting my kids like go. And they went, and it ended up being a really good week. Came back, we survived, everything was good, right. And it was doing those kinds of things like over and over. And even in small spurts. Like I talked about the Zumba class. Like, I felt like, I felt like one night the stars did line up, everything was good. There's meal in the slow cooker. The house was clean. The laundry was folded. It was a very rare moment. And I went to the class. And it was like I came back and like it was kind of like testing those expectations that I had or like that definition of good mom, and then taking the time to reflect on it and be like, holy smokes, I got away with that, right. Yeah, I started like collecting the like, things that like, where those expectations that I was holding weren't holding true. And it was at that thing that my, my belief started shifting. And when my belief started shifting, my thoughts shifted as a result. And then the guilt became less and less. And I also learned to ask for help. That was something that I was not able to do for a long time. And it's not that I'm perfect, and I still struggle at it. But I'm so much more able to ask for help. At this point. I've learned how to ask for help. And I gave myself permission to ask for help realizing that I can't do it all. And if I want the family that I want to, like have with the values in place, I want my daughter we have five daughters and one son so I'm like I want my daughters to learn that it's okay to ask for help. And I want my son to realize like that his wife is going to need help. Like we're always talking about like, you know, the other day we were watching a show my husband my son's like, it was about purpose. Did you ever hear the thing fairplay? Yes. Yes. We were just talking about this on an episode I recorded a couple of days. Oh, yeah. I'm actually thinking of becoming a facilitator for that. I was like, this is a game changer, right? About a practical tool to communicate the division of labor in the household. So anyway, so we were watching the documentary, I'd read the book. And so I knew what it was about. My son came in my 16 year old son, and he's like, we got this whole conversation about purpose. And it brings us back because he was like, Well, don't we give you a purpose? Try to lay the guilt on. And I'm like, Well, you do. But I made for more like I'm more than just a mom. And so yeah, like, being able to ask for help and have like that collaboration within the household allows you to live your purpose, more freely and more guilt free, like feeling like that. It's okay. It's okay to do that. It's okay to give yourself time and it's okay to give yourself space and it's okay to I know, you, uh, you know, your singing and your art and like all like, it's okay to discover yourself and to lean into your passions. And for so many moms. I've had moms cry to me. I don't even know what it is that I like to do. And I'm like, that's, that's okay, like, it's normal. It's sad as that is. There's so many other moms that are in the same boat. Yeah, like, Yeah, but let's, let's get out of there. Because you are men for so much more. Your family deserves a mom who leans into her passions. You're doing your family a disservice when you're putting yourself on the back burner or you're putting yourself not not focusing on what it is that you enjoy. So, particularly moms that have had that, you know, mums that I speak to a lot, obviously creative and have had that outlet, usually before they have their child. And I find that myself included in this if we don't do that creative outlet. We're just not the people we want to be you know, and then even not just for ourselves, but then you actually have to go out of your studio or wherever you are, and then parent and be a partner as well. It's like if you don't have that outlet for us. Do you just, you know your feet all over the place. So it's so important. I just, I'm taking piano lessons right now. And I love it. I love just sitting there like, I'm not really that good at I just started a few months ago, so but I do know a few songs and it's so relaxing. I took out my sketchbook and I was like, I need to start sketching like this was like two years ago. And my kids are like, you know how to draw. So just like, create, like finding those creative pursuits, and even like business, like I just remember, like, just even making posts and like graphics. Oh, Canva Oh, I love it. No die on that. Like, my rabbit hole, you know, like, it's like, yeah, just finding those ways to be able to express yourself and just create and get in the flow are so important, especially for moms. Yeah, absolutely. You're listening to the art of being a mom was my mom, Alison Newman. How'd you find your sort of adjustment to being a mum? Did you sort of have any sort of like identity shift like not identity crisis? But you know what I mean, like this going from? From from Nanta. Mum? Yeah. So Oh, my gosh, a huge identity. And I would I think crisis was the right word. Yeah. It really was, like, really tight. You know, none of our kids were planned there, you know, 23 years ago. So totally different place. Like I was 22 when I had gotten pregnant, you know, and it was just like, it was a very scary time. I wasn't, we weren't married, I'm actually so with him. 23 years later, I ended up falling in love with him. And all of that, kind of did it backwards. But it all worked out. He's like my best friend everything. And we had five more. And I feel like every single time I was like, my editor really shifted. I was because I was in different parts. I was different places in my life. None of them were planned. Well, number two, we were like, well, maybe we'll have another one. And then I thought two or three years later, I'm like, Well, maybe not. We'll focus on my career. Because at that point I had was, had got my Master's in Counseling, and was working as an as an intern at a domestic violence shelter. And I loved it. Like I loved the work I was doing. And I was like, maybe I'll be one of those career moms, you know, it's trying to find out what kind of mom am I going to be? And then, you know, of course, how it happens, I got pregnant. So like, I kind of made my decision, I still, you know, is working and everything. And then I had not worked then we had twins, four years later, twins. And that was a huge adjustment, you know, and I feel like, every time I became and then you know, and then we moved to Montana, every time we became got the news, you know, like I was I was gonna be I was pregnant. It was, you know, a huge adjustment for our family and for who I was. And I mean, even that, even our last one, like, each time, you know, I had to figure out like, how am I going to do this? And what do I what do I see is like, important and what do I want to what do I want for our family? And then, you know, in 2011 That was when right after I had number five and so when I entered entered like pregnancy with number six, I had already discovered like the world like self care. And so I had really put that emphasis on making sure it's probably like my healthiest pregnancy. Yeah, cuz I continue to like, make sure that I was taking care of myself throughout it. Yeah, yeah, that's yeah, that's a really good point. Actually. It's like, I can actually relate to that. After you've said it. I never thought of it. But yeah, I've got seven years between my two. And I was completely different points in my life, you know, and had different careers and different levels of experience. So yeah, that's it like every time you have another child, you basically find yourself again at a different place, wherever you are at that time. I was like, you have the experience, though, like you're able to, like, kind of adjust a little bit differently than you did before. Because you've got that past experience. Like yeah, like I knew, like, this doesn't have to do with identity. But I knew by like, when I had the twins, like, there's no point of going to the hospital until I'm ready to like, drop, and I went and 15 minutes later I delivered. I knew, you know, by the time I had them, I was like, Okay, we have to go get something to eat, because I know I'm gonna have ice chips. You know, like, and, like, just this is not related to anything at all. I'm just interested to know, each time you have your baby. Does your labor get shorter? Each time you go? Yeah, yeah, I was. The last one was very strange, because that was the only one I got induced, because we lived an hour and a half away. And from the hospital, and I was so like, I think the doctor was afraid to that I was gonna go because we couldn't really judge when. And so it was really strange to just be like, All right, family, I'm going to have a baby. I'm gonna have a kid like, and to like know that at like six o'clock, I was going into the induced, like, that was the street and we hadn't found out the other ones, we found out the gender. And the last time we were like, well, we were kind of prepared for both at that point, a boy could work or pink and we don't have the swings. And like all the baby equipment that we had in our first few were like, we basically knew that, you know, when you have a baby, you don't need all that equipment. As a new mom, like a new fresh mom like you. You think you need all this stuff. And then by the time six, we're like, well, we can get by with like, you could probably run I don't know, you might have already been write a really interesting article about the stuff that you actually do not need, like that much experience. It's like, yeah, done a really good point. Like we had already tried the Diaper Genie like, they're all the gadgets and stuff. At one point. The thing is with having the kids like so far apart, like having the kids 23 to eight, like, at this point, like our eight year old gets robbed of like a lot of like, say for like the Easy Bake Oven. Like I'm like, I refuse to buy that. And I'm sorry, like, you won't have that experience, because I know it's junk. We'll just take a real cake and put it in the regular. It's hard to like Christmas shop for the younger ones. Because I'm like, at one point, we've had that and I'm like, and it's just not worth it funny. Yeah, I like that. Yeah, you're like, Yeah, this this thing won't last long. You know? We're not getting these. Oh, that's really funny. So growing up, what were you from a big family? You so um, so my family I had we had three kids? Yeah, I was the oldest, I was the oldest. My My parents had me when they were 20. So, you know, kind of grew up with, like, when I look back, it's like last night we were looking through pictures, old pictures. And such babies. Like when I looked back at like murmurs or 20s. Like, oh my gosh, you're so young. I'm saying my husband pictures, like, Look at this. But anyway, so my parents were 20. And then I was the oldest. And then I have a brother who is 13 years, 13 months younger than me. And he is mentally handicapped. So he grew up, like we grew up, where they say Irish twins or whatever. Yeah. And then six years younger, my other brother came along. And then I thought our family was done. And, you know, I grew up, up until I was 16. When my parents both, both same parents decided to Well, they didn't decide they had, you know, an oops. It wasn't good. It was plastic. It was almost like, but it's so funny because when I was growing up, like all I wanted was a little sister, like I used to. With my dolls like that I had there was this doll called kids. It was like my buddy. And then it was I think it was like kid sister or something. And like, I cherish like my Cabbage Patch Kids. I always pretend like we're my sister. Like I always wanted a little sister. And then when I was 16 my parents found out that they're pregnant and ended up being a girl. I remember it was so embarrassing. I remember going into the bank and the lady at the bank said I bet you didn't even know your parents did it anymore. Yeah. I just 16 years old Allison. I was like worried. I still remember. Like, you don't want to think about that at 16 I remember just being so excited though, to finally had that little sister and it was a cool thing because my my mom, one of my parents, let me come into the delivery room. Oh, wait. So I got to see the birth of her and I, you know, I wrote like, a whole memory book, like every day of her life, her first year, like, I just like, loved it. But then it was hard because I went off to college. Yeah. And I wasn't able, like I wrote her like letters, like when she learned how to go potty, or like, in kindergarten, like I was able, like, it was like, from a distance and I wasn't able to enjoy like a baby sister. In the everyday thing, like I was I was like, dying. Like, I wish that happened sooner. But it didn't happen now. She's 30 now. So she, yeah, and you know, we're not we're not that close. We're not as close as we want. Like, as I would like to be. We also live a country like a whole country across. They still live in the East Coast. here next week, I still go back and visit. But um, yeah, having that relationship, like so far apart. So I see that with my own kids. Yeah, like the oldest ones. And the youngest ones, like I know that they're, you know, even though like now, like our oldest will come to the little ones like, little like, any kind of school functions, like a Christmas concert and stuff. I'm like, I know that having that so far apart. That age difference is going to matter. But it's going to make a difference. But yeah, I mean, I can see with my own kids like the ties, the twins are like incredibly close. Yeah. And then like the different sibling combinations that exists. And beat Yeah, the dynamics between them. And yeah, yeah, I we've just the seven years between my two I just think I mean, I think I was mad for going back again. But, you know, that's the way it worked to circumstances. And that's how it happened. But yeah, I think as they get older, they'll get closer, because at the moment, I think they just drive each other crazy. You know, Alex is, like the every day like just tolerating. Yeah. And they seem to stare each other up quite a bit. which buttons to push each other? For sure. Yeah. But I think yes, they get older. I think it'd be lovely for them to have have that. Because yeah, at one point, we thought we just have we just have one. And that'd be the end. And then my dad said to me once, do you realize that, Alex, because that's my oldest that he won't have aunties and uncles or something is sort of there was some relationship that he pointed out that he wouldn't get because he was an only child. And I sort of went, Oh, shit, like, that's, I'm like the cousins. And it was like, I'm denying my child, this part of life, or relationships with people because of my decision. And it didn't make me all of a sudden, go. Yeah, but it just made me realize how responsible I was for parts of his life that I might never even experience or may never see. And I thought, Damn, you dad put me through. It is lost. And also like, I think as we get older, as parents like, for them to have to organize, you know, like health care as we age or put us into a home or whatever, you know, it'd be nice for them to have each other to make decisions and talk to about stuff. And they just need that now with my mom and like, she's one of five. So she grew up in a pretty big family and like now with grandma, who's 93, like her having like those other siblings to bounce things off and like to kind of share that care across siblings. So you're kind of like providing for your own security. We got half a dozen kids. Maybe hopefully one or two of them will care. Yeah, by planning craft. Like, parenting like my mom. My mom was a stay at home mom for the whole time I was growing up up until I actually had our first my first kid when we had areolas that my mom decided to go back to work. And then so she's been like a working for so for my sister. She's been a working mom like her home. So we even have that different. That different dynamic right there. Yeah, it's interesting, isn't it? Yeah. Obviously, it's important for you to do what you do, as your own person as Ani, without being a mum is important that you're we've talked to before about, about role modeling to your children, but it is important, particularly for you girls that they say that, that you're doing your thing that mom does this and has nothing to do with that at all. I think, in fact, when I, when I talked to other moms about self care, I do a self care challenge in my Facebook group. And that's one of the big things is like you are an example to your children. Like, like I mentioned before, you're an example to your, to your daughters, how like that they don't have to lose themselves, they don't have to lose their identity when they become a mom, or when they get married. Like they can be their own person and develop them. Like they're, they can continue to grow. Even, it's even more important after they change their role, or add a role to their life. And then for their for the sons as well. Like showing them like that, you know, that their mom doesn't have to, or his wife doesn't have to give up her, give up herself. For him. Like, it just kind of it provides that example or that model being a role model. So when I do practice, I'm like my kids know self care, like because they all it's all they do is hear my eight year old actually for Christmas, she she's not getting an easy Baker. She didn't get an easy bake oven. But she did get a self care journal. We were like, you know, like, Okay, well, what's your plan? Like, you know, do you when are you going to do meditation, like it lays its adult journal. But like, she sits there, like we were trying to fill out the spots that she was able to plan, like how she was going to take care of herself that day. I think that's so important. Like for kids to understand that that's a thing, right? From a very early age. And like it's it actually exists and it's important to do. Yeah. eight year old takes it to extreme though, that right now, right now she's in the middle person, not at this moment. But this week, she's been personally training my husband and she's like, become this like personal trainer. And I walked out the other day. They're both sitting on the carpet, like in the rug in the living room in like, in lotus position, meditating. And like, she's leading him in like so guided. Oh, yeah. That's so funny. Like, it's good on it and good on your husband for accepting that too. Because I think can be hard sometimes for for men to slow down and take meditation seriously. Just like, are you gonna do my class? Mom? Are you gonna say that she started saying that was gonna be $1. And I was like, No, I'm not taking your class. She's like, why not like because you're bossy I hear you just love that. She's gone places that anyone could. So tell us, if anyone that's listening is got really excited about this. And they want to catch up with you online and find you and get involved in what what you're doing? How can everyone find you? So moms without capes, I've got a podcast and I talk all about different mental health things. A lot of you know, when I mentioned the perfectionism that people pleasing all the things that keep us from being able to hang up or keep. And then I also am on Facebook, I'm on Instagram too. But Facebook's my main platform. And that's where I have a fun Facebook community that I would love to invite your listeners to join me in. We do. I have a book club that goes on there. And you know, I tried to do some fun events. And one of those is included, like a self care challenge that I do where I give prizes, and I help you to find what self care is for you and help you make time for yourself. Yeah. Oh, that's all happens on Facebook. Yep. All right, well, I'll put all the links in the show notes so people can find you and can click away. Is there anything else you want to mention? That I think was on your mind that you want to? I just want to you know, I feel like my main mission is to help moms recognize their own words. And it starts by just asking yourself, what do I need? And so making sure that you are asking yourself each and every day, setting yourself up living with intention and instead of Just like zooming through your day with making sure that you're checking all the tasks that you need, think you need to be doing. Take a step back and just ask yourself, what do I need to feel fulfilled? Or what do I need to feel like me? Not Not me feel like you. First off that, and then start taking steps to get back to who you are, because your family deserves you. To be you not to be some shadow of who you used to be. Yeah, that's a lovely note to end on. Thank you so much, Annie. I just love chatting with you today. I feel like I've got so cheeks are laughing I keep wiping tears out of my eyes. And laughter It's been lovely. All the best. I should ask you, if there's anything in the future that you want to mention, it's coming up or anything in particular, come join the group. Because our Facebook Our challenge is actually kicking off February 20. So I will be right in Provo mode when this episode drops. So definitely come just search moms with that case right there on Facebook, where you said you're gonna throw the link in the show notes. And then that way you can come join the challenge. Oh, Mom's got capes.com yet backslash challenge and just get registered, but y'all couldn't do it all happens in the group. Anyway. So beautiful. Thank you so much. It's wonderful. I'm gonna check it out, too. I think it's, it's really important to, even if you feel like you've got a handle on things, it's nice just to check in and just, you know, because like you said things ebb and flow and you have, you know, different times when things are going good. And then other times things might not. Everything's falling apart. Like, am I doing? I have no idea what the heck I'm doing. I've never been. I feel like that's the thing. Like we're all in this together. We're all just doing our best at the time. Like whatever the present time. We're all just doing what we can. And it's lovely to have that support and to feel like you know, you're not alone. You know, we've all got the same struggle as well. We're all thinking about how much time our kids had screen time. You know, we're all doing things. Lovely. Thank you, Ronnie. Thanks again on. It's been an absolute pleasure. Yeah, thank you so much for having me.

  • Beck Feiner

    Beck Feiner Australian illustrator S3 Ep78 Listen and subscribe on Spotify and itunes/Apple podcasts Welcome to the new season, season 3! It's so great to have you here, from wherever you are in the world My guest to start the year is Beck Feiner, Beck is an Aussie illustrator and designer based in Sydney, and a mum of 2. When Beck was growing up she was an avid drawer, keenly supported by her mum. Like many artists and creative people, when it came time to decide what career to pursue, Beck didn't think that being a working artist was possible, and turned to study design and became a graphic designer. After being inspired to create her own alphabet poster when her first child was young 8 years ago, she created her Aussie Legends Alphabet poster , this was subsequently turned into a book and from this she signed a publishing deal. Beck co-creates books with her husband Robin. With Beck illustrating and Robin writing. they have created 6 books together, Beck describes her style as vector-based conceptual illustrative art, embodying bold colours and punchy graphics. Beck uses her art to provide commentary on current social and political issues.. She is passionate about breaking down stereotypes and including children in the breaking down of cultural norms and encouraging kids to become more involved in political and leadership issues at a young age. Connect with Beck - website / instagram Podcast - instagram / website If today’s episode is triggering for you in any way I encourage you to seek help from those around you, medical professionals or from resources on line. I have compiled a list of international resources here Music used with permission from Alemjo my new age and ambient music trio. When chatting to my guests I greatly appreciate their openness and honestly in sharing their stories. If at any stage their information is found to be incorrect, the podcast bears no responsibility for guests' inaccuracies. Podcast transcript at the bottom of the page Thank you so much for tuning in to this episode of The Art of Being A Mum Podcast. I'm beyond honoured that you're here and would be grateful if you could take 2 minutes to leave me a 5-star review in iTunes or wherever you are listening. It really helps! This way together we can inspire, connect and bring in to the light even more stories from creative mums. Want to connect? Take a screenshot of this episode and share it on Instagram tagging me in with @art_of_being_a_mum_podcast I can't wait to connect. And remember if you or somebody you know would like to be a guest on the podcast, get in touch ! I love meeting and chatting to mammas from all creative backgrounds, from all around the world! Thank you! Alison acknowledges this Land of the Berrin (Mount Gambier) Region as the Traditional Lands of the Bungandidj People and acknowledge these First Nations people as the custodians of the Region. Ch eck out more episodes ..... Welcome to the Art of Being a mum podcast, where I Alison Newman, a singer songwriter, and Ozzy mum of two enjoys honest and inspiring conversations with artists and creators about the joys and issues they've encountered. While trying to be a mum and continue to create. You'll hear themes like the mental juggle, changes in identity, how their work has been influenced by motherhood, mum guilt, cultural norms, then we also strain to territory such as the patriarchy, feminism, and capitalism. You can find links to my guests and topics we discussed in the shownotes along with a link to the music played, how to get in touch, and a link to join our supportive and lively community on Instagram. I'll always put a trigger warning if we discuss sensitive topics on the podcast. But if at any time you're concerned about your mental health, I urge you to talk to those around you reach out to health professionals, or seek out resources online. I've compiled a list of international resources which can be accessed on the podcast landing page, Alison Newman dotnet slash podcast, the art of being a mum we'd like to acknowledge the traditional owners of the land and water which this podcast is recorded on has been the bone take people in the barren region of South Australia. I'm working on land that was never seen it. Welcome to season three. It's great to have you here from wherever you are in the world. I hope you are able to have a restful and loving holiday season. Whatever you celebrate, what do I celebrate? My guest to start the year is BEC finer. Beck is in Australian illustrator and designer based in Sydney, and she's a mother of two that speck was growing up. She was an avid drawer. Like many artists and creatives, when it came time to decide what career to pursue. Beck didn't think that being a working artist was possible and turned to study design and instead became a graphic designer after being inspired to create her own alphabet poster when her first child was young. Eight years ago, she created her Ozzie Legend's alphabet poster. This was subsequently turned into a book and from there she signed a publishing deal that CO creates books with her husband Robin, with Beck illustrating and Robin writing, and they have done six books together. Beck describes her style as vector based conceptual illustrative art, embodying bold colors, sharp lines, and back uses her art to provide commentary on current social and political issues. She's passionate about breaking down stereotypes, and including children in the breaking down of cultural norms, and encouraging kids to become more involved in political and leadership issues at a young age. Thank you for being here. And I hope you enjoy today's chat. Welcome to the podcast Beck it's absolute pleasure to welcome you and to have you today. Thanks for having me on. Yeah, it's a pleasure. So you're and Ozzy is lovely to hear a fellow Australian accent I've been talking to a lot of people from overseas. Really? Nice. We're about to you based in Sydney, right in the middle of Sydney. Oh, I always have to live in the hustle and bustle of everything everywhere. I mean, I've lived in London and few other places but I like to be in the grip of things. holding me gritty. I know it's very pretty but you know where the action is where exactly Yeah, that's exactly the opposite to me into CDs that Oh, really? It's so funny. I love to have a break but I can't have a Yeah, I'm either gonna be right in the action or like somewhere quite removed from it, you know, one or the other? I think because I grew up in the burbs the burbs kind of kills me a little bit No offense to anyone living in the burbs, but just for me, it was slightly boring. Oh, that's funny. Oh, good on Yes. So you're an illustrator. And how did you first get into drawing? Have you always been a draw as you grew up? Yeah, it was one of those things where, you know, right from when I was super young, I was just constantly drawing drawing drawing, illustrating, my parents had to ban me from I used to draw on the walls. I remember drawing on all the photographs and being utterly dismayed when I got into trouble. I remember thinking I just made it all better. And yeah, and it was interesting though, and I often reflect upon this as though as I got older, I still did loads of art, but I kind of got a bit. And I think this happens with a lot of people, you get a bit shy about your work, I remember signing to hide my drawings and just being a bit self conscious about it. And I always knew I wanted to be creative and in the arts and my parents really let me do that. But I stepped away from illustration, because I thought, being a traditional artist or an illustrator wasn't a job. Yeah. Yeah. So I did, I went to university and I did graphic design, because, you know, I thought, well, that's a can pay the bills kind of things. And I loved University, I did a Bachelor of design, I absolutely loved it. And I went into graphic design, which is, you know, a lot of my work is quite graphic and has a typographic influence on it. So I went into that. And, but when I got into being an actual graphic designer, I found it. I mean, I was working at a great agency, you know, one of the top agencies, but I just found it a bit. Like, I liked it, but I knew it wasn't me. I was always very conceptual. So I actually stepped into and then I went into art direction and advertising for a long time. Yeah. You know, ads, and, and again, I loved it. And I love the creative side, but I just knew something was missing. So it was actually it took to having my first child. And going freelance, because advertising doesn't sometimes know where to put. This was, it was about 10 years ago, but it's so funny. It's come a long way since then, but I had no idea what to do with. And I think I was one of the only women in the creative department. I had a baby. And I kind of stopped being on the the top projects because I couldn't do the pictures overnight. Yeah. You know, all that kind of stuff. And so when I started freelancing, I just started thinking, There's got to be more to life. And I've always been illustrating, so it was kind of in the back of my mind. Yeah. So yeah. So was it like your needs weren't being met in terms of you expressing yourself? Is that sort of you were doing it for someone else in their ideas? Yeah, I started getting really disillusioned with advertising. I loved it at first, like I was, and then I suddenly it was like, I'd taken off the rose colored glasses, maybe childbirth does that to you? I don't know. And yeah, and I just, I started thinking I needed to work for myself, because I, when you have a kid, you almost like apologize for leaving to go to daycare to get them or them being sick. And I hated apologizing for that. And being almost embarrassed about having a kid and I was like, Why do I need to do that? And, and what happened was, I was actually teaching my son that the alphabet and I, this idea popped into my head. What a like, it was all such boring stuff. And I was like, I could make my own illustrative alphabet, you know, and why don't I merge? Legends of Australia, like, you know, all these incredible characters, diverse characters and put them on the heads of all these alphabets. And I opened an Instagram account that was actually I know, we all put people on social media, but it was actually the start of me kind of coming out as an illustrator. You know, like my, my little sneaky side that no one knew about. So I learned a launch this, this alphabet series. I did one a night, because it was you know, there's 26 letters in the alphabet. So I needed to give myself a goal, you know, with two by then I had another baby and I thought, I'm going to do one legend at night. So he was that a good day, it was for Bob Hawke, you know of morphing them, and I started releasing them on my Instagram account and getting this really amazing feed that. Yeah, that's awesome. Because we don't get a lot of like that Australian, sort of that route cloak you stuff. It's not Yeah, yeah. Yeah, yeah. There's like the animals or the birds or I don't know, but that and that's something that I've really enjoyed looking on your account is the way that you do bring to the fore these these Australian icons, and you say diverse, which is awesome. Like, you've got, like, at the moment, I saw you had a post about Costa, the garden, Australia, man, and you've done the caffeine came in and dealing all caught like, yes, it's great. And I guess that's why it would have resonated with people because it was different and traditionally Australian, you know, I know and again, it was, I think about what happened. Okay, so it was about eight years ago when I released this poster series, and Australia has come and you know, I go to the bookstore now and I see so many multicultural books out there, especially for First Nation people, which it was so lacking before, it was only in the last. It's crazy to think that because now I think people are far more aware of it. But but even like 10 years ago, there wasn't a lot of stuff out there. So especially with Yeah, it was kind of when celebrating people's. It was just happening more for kids and that was my whole life. aim was to show kids that no matter where you come from your background, your ethnicity, religion, you know, abilities you can do, you can be anything you want to be. Yeah. And that kind of led to the book deal the publishing deal. So I made this poster. And that's kind of it was really funny I was. It all went a bit viral. And I remember kind of putting down my advertising pin. It's an advertising ban, but I just was like, I quit. And I didn't do any more freelance. I was like, I'm out. Yeah, yeah. And it's to and to have, like, your passion. And you're the thing you're excited about to be recognized and rewarded and saying, We, you know, someone else validating that. Yeah, be tremendous. You go right. This is it. This is what I've been sort of wanting, you know, that. express your creativity outlet. Yeah. And to all the parents out there, like, I thought that by the time I was quite when I got when I first got pregnant. And I was I mean, I was young, I was 30, which is young male by today's parenting. I just thought my life I hadn't reached my potential. And it was too late now that I was becoming a parent. I remember feeling like so sad about that. And I only really came into I found my purpose at about 35. And I think that's quite young doing now that I think of it. But at the time, I thought, if I didn't hit my stride when I was like, 25, then I hadn't made it successfully. And it was just such a nice feeling to know that you don't have to, like with maturity comes so many more insights into the world. They've allowed me to be to create this poster, my kids, you know, that was great. Yeah, no, that's good advice. I think, yeah, we can get a bit hung up when we're younger, looking at the future thinking, Oh, we've got to get this done. We've got to get this done. And I think that, that notion of when you have a child, then everything you've ever done, or everything you are just has to go out the window, because now you're a mother, it's like, oh, I can't do this anymore. And that's actual bullshit. I know you've actually it. I think the maternity leave actually gave me the time. And when with the first one, I was so exhausted, you know, first baby, but the second baby, I wasn't so over, whelmed by motherhood. And I did actually use that time to do my creative pursuits, which I know doesn't happen for lots of people. But for me, it was kind of what it allowed me to take some time off and figure out what I wanted to do. Now it's really important. I think that's yeah, it's really good to share that with others. That season, it's never too late. No, you can make it look like people. You know, you can see actors coming into the full bloom in their 60s and 70s. And it took me Yeah, I just feel like this whole pressure to achieve so young is total bullshit. Yeah. And unfortunately, it's not until you get older that you realize, yeah. I mean, it was hard. It has always been quite hard. I mean, I work for myself now. And I did that to allow myself to have that flexibility to not have to apologize for getting my kid early. From work, but I mean, I probably work a lot harder. And and there's a lot of juggling going on. So yeah, that's it isn't it? So tell me about your children. You have two children. Yeah. Is my labor i 10. And seven, and, and my third child, my sport is charged with it. loves getting a dog is probably harder than having a newborn as I worked out. Yeah. So they Yeah, they're in school. But you know, school finishes. It's a short period. It's a short day. They're great. They're really great. And they always inspire me to do you know, a lot of our kids books have come again, from our inspiration of from our kids, which has been great work and my husband and I co create a lot of the content out there. So we come up with book ideas together. And then I illustrate and he writes it, so it's quite a good team. Oh, that's pretty cool. Do you? Is it a bit if I was doing with husband or wife is it like me? I always say to everyone, you know, you've got to maintain a very healthy relationship. So we work together collaborate on the ideas for the ball, and then we go out several ways. You can't be on top of each other too much. Yeah, yeah. And I guess that's thing you need. You've got your own, you know, creative and aspects that you're capable of doing. You don't need someone looking over your shoulder Oh, no that that differently or yeah, whatever. Well, we do critique each other's work at times, but like, it's in a very kind of small window. And then we have space. Yeah. If you're working, and he also works in, you know, he's in an out, he's doing other stuff too. So I just, I always tell people, it's really wonderful because you have, you can relate to each other. And you have these common projects that you're building together, which is amazing, but it's always good to also have your own space. I think that's very important. Oh, my God, don't get me started about that. How many books have you done together? Um, we've done. So I did all the legends myself. And then and then we've done about seven mod six, six, we've done together yet. So the next one we did off. So as the legend alphabet, which was my post that got turned into a book, which was amazing. And then we got an app. So we got a bit of a publishing deal, which was, you know, a lifelong dream of mine. And the second book we actually came up with, was called if I was Prime Minister. And it was all about what kids would do if they were Prime Minister of the country. They lead the country, sorry. And it was amazing. Because, yeah, my son, we were on a trip to Canberra and he started coming up with all the things he would do if he was Prime Minister. And we were like, Oh, we're going to unique that idea of you. So we've added support to loads of kids and their ideas were incredible. And it just kind of took shape. And it's, it's, it's I think it's my favorite book, it's, it just shows that the world is going to be okay. Because kids have the most incredible, thoughtful, caring ideas that unfortunately, get a bit watered down as they get older. But it's, it's really inspirational. And I think people and we wanted to encourage kids to become more involved with politics and leadership at a young age. I don't know about you, but I didn't really understand what was going on when I was young. Oh, no, it took me a while because my parents were very, and my, my Nana, who was very close to us in the family. They were very secretive about like, who they'd vote for, like, Oh, yeah. Never tell anyone who you voted for. And it wasn't till I got older. And I realized, you know, they were working class, you know, blue collar workers that they will ever voted. And luckily, I sort of, I resonated with that. But yeah, but now like, I talk to my kids about all about politics, like they know who everyone is, and I tell them about, like, I want to understand stuff. So they don't just all of a sudden get thrust into the world of voting and have to go, oh, my gosh, what is this? Who do I vote? Yes, you know, I know, I think they need to be more educated. But But and again, they are planning to teach it more at school, which I think is fantastic. I don't think we ever got taught it at school. We got taught about the history of other countries and French Revolution. We don't learn Australian history. Yeah, so that thing, goodness, that's all changing. But yeah, I'm really hot on that. And actually, I had a guest on last week's episode that, well, this, I was talking the wrong tense because your episode will come out at one point, and the other person's. So a few weeks ago, I had Elise Adlam on the podcast, and she's an Australian philosopher, and feminist. And she was talking about how you can include your children in these big ideas in a childlike way. But right from the start, you know, including them in discussions about social justice, and, you know, this sort of stuff, which I thought was amazing. I think a lot of us do it in some way anyway. But it's really nice to know that it's actually a thing and you feel like you're validated a little bit to go, oh, yeah, we're actually doing the right thing, which is a bad thing to say because, you know, that whole sort of, you know, not mum guilt, but the sort of doubting yourself. But yeah, politics love politics. And I don't know, I think that's really important because I think I mean, I've been involved in this project that's not come out yet. So I'm not going to say what it is, but it is about breaking down stereotypes. And I think that that on a really basic level, you can start with kids I've been just exploring what a child looks like. Like on a very basic level like not what does it look like like a girl that a boy that likes to dress up as a girl, you know, like a nun address of his girl but you know, put on girls clothes and all those things. I've just breaking down what we're just taught and you can teach kids at such a young age, you know, Oh, yeah. And like he was saying before about the the ideas that these kids have Like, unfortunately, us as adults put so much of our own beliefs and mis judgments and all this sort of stuff on the kids, and if they just had the chance to just keep believing what they believe, Yeah, amazing to see, I know, someone actually put when we, these books, we talked to a lot of kids, and we and there was some hilarious ideas about what they would do if they were Prime Minister, like, come up with an extra day of the week called yum day, you know, like, so it wasn't all like, Oh, we're gonna, you know, change the world it was. But there was amazing stuff about, you know, giving to the homeless and all those kinds of things. And, um, and so that's it to us. It's a very lifting book, isn't it? I said, most kids aren't quite that way until? I think so too, because they do have that natural sort of here for others, you know? Yeah, I don't I think all of us are that way to start with. And then for some reason, capitalism, and yes, the world gets involved. And people start to pick whatever they want, if they want to go down, I think my son's a bit of a capitalist doesn't naturally some kids gravitate towards something one way or the other, and just, you know, teaching them to have all these these ideas. You know, look at the kids protesting about climate change. These are getting involved. Yes, absolutely. Yeah, absolutely. And yeah, that's the thing that their parents aren't telling him to do this. That's, that's something that they've, I mean, the parents have done an amazing job to allow them to keep thinking that way, yeah. I think um, yeah, and all I want my work to do, and I think I just naturally gravitate towards, you know, trying to shine a spotlight on these messages. I do it on my Instagram and my illustrations in my book, and I just want to look at those, you know, I like to keep current, what's going on? I'm always illustrating kind of as things happen around me, because it just interests me. And hopefully, you know, and people are hopefully able to relate to it, which is, is great. Yeah. political cartoonists. Yeah, it's common, the commentary on on, you know, relevant issues. I was actually, I was gonna ask you, what, what is your sort of inspiration? Yeah, I just get so inspired by what's going on in the news in the world? How are people reacting to things, and it's always excites me to draw something really quickly about it. You know, I just kind of, and I guess, you know, again, I don't regret any of my advertising background, because it actually teaches me to conceptually come up with something interesting on the spot quite quickly, you know, we're used to having to write down these ideas or get these ads out there. So none of the stuff that I've done before it's been a waste it all. So I always Yeah, and I kind of use all those skills. And when I see something come up, I go, Oh, I'd love to do an illustration about this, about that. You know, something that's just happened on the news. So I kind of jump on that. Yeah, no, that's, that's really cool. And you said, like your children, obviously influenced your books. Do you look at things differently now that you have children in terms of what is happening in the world? Yes. Yeah. I think just just constantly Oh, can you just hold on one second? The dog walkers? Yeah, no worries. One second. I'll be one word. Let's hear me. Oh, my God is so funny. They're like, they're going in the round. They all love each other. They just had a bit of a fight. Is that uh, is that like, they pick up lots of dogs and take them all at once? Oh, favorite thing like, I can't he can't even he gets so excited when he hears like a voice isn't the dog or the dog Olga says that I know and Clyde actually, you know, speak. We were talking about my children and firing our book and then our latest book. It's about a rescue Greyhound and my dog inspired me for that book. We always think he's got a bit of Greyhound in him and yeah, and it's it we just launched it. It's called got Clyde the greyhound. Clyde doesn't realize I've named the book after him. But um, yeah. Really beautiful story about a risky gram that doesn't know how to fit into inner city lifestyle. It's so funny. I had so much fun I mean, if you want to think about my day, it was really funny. I spoke to my sister in law who's a doctor, you know? And she was talking about these life saving operations. And she said, What did you do today? And I said, I drew a dog party. It took me that whole day. It's just so much joy to meet kids. You know, this whole world? Oh, yes. Yes, I work in, in early childhood education. So I'm, I love going into work and just immersing myself in a different world of fun and just Yeah. And you can truly be yourself like you can't, you know, there's no hiding yourself straight through you like, it's wonderful to be able to just truly be yourself. And yeah, yeah, a lot of my illustrations too. I actually also add lazing because I want when the parent reads the book, or you have the childcare to also get, you know, like, I like kind of feeding in different messages, some to the kid some to the adult for the adults will have a laugh about it, too. So I think that's really important. Yeah, I love books like that. It's like it goes straight over the kid's head for the parents to say. I'm in the Prime Minister. But we've got this, we talk about what a prime minister does. So we show a picture of the PMs office. And then so on all the spines. I've just written really funny names of books that adults would laugh at. But there's one that's called that's not my PM. And there's another one. There's another book called How to be a pm for dummies. Being just like, really funny. All the all the leaders of the world in one phone book, like a little phone book section, and he had so much fun, right? Yeah, but I've got to say, too, with the book, that's the my favorite teacher. I I like the neutral nod to the, to the Beatles in the music teacher. Oh, I love that. Yeah. Because one of my favorite pages. Thank you so much. Yeah, it was. And, um, and the line was, you know, my favorite teacher is I can't remember the teacher's name, but it's we love seeing getting better all the time, because he thinks we're getting better. You know, parent would like that. So yeah, absolutely. Yeah. So I definitely appreciate the effort that you put into that. Oh, my God, I think I put in too much effort. Sometimes I just sweat over these little these pages on thing. Does anyone notice but I love hearing that type. Yeah. And that's really cool. Like to ask all my mums about this concept of mum guilt, and it's something that you've touched on a little bit when you were talking about having to feel sorry, like saying, Sorry, you'll feel bad because you had to leave when you're working in advertising, you know, for pickups, or whatever. Have you found that that's changed the way you think about that sort of stuff? Since you're, you're doing what you love? And you know what I mean? Yeah, that's a great question. I think that might now my mum guilt comes to you know, I do have that mum guilt towards my kids because I don't have that straightforward job. So I am often working in the evening. And I find that I have to be a bit more put my tools down when they're home because I could just work work quite a lot. Even what you know, when they're at home, which is not you know, sometimes, you know, you're gonna have to work it at nighttime or around but I do think they're aware of me constantly not being focused on them because my job doesn't have a nine to five. Always, uh, you know, get random emails and all that so I'm getting better at it. I think I was shocking at the beginning. And it depends, like if I hadn't been a really intense period where actually during COVID It was actually quite busy for me because a lot of people couldn't do photo shoots. So they would need illustrators and then you had kids homeschool. Are we saying to someone, what did you call the people that had to go to work? They were called essential work. Essential illustrator, I said to a friend. So that was really hard. Because yeah, I and I also saw I had that mum guilt, but I also know that I'm a happier person when I'm enjoying my work. So with that, you know, being balanced. We're never gonna get it right. Are we? Ah, I don't know if there is a right you know what I mean? Like, you feel bad no matter what you do too much time with the kids, and then you go on, I've been neglecting a lot of things. And then I think that I'm a good role model in terms of doing something that I think they can look at and go okay, so she's really loves what she does. So that's a really great thing. And, you know, I have toned back, you know, mealtimes and everything answering my phones and stuff, but I don't think I'm ever gonna get that perfect to be fair. So I yeah, I know. It's different that guilt because yeah, I think I do work harder now than I don't. I run it, you know, work in advertising. Because it for my business, and I want to be really successful. I think it's funny, when you go out and work for yourself, you kind of need to prove it so much that you are doing the right thing that I think sometimes you tend to actually go a bit too far. Like you're actually too, you know, you have to tick so many things off the list, yet. You feel accomplished. So I struggle with that a bit. Yeah, yeah, I can understand that. When you said before about doing something that you love, I think that is so important. And I feel like, because this society we're in is so driven by making money. It's like, a lot of people have lost that sort of, you know, in I don't know who said this quote, but you know, if you do, do something, if you work in something you love, you'll never work a day in your life. Like, I don't know that there'd be, you know, so many people out of 10 that could truly say, I know, and I can't be grateful that I you know, there's lots of people all around the world that have to go work in terrible work conditions. And how lucky am I that I get to? Yeah, I try and be grateful about that. It's funny being it's actually funny working from home, because I have this beautiful studio that I've kind of set up for myself, but then at the same time, I think I kind of do myself, I'm constantly putting the washing on or, yeah, you know, my day, sometimes I have really productive moments, and then I'm just around the house kind of trying to do both. It's we're in such a funny time period, as a woman, as women, you know, we are expected that whole, you can do it all. By us in the face a lot of the time, I think, yeah, because I am picking the kids up from school and not putting them in after school care, or anything like that. So I haven't really quite crazy a lot of the time. Both be there for them and also work and run a household. Yeah, and let alone you know, that's the physical stuff, but the mental, like, as an artist, like your brain doesn't stop in no creative mode, too. So you know, if you see something like especially you say you're inspired by current events, and what's happening, you know, you're taking that in, and then you might go, Oh, I've got this idea. It's like that little what's name needs something and you're like, oh, you know, it's this constant pool, constant push and pull from all sides. That's what I struggle with. Like, if I've got an idea, I need to write something down. But I'm in the middle of, I don't know, making lunches or something, you know, it's just like, how do you physically and mentally can do all this stuff. So true. And I also think that I've had a few when things are really truly gone a little sour is when I've, it's wet when everything is running perfectly, and there's no kids sick, there's nothing goes wrong with work, but if something say something happens during my work, we had something go wrong with one of our books. And so all those all those plates and I'm speeding, if one light, then everything can actually fall down. And so it's you have to be easier on yourself. And I think yeah, and be prepared for those moments. And I've had to learn how to rebound and not take all those moments to personally you know, my ego takes a bashing or any of those things and it sounds and I was yay if it's nice and calm, everything is fine but if things get hectic like a job I have to get out instantly things I mean it can go quite chaotic and I'm trying to learn you know through meditation a few other things I actually yeah, I've I've stopped drinking alcohol I was finding that too hard to balance with kids and locked down and all those kinds of things and it just I wasn't creatively feeling as well. You know, agile. So I've done a couple of things to actually be more present. And because it's you that was, yes, something I think was pulling me back a little bit and not and yeah, keeping all those plates spinning was hard work do you have like external support? And you have family around or Yeah, I can help. Yeah, yeah, I've got parents and I've got beautiful community around me and everything like that. So yeah, I do. And I'm learning to lean on everyone a bit more. Yeah. See, that's what I find that hard. Like, I've got people, but sometimes you feel bad for asking, because you think I should be able to do this myself. And, you know, and my ego, like, I can do this, I don't need to ask for help. But then it's like, Oh, my God, if I don't ask for help, like you said, the plates are gonna fall off, and then all the plates fall off and crash on the floor. And yeah, I know. And I also feel like having that time to myself to like, you know, I'll do exercise or something like I try and be quite rigid with when you work from home, you have to be quite rigid with your day, will fit in that exercise I have to in the morning or do meditate, because otherwise, I know, I've got to put the work in to kind of, you know, feel productive on those other sides of the equation here. Yeah, it's a common thing. A lot of moms I've spoken to that work from home, it's just there'll be, you know, doing something in their studio, and then they'll hear the, the, the dishwasher before the washing machine beeps or like, oh, just go do that, you know, and then you just, I don't know, if you think of, and I don't need to make the place perfect during the morning. Like, I can leave it a bit chaotic. And that's okay. Like, I don't have to clean up, you know, everything. So I'm trying to get better at doing things like that, I guess. Yeah. And just, and also leaving when you're in the creative world, it's, there's this time also, I just want to create for not for any commercial purposes, and just for myself, so I try and those times and then I try and be quite rigid with that other type of, you know, in the one that I still need to make money. Yeah. Yeah, that's it, isn't it? Because it's almost like going back to the advertising days where you had that conflict between, you know, creating for someone else. And then your own, your own needs to come out. Sort of wasn't getting met. Yeah. I don't mind creating, I do a lot of freelance projects and actually, like, doing things with a purpose that are not just art for for, so I don't I don't mind working on briefs. And I love that side. I just need to know that I can balance that out with some other stuff for that. But you know, what? When do you ever get it perfectly? I think that weight exists. overthinking everything too much. Like just going just going with the flow of it like a kid is gonna get sick and lie next to you while you work is not the end of the world. That's That's it? Isn't it, like these expectations, letting go of what you think it's supposed to be like, or what society is supposed to be and looking on Instagram? Well, I mean, as I said, like when I started social media, for me has been such an amazing outlet, but it also makes me think everyone's doing a lot better than I am. Yes, yeah. And that's something we talk about a lot on this podcast, actually. And the best advice someone gave me was, if someone if someone's feed makes you feel triggered or uncomfortable, just just unfollow them, like, yeah. Oh, it's so amazing doing that, isn't it? It is a great feeling. But that's the thing like most people will only show the best bits, right? You only seeing the best bits and you can't compare your entire life to their best bit. It's like it's just not I think it's not healthy hunterson And you know, what's actually really good is that instead of being like, so we're stuck in these little was we're often quite isolated, especially as moms if you're working from home, you're quite isolated. If you're working in the studio, but actually to get and talk to other people in your creative industry, and talk and not be scared or jealous about them and actually try to learn from each other, and you'll see also that they're also going through their own struggles. I mean, not that you want to or complain, but it's nice to talk to people, rather than just seeing them as a competition. Yeah. And I think that comes from from age as well. Like, I feel like myself as a younger singer, was very competitive and would get jealous of people. And now, I just think, oh, good on. Yeah. Like, everyone, you for doing that. Yeah, I might think, oh, jeez, I wish I could do that. But then I think, well, I'm doing this. So that's like, you know what I mean, like, you don't lose sight of what journey you're on? Yes, you're able to have that maturity to celebrate someone else's success. And that's actually brought me a lot of joy. I know. And people are so generous when it comes to like giving me beautiful feedback. I was like, just kind of work myself to give other people like not think about yourself so much like get out of your own. Yes. Yeah. Yeah, what's interesting, too, is like you constantly creating for that kind of to get that positive feedback. And if you get too addicted to that it's actually really negative. And it's something I have to fight all the time. Yeah, I don't need everyone giving me compliments to feel better as a person. Yeah, see, I'm the same. I'm the same, this is going off on a tangent now. But when I was younger, in my relationship, like my husband, I'm married. Now before we were married, my husband doesn't do public displays of affection. He's not big on the art, you look beautiful sort of thing. And he's really good in a crisis, like he's, you know, really steady level raising. And so when I was younger, and all my girlfriends were with these blokes that had always have their arm around them when they're fatigued, telling them how beautiful they are, think we should do that. I wish she did. And then at some point in my life, I realized that I could actually say that to myself, I could actually say, Allison, you're amazing, you look really great, or you've done a really good job. I didn't have to wait for someone else to give me that validation. And that was tremendously, like freeing, because now I don't give a shit. You know, me, like, I don't need someone else to make me feel good about myself. And that felt really nice, because I think my dad was the same. He'd never give you like, I worked with my dad for a long time. You'd never get any sort of real positive feedback. You'd never get those comments. And my mum used to say, Oh, he never tells you done a good job. And it's like, I just have to tell myself, I've done a good job. Yeah. Because the same comes from their upbringing about what their parents are actually said it to me. And I know. And it's really funny though. Now my dad if he ever does say like, Wow, he's really proud. Both moments means so much. Yes, absolutely. Because they say no. Yes. But then at the same time, though, I've got to say, my mom was so positive, this is actually goes back to my creativity. And I have to she was so encouraging about it. And it was really important. Yeah, I needed that. Like, I always used to laugh before I even showed my mom and our network. She would gasp being like, oh my god, it's amazing. I was like, I haven't even showed it to you. I need someone in your life though. As long as you've got some sort of that kind of person just in those early stages to give you that confidence in Oh, yeah. Yeah, that's it because he's like, you might not have ever gone down that path if he didn't have that. That encouragement, ality and now I'm with my kids, although I always laugh that I don't want them to go into the creative world. I was like, I just wanted to be a chartered accountant. Something really boring and regular. But I know it's so funny. But i my i was always allowed to kind of do my thing and go into my creative choices. I was never stopped. Yeah, and art classes in the afternoon, all those things that are really important to work to making sure that your kid is well rounded in life. And it really gave me the tools to I think just be able to kind of go for it. Even though it took me a few years to get back to like my initial that kid drawing on the walls and she had to go, she had to go a few years, making $1 or two out and actually not just being a pure artist. I think it was important. I kind of know how the world works a little bit more now. Yeah, yeah. And like you said, you picked up those skills of being able to like get an idea and really quickly and you know, turn things around like from the advertising. Gonna Yeah, I think that that it all it Yeah, it all helped Are you kids creative as well they drawing and it's so funny. I didn't see early on the same obsession as I did, but now it's kind of coming a bit later. I don't know. And it's funny. I don't know if I I push it as much as I should or, but this just naturally coming out in in interesting ways like drama and and all those things it's so funny you see them, um constantly growing. You just you can't ever peek what they're gonna become. And for my son is 10 now it's really exciting thing I'm kind of on the verge of going into teenagehood and who is going to be? Yeah. Oh no. Yeah, I feel like it's I'm on the cusp before they go into like really negative space. How old are you? Well, I've got a seven year old and a 14 year old. Oh, so you're a bit older. So I've got a seven or 10 year old. Yeah, well over the shop. But yeah, gosh, it's just odd. And I that before Alex, like Alex is my eldest before he became a teenager, I just didn't know what to expect. I thought because I hadn't I've had no brothers with a sister. So I didn't know what the boys were going to be like. But he's just, I don't know, just the most straightforward, logical, well adjusted, settled child. It's just a miracle. It's just lovely. And I like you talking about like pushing the drawing or the creativity. I both my husband and I play instruments in a musical. But Alex, I always said to him, do you wanna? You want me to teach you something? Do you want to know I don't wanna do not he's not a really sporty kid. But all of a sudden, about 12 months ago, he decided he wanted to play the recorder. Just out of nowhere. I'm like, great. The recorder I had to pick something out. And then it was a bit much for me. So I bought him a tin whistle and Irish tin whistle because I had a nicer sound. And then he decides he wants to play the bagpipes. Oh, my now but he's so he's actually he's picked it up so quickly. Like for kid that's done nothing musical. I think it was just any, you know, they just get get it through. The Jains picked it up so quick. And he's he's actually good at it. So it actually sounds nice. Coming through the house with four doors shut between him and us. It sounds lovely. I love that you didn't push anything on him too much. Like I think we pushed the piano on my oldest to he hated it in the classic thing of pushing it and then being able to step back and just letting him naturally. It scared me though, because people around me like I was singing in a vocal group when he was born and other mums were getting their kids to join this junior group that we had. And I was like, Oh, maybe I should be doing this. And I actually got him to come to a Christmas carol gig, just real casual just to sing Christmas carols with us. And he just said, I didn't really I don't want to do that again. I'll say okay, that's fine. Like you've had a go, you know, and I just I've just really had to step back, which was hard for me. Because I'm, you know, do you want to do this? Do you want to do that? Yeah, that can. It's also like you, you want to make sure. Just because, you know, you've got all that experience in the music world, but and you don't and then you're like, Oh, have I deprived them? Should I have pushed harder? Yeah, yeah. And all these mums are doing it. Should I be on that? Was that felt like I was? Yeah. Am I doing the right thing. And in the end, it's just happened the way it's happened. So it's lovely. But my other ones completely different. He just wants to do everything he wants to. Like he's really sporty. He's trying out all different things. So they're very different children. And I don't think we'll ever play a musical instrument. He's just too sporty. But that's fine. I've got my bag. Oh my god, amazing. I'll talk to you and like, you know, 10 years from now and you'll be like he's a professional bagpipe. I've always had one of my good friend of mine from down here. She's Scottish and she wants him to play at a wedding. Oh, there you go, mate. That'd be your first professional gig. Oh my god. You gotta get into the wedding circuit. Wedding weddings and funerals Oh my god. I JC a poor boy that I think has been exiled to the park up the road from us playing the bag Oh God I had just so loud and he hasn't even got all the stops out of all of these things yet like they can get louder sunlight. Oh god help is when he loves that he really loves it. You're listening to the art of being a mom with my mom, Alison. Wanted to ask to your children obviously must be aware that mom and dad are creators and make does that make you like excited and play? They know that you do stuff apart from being their parents. Yeah, it's so funny though I talk about this quite a bit. So I, you know, at their local school, we just got to a really lovely public school, I do a lot of reading and, you know, kids are aware, and it's just so I think they before they discover influences, they're really love our books, and they're always coming up to us to the playground and talking to us and just being amazing. And my kids are really proud of that. Like, it's almost like this. They get a bit of fame out of us, but they're like, I mean, yeah, as I said, you know, like a five year old then, before they've discovered YouTube. But they, ah, I laugh. If I go, I've done a new book, you know, it's pretty amazing to get a book published, and they don't even my kid. My son's read a latest book. And I go to a, I'm going to stop did I dedicate the books to them? I go, I'm gonna stop dedicating these books to you. This is the last one. I don't know. Look. He's, he kind of get some bit embarrassed now and all that kind of stuff. But I know he loves it. But then they're really not that excited whenever we got a new board is that she's done another one. Oh, I know. I know. And it's so funny. Because when sometimes when their friends come over, they want to watch me draw thing and they don't really know underneath. Yeah. Would you like me to come in and do a reading of my new book? No, no. Okay. That's fine. I'm not coming in. But yeah, it's funny. But yeah, as I said, and then then they'll do beautiful things like make their own books. Both things. It's just not a constant, because I think it's it's everywhere around them. I think that must be that must happen for a lot of parents who are doing these interesting vacations, like kids just kind of it kind of becomes quite normal, doesn't it? Hmm, yeah. And the excitement of it, like has gone out? Because I see it every day. And I see it. I know. I know. So but yeah, I'm sure later in life, they'll be really proud. Hopefully. I tell you funny. And then I dedicated another book, I think to my siblings. I don't think they got that excited. Maybe that's my big hint that I think it's so wonderful to dedicate a wall. But it's not actually to animate. Oh, yeah, that's quite funny. I when I did my first album, I did it. I have so many dedications on it. And I think the most excited with the ladies because I have the I used to teach Aqua classes at my local church. And it was beautiful bunch of of elderly ladies. And they were just like, like I had 20 Nana's like they were just beautiful. And so and they'd always be like, Oh, when's your next gig because none of them were online. So they had to work out how they were going to get their tickets and all this sort of stuff. But they'd come I had, you know, a table of them come to I put them in my dedications. And they were, I think, the most excited. None amazing partners, the charity sort of thing. Yeah. And that support and you know, what's amazing? Is those those type of people, you know, when I've had book launches, and the most interesting people that I never would have thought come more than your close friends come to these things. And it's just good to have those type of people in your life. Oh, yeah. It's very, it's very, I don't know what the word is. It's validating but it's lovely as well, like going past the ego. It's yeah. It's just to see you meet in your journey. You know, in the creative world, you meet so many interesting characters. And some people are just more attracted to what you do than others. I think that's just, yeah, I'm sure one of my kids is going to follow me more than my other kid. And then I might get an accountant if dreams do come true. Just a regular paycheck. attracted to that stability, because there's no stability in the work we do. At the same time, I'm so addicted to like, you know, the highs and the, you know, that an email can avail like, you know, the other day we were on the news, and Anthony Albanese was reading our prime minister, but yeah, I mean, that just does not happen. That's on the news. And you're like, Wow, this is just so crazy. So the other day we had on and someone read our book on Play Store, which was just, yeah, that's almost like the peak, isn't it? That's like the summer. Right. You know, what's interesting, though, is sorry, I always go you know, what's interesting to me, um, you have these new summers and you think, Well, that's it. I'm retiring that I mean, how can you get better and then this little thing called ambition? Get in or are you going comes in your head and guess what are you going to do next? It was like when I got my first book published, I was like, Oh, well, I've done it. I've achieved what I wanted to because that was always my greatest ambition was to do that. And then like, what about that next book, Becky? Oh, that's funny. I love that now. Good idea. But thank you so much for chatting with me today. It's so lovely. I've just enjoyed meeting you know me too and it's so nice talking to someone in the creative field but on a different spin on you know, I love talking to people like that I've got to I yeah reminds me not just talking to people in the book world or the the art world music or anything. The music you heard featured on today's episode was from LM Joe, which is my new age ambient music trio comprised of myself, my sister, Emma Anderson, and her husband, John. If you'd like to hear more, you can find a link to us in the show notes. Thanks for your company today. If you've enjoyed this episode, I'd love for you to consider leaving us a review, following or subscribing to the podcast, or even sharing it with a friend who you think might be interested. If you or someone you know would like to be a guest on the podcast. Please get in touch with us via the link in the show notes. I'll catch you again next week for another chat with an artistic mom

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